An award-winning journalist and cohost of PBS's Amanpour and Company examines likability and empowers readers to reject an outdated image of leadership instead of reinventing themselves.Research shows that the more women succeed, the less likable they become. The minefield is doubly loaded when likability intersects with race, ethnicity, sexual orientation, and parental status. Relying on extensive research and interviews, and carefully examined personal experience, The Likability Trap delivers an essential examination of the pressure put on women to be amiable at work, home, and in the public sphere.Rather than advising readers to make themselves likeable, Menendez empowers them to examine how they perceive themselves and others, and breaks down how the subjective nature of likability is riddled with cultural biases and how our demands for it hinder everyone's progress and power.Written from the perspective of a minority female Millennial, The Likability Trap proposes surprising, actionable solutions for moving through these cultural patterns holding us back. Ultimately inspiring us to value unique talents and styles instead of muting them, and to remember that even when we are held back for appearing unlikeable, we aren't broken by it.

    Events in this book are so shameless that I've had to change all the names, but everything that happens is real.' Becci Fox is an Essex girl through and through. She just wants to be comfortable and spoilt, taken out to nice places and showered with presents. And she is. She lives in the grounds of her parents' manor house, drives a Mercedes SLK and had a boob job when she was nineteen. She's ambitious, working hard during the day as a bridal buyer. And at night she plays hard, clubbing at Sugar Hut and Faces, mixing with celebrities and soap stars. She knows how to handle the footballers who buy you Cristal champagne and make you feel like the most special person in the room (only they've got five other girls on speed dial). But when she falls for a sexy racing driver, is she finally out of her league? Becci shares six dramatic months in her life as she and her friends have fun, fall in love, handle heartache and betrayal, and even plan a big fat Essex wedding.

    This 399-page put together by the late Edwin Sabin gives a thorough yet readable account of the awesome feats and bravery of the great warrior leaders of these ancient peoples that occupied and cultivated this continent thousands of years before the white man stumbled upon it by mistake.Chet DembeckPublisher of One

    Feminist therapy has become a practice that encompasses work with women, men, children, families, and larger systems. In this book, Dr. Brown presents and explores this approach, its theory, history, the therapy process, primary change mechanisms, empirical basis, and future developments.

    Text Me When You Get Home is a personal and sociological perspective - and ultimately a celebration - of the evolution of the modern female friendship.Kayleen Schaefer has experienced (and occasionally, narrowly survived) most every iteration of the modern female friendship. First there was the mean girl cliques of the '90s; then the teenage friendships that revolved around constant discussion of romantic interests and which slowly morphed into Sex and the City spin-offs; the disheartening loneliness of "I'm not like other girls" friendships with only men; the discovery of a platonic soul mate; and finally, the overwhelming love of a supportive female squad (#squad).And over the course of these friendships, Schaefer made a startling discovery: girls make the best friends. And she isn't the only one to realize this. Through interviews with friends, mothers, authors, celebrities, businesswomen, doctors, screenwriters, and historians (a list that includes Judy Blume, Megan Abbott, The Fug Girls, and Kay Cannon), Schaefer shows a remarkable portrait of what female friendships can help modern women accomplish in their social, personal, and work lives.A validation of female friendship unlike any that's ever existed before, this book is a mix of historical research, the author's own personal experience, and conversations about friendships across the country. Everything Schaefer uncovers leads to - and makes the case for - the eventual conclusion that these ties among women are making us (both as individuals and as society as a whole) stronger than ever before.

    Even after her man, Jack Lemon, is cased up, Gina does what she has to do, holding it down for herself and her man. When Jack wins his appeal, vengeance is no longer just for the Lord. A vindictive cycle of mayhem and murder catapults Jack and Gina to the forefront of DieHard Records, a multi-million dollar empire. But when the headless body of industry rival Damon Dice is discovered, Top Cop Anthony Brown finds himself pursuing both the truth behind the crime and one of the suspects as he and Gina flirt in a deadly game of cat and mouse. The twists continue as Gina meets Georgia Mae, a.k.a. Game, a crazy-sexy-cool white chick and exotic dancer with a bodacious body and a fetish for chocolate men. If Gina and her girl Monique only knew what lengths Game would go to get a man... With time running out and the feds closing in, Jack and Gina have one last dangerous trick up their sleeves. Will it work?

