And in these lairs, men trade the most devastatingly effective techniques ever invented to charm women. This is not fiction. These men really exist. They live together in houses known as Projects. And Neil Strauss, the bestselling author, spent two years living among them, using the pseudonym Style to protect his real-life identity. The result is one of the most explosive and controversial books of the year -- guaranteed to change the lives of men and transform the way women understand the opposite sex forever.On his journey from AFC (average frustrated chump) to PUA (pick-up artist) to PUG (pick-up guru), Strauss not only shares scores of original seduction techniques but also has unforgettable encounters with the likes of Tom Cruise, Britney Spears, Paris Hilton, Heidi Fleiss, and Courtney Love. And then things really start to get strange -- and passions lead to betrayals lead to violence. The Game is the story of one man's transformation from frog to prince -- to prisoner in the most unforgettable book of the year.

    I was crossing America constantly andexperiencing the morality shifts, attitudes, and rituals in different partsof the country - the difference in the way people were in the Bible Belt asopposed to New York City, the way blacks and whites interfaced, theintolerance of homosexuality, the morality plays. I started to become awareof how brutal the country is and how much ferocity, cruelty, and oppressionare inherent in the culture and how much of it was in me. I wanted todocument it and create a book that brought the whole thing to a boil and see where it left me off. In the summer of 1995, I finished the book and startedto edit. Re-reading the manuscript over and over, I realized all the things Ihad picked up over a decade of playing Devil's advocate and it was inspiringbecause it clearly defined who my enemies are. As an American, I feel itimpossible not to be infuriated by the way things are and have been. I refuseto be happy about the day-to-day and go along with it. There's too muchspitting in my face and too much spitting in the faces of people who don'tknow any other way of life. This book is brutal, and at times, funny. I knowthat I will probably get a ton of shit for Eye Scream. Enjoy, or betteryet... don't." ---- Henry Rollins

    How can we cure ourselves of this strikingly modern affliction? According to Richard Denniss, we must distinguish between consumerism, the love of buying things, which is undeniably harmful to us and to the planet, and materialism, the love of things, which can in fact be beneficial. In this sparkling book of ideas, he shows why we must cherish the things that we own – preserve them, maintain them, and then gift them or sell them when we no longer have a need for them. If we as a society do not cure ourselves of affluenza, we make it impossible for all the people of our planet to enjoy a higher standard of living, and we condemn our environment to a polluted and unsustainable future.

    First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has."Berger has the ability to cut right through the mystification of the professional art critics . . . He is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation" —Peter Fuller, Arts Review"The influence of the series and the book . . . was enormous . . . It opened up for general attention to areas of cultural study that are now commonplace" —Geoff Dyer in Ways of TellingWinner of the 1972 Booker Prize for his novel, G., John Peter Berger (born November 5th, 1926) is an art critic, painter and author of many novels including A Painter of Our Time, From A to X and Bento’s Sketchbook.

    Armed with a healthy dose of wit and curiosity, medical journalist Randi Hutter Epstein reveals the “invigorating history” (Nature) of hormones and the age-old quest to control them through the back rooms, basements, and labs where endocrinology began.

    Just two years after the Stonewall riots, Miller wrote an essay for the New York Times Magazine entitled "What It Means To Be a Homosexual" in response to a homophobic article in Harper's Magazine. Miller's writing, described as "the most widely read and discussed essay of the decade," along with an afterword chronicling his inspiration and readers' responses, became On Being Different — one of the earliest memoirs to affirm the importance of coming out. This updated edition includes a foreword by Dan Savage and an afterword by Charles Kaiser to highlight the impact of Miller's classic work.

    The macabre and the bloodcurdling, the funny and the sad, distilled from myth, world cultures, religion, literature, science, medicine and contemporary life; when it comes to the penis everyone’s a critic. "When the prick stands up, the brains get buried in the ground.” Yiddish ProverbThroughout history, man has revered his penis as his "most precious ornament.” From small to large, thick to thin, smooth to wrinkled, Hickman lets the history of this mystery hangout for all to see. It is a stiff subject, but we easily settle in with the likes of Bill Clinton, Michelangelo’s David, and Shakespeare as they followed their heads. With precious detail given to precious material, if you were to wrap your hands around anything less than two-inches, it should be God’s Doodle, a brilliant history of the penis that hits the topic right on the head. It reaches through time and looks at how the penis trended long before one was ever posted on Twitter. You will be impotent with both laughter and information as you read "’…subtly, unhurriedly and mercilessly’ (Alex Comfort The Joy of Sex),” as Hickman discusses ancient literatures and mathematical quandaries of possible positions, such as Greece’s "the lion on the cheese-grater,” which still keeps scholars from being cocksure about the potential.

    He's huge, mean, and damaged. It's bad enough he oversees Elsa's work, but he's also her personal bodyguard and roommate. They're at each other's throats all day, but at night, with no one looking and the wine flowing, she can't stop staring at him. He might be off-limits, but he's also hot as hell, and he can't keep his hands off her when he's drunk.Everyone tells her she should avoid him, that there's no saving him and no going back if she gives in. But forbidden fruit is always the sweetest, and one bite shouldn't hurt.Unless she ends up mated to the angry brute.Warrior Saved is an enemies-to-lovers standalone sci-fi romance featuring a spitfire heroine with OCD and a damaged, messy hero. No cheating, no cliffhanger, and a happily ever after guaranteed! 18+Each book in the series can be read as a standalone, but for maximum enjoyment, it’s recommended that the series be read in order.

