It's not a place many would choose to live - yet the Governor of Dartmoor Prison did just that. When Herbert Russell retired, he bought All Hallow's Hall - a rambling Tudor mansion on the edge of the moor, and lived there all his life.Now he's dead, and his estranged family are set to inherit his estate. But when the dead man's family come to stay, the atmosphere of the moors seems to drift into every room. Floorboards creak, secret passageways echo, and wind whistles in the house's famous priest hole. And then, on the morning the family decide to leave All Hallow's Hall once and for all, their young son Timmy goes missing.

    She’s been able to see ghosts since her mother tried to murder her when she was five years old. No way does she want anyone to know she can talk to spooks. Being a foster kid is hard enough without being labeled a freak too. Normally, she just ignores the ghosts and they go away. That is until she see’s the ghost of her foster sister… Sally. Everyone thinks Sally’s just another runaway, but Mattie knows the truth—she’s dead. Murdered. Mattie feels like she has to help Sally, but she can’t do it alone. Against her better judgment, she teams up with a young policeman, Officer Dan, and together they set out to discover the real truth behind Sally’s disappearance. Only to find out she’s dealing with a much bigger problem, a serial killer, and she may be the next victim… Will Mattie be able to find out the truth before the killer finds her?

    Working to rebuild her law practice after her son commits suicide, Angela Toussaint journeys to the family home where the suicide took place, hoping for answers, and discovers an invisible, evil force that is driving locals to acts of violence.

    A Halloween dare at her ridiculously spooky boarding school is no big deal, especially when her best friend Naya and cute local boy Caine agree to join in too. They are ordered to summon the legendary ghost of 'Bloody Mary': say her name five times in front of a candlelit mirror, and she shall appear... But, surprise surprise, nothing happens. Or does it?Next morning, Bobbie finds a message on her bathroom mirror... five days... but what does it mean? And who left it there? Things get increasingly weird and more terrifying for Bobbie and Naya, until it becomes all too clear that Bloody Mary was indeed called from the afterlife that night, and she is definitely not a friendly ghost. Bobbie, Naya and Caine are now in a race against time before their five days are up and Mary comes for them, as she has come for countless others before... A truly spine-chilling yet witty horror from shortlisted 'Queen of Teen' author James Dawson.

    Is it the ghost of a child who was murdered there years before - or is there a deeper mystery?

    But as the stories unfold, a newer and more surprising narrative emerges, one that is perhaps the most frightening of all.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Gilman-Perkins, alongside works of writers who were the bestsellers and critical favorites of their time—Marie Corelli, Ellen Glasgow, Charlotte Riddell—and lesser known authors who are deserving of contemporary recognition.As railroads, industry, cities, and technology flourished in the mid-nineteenth century, so did stories exploring the horrors they unleashed. This anthology includes ghost stories and tales of haunted houses, as well as mad scientists, werewolves, ancient curses, mummies, psychological terrors, demonic dimensions, and even weird westerns. Curated by Klinger and Morton with an aim to presenting work that has languished in the shadows, all of these exceptional supernatural stories are sure to surprise, delight, and frighten today’s readers.

    Ghostly visitations, hauntings, unquiet souls seeking the living, vengeful wraiths, the possibility of life beyond the grave that can somehow reach out and touch us…these are some of literature’s most enduring icons. Now, in the twenty-first century, we are no less fascinated with phantoms than our cave-dwelling ancestors or our Victorian-age forebears. Thirty modern masters of fright and fantasy fill this anthology with shivers, chills, and spooky explorations of both sides of the veil. Be prepared to keep a light on all night!Peter Atkins: “Between the Cold Moon and the Earth”Rick Bowes: “There’s a Hole in the City”Laird Barron: “The Lagerstatte”Steve Duffy: “The Rag-and-Bone Men”Jeffrey Ford: “The Trentino Kid”Karen Joy Fowler: “Booth’s Ghost”Neil Gaiman: “October in the Chair”Stephen Gallagher: “The Box”Elizabeth Hand: “Wonderwall”Glen Hirshberg: “The Muldoon”Alaya Dawn Johnson: “The Score”Stephen Graham Jones: “Uncle” (original)Caitlin R. Kiernan: “Apokatastasis”Marc Laidlaw: “Cell Call”Margo Lanagan: “The Proving of Smollett Standforth”John Langan: “The Third Always Beside You”Joe R. Lansdale: “The Case of the Lighthouse Shambler”Maureen F. McHugh: “Ancestor Money”Sarah Monette: “The Watcher in the Corners”Reggie Oliver: “Mrs Midnight”Richard Parks: “The Plum Blossom Lantern”James van Pelt: “Savannah is Six”Tim Powers: “A Soul in a Bottle”Barbara Roden: “The Palace”Ekaterina Sedia: “Tin Cans”Nisi Shawl: “Cruel Sistah”John Shirley: “Faces in Walls”Peter Straub: “Mr Aikman’s Air Rifle”Melanie Tem: “Dhost”Steve Rasnic Tem: “The Ex”

