Here are the inventors of the Beat generation and the heroes of today's Spoken Word movement, poets who don't get taught in American poetry 101, yet hold the literary future in their tattooed hands." So begins The Outlaw Bible of American Poetry, a primer for generational revolt and poetic expression, and an enduring document of the visionary tradition of authenticity and nonconformity in literature. From the Beat poetry of the '50s to the spoken word of the 1990s, The Outlaw Bible of American Poetry brings readers the words, visions, and extravagant lives of bohemians, beatniks, hippies, punks, and slackers. This exuberant manifesto includes lives of the poets, on-the-scene testimony, seminal underground articles never before collected, photographs of clubs and cafes, interviews, and, above all, the poems.

    

    Widely known for her performance poetry, which has been viewed over 3 million times on YouTube, author Brenna Twohy's debut collection reads like a letter to all that haunts her-- letting them know that despite her wounds, she's still alive.

    Trilogy's three long poems rank with T.S. Eliot's "Four Quartets" and Ezra Pound's "Pisan Cantos." The first book of the Trilogy, "The Walls Do Not Fall," published in the midst of the "fifty thousand incidents" of the London blitz, maintains the hope that though "we have no map; / possibly we will reach haven,/ heaven." "Tribute to Angels" describes new life springing from the ruins, and finally, in "The Flowering of the Rod"—with its epigram "...pause to give/ thanks that we rise again from death and live."—faith in love and resurrection is realized in lyric and strongly Biblical imagery.

    Four years later, she’s hit the jackpot when she gets The Call: the sitcom she wrote, The Next Best Thing, has gotten the green light, and Ruthie’s going to be the show-runner. But her dreams of Hollywood happiness are threatened by demanding actors, number-crunching executives, an unrequited crush on a boss, and her grandmother’s impending nuptials. Set against the fascinating backdrop of Los Angeles show business culture, with an insider’s ear and eye for writer’s rooms, bad behavior backstage and set politics, Jennifer Weiner’s new novel is a rollicking ride on the Hollywood rollercoaster and a heartfelt story about what it’s like for a young woman to love, and lose, in the land where dreams come true.

    . . I love you too", Robert Browning wrote in January 1845, thus initiating the most celebrated literary correspondence of the 19th century. For the next 12 months, he and Elizabeth Barrett exchanged letters and confidences. In this elegant format, the delicate interplay between the poems and the lovers' letters become vividly apparent.Elizabeth Barrett Browning was a prolific writer and reviewer in the Victorian period, and in her lifetime, her reputation as a poet was at least as great as that of her husband, poet Robert Browning. Some of her poetry has been noted in recent years for strong feminist themes, but the poems for which Elizabeth Barrett Browning is undoubtedly best know are Sonnets from the Portuguese.Written for Robert Browning, who had affectionately nicknamed her his "little Portuguese," the sequence is a celebration of marriage, and of one of the most famous romances of the nineteenth century. Recognized for their Victorian tradition and discipline, these are some of the most passionate and memorable love poems in the English language. There are forty-four poems in the collection, including the very beautiful sonnet, "How do I love thee? Let me count the ways."

    And there’s more. Her flat’s not hers. Her cats aren't hers. Even her hair isn’t really hers. Nor is she any of the other women she pretends to be. Not the bestselling romance novelist who gets her morning snack from the doughnut van on the seafront. Nor the pregnant woman in the dental surgery. Nor the chemo patient in the supermarket for whom the cashier feels ever so sorry. They're all just alibis. In fact, the only thing that’s real about Joanne is that nobody can know who she really is. But someone has got too close. It looks like her alibis have begun to run out….

    Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. "What am I supposed to say: I'm free?" the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.

    London (and occasionally the apocalypse) as a backdrop, Sweetdark explores the transience of existence, the pursuit of vulnerability, pleasure, chaos, and the dichotomy of a life wholly experienced, full of so much darkness and so much sweetness, sometimes in the same breath.

    Carson presents all the extant fragments of Sappho's verse, employing brackets and white space to denote missing text - allowing the reader to imagine the poems as they were written.

    It includes Emily's verse from Poems by Currer, Ellis and Acton Bell, as well as 200 works collected from various manuscript sources after her death in 1848.

    Forewarning, Flux is best read with a warm cup of coffee in hand.

    He can be jazzy and streetwise. Or cloak himself in antiquity. Simic has new eyes, and in these wonderful poems and poems-in-prose he lets the reader see through them.

    This book comprises Sexton's ten volumes of verse, including the Pulitzer Prize-winner Live or Die, as well as seven poems from her last years.

    She provides for her son by cleaning houses she could never afford. Taken into care as a child, Kerry cannot forget her past.Noah Martineau is a successful barrister with a beautiful wife, daughter and home in fashionable Primrose Hill. Adopted as a young child, Noah never looks back.When Kerry contacts Noah, the sibling she lost on the day they were torn apart as children, she sets in motion a chain of events that will change both of their lives forever.By turns funny and moving, Half a World Away is a story that will stay with you long after you read its final page.