She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going.Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it.By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

    So when Byron is found dead, they’re shocked. They’re even more shocked when they learn that nothing is what they originally thought, and they’re being held accountable in the man's death.With Junior called in for questioning, Boo is determined to clear their names by finding Byron’s true killer. It’s a quest in which Boo will have to face down crooked cops, crazed guard dogs, a rival security crew, the Irish mob and—worst of all—his own ingrained prejudices.Action-packed, outrageously funny, and brutally honest, Rough Trade brings back crime fiction’s favorite bouncers and takes them well out of their comfort zone in a novel that’s whip-smart, hilarious, gritty and above all human, proving that Todd Robinson is one of the most important voices in crime fiction.

    The ship's comforts and possibilities seem infinite. The children - two eleven-year-olds, an eight-year-old, and a six-year-old—love the nonstop buffet and the independence they have at the Kids' Club. But when they all go ashore in beautiful Central America, a series of minor misfortunes leads the families farther and farther from the ship's safety. One minute the children are there, and the next they're gone. What follows is a riveting, revealing story told from the perspectives of the adults and the children, as the once-happy parents - now turning on one another and blaming themselves - try to recover their children and their lives. Celebrated for her ability to write vivid, spare, moving fiction, Maile Meloy shows how quickly the life we count on can fall away, and how a crisis changes everyone's priorities. The fast-paced, gripping plot of Do Not Become Alarmed carries with it an insightful, provocative examination of privilege, race, guilt, envy, the dilemmas of modern parenthood, and the challenge of living up to our own expectations.

    History files on a bygone era are ripped open and rewritten in temporal games with eternal consequences at the intersection between heaven and hell, between the visible and the Invisible.Mississippi Bureau of Narcotics Captain Michael Parker is an unlikely player in a struggle for the soul of America. A ghostly pale embodiment of evil becomes his obsession, and his tormentor leaves a trail of bodies across the South.As snipers ambush Michael and his agents on frozen fields of regret and the woman he loves is stalked by death, he learns that he is not alone as he has to fight for his life against enemies seen and unseen.

    In fact, you get paid big money—more than you've ever dreamed of—to spend a few seasons in this luxurious locale. The catch? For nine months, you belong to the Farm. You cannot leave the grounds; your every move is monitored. Your former life will seem a world away as you dedicate yourself to the all-consuming task of producing the perfect baby for your überwealthy clients.Jane, an immigrant from the Philippines and a struggling single mother, is thrilled to make it through the highly competitive Host selection process at the Farm. But now pregnant, fragile, consumed with worry for her own young daughter's well-being, Jane grows desperate to reconnect with her life outside. Yet she cannot leave the Farm or she will lose the life-changing fee she'll receive on delivery—or worse.Heartbreaking, suspenseful, provocative, The Farm pushes our thinking on motherhood, money, and merit to the extremes, and raises crucial questions about the trade-offs women will make to fortify their futures and the futures of those they love.

    Douglas and his partner NYPD Detective Mark Zucarelli on the streets of New York City as they find themselves in the middle of raging drug wars.The Colombian Cartels are flooding the streets with cocaine. They are violent and ruthless criminals.The Mob has been cut out. What will they do?The FBI and the NYPD have an uneasy alliance.Who can be trusted?Does everyone have bad intent?Inspired by my years on the FBI-NYPD Drug Task Force, BAD INTENT will take you to the dark side of the drug wars.Peek into the hearts and minds of the FBI Agents and NYPD Detectives on the front lines.Do you have BAD INTENT?

    Her experience has left her haunted by hallucinatory echoes of kids who are not coming back. But when Leslie's own thirteen year-old daughter, Molly, attempts to hire her to find a vanished friend, the echoes start to take their form from Leslie's own troubled childhood. As the search for Molly's friend Lydia gets underway, it becomes apparent that there's much more to the story: a party of eighth graders at Lydia's home got out of hand and has resulted in charges of sexual assault against five thirteen-year-old boys. The once-rural town and now burgeoning suburb of Swifton Woods. Swifton has labored for decades under the stigma of an unsolved series of abductions and rapes of eleven young girls, who came to be known as the Nightingales. An incidental connection between Lydia's party and Swifton's past only fans the public response to an ugly rage. The boys' conviction seems all but inevitable.Molly, however, knows more than she's telling. In trying to honor a solemn promise while negotiating her inherent sense of right and wrong, she finds herself despised by those she most wants to help. At the same time, Leslie's increasing worry for the depth of Molly's involvement begins to weave into her own secret knowledge of the Nightingales' history. In the end, she is left uncertain of every instinct but the one that demands she protect her child. Even if that means she has to betray her own childhood by telling everything.

    From that day forward, the Bush administration turned to the Department of Justice to give its imprimatur to activities that had previously been unthinkable—from the NSA's spying on US citizens to indefinite detention to torture. Many of these activities were secretly authorized, others done in the light of day. When President Obama took office, many observers expected a reversal of these encroachments upon civil liberties and justice, but the new administration found the rogue policies to be deeply entrenched, and, at times, worth preserving. Obama ramped up targeted killings, held fast to aggressive surveillance policies, and fell short on bringing reform to detention and interrogation. How did America veer so far from its founding principles of justice? Rogue Justice connects the dots for the first time—from the Patriot Act to today’s military commissions, from terrorism prosecutions to intelligence priorities, from the ACLU’s activism to Edward Snowden’s revelations. And it poses a stark question: will the American justice system ever recover from the compromises it made for the war on terror?Riveting and deeply reported, Rogue Justice could only have been written by Karen Greenberg, one of this country’s top experts on Guantánamo, torture, and terrorism, with a deep knowledge of both the Bush and Obama administrations. Now she brings to life the full story of law and policy after 9/11, introducing us to the key players and events, showing that time and again, when liberty and security have clashed, justice has been the victim.

