Unknown to Freya, these women, over centuries, fought with whatever weapons came to hand – deception, endurance, even murder – to preserve their home and family.Freya falls in love with the house, but her inheritance includes an enigmatic letter telling her to ‘restore the balance’ of the Lady’s Well. Besides this, the house seems to be haunted by the scent of flowers.In the past, the Lady’s Well was a place of healing, and Freya soon feels safe and at home, but she has demons of her own to conquer before she can accept the happiness that beckons.

    Opening with a chapter on how Emily BrontA's masterpiece was received in the nineteenth century, the "Guide" links together a selection of extracts that demonstrate the major critical developments of the twentieth century -- from humanism through formalism to deconstruction. Within this general framework, subsequent chapters focus on psychoanalytic readings, source studies, readings using discourse theory, work on dissemination, and political readings from Marxist, postcolonialist, and feminist points of view.

    There, she finds herself caught up in the drama of that ancient house and the unusual members of the Stacy family. When Caroline Verlaine's sister, the archaeologist Roma, disappears, Caroline is forced down to Lovat Stacy in an attempt to discover what has happened. She finds herself caught up in the drama of the ancient house and with the unusual members of the Stacy family. But it is Napier Stacy, recently returned from years of banishment for apparently killing his brother, who she is especially drawn to. Napier is haunted by the tragedy, and Caroline becomes determined that he should put his past behind him and not allow, what she insists was an accident, to cloud his life for ever. At the same time, she becomes equally determined to solve the mystery of her own sister's disappearance. Why has Roma vanished? Was it an accident or has she been murdered? As the tension mounts Caroline soon realizes that this quest to uncover the truth is a dangerous one and is marking her out as the next victim. /////// 2) The Secret Woman (1970) - To all appearances, Anna Brett was a quiet, capable young woman whose only ambition was to carry on the profitable antiques business bequeathed her by a spinster aunt. And so she was - until the memory of a cherished moment with a blue-eyed stranger suddenly returned to haunt her with savage intensity. It was then Anna discovered the secret woman who waited within her - impetuous, daring . . . and dangerous.

    It is narrated from the perspectives of multiple characters, a technique used to create suspense in many of the "sensation novels" pioneered by Wilkie Collins and others in the 1860s, as well as in many late nineteenth-century novels such as Dracula.Richard Marsh was the pseudonym of the British author, Richard Bernard Heldmann.

    But when Kate Herrick returns to her childhood home she uncovers a web of intrigue as tangled as the rambling roses in its garden. It is the summer of 1947. Kate, widowed in the War and comfortably settled in London, travels to Rose Cottage to retrieve some family papers for her grandmother. Curious as to the changes and the welcome she'll find, she is relieved when, at first glance, everything seems just as she remembers it. But she soon finds disturbing evidence of a break-in. The papers are missing. The village is alive with gossip. Did her elderly neighbors, suspected of being witches, really see nighttime prowlers and ghosts in the cottage garden? Kate's search for the truth brings her together with many childhood friends and neighbors, some suspicious of her return, but most eager to help. It also leads her down a trail of family bitterness, jealousy, and revenge - and into an exploration of her own past.

    "This young man is your slave. Whatever your daily business may be here, some part of your time, I imagine, will be spent in his company. Let me know what manner of man he is. Is this innate corruptness which brings him so easily to the bait, or is it the stinging smart of injustice from which he may well be suffering? Or, failing these, has he dared to set his wits against mine, to play the double traitor? If even a suspicion of this should come to you, there must be an end of Mr. Francis Norgate."

