Through their films and series they introduced India to churails that floated across the screen, ghouls that woke up from eerie graveyards, and houses that buzzed with ghosts.But few knew that behind the production drama, elaborate sets, and haunting showtunes, there was a more sinister story. For the Ramsays, the supernatural wasn't just stuck to the screens and camera - it creeped into their lives, too.Alisha Kirpalani, the granddaughter of FU Ramsay, has grown up on stories that question reality and bring a chill to the bone. In time, she, too, followed her family's footsteps and saw through the veil that separates this world and the Other.From the woman on the highway that Shyam Ramsay met to an eerie and persistent knocking that came from every house that Tanuja Ramsay lived in to Amit Ramsay's unwelcome dead visitor at Lamington House, the original home of the Ramsays, this book has the improbable, bizarre and spine-chilling all parading through its chapters.

    Readers often have stumbled upon seeming mysteries in their favorite novels. Why, for example, is the plot of The Woman in White irrevocably flawed? (The timing of the crime is off.) Is the hero of George Eliot's Middlemarch illegitimate? (Probably, although he was later legitimized.) Why does the otherwise sensible Jane Eyre give in to a sudden and unexplained outburst of superstition? (Charlotte Bronte, in reality, had a similar experience.) What is the real reason we find The Picture of Dorian Gray so disturbing? (There is an overwhelming emphasis on the sense of smell.) These answers and more can all be found in John Sutherland's entertaining and maddening book. When it comes to literary criticism there's really nothing quite like the joys of close reading and good-natured inquiry. This is the spirit in which Is Heathcliff A Murderer was conceived and executed. Rather than trying to catch great authors in mistakes, Sutherland usually turns up perfectly plausible reasons for the seeming anomalies. Everyone who reads nineteenth-century novels will thoroughly enjoy John Sutherland's exploration of the seemingly unanswered, and each chapter is a direct link to one of Oxford's World's Classics.

    Such was the case in the Fall of 1993, when Linda McLaughlin and her innocent six-year-old daughter Kelly passed by Easton Connecticut's Union Cemetery. Kelly didn’t even know such spirits existed when an apparition materialized and tapped into her consciousness. Nothing could have prepared her or her family for the suffocating terror that they would soon experience when it followed them home. The merciless spirit didn't stop with Kelly. It quickly targeted each and every family member, their pets, and their friends when they were alone and most vulnerable. Then, it targeted the alpha of the family, the wealthy, real estate broker father, who was a natural skeptic and the last person to believe in ghosts. In this re-creation of real the most terrifying case the author had ever experienced, a Connecticut Family is plagued by an evil-natured human spirit and by a group of inhuman, diabolical spirits who infest their home and oppress the family. Will these evil spirits continue to haunt them or will the family find help in ridding them of this terror from beyond the grave? The book explains, in detail, the process of investigating a ‘haunted house’ and what can be done about it. It explains the dangers involved with the negative occult and how dabbling in it can summon darkness and ruin into our lives. Dark Siege is a 467 page recreation of the most terrifying case McLeod has ever investigated. But what makes Dark Siege unique is that it contains an addendum with chapter-by-chapter analysis where McLeod explains the science and spirituality behind the paranormal through Quantum Physics, the Universal Laws of Attraction, Intention and Conscious Manifestation. Both books in the Dark Siege Series are required reading for Bishop James Long's Demonology Course.

    After serving customers and locking the doors for the night, the kids began their regular cleanup to ready the restaurant for the following day. But then something went horribly wrong. Just before midnight, someone muscled into the place, robbed the store of $581 and kidnapped the four employees. Over the next two days, investigators searched in vain for the missing crewmembers before their bodies were discovered more than twenty miles away. The killer or killers were never caught. Join Julie Young on an exploration of one of the most baffling cold cases in Indiana history.

    Beginning with its first publication as a cautionary tale on the perils of seduction, written in reaction to the licentiousness of the court of Louis XIV, Orenstein traces the many lives the tale has lived since then, from its appearance in modern advertisements for cosmetics and automobiles, the inspiration it brought to poets such as Anne Sexton, and its starring role in pornographic films. In Little Red Riding Hood Uncloaked, Red appears as seductress, hapless victim, riot grrrrl, femme fatale, and even she-wolf, as Orenstein shows how through centuries of different guises, the story has served as a barometer of social and sexual mores pertaining to women. Full of fascinating history, generous wit, and intelligent analysis, Little Red Riding Hood Uncloaked proves that the story of one young girl's trip through the woods continues to be one of our most compelling modern myths.

