The novel's characters, particularly its resilient heroine Koda Yukiko, find themselves trapped in their own drifting, unable to break out of the morass of indecisiveness. Set in the years during and after World War II, their lives and damaged psyches reflect the confusion of the times in which they live.Floating Clouds follows Yukiko as she moves from the physically lush and beautiful surroundings of Japanese-occupied French Indochina to the desolation and chaos of postwar Japan. Hayashi's spare, affecting novel presents a rare portrait of Japanese colonialism and the harshness of Japan's postwar experience from the perspective of a woman. Its rich cast of characters, drawn from the back alleys of urban Japan and the low rungs of society, offers an unforgettable portrait of Japanese society after the war.The tortured relationship between Yukiko and Tomioka, a minor official with the Department of Agriculture and Forestry, provides the dramatic center of the novel. Yukiko meets Tomioka while working as a typist for the Japanese ministry in Indochina, where they begin their affair. After the war, Tomioka returns to his wife but remains emotionally inscrutable to Yukiko, refusing to break off their relationship. Meanwhile, Yukiko must find her way in a radically changed postwar Japan. When Yukiko and Tomioka's lives once again cross, the two set down a path shaped by their passion and sense of desperation.First published in 1951, Floating Clouds is a classic of modern Japanese literature and was later made into a film by legendary Japanese director Mikio Naruse.

    Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by Haruki Murakami this is a book which will be a revelation to many of its readers. Short story writers already well-known to English-language readers are all included - Tanizaki, Akutagawa, Murakami, Mishima, Kawabata, Yoshimoto - but also many surprising new finds. From Tsushima Yuko's 'Flames' to Sawanishi Yuten's 'Filling Up with Sugar', from Hoshi Shin'ichi's 'Shoulder-Top Secretary' to Yoshimoto Banana's 'Bee Honey', The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy.

    The stories have been selected and introduced by Haruki Murakami.

    A lonely teenage girl falls in love with her foster brother as she watches him leap from a high diving board into a pool—a peculiar infatuation that sends unexpected ripples through her life. A young woman records the daily moods of her pregnant sister in a diary, taking meticulous note of a pregnancy that may or may not be a hallucination—but whose hallucination is it, hers or her sister's? A woman nostalgically visits her old college dormitory on the outskirts of Tokyo, a boarding house run by a mysterious triple amputee with one leg.Hauntingly spare, beautiful, and twisted, The Diving Pool is a disquieting and at times darkly humorous collection of novellas about normal people who suddenly discover their own dark possibilities.

    A boy waits at a bus stop, mocking businessmen struggling to keep their umbrellas open in a typhoon--until an old man shows him that they hold the secret to flying. A woman working in a clothing boutique waits endlessly on a customer who won't come out of the fitting room--and who may or may not be human. A newlywed notices that her husband's features are beginning to slide around his face--to match her own.In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien--and, through it, find a way to liberation. The English-language debut of one of Japan's most fearlessly inventive young writers.

    In her brief life she wrote poems, essays, short stories and a great, multivolume diary. This book is made up of a critical biography, interlaced with extracts from the diary, and Robert Danly's translations of nine representative stories.

    In these seven stories, the author of The Makioka Sisters explores the territory where love becomes self-annihilation, where the contemplation of beauty gives way to fetishism, and where tradition becomes an instrument of refined cruelty.

    Collected in this chilling volume are some of the famous Japanese mystery writer Edogawa Rampo's best stories—bizarre and blood-curdling expeditions into the fantastic, the perverse, and the strange, in a marvelous homage to Rampo's literary 'mentor', Edgar Allan Poe.

    Winner of most of Japan’s top literary prizes for fiction, Kono Taeko writes with a disquieting and strange beauty, always foregrounding what Choice called "the great power of serious, indeed shocking events." In the title story, the protagonist loathes young girls, but she compulsively buys expensive clothes for little boys so that she can watch them dress and undress. The impersonal gaze Kono Taeko turns on this behavior transfixes the reader with a fatal question: What are we hunting for? And why? Now available in paperback for the first time, Toddler-Hunting Other Stories should fascinate any reader interested in Japanese literature––or in the growing world of transgressive fiction.

    AMY YAMADA ("Fiesta"), widely published overseas and with many fans among Western readers, offers us a sophisticated psychological portrait of a sexually repressed woman. TAMAKI DAIDO ("Milk"), winner of the Akutagawa Prize in 2002, and talented young newcomer RIO SHIMAMOTO ("Inside"), paint two very different pictures of teenage life. The trials of a busy working mother are depicted by SHUNGIKU UCHIDA ("My Son's Lips"), who shocked Japan in 1993 with the publication of her novel, Father Fucker. YUZUKI MUROI ("Piss"), a prolific, popular and outspoken essayist, novelist and TV commentator, tells the sexually explicit and very moving story of a young Tokyo prostitute. Winner of the 1999 Akutagawa Prize, CHIYA FUJINO ("Her Room"), delves into the relationship between two women, one divorced and one single, with a subtle and powerful tale. Well-known essayist, JUNKO HASEGAWA ("The Unfertilized Egg"), makes a first foray into fiction with a hard-hitting portrait of the single thirty-something lifestyle. NOBUKO TAKAGI ("The Shadow of the Orchid") is a highly respected member of the Japanese literary establishment, and winner of many prizes, including the Akutagawa Prize in 1984. Her short story is a sensitive depiction of a moment of crisis in the life of a fifty-year-old housewife.

