Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    Drilled by prompters who use terrifyingly funny logical and alogical language-sequences, Kaspar learns to speak "normally" and eventually becomes creative "doing his own thing" with words; for this he is destroyed.In Offending the Audience and Self-Accusation, one-character "speak-ins," Handke further explores the relationship between public performance and personal identity, forcing us to reconsider our sense of who we are and what we know.

    This crucial collection combines The New Tenant with Amédée and Victims of Duty—the plays Richard Gilman has called, along with The Killer, Ionesco’s “greatest plays, works of the same solidity, fulness, and permanence as [those of] his predecessors in the dramatic revolution that began with Ibsen and is still going on.”In Amédée, the title character and his wife have a problem—not so much the corpse in their bedroom as the fact that it’s been there for fifteen years and is now growing, slowly but surely crowding them out of their apartment.In The New Tenant a similar crowding is caused by an excess of furniture—as Harold Hobson said in the London Times, “there is not dramatist . . . who can make furniture speak as eloquently as Ionesco, and here he makes it the perfect, the terrifying symbol of the deranged mind.”In Victims of Duty, Ionesco parodies the conformity of modern life by plunging his characters into an obscure search for “Mallot with a t.” In these as in all his plays, Ionesco poses and solves his tragicomic dilemmas with the brilliant blend of gravity and hilarity that is the hallmark of the absurdist theater.

    Lucrezia’s father is named Pope Alexander VI, and he places his daughter and her brothers Cesare, Giovanni, and Goffredo in the jeweled splendor—and scandal—of his court. From the Pope’s affairs with adolescent girls, to Cesare’s dangerous jealousy of anyone who inspires Lucrezia’s affections, to the ominous birth of a child conceived in secret, no Borgia can elude infamy.Light on Lucrezia:   Some said she was an elegant seductress. Others swore she was an incestuous murderess. She was the most dangerous and sought after woman in all of Rome. Lucrezia Borgia’s young life has been colored by violence and betrayal. Now, married for the second time at just eighteen she hopes for happiness with her handsome husband Alfonso. But faced with brutal murder, she's soon torn between her love for her husband and her devotion to her brother Cesare… And in the days when the Borgias ruled Italy, no one was safe from the long arm of their power. Not even Lucrezia.

    The view 16-year-old Thomas Osborne first had of Muskoka was at night, trudging alone with his even younger brother along unmarked primitive roads to find their luckless father who, in 1875, had decided to make a new start for his beleaguered family on some "free land" in the bush east of the pioneer village of Huntsville, Ontario. The miracle is that Thomas lived to tell the tale.For the next five years Thomas endured starvation, falling through the ice and freezing, accidents with axes and boats, and narrow escapes from wolves and bears. Many years later, after returning to the United States, Osborne wrote down all his adventures in a graphic memoir that has become, in the words of author and journalist Roy MacGregor, "an undiscovered Canadian classic."Reluctant Pioneer provides a brooding sense of adventure and un- sentimental realism to deliver a powerful account of pioneer life where tragedies arrive as naturally as rain and where humour resides in irony.

    Fifty years later she is Patrice Leigh, a nationally celebrated medium. But cracks are forming in the carefully constructed barriers that keep her real history at bay.Leo is the journalist hired to write Patrice's biography. Struggling to reconcile the demands of his family, his grief for his lost son, and his need to understand his own background, Leo becomes more and more frustrated at Patrice's refusal to open up.Because behind closed doors, Patrice is hiding more than one secret. And it seems that now, her past is finally catching up with her.May thrills in this English familial mystery, adding enticing plot layers as intricate and divisive as the themes she introduces.'Intriguing with a cast of complex characters that keep you fascinated, this is a page-turner and surprisingly tender' Katie FForde'A resonant, emotional story about grief, loss and love with a complex, tragic heroine--a fake psychic reaching the end of her career. Although it's about death, this story is never depressing, and ultimately it's about recovery and healing' Julie Cohen'A beautiful and compelling story that delves into what is real, what we are willing to believe and the power of grief' Liz Fenwick'"All That is Lost" is a bold, beautiful thought-provoking novel, that sensitively confronts difficult themes' Rowan Coleman'It is a triumph. What Alison May has produced is an intimate and affecting study of loss, grief and identity that is just wonderful.' Linda's Book Bag'What an interesting and unique book... a fascinating, at times heart-wrenching, look at secrets, the cost of keeping them hidden, and whether hiding them requires lies.' Fireflies and Free Kicks

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)

    She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy.What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation.