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

    How is a small-town art teacher supposed to cope without the never-ending life advice and enjoyment that books give her? Well, when she’s as resourceful and generous as Dodie, she turns her sunroom into her very own little lending library.At first just a hobby, this lit lovers’ haven opens up her world in incredible ways. She knows books are powerful, and soon enough they help her forge friendships between her zany neighbors—and attract an exciting new romance.But when the chance to adopt an orphaned child brings Dodie’s secret dream of motherhood within reach, everything else suddenly seems less important. Finding herself at a crossroads, Dodie must figure out what it means to live a full, happy life. If only there were a book that could tell her what to do…

    She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep. Antonia has always sought direction in the literature she loves—lines from her favorite authors play in her head like a soundtrack—but now she finds that the world demands more of her than words.Afterlife is a compact, nimble, and sharply droll novel. Set in this political moment of tribalism and distrust, it asks: What do we owe those in crisis in our families, including—maybe especially—members of our human family? How do we live in a broken world without losing faith in one another or ourselves? And how do we stay true to those glorious souls we have lost?

    While dining out with her husband and their friends, Kirshenbaum's protagonist—an acerbic, mordantly witty, and clinically depressed writer—fully unravels. Her breakdown lands her in the psych ward of a prestigious New York hospital where she refuses all modes of recommended treatment. Instead, she passes the time chronicling the lives of her fellow “lunatics” and writing a novel about how she got to this place. Her story is a hilarious and harrowing deep dive into the disordered mind of a woman who sees the world all too clearly. Propelled by stand-up comic timing and rife with pinpoint insights, her examination of what it means to be unloved, and loved; to succeed, and fail; to be, at once, both impervious and raw ultimately reveals how art can lead us out of—or into—the depths of disconsolate loneliness and piercing grief. Rabbits for Food, Kirshenbaum’s first novel in a decade, is a bravura literary performance. A heartbreaking, irreverent, laugh-out-loud funny meditation on what it’s like to lose your mind.

    Best friends and artistic partners since the first week of college, where they bonded over their working-class roots and obvious talent, they spent their twenties ensconced in a gritty Brooklyn studio. Working, drinking, laughing. Drawing: Mel, to understand her tumultuous past, and Sharon, to lose herself altogether.Now, after a decade of striving, the two are finally celebrating the release of their first full-length feature, which transforms Mel’s difficult childhood into a provocative and visually daring work of art. The toast of the indie film scene, they stand at the cusp of making it big. But with their success come doubt and destruction, cracks in their relationship threatening the delicate balance of their partnership. Sharon begins to feel expendable, suspecting that the ever-more raucous Mel is the real artist. During a trip to Sharon’s home state of Kentucky, the only other partner she has ever truly known—her troubled, charismatic childhood best friend, Teddy—reenters her life, and long-buried resentments rise to the surface, hastening a reckoning no one sees coming.

    But when her close friendship with an older neighbor begins to attract suspicion, and connecting with her birth father isn’t at all how she imagined it would be, Morgan’s long-held hope begins to dwindle. That is, until, at the age of fourteen, Morgan meets Bill – her forty-five-year-old martial arts instructor.At first a teacher and father figure who Morgan can confide in, Bill soon reveals that his interest in her isn’t entirely paternal. Despite her initial fear, Morgan craves the attention Bill is more than willing to lavish upon her, resulting in a several-months-long affair that will alter the course of both of their lives.Spanning four years of Cauley’s adolescence, The Places Left Unfilled explores in harrowing detail the circumstances that may lead a child to find solace in their sexual abuse. Told with immediacy and remarkable candor, Cauley’s gripping narrative will stay with you long after you’ve turned the final page.

    A tour-de-force about two women and the piano that inexorably ties their lives together through time and across continents, for better and for worse.In 1962, in the Soviet Union, eight-year-old Katya is bequeathed what will become the love of her life: a Blüthner piano, built at the turn of the century in Germany, on which she discovers everything that she herself can do with music and what music, in turn, does for her. Yet after marrying, she emigrates with her young family from Russia to America, at her husband's frantic insistence, and her piano is lost in the shuffle.In 2012, in Bakersfield, California, twenty-six-year-old Clara Lundy loses another boyfriend and again has to find a new apartment, which is complicated by the gift her father had given her for her twelfth birthday, shortly before he and her mother died in a fire that burned their house down: a Blüthner upright she has never learned to play. Ophaned, she was raised by her aunt and uncle, who in his car-repair shop trained her to become a first-rate mechanic, much to the surprise of her subsequent customers. But this work, her true mainstay in a scattered life, is put on hold when her hand gets broken while the piano's being moved--and in sudden frustration she chooses to sell it. And what becomes crucial is who the most interested party turns out to be. . .