Written in a clear and informative style, the dictionary describes the Indo-European origins of English and includes many new words and coinages adopted each year.

    You'll find 101 more stories to help you deal with a world that seems more and more difficult every day.Jack, Mark and Kimberly's latest batch focuses on love, friendship and tough stuff, along with some great teen-told tales of learning lessons, making a difference and growing up. Like in the first volume of Chicken Soup for the Teenage Soul, you'll find no adults preaching to you about what you should or shouldn't do. Instead, this book if full of teens who share their experiences on learning to accept life, becoming the best person you can be, being happy with who you are, and loving yourself--no matter what. These stories will show you that no matter how difficult your situation may seem, you can make it through the tough times; and that no matter how lonely you may feel, you are never alone.Cover artwork by Robbin O'NeillCover redesign by Andrea Perrine Brower

    Who hasn't searched for the right word to describe a colleague's maschalephidrosis (runaway armpit perspiration) or a boss's pleonexia (insane greed)? And what better way is there to insult the scombroid landlord (resembling a mackerel) or that tumbrel of a brother-in-law (a person who is drunk to the point of vomiting) than by calling him by his rightful name? A compact compendium of ingenious words for anyone who's been tongue-tied, flabbergasted, or dumbfounded, Depraved and Insulting English supplies the appropriate vocabulary for any occasion. Word lovers, chronic insulters, berayers, bescumbers, and bespewers need fear no more—finding the correct word to wow your friends or silence your enemies just got a whole lot easier.

    Organized by geographic region, each myth is placed within the civilization's history and context. The key elements of world mythology, such as the hero, his divine connection, the labyrinth, the initiation, and the transformation, are explored in boxes and features throughout the book.

