Rosenblum and journalist Robert Karen have written both a history of the profession and a personal account, a highly entertaining, instructive, and revelatory book that will make any reader a more aware movie-viewer.

    Besides being the source for one of America's most popular musicals, AUNTIE MAME set a standard for Broadway comedy that's been sought after ever since. "Auntie Mame was a handsome, sparkling, scatterbrained and warm-hearted lady who brightened the American landscape from 1928 to the immediate past by her whimsical gaiety, her slightly madcap adventures and her devotion to her young nephew, who grew up to be Patrick Dennis. Through fortunes that rose and fell and a pleasant but brief marriage to a likable Southerner, who had the bad luck to tumble down from the Matterhorn, Auntie Mame's chief concern was that nephew, whom she raised [the play's] central figure is a woman of spirit, innate kindness and undefeatable courage " NY Post.

    When Farts Had Colors is the story of 4th grader Lance Chance who hates Mondays. This particular Monday Lance's mom coaxes Lance to school with his favorite sandwiches and a 'wish-kiss'. On his way to school Lance is tormented by "the biggest, meanest 4th grader ever to stalk the halls of Alfonso Orr Elementary School. Merry Maddox. Bully Extraordinaire…”A legend" and her posse of mayhem, the Crazy M&Ms. If having to hand over his sandwiches and perform a certain humiliating act wasn't enough, Lance gets blamed by Merry Maddox for letting out a fart so horrible it forces the entire school to evacuate. Lance runs away from school and wishes that farts had colors. "Then everyone would have known it was Merry Maddox who sent out those heat seeking missiles of doom and destruction," thinks Lance. And just like that, Lance's wish comes true. Will Lance come up with a plan to expose Merry Maddox and reveal her true colors?

    Jenkins' class arrive at school one day to discover a substitute creacher has come to put a stop to their monkey business! He regales them with mind-boggling stories about his former students who didn't follow the rules: Keith the glue-eater, Zach the daydreamer, and Hank the prankster, to name a few. But even this multi-tentacled, yellow-spotted, one-eyed monster's cautionary tales about the consequences of mischief-making can't seem to change the students' wicked ways until he reveals the spookiest and most surprising story of all: his own.Chris Gall's vibrant artwork leaps off the page with a dynamic comic book aesthetic that will grab both parents and monster-loving kids!

    Mr. and Mrs. Scott and their twins, Susie and Sammy, lived there too during the summer. Then autumn came and the Scott family left. Which meant Gus had nothing to do but sit around. One day, during a walk, he met Mouse, who was cold and hungry. "Come spend the winter at my house!" cried Gus.Thus begins an unlikely but heartwarming friendship. First published in 1962, children have delighted in this story and other Gus the Ghost books for over fifty years. Seymour Fleishman's sweet, nostalgic illustrations bring Gus, the Scotts and Mouse to life.

    Kenny, a teenage halfwit looking for a summer job, stumbles right to her doorstep. Free rent, free meals, high pay, easy work, and a provocative boss... what's there for Kenny to refuse? Well, there's the blood-covered kitchen spilling over with raw meat and the bolt-locked steel-plated attic door he's restricted access to. Are these red flags worth the risk of missing out on a wild summer romance?

    Green's class. In his nightmare, Mrs. Green is a monster with a tail and smoke coming out of her nostrils. He is so happy when he awakes to see the real Mrs. Green that he gives her a hug.

    Nothing like it has been made before and—to its millions of fans—nothing as good will ever be made again. It is a show that prompts endless debate, and the debates continue here. Is Omar Little the coolest criminal since Robin Hood? Which series has the best theme tune? Will Bubbles survive Baltimore? Avon or Stringer? How does McNulty have so much success with women? With the show now over, these and hundreds of other questions are discussed in this brilliant collection of features and comments from the Guardian's Wire Re-up blog. Together with interviews with the show's creators and stars, running totals per episode (murders, Bunk drunk, Herc screw-ups, and much more), and a quiz created by the stars themselves, this book will guarantee fans that one last fix they've been craving.