    Every grave, its secrets. Enter the world of Amanda Stevens's Graveyard Queen series--where forbidden passion and secrets from the past are as restless as the ghosts--in the series prequel novella, The Abandoned.There are rules for dealing with ghosts. Too bad Ree Hutchins doesn't know them.When her favorite patient at a private mental hospital passes away, psychology student Ree Hutchins mourns the elderly woman's death. But more unsettling is her growing suspicion that something unnatural is shadowing her.Amateur ghost hunter Hayden Priest believes Ree is being haunted. Even Amelia Gray, known in Charleston as the Graveyard Queen, senses a gathering darkness. Driven by a force she doesn't understand, Ree is compelled to uncover an old secret and put abandoned souls to rest--before she is locked away forever....Look for the other books in The Graveyard Queen series: The Restorer, The Kingdom and The Prophet, available now.

    This collection of short and chilling ghost stories was originally published in 1913 and is loosely organized into four categories: The Ways of Ghosts, including "An Arrest," in which a murderer is escorted back to jail by the prison guard he murdered to escape; Soldier Folk including "A Man with Two Lives," in which a man dead and buried returns to claim his belongings, Some Haunted Houses, including "The Other Lodgers," in which a man checks into what he believes is a hotel only to discover it is an abandoned hospital, and Mysterious Disappearances, including "The Difficulty of Crossing a Field," in which a man disappears in full view of witnesses while crossing a field.

    And for good reason: between 1560 and 1680, over 500 women were tried for witchcraft in the county of Essex. But as she researches a book on the subject, Sadie experiences strange, ghostly visions. She hears noises at night, a sobbing sound that follows her, and black moths appear from nowhere. It’s as if, by digging up the truth about the witch hunts, she has opened an unearthly connection to the women treated so cruelly and killed centuries before.And something else in the modern world is after her too: Sadie is sure she’s being followed, her flat is burgled and she finds clues that reveal her own past isn’t all that she believed. Can she find peace for the witches of Essex’s history and can she find a safe path for herself?For fans of Christopher Ransom and Susan Hill.So scary you’ll sleep with the lights on…

    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

    Harrison’s The Silent Wife—a harrowing tale of psychological suspense set in New York’s Hudson Valley.When Jess and Clare Martin move from Williamsburg, Brooklyn, to their former college town in the Hudson River valley, they are hoping for rejuvenation—of their marriage, their savings, and Jess's writing career.They take a caretaker's job at Riven House, a crumbling estate and the home of their old college writing professor. While Clare once had dreams of being a writer, those plans fell by the wayside when Jess made a big, splashy literary debut in their twenties. It's been years, now, since his first novel. The advance has long been spent. Clare's hope is that the pastoral beauty and nostalgia of the Hudson Valley will offer some inspiration.But their new life isn't all quaint town libraries and fragrant apple orchards. There is a haunting pall that hangs over Riven House like a funeral veil. Something is just not right. Soon, Clare begins to hear babies crying at night, and sees strange figures in fog at the edge of their property. Diving into the history of the area, she realizes that Riven House has a dark and anguished past. And whatever this thing is—this menacing force that destroys the inhabitants of the estate—it seems to be after Clare next…

    Not just a job for Ruby, it's a crusade and one she wants to bring to the High Street. Psychic Surveys is born. Based in Lewes, East Sussex, Ruby and her team of freelance psychics have been kept busy of late. Specialising in domestic cases, their solid reputation is spreading - it's not just the dead that can rest in peace but the living too. All is threatened when Ruby receives a call from the irate new owner of Highdown Hall. Film star Cynthia Hart is still in residence, despite having died in 1958. Winter deepens and so does the mystery surrounding Cynthia. She insists the devil is blocking her path to the light long after Psychic Surveys have 'disproved' it. Investigating her apparently unblemished background, Ruby is pulled further and further into Cynthia's world and the darkness that now inhabits it. For the first time in her career, Ruby's deepest beliefs are challenged. Does evil truly exist? And if so, is it the most relentless force of all?