    But distinguished poets Mark Strand and Eavan Boland have produced a clear, super-helpful book that unravels part of the mystery of great poems through an engaging exploration of poetic structure. Strand and Boland begin by promising to "look squarely at some of the headaches" of poetic form: the building blocks of poetry. The Making of a Poem gradually cures many of those headaches.Strand, who's won the Pulitzer Prize and a MacArthur Fellowship and has served as U.S. Poet Laureate, and Boland, an abundantly talented Irish poet who has also written a beautiful book of essays on writing and womanhood, are both accustomed to teaching. Strand, now at the University of Chicago, and Boland, a Stanford professor, draw upon decades in the classroom to anticipate most questions.Ever wonder what a pantoum is? A villanelle? A sestina? With humor, patience, and personal anecdotes, Strand and Boland offer answers. But the way they answer is what makes this book stand out. The forms are divided into three overarching categories: metrical forms, shaping forms, and open forms. "Metrical forms" include the sonnet, pantoum, and heroic couplet. "Shaping forms" explains broader categories, like the elegy, ode, and pastoral poem. And "open forms" offers new takes on the traditional blueprints, exploring poems like Allen Ginsberg's "America."Each established form is then approached in three ways, followed by several pages of outstanding poems in that form. First, the editors offer a "page at a glance" guide, with five or six characteristics of that specific form presented in a brief outline. For example, the pantoum is defined like this:   1) Each pantoum stanza must be four lines long.   2) The length is unspecified but the pantoum must begin and end with the same line.   3) The second and fourth lines of the first quatrain become the first and third line of the next, and so on with succeeding quatrains.   4) The rhyming of each quatrain is abab.   5) The final quatrain changes this pattern.   6) In the final quatrain the unrepeated first and third lines are used in reverse as second and fourth lines.With this outline, it's easy to identify the looping pantoum. In the second piece of the pantoum section, Strand and Boland include a "History of the Form" section, again condensed to one page. Here, we learn that the pantoum is "Malayan in origin and came into English, as so many other strict forms have, through France." Indeed, both Victor Hugo and Charles Baudelaire tried their hands at the pantoum. As always, Strand and Boland offer some comparison to the other forms, which helps explain why a poet might choose to write a pantoum over, say, a sonnet or a sestina:"Of all verse forms the pantoum is the slowest. The reader takes four steps forward, then two steps back. It is the perfect form for the evocation of a past time." Next, the editors include "The Contemporary Context," which introduces several of the pantoums of this century. Finally, in what may be the book's best feature, they provide a close-up of a pantoum, an approach they repeat for each form discussed. In this case, it's the "Pantoum of the Great Depression" by Donald Justice. The editors offer some biographical information on Justice, and then they map out how that specific poem gets its power. This "poet's explanation" of the workings of a poem is invaluable, especially when it comes from leading poets such as Stand and Boland. What's more, these remarks are transferable. Reading how Strand and Boland view a dozen poems transforms the way one reads. With any future poem, you can look for what Strand and Boland have found in the greats.The editors offer their readers a great start, with a list for further reading and a helpful glossary. If anything can get a person excited about poetry, this selection of poems can -- though the editors, as working poets, readily admit their choices are idiosyncratic. Gems here include the best work of lesser-known poets, including several "poets' poets." For example, Edward Thomas, a prominent reviewer in his day and a close friend of Robert Frost's, is represented by "Rain," an absolutely brilliant blank-verse poem which begins:      Rain, midnight rain, nothing but wild rain      On this bleak hut, and solitude, and me      Remembering again that I shall die      And neither hear the rain nor give it thanks      For washing me cleaner than I have been       Since I was born into this solitude. Thomas's poem -- and other treasures here -- introduces readers to what and how poets read to learn to make poems. Of course, many of the usual suspects are found here, but the surprises are exciting, and even the old favorites seem new when the editors explain why and how a particular poem seems beautiful. This is particularly evident in their discussion of Edna St. Vincent Millay's rushing, initially breathless sonnet "What Lips My Lips Have Kissed, and Where, and How, " which reads:      What lips my lips have kissed, and where, and why,      I have forgotten, and what arms have lain      Under my head till morning, but the rain      Is full of ghosts tonight, that tap and sigh      Upon the glass and listen for reply,       And in my heart there stirs a quiet pain      For unremembered lads that not again      Will turn to me at midnight with a cry.       Thus in the winter stands the lonely tree      Nor knows what birds have vanquished one by one,      Yet knows its boughs more silent than before:       I cannot say what loves have come and gone,       I only know that summer sang in me      A little while, that in me sings no more. In the "close-up" section, Strand and Boland offer an biographical paragraph that mentions that in 1923, Millay became the first woman to win a Pulitzer Prize in Poetry. They then discuss Millay's "distinctive and unusual" approach to the sonnet form: "Instead of taking the more leisurely pace of the public sonnet that had been the 19th-century model, she drove her sonnets forward with a powerful lyric music and personal emphasis."The editors point out Millay's heavy reliance on assonance and alliteration, and then note how she takes advantage of the different tempos the sonnet offers:"Here she uses her distinctive music and high diction to produce an unusually quick-paced poem in the first octave and then a slower, more reflective septet where the abandoned lover becomes a winter tree. This ability of the sonnet, to accommodate both lyric and reflective time, made it a perfect vehicle for highly intuitive twentieth-century poets like Millay."That simple explanation of the sonnet as a form able to "accommodate both lyric and reflective time" helps clarify most sonnets. But Strand and Boland are careful not to explain everything. The deepest beauty, as they explain in their introductory essays on their attraction to form, is built on mystery. And it is that attempt to understand the greatest mysteries that defines the greatest poems. Similarly, mystery often drives poets to write, as Strand explains in his essay on Archibald MacLeish's "You, Andrew Marvell," which Strand describes as the first poem he wished he had written himself in his early years as a poet:"Although I no longer wish I had written 'You, Andrew Marvell,' I wish, however, that I could write something like it, something with its sweep, its sensuousness, its sad crepuscular beauty, something capable of carving out such a large psychic space for itself&. There is something about it that moves me in ways I don't quite understand, as it were communicating more than what it actually says. This is often the case with good poems -- they have a lyric identity that goes beyond whatever their subject happens to be."With this book, Strand and Boland help quantify the explicable parts of a "lyric identity." Understanding form, the editors believe, is one way to begin understanding a poem's beauty. This lucid, useful book is a wonderful guide to that mysterious music.—Aviya Kushner

    Clear explanations are detailed with many current examples.

    Psych 101 cuts out the boring details and statistics, and instead, gives you a lesson in psychology that keeps you engaged - and your synapses firing.From personality quizzes and the Rorschach Blot Test to B.F. Skinner and the stages of development, this primer for human behavior is packed with hundreds of entertaining psychology basics and quizzes you can't get anywhere else.So whether you're looking to unravel the intricacies of the mind, or just want to find out what makes your friends tick, Psych 101 has all the answers - even the ones you didn't know you were looking for.