    Some of the country s finest theatre and film talents all at key stages in their careers participated in its creation, but the journey was anything but smooth. Among other things, it involved bumping off disco killers and talking gorillas, finding air-conditioned rooms for dead rats, persuading a respected actor to stop sulking and eat his meals, and resisting the temptation to introduce logic into a madcap script. In the end, it was worth it.Kundan Shah s Jaane Bhi Do Yaaro is now a byword for the sort of absurdist, satirical humour that Hindi cinema just hasn t seen enough of. This is the story of how it came to be despite incredible odds and what it might have been. Jai Arjun Singh s engaging take on the making of the film and its cult following is as entertaining as the film itself.

    Jack Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Shelley, Stevenson, Stoker, and Wilde to contemporary horror film exemplified by such movies as Silence of the Lambs, Texas Chainsaw Massacre, and Candyman, Skin Shows understands the Gothic as a versatile technology, a means of producing monsters that is constantly being rewritten by historically and culturally conditioned fears generated by a shared sense of otherness and difference.Deploying feminist and queer approaches to the monstrous body, Halberstam views the Gothic as a broad-based cultural phenomenon that supports and sustains the economic, social, and sexual hierarchies of the time. She resists familiar psychoanalytic critiques and cautions against any interpretive attempt to reduce the affective power of the monstrous to a single factor. The nineteenth-century monster is shown, for example, as configuring otherness as an amalgam of race, class, gender, and sexuality. Invoking Foucault, Halberstam describes the history of monsters in terms of its shifting relation to the body and its representations. As a result, her readings of familiar texts are radically new. She locates psychoanalysis itself within the gothic tradition and sees sexuality as a beast created in nineteenth century literature. Excessive interpretability, Halberstam argues, whether in film, literature, or in the culture at large, is the actual hallmark of monstrosity.

    O’Bannon also includes his insights on subjects such as the logic of the three-act structure, the role of the producer in screenplay development, and the psychological principle known as “hedonic adaptation,” which has a unique effect on the structuring of screen stories.

    "The Satanic Screen" documents all of Satan's cinematic incarnations, covering not only the horror genre but also a whole range of sub-genres including hardcore porn, mondo and underground film. Heavily illustrated with rare still photographs, posters and arcana, the book also investigates the perennial symbiotic interplay between Satanic cinema and leading occultists (for example, Aleister Crowley), making it essential reading for anyone interested in the Black Arts and their continuing representation in populist culture.Nikolas Schreck is the editor of "The Manson File" (1988), and director of the film "Charles Manson Superstar" (1989). He is a world-respected authority on occultism and true crime.

    This book includes safe 'PG' text and illustrations. This collection also includes a brief biography of each author.

    The story revolves around United Nations employee Gerry Lane (Pitt), who traverses the world in a race against time to stop a pandemic that is toppling armies and governments and threatening to annihilate humanity itself.World War Z: The Art of the Film is the official illustrated companion to the movie, and features a wealth of stunning production art, design sketches and storyboards, alongside the full shooting script.(TM) & © 2013 Paramount Pictures. All Rights Reserved.

    The reality is that film has never gone away, and in recent years has experienced a surging, renewed popularity-sometimes simply for its retro, analog status, but mostly for film's ability to create a look and feel that many believe digital can still not achieve. If anyone can attest to this, it's Utah photographer Jonathan Canlas, who exclusively shoots with film, and has both an extremely successful wedding photography business as well as a series of popular workshops held numerous times per year around the world. In "Film Is Not Dead: A Digital Photographer's Guide to Shooting Film, " Canlas teams up with co-author Kristen Kalp to open the doors for anyone who wants to begin-or return to-shooting film. Casual, irreverent, fun, inspiring, and beautiful, this unique 10x8 hardcover book teaches the reader the basics of film, cameras, and shooting in this medium. Whether it's discussing the different tone and color characteristics of different films (Kodak, Fuji, etc.), how to load a medium-format camera back, how to create proper exposures, how and where to get film processed, or how Jonathan uses fun, plastic cameras like the Holga in his commercial and personal work, "Film Is Not Dead "appeals to anyone who is searching to finally begin creating that film look, but until now hasn't known where to start.