. . again and again.22000 B.C. A beautiful, ambitious angel stands on a mountaintop, surveying the world and its little inhabitants below. He smiles because soon, the last of humanity who survived the great flood will meet its end, too. And he should know. He’s going to play a big part in it. Our angel usually doesn’t get to do field work, and if he does well, he’s certain he’ll get a big promotion.And now it’s time . . . .The angel reaches into his pocket for the instrument of humanity’s doom. Must be in the other pocket. Then he frantically begins to pat himself down. Dejected, he realizes he has lost the object. Looking over the Earth at all that could have been, the majestic angel utters a single word.“Crap.”2015. A thief named Coop—a specialist in purloining magic objects—steals and delivers a small box to the mysterious client who engaged his services. Coop doesn’t know that his latest job could be the end of him—and the rest of the world. Suddenly he finds himself in the company of The Department of Peculiar Science, a fearsome enforcement agency that polices the odd and strange. The box isn’t just a supernatural heirloom with quaint powers, they tell him.It’s a doomsday device. They think . . .And suddenly, everyone is out to get it.

    The story, told in verse, takes up just after Edmund's riotous party. He and the Bug are whisked off to a faraway village for another round of strange and vaguely eerie encounters. Fans of Gorey's distinctive ink drawings, tending toward the well -dressed and slightly mad, will not be disappointed - they make for an engrossing book with or without the accompanying deliciously odd text. ("Reversing at a tango tea/In Snogg's Casino-not-on-Sea/L-- tripped and cried,'I am afraid/They tampered with the marmalade.'") There is also plenty to be had for aficionados of the mysterious little rituals, mentioned nonchalantly, that seem so logical to the inhabitants of Gorey's bizarre world - the Bandage Folder's Ball being a head-cocking highlight. "The Headless Bust" is perfect for a winter's read by the fireplace, just before drifting off into fruitcake-induced dreams. Ali DavisNB The sub-title has the word 'on' on the cover and the word 'for' on the title page, both in Gorey's script.

    Exotic beasts and improbable travelers roam restlessly through these darkly diverting and finely honed tales.In “The Situation,” a beleaguered office worker creates a child-swallowing manta-ray to be used for educational purposes (once described as Dilbert meets Gormenghast). In “Three Days in a Border Town,” a sharpshooter seeks the truth about her husband in an elusive floating city beyond a far-future horizon; “Errata” follows an oddly familiar writer who has marshaled a penguin, a shaman, and two pearl-handled pistols with which to plot the end of the world. Also included are two stories original to this collection, including “The Quickening,” in which a lonely child is torn between familial obligation and loyalty to a maligned talking rabbit.Chimerical and hypnotic, VanderMeer leads readers through the postmodern into a new literature of the imagination.

    Follow Kip, Rock and Steady, as they struggle to survive and stay completely shit-faced in the face of certain undead doom. These three unlikely heroes hold the key to humanity's salvation, but will they succeed being inebriated as they are? Not everyone who saves the world is a rocket scientist, a super hero, or a handsome actor turned politician. Sometimes people who save the world... they're fucking idiots.

    Its name: BIZARRO. For years, readers have been asking for a category of fiction dedicated to the weird, crazy, cult side of storytelling that has become a staple in the film industry (with directors such as David Lynch, Takashi Miike, Tim Burton, and Lloyd Kaufman) but has been largely ignored in the literary world, until now. The Bizarro Starter Kit features short novels and story collections by ten of the leading authors in the bizarro genre: D. Harlan Wilson, Carlton Mellick III, Jeremy Robert Johnson, Kevin L Donihe, Gina Ranalli, Andre Duza, VIncent W. Sakowski, Steve Beard, John Edward Lawson, and Bruce Taylor.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    They illuminate the odd and the uncanny, the wondrous and the fantastic: all the things we know are lurking just out of sight--on the other side of the looking-glass, beyond the music of the impossibly haunting violin, through the dark trees of the forest. Other worlds, talking animals, fairies, goblins, demons, tricksters, and mystics: these are the elements that populate a rich literary tradition that spans the globe.In this collection, Ann and Jeff VanderMeer explore the stories that shaped our modern idea of "fantasy." There are the expected pillars of the genre: the Brothers Grimm, Hans Christian Andersen, Mary Shelley, Christina Rossetti, Nikolai Gogol, Franz Kafka, L. Frank Baum, Robert E. Howard, and J. R. R. Tolkien. But it's the unexpected treasures from Asian, Eastern European, Scandinavian, and Native American traditions--including fourteen stories never before available in English--that show that the urge to imagine surreal circumstances, bizarre creatures, and strange new worlds is truly a universal phenomenon.