    The brilliant and uproarious #15 bestseller (i.e., a runaway phenomenon in its own right-no, seriously) - a lavish compendium of handy reference tables, fascinating trivia, and sage wisdom - all of it completely unresearched, completely undocumented and (presumably) completely untrue, fabricated by the illuminating, prodigious imagination of John Hodgman, certifiable genius.

    It deals with the central problems of the human condition--with important questions of free will, morality, life after death, the limits of logic and reason--though often in rather esoteric terms. Now, in The Oxford Companion to Philosophy, readers have the most authoritative and engaging one-volume reference work on philosophy available, offering clear and reliable guidance to the ideas of all notable philosophers from antiquity to the present day, and to the major philosophical systems around the globe, from Confucianism tophenomenology. Here is indeed a world of thought, with entries on idealism and empiricism, ethics and aesthetics, epicureanism and stoicism, deism and pantheism, liberalism and conservativism, logical positivism and existentialism--over two thousand entries in all. The contributors represent a veritable who's whoof modern philosophy, including such eminent figures as Isaiah Berlin, Sissela Bok, Ronald Dworkin, John Searle, Michael Walzer, and W. V. Quine. We read Paul Feyerabend on the history of the philosophy of science, Peter Singer on Hegel, Anthony Kenny on Frege, and Anthony Quinton on philosophyitself. We meet the great thinkers--from Aristotle and Plato, to Augustine and Aquinas, to Descartes and Kant, to Nietzsche and Schopenhauer, right up to contemporary thinkers such as Richard Rorty, Jacques Derrida, Luce Iragaray, and Noam Chomsky (over 150 living philosophers are profiled). Thereare short entries on key concepts such as personal identity and the mind-body problem, major doctrines from utilitarianism to Marxism, schools of thought such as the Heidelberg School or the Vienna Circle, and contentious public issues such as abortion, capital punishment, and welfare. In addition, the book offers short explanations of philosophical terms (qualia, supervenience, iff), puzzles (the Achilles paradox, the prisoner's dilemma), and curiosities (the philosopher's stone, slime). Almost every entry is accompanied by suggestions for further reading, and the book includes both achronological chart of the history of philosophy and a gallery of portraits of eighty eminent philosophers, from Pythagoras and Confucius to Rudolf Carnap and G.E. Moore. And finally, as in all Oxford Companions, the contributors also explore lighter or more curious aspects of the subject, such asDeaths of Philosophers (quite a few were executed, including Socrates, Boethius, Giordano Bruno, and Thomas More) or Nothing so Absurd (referring to Cicero's remark that There is nothing so absurd but some philosopher has said it). Thus the Companion is both informative and a pleasure tobrowse in, providing quick answers to any question, and much intriguing reading for a Sunday afternoon. An indispensable guide and a constant source of stimulation and enlightenment, The Oxford Companion to Philosophy with appeal to everyone interested in abstract thought, the eternal questions, and the foundations of human understandin

    Completely updated and revised by preeminent historian J. M. Roberts, this volume features ninety up-to-date maps, new sections, and extremely well-written and accessible articles throughout. Truly global and comprehensive, it succeeds in conveying the staggering diversity of the human experience across a vast range of climates and conditions. This is the one book for anyone interested in the variety and grandeur of history’s march.