    During the Vietnam war, Hung, a well-known composer, becomes enchanted by the voice and beauty of a young peasant girl named Suong. He invites her to join his troupe; she becomes his wife and his star performer. But after the war, Hung loses his job, setting off a series of events that drive him and Suong into a destructive spiral. One of Vietnam's most popular writers, Duong Thu Huong draws on her own experiences to describe life at the battlefront, the conditions of a "re-education" camp, and the texture and rhythm, scents and sounds, of a provincial Vietnamese city. Most of all, she tells a haunting, universal story of failed love.

    Beginning with the first writings to assimilate and rework Western literary traditions, through the flourishing of the short story genre in the cosmopolitan atmosphere of the Taisho era, to the new breed of writers produced under the constraints of literary censorship, and the current writings reflecting the pitfalls and paradoxes of modern life, this anthology offers a stimulating survey of the development of the Japanese short story.Various indigenous traditions, in addition to those drawn from the West, recur throughout the stories: stories of the self, of the Water Trade (Tokyo's nightlife of geishas and prostitutes), of social comment, love and obsession, legends and fairytales. This collection includes the work of two Nobel prize-winners: Kawabata and Oe, the talented women writers Hirabayashi, Euchi, Okamoto, and Hayashi, together with the acclaimed Tanizaki, Mishima, and Murakami.The introduction by Theodore Goossen gives insight into these exotic and enigmatic, sometimes disturbing stories, derived from the lyrical roots of Japanese literature with its distinctive stress on atmosphere and beauty.

    Not the typical romantic fantasies so often seen in Japanese writing, filled with water sprites and vengeful ghosts, these stories are a mixture of fantastic allegory, slightly skewed fables, and affecting romantic tales. Revealing the wide range of Dazai's imaginative powers, they also give a glimpse of his humane and idealistic side. From the title story, about an impoverished, henpecked scholar who is transformed by the love of a voluptuous bird, to "The Chrysanthemum Spirit," about a passionate gardener who meets a brother and sister with extraordinary powers, Dazai creates a world of fantasy and romance that is infused with his own psychological concerns. Many readers may recall the poignancy of Oscar Wilde's The Happy Prince or Han Christian Andersen. The collection is capped by two delightful stories-within-a-story, in which the assorted members of a quirky family compose alternate episodes of a slightly gothic romance with hints of Poe and Saki (in "On Love and Beauty") and a wildly elaborate retelling of Rapunzel that is engaging, horrifying, and touching by turns (in "Lanterns of Romance"). All in all, these warm, inventive, and life-affirming stories will strike a deep, satisfying chord in many readers.

    Oe was ten when American jeeps first drove into the mountain village where he lived, and his literary work reveals the tension and ambiguity forged by the collapse of values of his childhood on the one hand and the confrontation with American writers on the other. The earliest of his novels included here, Prize Stock, reveals the strange relationship between a Japanese boy and a captured black American pilot in a Japanese village. Teach Us to Outgrow Our Madness tells of the close relationship between an outlandishly fat father and his mentally defective son, Eeyore. Aghwee the Sky Monster is about a young man’s first job — chaperoning a banker’s son who is haunted by the ghost of a baby in a white nightgown. The Day He Himself Shall Wipe My Tears Away is the longest piece in this collection and Oe’s most disturbing work to date. The narrator lies in a hospital bed waiting to die of a liver cancer that he has probably imagined, wearing a pair of underwater goggles covered with dark cellophane.

    ‘Rashōmon’ and ‘In a Bamboo Grove’ inspired Kurosawa’s magnificent film and depict a past in which morality is turned upside down, while tales such as ‘The Nose’, ‘O-Gin’ and ‘Loyalty’ paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as ‘Death Register’, ‘The Life of a Stupid Man’ and ‘Spinning Gears’, Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.A WORLD IN DECAY- Rashōmon- In a Bamboo Grove- The Nose- Dragon: The Old Potter's Tale- The Spider Thread- Hell ScreenUNDER THE SWORD- Dr. Ogata Ryōsai: Memorandum- O-Gin- LoyaltyMODERN TRAGICOMEDY- The Story of a Head That Fell Off- Green Onions- Horse LegsAKUTAGAWA'S OWN STORY- Daidōji Shinsuke: The Early Years- The Writer's Craft- The Baby's Sickness- Death Register- The Life of a Stupid Man- Spinning Gears