'I HATE MYSELF AND I WANT TO DIE,' by Tom Reynolds This roundup of 52 of the most maudlin songs ever penned, from Manilow to Metallica, will move you to tears of despair — or shrieks of helpless laughter. PLAYBOY - "There must be a section of Tom Reynolds's record collection that wards off disc jockeys like a cross repels vampires. The writer/TV producer's steep descent into depressing pop music, I Hate Myself and Want to Die is a humorous song-by-song analysis of the most egregious examples of audio torture. Its title may sound like a hackneyed VH1 special, but Reynolds steps above pointless banter by demonstrating some serious scholarship, exposing gut-wrenching stories behind these songs like the telling fact that the writers of "Without You," covered by Mariah Carey, both hung themselves....Overall, his picks are solid and stick to chart-topping tragedies, ranging from the Billie Holiday lynching tune "Strange Fruit" ("Black bodies swinging in the Southern breeze") to a prescient analysis of Johnny Cash's superior cover of Trent Reznor's "Hurt." Reynolds also manages to sneak in some unknown misfires, like his number one pick "The Christmas Shoes," a Christian adult contemporary Christmas song (already depressing) about poor kids buying slippers for their terminally ill mom to wear in heaven (kill me already). NEW MUSIC EXPRESS - "Full of premium trivia and pinpoint pomposity pricking, Reynolds has made comedy gold from the full base metal of misery." WHAT'S ON IN LONDON - "A sustained and superbly observed insight into some of rock music's most memorable follies, it is an absolute must-read. Brilliant." UNCUT Magazine - "Tom Reynolds, an American TV producer who manages to combine the wit of Dave Barry with the musical tastes of a bath towel, takes a simple concept and pulls great big inappropriate belly laughs from it....Genius." Anne Stephenson, THE REPUBLIC - "To write a book like this, you need a working knowledge of music recorded over the past 70 years and an astute and merciless sense of humor. Tom Reynolds is our man.". Rob Lester, EDGE MAGAZINE - "What makes this book so worthwhile and more than just cathartic (oh, it is that!) is the humor. Reynolds’ language is colorful and clever and his greatest skills are sarcasm and funny, funny exaggeration for effect... Smug? Absolutely. But it’s mostly a hoot." PUCKNATION - "I Hate Myself and Want to Die, is one of the most brilliant looks at music and popular culture I've read in a long time. This collection of essays rips through music with ludicrous comments, humor and sarcasm. Reynolds’ knack for timing and wit allows him to tear seemlessly through these songs, with great results....An instant classic and perfect bathroom reading." ROCKNWORLD - "Don'tcha just love discovering a book that is too funny to be read in public, that makes eating or drinking while reading it a sure way to choke & die? What makes the subject matter of this book even better is its importance & truth.....His treatments of Evanescence's entry on the list & Metallica are so funny that I wish I could quote the entire chapters here."

    But it’s a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn’t Gershwin, Porter, and Berlin, but “Come on-a My House” and “How Much Is That Doggie in the Window?” Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews—the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert—the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It’s destined to become a classic of American musical history.

    Rather than a step-by-step method book, the information is presented in a general essay format, discussing ways that the various techniques covered may be applied by the advancing guitarist to enhance his/her own style of playing, some of the areas discussed include: basic fingerboard mechanics - modes, scales and chords - contemporary harmony, - harmonica and overtone influences - being self-critical - improvising short pieces - different playing situations.

    It covers the birth of rock, soul, R&B, punk, hip hop, indie, house, techno, and more, and it will remind you why you fell in love with pop music in the first place.Bob Stanley—musician, music critic, and unabashed fan—recounts the progression from the Beach Boys to the Pet Shop Boys to the Beastie Boys; explores what connects doo wop to the sock hop; and reveals how technological changes have affected pop production. Working with a broad definition of “pop”—one that includes country and metal, disco and Dylan, skiffle and glam—Stanley teases out the connections and tensions that animate the pop charts and argues that the charts are vital social history.Yeah! Yeah! Yeah! is like the world’s best and most eclectic jukebox in book form. All the hits are here: the Monkees, Metallica, Patsy Cline, Patti Smith, new wave, New Order, “It’s the Same Old Song,” The Song Remains the Same, Aretha, Bowie, Madonna, Prince, Sgt. Pepper, A Tribe Called Quest, the Big Bopper, Fleetwood Mac, “Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini,” Bikini Kill, the Kinks, Mick Jagger, Michael Jackson, Jay-Z, and on and on and on. This book will have you reaching for your records (or CDs or MP3s) and discovering countless others.For anyone who has ever thrilled to the opening chord of the Beatles’ “A Hard Day’s Night” or fallen crazy in love for Beyoncé, Yeah! Yeah! Yeah! is a vital guide to the rich soundtrack of the second half of the twentieth century.

    Why did Kurt Cobain write "Polly", his graphic anti-rape song? What is "Teen Spirit"? Who is Floyd the Barber? As Chuck Crisafulli answers these questions he chronicles Nirvana's rise to fame and the emergence of grunge. 90 full-color and b&w photos.

    These were Britain's first teenagers, looking for a music of their own in a culture dominated by crooners and mediated by a stuffy BBC. Sales of guitars rocketed from 5,000 to 250,000 a year, and - as with the punk rock that would flourish two decades later - all you needed to know were three chords to form your own group, with your mates accompanying on tea-chest bass and washboard.Against a backdrop of Cold War politics, rock and roll riots and a newly assertive working-class youth, Billy Bragg charts - for the first time in depth - the history, impact and legacy of Britain's original pop movement. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts, who between them sparked a revolution that shaped pop culture as we have come to know it.

