He's terrified that someone will guess the truth he can barely acknowledge about himself. Reza knows he's gay, but all he knows of gay life are the media's images of men dying of AIDS.Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance...until she falls for Reza and they start dating.Art is Judy's best friend, their school's only out and proud teen. He'll never be who his conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs.As Reza and Art grow closer, Reza struggles to find a way out of his deception that won't break Judy's heart--and destroy the most meaningful friendship he's ever known.

    The so-called scandal couldn't come at a worse time--threatening Emma's promotion and Jo's new movie.As the gossip spreads, it starts to affect all areas of their lives. Paparazzi are following them outside the office, coworkers are treating them differently, and a "source" is feeding information to the media. But their only comment is "no comment".With the launch of Jo's film project fast approaching, the two women begin to spend even more time together, getting along famously. Emma seems to have a sixth sense for knowing what Jo needs. And Jo, known for being aloof and outwardly cold, opens up to Emma in a way neither of them expects. They begin to realize the rumor might not be so off base after all...but is acting on the spark between them worth fanning the gossip flames?

    Author Susanne Pharr poses the idea that homophobia is a construct used by the dominant system in our society.

    Clarke-nominated author Yoon Ha Lee comes a collection of stories set in the world of the best-selling Ninefox Gambit. Showcasing Lee’s extraordinary imagination, this collection takes you to the very beginnings of the hexarchate’s history and reveals new never-before-seen stories.

    As the granddaughter of celebrities and the daughter of an interracial couple in an all-black town, she has become adept at isolating herself from curious neighbors. But then her cousin, Trout, comes to visit. Trout is exactly like Staggerlee wishes she could be: outspoken, sure of herself, beautiful. Finally, Staggerlee has a friend, someone she can share her deepest, most private thoughts with. Someone who will teach her how to be the strong girl she longs to be. But is Trout really the girl Staggerlee thinks she is?

    Everyone knows that Armenians never eat out. Between bouts of interrogating the waitress and criticizing the menu, Alek’s parents announce that he’ll be attending summer school in order to bring up his grades. Alek is sure this experience will be the perfect hellish end to his hellish freshman year of high school. He never could’ve predicted that he’d meet someone like Ethan.Ethan is everything Alek wishes he were: confident, free-spirited, and irreverent. He can’t believe a guy this cool wants to be his friend. And before long, it seems like Ethan wants to be more than friends. Alek has never thought about having a boyfriend—he’s barely ever had a girlfriend—but maybe it’s time to think again.

    Then came the Emperor Constantine, with his bishops, monks and missionaries. And so began an endless loop of alternating permissiveness and censure.Ackroyd takes us right into the hidden history of the city; from the notorious Normans to the frenzy of executions for sodomy in the early nineteenth century. He journeys through the coffee bars of sixties Soho to Gay Liberation, disco music and the horror of AIDS.Today, we live in an era of openness and tolerance and Queer London has become part of the new norm. Ackroyd tells us the hidden story of how it got there, celebrating its diversity, thrills and energy on the one hand; but reminding us of its very real terrors, dangers and risks on the other.'Peter Ackroyd is the greatest living chronicler of London' Independent

    These characters - young, gay and lesbian Somalis - must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Using a unique idiom rooted in hip-hop, graphic illustrations, Arabic calligraphy and folklore studded with Kiswahili and Somali slang, these stories mark the arrival of a singular new voice in contemporary fiction.

    Follow Damen, Laurent and the supporting characters of Captive Prince on a series of adventures set in and around the events of the novels - and beyond, to learn what happens after the final page in the trilogy is turned.

    In beautiful prose, Sapphistries tells their stories, capturing the multitude of ways that diverse societies have shaped female same-sex sexuality across time and place.Leila J. Rupp reveals how, from the time of the very earliest societies, the possibility of love between women has been known, even when it is feared, ignored, or denied. We hear women in the sex-segregated spaces of convents and harems whispering words of love. We see women beginning to find each other on the streets of London and Amsterdam, in the aristocratic circles of Paris, in the factories of Shanghai. We find women's desire and love for women meeting the light of day as Japanese schoolgirls fall in love, and lesbian bars and clubs spread from 1920s Berlin to 1950s Buffalo. And we encounter a world of difference in the twenty-first century, as transnational concepts and lesbian identities meet local understandings of how two women might love each other.Giving voice to words from the mouths and pens of women, and from men's prohibitions, reports, literature, art, imaginings, pornography, and court cases, Rupp also creatively employs fiction to imagine possibilities when there is no historical evidence. Sapphistries combines lyrical narrative with meticulous historical research, providing an eminently readable and uniquely sweeping story of desire, love, and sex between women around the globe from the beginning of time to the present.

    government spies can turn on your phone and use the microphone to listen to your conversations? ... that lesbian and gay relationships are illegal in 78 countries and can be punished by death? ... that Amnesty recently recorded the highest number of executions globally for more than 25 years? Through short stories and poetry, twenty-five leading authors and illustrators explore the top human rights issues facing young people today. Now is the time to take a stand and make a difference. Full list of contributors: Tony Birch, John Boyne, Sita Brahmachari, Kevin Brooks, Kate Charlesworth, Sarah Crossan, Neil Gaiman, Jack Gantos, Ryan Gattis, Matt Haig, Frances Hardinge, Jackie Kay, AL Kennedy, Liz Kessler, Elizabeth Laird, Amy Leon, Sabrina Mahfouz, Chelsea Manning, Chibundu Onuzo, Bali Rai, Chris Riddell, Mary and Bryan Talbot, Christie Watson and Tim Wynne-Jones.

    Months later, at an artist residency in upstate New York, Nick finds his subject in disaster itself and the communities shaped by it, where crisis animates both hope and denial, unacknowledged pasts and potential futures. As he travels to Los Angeles and London on assignment, Nick discovers that outsiders--their lives and histories disturbed by sex, loss, and bad weather--are often better understood by what they have hidden from the world than what they have revealed.

    Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the “father of American gynecology,” to the negation of blackness that makes transnormativity possible.Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of “cross dressing” and canonical black literary works that express black men’s access to the “female within,” Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don’t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

    Set in Montreal, a typical metropolis where strangers meet under varying circumstances and either fall in love or break apart, Julie Maroh’s gentle hues and fanciful vignettes unearth the pleasures, surprises, and complexities of love.

    Sports. Video games. Gay and not a big deal, not to him, not to his mom, not to his buddies. And a secret: An encounter with an older kid that makes it hard to breathe, one that he doesn't want to think about, ever.Jordan: The opposite of chill. Poetry. His "wives" and the Chandler Mall. Never been kissed and searching for Mr. Right, who probably won't like him anyway. And a secret: A spiraling out of control mother, and the knowledge that he's the only one who can keep the family from falling apart.Throw in a rickety, 1980s-era food truck called Coq Au Vinny. Add in prickly pears, cloud eggs, and a murky idea of what's considered locally sourced and organic. Place it all in Mesa, Arizona, in June, where the temp regularly hits 114. And top it off with a touch of undeniable chemistry between utter opposites.Over the course of one summer, two boys will have to face their biggest fears and decide what they're willing to risk -- to get the thing they want the most.