    Sold for a penny a chapter on the streets of London in 1845, Varney the Vampire is a milestone of Vampire fiction, yet ignored and overlooked for nearly 100 years, until now! The Critical Edition of Varney the Vampire; or, The Feast of Blood includes: · A critical introduction about the Penny Dreadful Press and the lore of the Mid 19th Century Vampire · Over 200 notes explaining references, historical information, and corrections to the text · A variety of 19th century essays explaining the horrors and dangers of (gasp!) reading Penny Dreadfuls · Contemporary critical essays on James Malcolm Rymer and his most famous Penny Dreadfuls: Varney the Vampire and Sweeney Todd · Four additional early Penny Dreadfuls detailing insanity, family cannibalism, torture gone wrong, and other bedtime stories · A reader's guide · Reproductions of the original woodcut illustrations

    

    They built it outside the Suffolk town so it would not infect the healthy with its horrors. But the town itself is long gone, washed away by the North Sea. Only the Leper House remains, a shelter for the unwanted. A bereaved man strays there on a stormy night when the bell tolls once again beneath the waves. In a nearby house, a woman waits for history to repeat itself. When time isn’t what it seems, nor is love and nor are ghosts. And nor are we. The Leper House is a 19,000-word novella, written for Kindle Singles and available here for the first time. Andrew Taylor is a British crime and historical novelist whose books include the international bestseller, The American Boy (a Richard-and-Judy selection), and the Roth Trilogy (filmed for TV as Fallen Angel). Among his many awards are the Cartier Diamond Dagger for Lifetime Excellence in crime writing. His latest novel is The Scent of Death, winner of the 2013 Historical Dagger.

    She has never met her Aunt Minerva Broome, and hardly knows what to expect at majestic country home of Staplewood. Her aunt, uncle, and cousin welcome her to their estate, buy her new clothes, and provide all the amenities a young lady of quality should have. Soon, Kate begins noticing strange things about the manor. Though the guests are few, even family dinners are formal. Unexplained noises and events occur in the night. Surrounded by her domineering Aunt, handsome but moody cousin Torquil, and cousin Philip, who appears to have taken her in instant dislike, Staplewood soon turns from an inviting stately house to a cold and gloomy mansion

    Distraction comes in the form a wealthy young American who wants to trace his Shropshire family. One question leads to another and the final revelations shock and almost overwhelm him. Meanwhile, Anna faces tragedy in her own family and struggles to come to terms with the chaos of her emotions, plunging deeper and deeper into flight and denial. In the process she almost loses the people she loves most. This is a tale of the deep story of the heart told with humour and compassion and relentless honesty. This is the last novel in the trilogy of Anna Ames books.

    You will spoil the story and your own enjoyment if you read a series in the wrong order and you will miss the development of an author’s writing if you read their books in a helter-skelter fashion. With our original reading list you get the perfect tool to enjoy Agatha Christie’s books the way they where meant to be enjoyed. You can also use the reading list as checklist. Simply use the inbuilt highlight feature to highlight all the books that you have already read. Inside this book you will find a link that will allow you to download three classics for FREE along with three free audiobooks. Enjoy! Note To Readers This is a bibliography. The author and publisher of this book do not guarantee the accuracy and/or completeness of the content within this book and are not liable for damages arising from the use of this book. The bibliography portion of this book can be found in publicly available sources and only includes elements, such as titles and dates of publication, which are not subject to copyright protection. The bibliography is unofficial and not approved, authorized, licensed, or endorsed by any author, publisher, or organization mentioned within it.

    The woman, he gradually comes to realise, was his family's beloved servant many years ago, in his native town of Ruffano. He returns to his birthplace, and once there, finds it is haunted by the phantom of his brother, Aldo, shot down in flames in '43.Over five hundred years before, the sinister Duke Claudio, known as The Falcon, lived his twisted, brutal life, preying on the people of Ruffano. But now it is the twentieth century, and the town seems to have forgotten its violent history. But have things really changed? The parallels between the past and present become ever more evident.

    Jane EyreScreenplay by Moira BuffiniBased on the novel by Charlotte BrontëDrama, RomanceA mousy governess who softens the heart of her employer soon discovers that he's hiding a terrible secret.

    R. James is widely regarded as the father of the modern ghost story, and his tales have influenced horror writers from H. P. Lovecraft to Stephen King. First published in the early 1900s, they have never been out of print, and are recognized as classics of the genre. This collection contains some of his most chilling tales, including A View from a Hill, Rats, A School Story, The Ash Tree, and The Story of a Disappearance and an Appearance. Read by BAFTA and Emmy-award winning actor Derek Jacobi, and with haunting and evocative music, these tales cannot fail to send a shiver down your spine.