    She inherited her mother's stunning looks - she was known for her slender figure, gray-blue eyes, and blonde hair.When her father became pope, he sought to consolidate his power and arranged a marriage between fourteen-year-old Lucrezia and the first of her three husbands, twenty-eight-year-old Giovanni Sforza. Shortly after the marriage, Alexander, concluded he no longer needed an alliance with the Sforza family. He ordered Giovanni's assassination, but when the young bridegroom escaped, ended Lucrezia's marriage by ordering an annulment.Following the lengthy annulment process - during which Lucrezia was accused of having an affair and a child with Alexander's chamberlain Pedro Calderon, whose body was later found floating in Rome's Tiber River, “where he fell against his will” - Lucrezia was married to Alfonso of Aragon in 1498. Alexander appointed a pregnant Lucrezia governor of the Umbrian town of Spoleto in 1499. Alfonso, wary of shifting political alliances, fled Rome for a brief time, but returned in 1500, where he was murdered. Alfonso left Lucrezia with a son, Rodrigo.After Alfonso's conveniently timed murder, Alexander arranged a third marriage for Lucrezia, to Alfonso I d'Este, a powerful duke. The two had several children, and Lucrezia came into her own as a Renaissance woman, overcoming her scandalous reputation - despite several affairs - and maintaining her position and power as the Borgia family's influence and fortunes fell following Alexander's death.Lucrezia Borgia was a woman of and ahead of her time. Here is her little-told story.

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    He's also remembered for his eccentric behavior & reclusive lifestyle in later life, caused in part by a worsening obsessive-compulsive disorder. His desire for privacy so fierce, & his isolation so complete, that even 25 years after his death, inaccurate stories continue be circulated & published as fact. In HUGHES, Hack shatters the illusion of his life & exposes the man behind the myth. Hughes was a playboy whose sexual exploits with both Hollywood stars & starlets are legendary. He was a man without compassion, an entrepreneur without ethics, an eccentric trapped by his own insanity. Sealed off from reality, Hughes died a lonely &, until now, mysterious death. Newly uncovered personal letters, over 110,000 pages of sealed court testimony, recently declassified FBI files, never-before-published autopsy reports & exclusive interviews reveal a man so devious in his thinking, so perverse in his desires & so influential that his impact continues to be felt even today. From entertainment to politics, aviation to espionage, the influence & manipulation of this billionaire has left an indelibly unique mark on the cultural landscape. Hughes never kept a diary, yet he wrote over 8000 pages of memos, letters & personal notes that chronicle his life & thoughts. Impeccably researched for decades by Hollywood investigative writer Richard Hack, here is the definitive story of an extraordinary life.

    There are only three characters: a man named Deeley, his wife Kate, and Anna, a friend of Kate's whom they have not seen for twenty years. Beneath the surface of their taut, witty conversation lurks suggestions of darkness, until the present is overwhelmed with intimations of some frightening past. �

    . .Fifteen years ago, teenage Erin had an affair with her teacher that led to tragedy and changed Erin’s life. Today, she’s a married woman who keeps to herself and stays close to home, still scarred by the experience.When she’s attacked while running in the park, Erin doesn’t tell her husband—but she does confide in Nick, the man who came to her rescue. Then letters start to arrive, making references to her past and leaving her even more unnerved. When a neighbour reports that someone’s been watching her house, Erin’s world starts to crumble.Erin has worked hard to distance herself from her past. But her life may be in mortal danger, and as she’s plunged back into trauma, she might finally learn the truth about what really happened all those years ago . . .