    Eerie red marks on the apartment's ceiling kept Zack and his wife on edge. The landlord warned them not to open a door in the apartment that led to nowhere. "Our Japanese visitors had no problem putting a name to it . . . they would sense the vibes of the place, look around a bit and inevitably say 'Ahhh . . . yurei ga deteru.' There is a yurei here."Combining his lifelong interest in Japanese tradition and his personal experiences with these vengeful spirits, Davisson launches an investigation into the origin, popularization, and continued existence of yurei in Japan. Juxtaposing historical documents and legends against contemporary yurei-based horror films such as The Ring, Davisson explores the persistence of this paranormal phenomenon in modern day Japan and its continued spread throughout the West.Zack Davisson is a translator, writer, and scholar of Japanese folklore and ghosts. He is the translator of Mizuki Shigeru's Showa 1926–1939: A History of Japan and a translator and contributor to Kitaro. He also worked as a researcher and on-screen talent for National Geographic's TV special Japan: Lost Souls of Okinawa. He writes extensively about Japanese ghost stories at his website, hyakumonogatari.com.

    Antonia Fraser called it "a grisly read and an engrossing one."

    Some of these stories have possible explanations, but others remain unsolved mysteries. Case files present the facts, leaving readers to play detective. Haunting, black-and-white illustrations accompany each collection, sure to leave the bravest of mystery fans sleeping with the lights on.

    In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present--titles that feature or in some way comment on the black female figure in Western art.Bracketed by Lewis's own autobiographical poems, Voyage is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin--five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story?Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire--how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race--a full embrace of its pleasure and horror, in equal parts.From the Hardcover edition.

    But looming behind its picture-perfect façade is a city shrouded in mystery, with restless, disembodied beings that whisper ghastly tales of mystery, violence, and horror.Known as British Columbia’s most haunted city, Victoria is teeming with a plethora of spirits. Through this brand-new collection of disturbing tales, you’ll come face to face with:The Grey Lady who chills hotel guests to the boneA decorated World War I soldier who protects tenants from something sinisterAn inconsolable child who haunts the pool area of a defunct hotelThe blood-soaked spectre who runs through the infamous Fan Tan Alley to escape captureThe ghost of Robert Johnson, who perpetually re-enacts his own suicideThe phantom of a cranky hermit who plagues a beautiful lake houseA spinster who gives tours of her childhood homeAnd many moreGet to know Victoria’s best-known hauntings along with some you may have not have heard before.

    From art and cinema, through politics, bodybuilding, science fiction and the city, they both reflect and challenge these times of radical change and puzzlement. Matching guts to theory, anger with compassion, Acker offers original views on the likes of Peter Greenaway, Samuel Delaney, Burroughs, de Sade, and Cronenberg's Crash. Collectively, these essays offer the reader a journey into strangeness, provocation and delight.

    As always, Gorey's painstakingly cross-hatched pen and ink drawings are perfectly suited to his oddball verse and prose. The first book of 15, "The Unstrung Harp," describes the writing process of novelist Mr. Clavius Frederick Earbrass: "He must be mad to go on enduring the unexquisite agony of writing when it all turns out drivel." In "The Listing Attic," you'll find a set of quirky limericks such as "A certain young man, it was noted, / Went about in the heat thickly coated; / He said, 'You may scoff, / But I shan't take it off; / Underneath I am horribly bloated.' "Many of Gorey's tales involve untimely deaths and dreadful mishaps, but much like tragic Irish ballads with their perky rhythms and melodies, they come off as strangely lighthearted. "The Gashlycrumb Tinies," for example, begins like this: "A is for AMY who fell down the stairs, B is for BASIL assaulted by bears," and so on. An eccentric, funny book for either the uninitiated or diehard Gorey fans.Contains: The Unstrung Harp, The Listing Attic, The Doubtful Guest, The Object Lesson, The Bug Book, The Fatal Lozenge, The Hapless Child, The Curious Sofa, The Willowdale Handcar, The Gashlycrumb Tinies, The Insect God, The West Wing, The Wuggly Ump, The Sinking Spell, and The Remembered Visit.

    Some of her finest fantastic and detective work (which oft times overlap) was first collected in 1909 in "Tales of Men and Ghosts." The psychological horror is as important as the literal one here, and subtle ambiguities characterized by the best of Henry James's work (such as "The Turn of the Screw") are also present in Wharton's character studies, such as "The Bolted Door." Is the protagonist a murderer, or is he mad? In the end it may not matter, for it is his descent into madness and obsession that gives the story its chilling frisson. Other tales present men (or ghosts, or what men believe to be ghosts) in a variety of lights, from misunderstood monsters to vengeful spirits to insecure artists. If you have never read Edith Wharton's fantasy work before, you will be captivated and delighted. Without a doubt, this is a landmark book, and an important addition to the Wildside Fantasy Classics line.

    Here, collected for the first time, are his famous lectures, which include Mansfield Park, Bleak House, and Ulysses. Edited and with a Foreword by Fredson Bowers; Introduction by John Updike; illustrations.

    In this collection Freeman has compiled the most insightful and fascinating of his interviews, essays and articles.In How to Read a Novelist we encounter Paul Theroux on the state of sex in America, Margaret Atwood as inventor, John Updike as relationship advisor and Geoff Dyer as England’s hippest middle-aged novelist, among many others including Jonathan Safran Foe, Philip Roth, Doris Lessing, Toni Morrison, David Foster Wallace, A. S. Byatt and Peter Carey.