    He should have died. Doctors advised that if he did survive, there would be little of him left. If that wasn't enough, he went on to contract MRSA as a result of an operation to his skull and spent six months in hospital. Initially, Edwyn couldn't speak, read, write, walk, sit up, or feed himself. He had lost all movement in his right side and was suffering from aphasia—an inability to use or understand language. When he initially recovered consciousness the only words he could say were 'Grace,' 'Maxwell,' 'yes,' and 'no.' But with the help of his partner Grace and their 18-year-old son Will, Edwyn fought back. Slowly, and with monumental effort, he began to teach his brain to read and speak all over again—with some areas of his mind it was if he had been a slate wiped literally clean. Through a long and arduous road of therapy he began to re-inhabit his body until he could walk again. Grace's story is an intimate and inspiring account of what you do to survive when your husband is all but taken away without warning by a stroke.

    The drum kit just about fit into the room, the lead guitarist was playing a homemade guitar, the bassist could barely play at all and nobody wanted to sing. Over thirty years later, Bono, The Edge, Adam Clayton and Larry Mullen Jr are still together, bound by intense loyalty, passionate idealism and a relentless belief in the power of rock and roll to change the world.In a epic journey that has taken them from the clubs of Dublin to the stadiums of the world, U2 have sold over 130 million albums, been number one all over the world, revolutionized live performance, spearheaded political campaigns and made music that defines the age we live in.From the anarchic days of their Seventies punk origins through their Eighties ascent to superstardom with the epic rock of 'The Joshua Tree', the dark post-modern ironies of 'Achtung Baby' in the Nineties and their 21st-Century resurgence as rock's biggest and boldest band, this is a tale of faith, love, drama, family, birth, death, survival, conflict, crises, creativity . . . and a lot of laughter.Told with wit, insight and astonishing candour by the band themselves and manager Paul McGuinness, with pictures from their own archives, 'U2 by U2' allows unprecedented access into the inner life of the greatest rock band of our times.

    A year later, she formed an all-girl band called the Marine Girls, played gigs, signed to an indie label, and started releasing records. Then, for 18 years, between 1982 and 2000, she was one half of Everything But the Girl. They released nine albums and sold nine million records, went on countless tours, had hits and flops, and were reviewed and interviewed to within an inch of their lives. Tracey has been in the charts, out of them, back in. She's seen herself described as an indie darling, a middle-of-the-road nobody, and a disco diva. As she explains here, she hasn't always fit in, a fact that's helped her to face up to the realities of a pop career. She discusses her realizations—that there are thrills and wonders to be experienced, but also moments of doubt, mistakes, and violent lifestyle changes from luxury to squalor and back again, sometimes within minutes. This is the funny, perceptive, and candid story of her 30-year pop career.

    First published in 1993, this acclaimed translation, which follows the verse form of the original exactly, filled that niche. It reads smoothly and idiomatically, yet is the result of prolonged thought and deep back- ground knowledge.The translation is accompanied by Stewart Spencer’s introductory essay on the libretto and a series of specially commissioned texts by Barry Millington, Roger Hollinrake, Elizabeth Magee, and Warren Darcy that discuss the cycle’s musical structure, philosophical implications, medieval sources, and Wagner’s own changing attitude to its meaning. With a glossary of names, a review of audio and video recordings, and a select bibliography, this book is an essential complement to Wagner’s great epic.

    Written in an engaging, conversational style, the individual essays outline the elements of intelligent, creative teaching. Duke effectively explains how teachers can meet the needs of individual students from a wide range of abilities by understanding more deeply how people learn. Teachers and interested parents alike will benefit from this informative and highly readable book.

    Our Broadway Vocal Selections book features a dozen fantastic songs from this Kander and Ebb blockbuster: All I Care About * And All That Jazz * Class * Funny Honey * A Little Bit of Good * Me and My Baby * Mister Cellophane * My Own Best Friend * Nowadays * Razzle Dazzle * Roxie * When You're Good to Mama.

    His uniquely depraved wit has been forced again on an unsuspecting public' via Tom Foolery, the stage revue based on his ever-trenchant observation of the American scene. This new songbook, with old favorites unavailable for years as well as never-published songs, is the most comprehensive ever assembled. It contains the words, tunes, piano accompaniments, and guitar chords for these thirty-four classics:The Irish BalladFight Fiercely, Harvard!Be PreparedThe Old Dope PeddlerThe Wild West Is Where I Want to BeI Wanna Go Back to DixieLobachevskyThe Hunting SongI Hold Your Hand in MineMy Home TownL-YWhen You Are Old and GrayThe Wiener Schnitzel WaltzPoisoning Pigeons in the ParkA Christmas CarolBright College DaysIn Old MexicoShe's My GirlThe ElementsThe Masochism TangoNational Brotherhood WeekMLF LullabyThe Folk Song ArmySmutSend the MarinesNew MathPollutionSo Long, MomWho's Next?Wemher Von BraunWe Will All Go Together When We GoI Got It from AgnesSilent EThe Vatican Rag

    Hoffmann in 1816, has fascinated and inspired artists, composers, and audiences for almost two hundred years. It has retained its freshness because it appeals to the sense of wonder we all share.Maurice Sendak designed brilliant sets and costumes for the Pacific Northwest Ballet's Christmas production of Nutcracker and has created even more magnificent pictures especially for this book. He has joined with the eminent translator Ralph Manheim to produce this illustrated edition of Hoffmann's wonderful tale, destined to become a classic for all ages.The world of Nutcracker is a world of pleasures. Maurice Sendak's art illuminates the delights of Hoffmann's story in this rich and tantalizing treasure.

    Amazing in its thematic range and stylistic breadth, his poetry "leaps continents and covers war and peace, intolerance and human striving . . . a passionate and essential edition of his collected poems" ( The New York Times).