    He spent 18 months - between May of 2010 and October of 2011 - working as an embedded reporter with law enforcement agencies, partnering with officers on night patrols, accompanying detectives on warrant searches and probation sweeps, observing SWAT operations and spending hundreds of hours with attorneys and victims' advocates in small-town courtrooms. The result is "Shadow People," a stark and sometimes brutal exploration of America's modern methamphetamine crisis.

    She has slept with most of her male friends. Most of her male friends have slept with most of her female friends. Sexual promiscuity is the norm. But up until a few years ago, she still envisioned her sexual experience "eventually reaching a terminus, like a monorail gliding to a stop at Epcot Center." Like many people, she imagined herself disembarking, finding herself face-to-face with another human being, "and there we would remain in our permanent station in life: the future."But, as we all know, things are more complicated than that. Love is rare and frequently unreciprocated. Sexual acquisitiveness is risky and can be hurtful. And generalizing about what women want or don't want or should want or should do seems to lead nowhere. Don't our temperaments, our hang-ups, and our histories define our lives as much as our gender?In Future Sex, Witt captures the experiences of going to bars alone, dating online, and hooking up with strangers. From her home in San Francisco, she decides to say yes to everything and to find her own path. She observes the subcultures she encounters with a wry sense of humor, capturing them in all of their strangeness, ridiculousness, and beauty. The result is an open-minded, honest account of the contemporary pursuit of connection and pleasure, and an inspiring new model of female sexuality--open, forgiving, and unafraid.

    The result is an incredible compendium of true disclosures that are funny and sad, shocking and tender.Fully illustrated throughout by a range of cutting-edge artists who have interpreted the intimate revelations in their unique ways, Women on Top of the World is collection of female voices. It is a contribution to the changing way women are now talking about their sexuality, and their journeys toward self-discovery.

    According to this false-yet-familiar story, the divisions between men and women are in nature alone and not part of culture. Drawing on evolutionary science, psychology, neuroscience, endocrinology, and philosophy, Testosterone Rex disproves this ingrained myth and calls for a more equal society based on both sexes’ full human potential.

    It has been praised as the 21st century version of "How to Win Friends and Influence People," and was nominated one of the five best books in psychology by "Books for a Better Life!"The author introduces the psychologically sound concept, "Emotional Prediction" or E.P. which you can employ with everyone. Here are the ten sections of the book:7 Little Tricks to Make a Great Impression Before People Even Meet You11 Little Tricks to Take the "Hell" Out of "Hello," and Put the "Good" in "Good-bye"12 Little Tricks to Develop an Extraordinary Gift of Gab10 Little Tricks to Actually Enjoy Parties5 Little Tricks to Handle the Good, the Bad, and the Bummers12 Little Tricks to Avoid the 13 Most Common Dumb Things You Should NEVER Say or Do13 Little Tricks to be a Cool Communicator11 Little Tricks to Give Your E-Mail Today's Personality and Tomorrow's Professionalism10 Little Tricks to Make an Impression on your Cell (A.K.A. "Phone")5 Little Tricks to Deepen the Relationships You Already Have

    They are told that in the name of sexual consent and feminist empowerment, they must proclaim their desires clearly and confidently. Sex researchers tell us that women don't know what they want. And men are on hand to persuade women that what they want is, in fact, exactly what men want. In this environment, how can women possibly know what they want—and how can they be expected to?In this elegantly written, searching book Katherine Angel surveys medical and psychoanalytic understandings of female desire, from Freud to Kinsey to present-day science; MeToo-era debates over consent, assault, and feminism; and popular culture, TV, and film to challenge our assumptions about female desire. Why, she asks, do we expect desire to be easily understood? Why is there not space for the unsure, the tentative, the maybe, the let's just see? In contrast to the endless exhortation to know what we want, Angel proposes that sex can be a conversation, requiring insight, interaction, and mutual vulnerability—a shared collaboration into the unknown.In this crucial moment of renewed attention to violence and power, Angel urges that we remake our thinking about sex, pleasure, and autonomy without any illusions of perfect self-knowledge. Only then will we bring about Michel Foucault's sardonic promise, in 1976, that "tomorrow sex will be good again."

    It says what most scientists and politicians are afraid to say about what research can and, perhaps more importantly, cannot deliver on topics ranging from sexuality, race and genetic modification to stem cells, cloning, modern medicine, fertility treatment, creationism and bioterrorism.Having worked at the heart of government science, at the most prestigious science publishing company in the world, and in one of the world's leading biology institutions the author has a unique view of the politics, culture and reach of science. He illustrates how we are facing dangerous times where political agendas and public misunderstanding are hobbling truly novel work and hence calls for wide reaching changes in science education, funding, publishing and promulgation.