    Open at your own risk. Sarah and Tommy have the same kinds of problems as most any ten-year-old girl and six-year-old boy. Homework, bullies, Dad not going in to work since Mom ran off to fuck the postman. That sort of thing. But they're not going to take their problems lying down. After a quick bus ride into town to buy a gun, they think their problems are all but solved. That is, until a creepy weirdo follows them into an alley. But they aren't the only ones in that alley. What they discover will make you soil your pants in terror. It will make your skin crawl. It might even give you... Shingles.

     In an alien city torn apart by crooked cops and ruthless criminals, private detective, Dan Deadman, specializes in cases unusual and bizarre. Sure, he doesn't smell great, and he's technically been dead for quite some time, but if you've got a rampaging Hell-beast tearing up your street, or a portal to another dimension appearing in your bathroom, Dan's your man. After saving a mysterious young woman named Ollie from the clutches of something big, slimy, and unpleasant, Dan gets entangled in a missing child case, a string of grisly murders, and a severed woman's arm that just won't leave him alone. And then there's the demonic entity who'll stop at nothing to get its tentacles on Ollie, even if it means destroying the whole damn planet. Times like these, Dan would give his right nut to be a real detective. If he still had nuts. From the pages of Space Team: The Guns of Nana Joan, "Dial D for Deadman" is the first darkly comedic action adventure novel starring Dan Deadman, Space Detective.

    Lansdale compiles and introduces 26 of his own favorite and most violent dark horror tales in this review of his work. "God of the Razor" introduces the dark god behind serial killers. A martial arts fight to the death between a reluctant champion and a sadistic alpha male is featured in "Master of Misery." Human sacrifice to ensure prosperity and as a coming-of-age ritual, are themes of "On a Dark October" and "Duck Hunt." In "The Fat Man," young boys learn the hard way that some mysteries should not be investigated. Many of the tales are truly weird, such as "Chompers," a story of false teeth with an appetite. All of the stories are individually introduced by Lansdale, who explains the humorous, weird, and sometimes sad genesis for each.

    His extraordinary imagination spawned both the Elder God Cthulhu and his eldritch cohorts, and the strangely compelling town of Innsmouth, all of which feature within these pages. Stephen Jones, one of the world's foremost editors of dark fiction, will complete the Lovecraft story in his extensive afterword, and award-winning artist Les Edwards will provide numerous illustrations for this must-have collection.

    The tales range from the deadly serious to the absurdly hilarious. Also included is a new, never-before-published novella that takes place after the cliff-hanger ending of the new April 2010 hardcover, Changes.Contains:+ "Restoration of Faith"+ "Vignette"+ "Something Borrowed" -- from My Big Fat Supernatural Wedding + "It's My Birthday Too" -- from Many Bloody Returns + "Heorot" -- from My Big Fat Supernatural Honeymoon + "Day Off" -- from Blood Lite + "Backup" -- novelette from Thomas' point of view, originally published by Subterranean Press+ "The Warrior" -- novelette from Mean Streets + "Last Call" -- from Strange Brew + "Love Hurts" -- from Songs of Love and Death + Aftermath -- all-new novella from Murphy's point of view, set forty-five minutes after the end of Changes

    In some ways, the media frenzy over the rating overshadowed the harrowing portrait of teenagers destroying their lives and the then twenty-one-year-old screenwriter who created them. "Whether you see the movie as a masterpiece or as sensationalism," wrote Lynn Hirshberg, "the movie is relentless and brilliant and extremely disturbing. It's powerful-both steel-eyed and sexy; horrifying and captivating."Now, in this first book of fictional set pieces, Korine captures the fragmented moments of a life observed through the demented lens of media, TV, and teen obsession. Korine reinvents the novel in this highly experimental montage of scenes that seem both real and surreal at the same time. With a filmmaker's eye and a prankster's glee, this bizarre collection of jokes, half-remembered scenes, dialogue fragments, movie ideas, and suicide notes is an episodic, epigrammatic lovesong to the world of images. Korine is the voice of his media-savvy generation and A Crack-Up at the Race Riots is the satiric lovechild of his dark imagination.