    The completely updated and expanded third edition of this landmark guide brings this bestselling medical home reference into the nineties. It is simply the most useful, comprehensive home health reference ever published, brought to you by the nation's most respected medical authority.This lavishly illustrated volume, prepared by a a team of over forty distinguished medical authorities under the direction of the American Medical Association, incorporates the most significant trend in health care: wellness and preventive medicine. It covers the sweeping revolution in technology and puts more emphasis on the reader as a health-care consumer. It also updates the information on the most prominent health issues of the nineties, including Alzheimer's disease, AIDS, chronic fatigue syndrome, stress, death and dying, drug abuse, and more.The book is divided into four sections for easy reference. Part I, "Your Healthy body, " contains specific tips you can use for preventive self-care and encourages you to adopt a more healthy lifestyle, with advice on diet, exercise, losing weight, reducing stress, and stopping smoking. A full-color atlas of the human body shows you the location and name of almost every organ, nerve, bone, and muscle.Part II, "Symptoms and Self-Diagnosis, " provides the clearest, most reliable aid for recognizing medical problems ever published for the layperson. Over 165 pages of unique diagnostic symptom charts with clear questions and yes/no answers will help you track down what a particular symptom may signify and advise you whether it is something you may safely treat yourself, a condition requiring a doctor's visit, or an emergency requiring immediate medical attention.Consistently voted the book's most popular feature by readers' polls, these charts alone can save you time and money by sparing you needless visits to the doctor. Full-color photographs, used in conjunction with the charts, will help you identify various conditions and decide when to seek medical advice. An all-new diagnostic imaging section introduces full-color images of ultrasound, Doppler, MRI, CT scans, and other technologies that are becoming commonplace in doctors' offices and hospitals.Part III, "Diseases, Disorders, and Other Problems, " provides detailed, accessible, expertly illustrated articles on more than 650 medical problems. Separate sections address the special problems of men, women, couples, infants and children, adolescents, and older people, including a comprehensive section on pregnancy and childbirth.Part IV of the guide, "Caring for the Sick, " covers all the basics of professional medical care, home nursing, and caregiving. You'll learn how to choose a personal physician, how to get the most out of your hospital's services, what your rights as a patient are, and how to cope with a sick child or older person or someone with a terminal illness. You'll also find a glossary of over 300 medical terms and a color-coded section on first aid that includes the most up-to-date CPR positions and other lifesaving information.The American Medical Association is committed to the principle that, as patients and health consumers, we need to do all we can to work more effectively with our physicians andhealth care teams. This third edition of the "Family Medical Guide" -- easy to understand, superbly designed, beautifully illustrated, and brimming with up-to-date information -- will help you and your family stay healthy and help you create an effective partnership with your doctor when you need it. It belongs on every family's reference shelf.

    Here is the one guide pediatricians routinely recommend and parents can safely trust, covering everything from preparing for childbirth to toilet training to nurturing your child’s self-esteem. Whether it’s resolving common childhood health problems or detailed instructions for coping with emergency medical situations, Caring for Your Baby and Young Child has everything you need. •Basic care from infancy through age five• Guidelines and milestones for physical, emotional, social, and cognitive growth•A complete health encyclopedia covering injuries, illnesses, congenital diseases, and other disabilities•Guidelines for prenatal and newborn care with sections on maternal nutrition, exercise, and screening tests during pregnancy•An in-depth guide to breastfeeding, including its benefits, techniques, and challenges•A complete guide for immunizations and updated information on vaccine safety•A guide for choosing child care programs and car safety seats•Ways to reduce your child’s exposure to environmental hazards, such as secondhand smoke• Sections on grandparents, building resilience, media, and multiples • New chapters on sleep and on allergies—including food allergies•New content on prebiotics and probiotics, organic foods, and other healthy lifestyle topics•And much more

    You may think you know your cat as he purrs in your lap, but come across your pet in the street on a dark night and you might think that Bagpuss suffers from a dual personality.Every single feline pet carries an inheritance of amazing sensory capacities, vocal utterances, body language and territorial displays. By answering such questions as 'what does a cat signal with its ears? 'why does a cat rub up against your leg?' and 'why does a cat swing its head from side to side when staring at its prey?', Desmond Morris decodes the private world of the cat.Your cat is full of surprises and our finest zoologist is about to reveal their secrets in this beautifully repackaged edition of a much loved bestseller.

    This edition contains four new cultural collages which trace four topics, such as "The City", up to the present day. An accompanying audiotape for instructors is also available.

    GET D!RTYNext time you’re traveling or just chattin’ in German with your friends, drop the textbook formality and bust out with expressions they never teach you in school, including:•Cool slang•Funny insults•Explicit sex terms•Raw swear wordsDirty German teaches the casual expressions heard every day on the streets of Germany:•What's up?Wie geht's?•I'm smashed.Ich bin total angeschickert.•Fuckin' Munich fans.Scheiß München Fans.•That shit reeks.Das riecht aber übel.•I wanna shag ass.Ich will abhauen.•What a complete asshole.Was für ein Arschloch.•Dude, you're built like Arnold!Mensch, du bist der Arnie!