    We’re going to make you a new life.’ From petty shoplifter to gangland empress.From frightened runaway to proud mother.From drug dealer to probation worker.Janice Nix lived a life of crime. Groomed to work as a shoplifter in London’s West End, she entered a glamorous underworld of beautiful possessions – and drugs. As she rose to the top of her criminal empire, Janice achieved the money and status her family had never had. But one day, it had to come tumbling down.Several prison stretches later, Janice was reformed – and inspired to join the probation service. Using everything she learned in her years on the streets, she’s devoted her life to ensure girls like her don’t make the same mistakes.This is her story.

    It features a biography of the author, a full-length analysis of the novel, and a great deal more. If you're studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative and helpful. Part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    Keep well away from that Hadyn Jenkins.' In spite of her father's words of warning, Sharon Pritchard decides to give up everything to follow her heart. However, her new life with Hadyn is anything but easy. Although he is handsome and charming, he is feckless and unreliable. And they soon find themselves sinking ever faster into poverty. The birth of their son should be a joyous occasion, but Sharon fears for him amongst the filth and despair of Tiger Bay. And when Hadyn's errant ways catch up with him, Sharon is faced with a devastating truth. Can her love for Hadyn survive and will she be able to provide a better future for herself and her son...? From the Paperback edition.

    The men who live through the plane crash must make their way toward the mountains separating NWT from the Yukon Territory while surviving off the land, facing tragedy and the wild, and uncompromising land and animals they come across. This is a story of extreme survival, and a rescue attempt that is beyond belief.

    Wedding planner Ellie Moon, is determined to give them a day to remember. After a tough year, she’s had to move out of her cosy cottage and in with her sister, while she rents her home out to a new tenant, the handsome mechanic Jago, who keeps popping up around the picture-postcard seaside village of Porthgolow.

    This book shows how to integrate HR practices with the mission of their organization. An accessible tool complete with an instructor s manual, this book provides an integrated approach to current HR concerns and is unique in its focus on both public and nonprofit agencies. Offering guidance and techniques for implementing effective human resource management strategies job analysis, performance evaluation, recruitment and selection, training and development, compensation and benefits, and collective bargaining Pynes demonstrates how strategic human resources management is essential to proactively managing change.

    But with a single phone call, everything changes. Your mother...she's not well, his father tells him. She's been imagining things - terrible, terrible things. She's had a psychotic breakdown, and been committed to a mental hospital. Before Daniel can board a plane to Sweden, his mother calls: Everything that man has told you is a lie. I'm not mad... I need the police... Meet me at Heathrow.Caught between his parents, and unsure of who to believe or trust, Daniel becomes his mother's unwilling judge and jury as she tells him an urgent tale of secrets, of lies, of a crime and a conspiracy that implicates his own father.

    Now, however, conversation has turned to whether it's necessary to have it all or, perhaps more controversial, whether children are really a requirement for a fulfilling life. The idea that some women and men prefer not to have children is often met with sharp criticism and incredulity by the public and mainstream media.In this provocative and controversial collection of essays, curated by writer Meghan Daum, sixteen acclaimed writers explain why they have chosen to eschew parenthood. Contributors Lionel Shriver, Sigrid Nunez, Kate Christiensen, Elliott Holt, Geoff Dyer, and Tim Kreider, among others, offer a unique perspective on the overwhelming cultural pressure of parenthood.Selfish, Shallow, and Self-Absorbed makes a thoughtful and passionate case for why parenthood is not the only path in life, taking our parent-centric, kid-fixated, baby-bump-patrolling culture to task in the process. What emerges is a more nuanced, diverse view of what it means to live a full, satisfying life.

    Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text.Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television."We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect.The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance.These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination.In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.