Mosheen's dream of becoming a diplomat has been shattered and Zunaira can no longer even appear on the streets of Kabul unveiled. Atiq is a jailer who guards those who have been condemned to death; the darkness of prison and the wretchedness of his job have seeped into his soul. Atiq's wife, Musarrat, is suffering from an illness no doctor can cure. Yet, the lives of these four people are about to become inexplicably intertwined, through death and imprisonment to passion and extraordinary self-sacrifice.The Swallows of Kabul is an astounding and elegiac novel of four people struggling to hold on to their humanity in a place where pleasure is a deadly sin and death has become routine.

    Contending with the perils and the varied cast of characters of the marriage market, Belinda strides resolutely toward independence. Admired by her contemporary, Jane Austen, and later by Thackeray and Turgenev, Edgeworth tackles issues of gender and race in a manner at once comic and thought-provoking. The 1802 text used in this edition also confronts the difficult and fascinating issues of racism and mixed marriage, which Edgeworth toned down in later editions.

    K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber—which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves—she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.

    Audiences accustomed to the pieties of late Victorian romantic fiction were taken aback by Chopin's daring portrayal of a woman trapped in a stifling marriage, who seeks and finds passionate physical love outside the confines of her domestic situation.Aside from its unusually frank treatment of a then-controversial subject, the novel is widely admired today for its literary qualities. Edmund Wilson characterized it as a work "quite uninhibited and beautifully written, which anticipates D. H. Lawrence in its treatment of infidelity." Although the theme of marital infidelity no longer shocks, few novels have plumbed the psychology of a woman involved in an illicit relationship with the perception, artistry, and honesty that Kate Chopin brought to The Awakening.

    Each night, Sisi, Ama, Efe, and Joyce stand in the windows of Antwerp’s red-light district, promising to make men’s desires come true—if only for half an hour. Pledged to the fierce Madam and a mysterious pimp named Dele, the girls share an apartment but little else—they keep their heads down, knowing that one step out of line could cost them a week’s wages. They open their bodies to strangers but their hearts to no one, each focused on earning enough to get herself free, to send money home or save up for her own future.Then, suddenly, a murder shatters the still surface of their lives. Drawn together by tragedy and the loss of one of their own, the women realize that they must choose between their secrets and their safety. As they begin to tell their stories, their confessions reveal the face in Efe’s hidden photograph, Ama’s lifelong search for a father, Joyce’s true name, and Sisi’s deepest secrets—-and all their tales of fear, displacement, and love, concluding in a chance meeting with a powerful, sinister stranger.On Black Sisters Street marks the U.S. publication debut of Chika Unigwe, a brilliant new writer and a standout voice among contemporary African authors. Raw, vivid, unforgettable, and inspired by a powerful oral storytelling tradition, this novel illuminates the dream of the West—and that dream’s illusion and annihilation—as seen through African eyes. It is a story of courage, unity, and hope, of women’s friendships and of bonds that, once forged, cannot be broken.

    It tells the story of a beautiful and innocent young woman, married at sixteen to a much older man. She falls in love with her handsome, frivolous neighbor, but discovers too late that his love is quite different from her own. This new translation, the first since 1900, does full justice to the passion and conviction of Sand's writing, and the introduction fully explores the response to Sand in her own time as well as contemporary feminist treatments.

    In 2012 Yaseer Bahjatt announced at the end of his TED audition the establishment of Yatakhayaloon to ignite the SciFi culture in the Arabian world, an inactivate based on his observation of the correlation between a culture producing and consuming its own SciFi and that same culture developing science and producing patents.The first book out of Yatakhayaloon "HWJN" was a huge success in the Arabian world making it the #1 seller across Arabia from Jul 2013-Nov 2013 when it was removed from bookstore shelves because of a rumor that it promoted black magic, the second book "Somewhere" also made it to the #1 spot in 2014.Now comes "Yaqteenya: The Old World" as the 3rd book from Yatakhayaloon, where the author is exploring parts of both Islamic and world History in ways that would force you to re-think everything you thought was indisputable, regardless of what your background is, forcing you to imagine what the world could have looked like and how scientific development relates to both our history and ideology.How would the world look like if major historical events in the Islamic world played out differently? How would technology develop?#Yaqteenya is an alternate history novel that explores those questions from an Middle Eastern point of view, in a setting that is part SciFi and part fantasy.Yaqteenya is facing its first civil war, To save it from it self, Al-Baz needs to break its #1 law and leave Yaqteenay to find answers about the truth that the rulers of the land.كيف سيكون العالم لو تغيرت تبعات الأحداث العظمى في العالم الإسلامي؟ كيف ستتطور التقنيات؟#يقطينيا هي رواية تاريخ بديل تستكشف إجابات هذه الأسئلة من وجهة نظر شق أوسطية، في عالم بين الخيال العلمي والفنتازيا.تواجه يقطينيا حربها الأهلية الأولى، ولإنقاذها من نفسها، يضطر الباز إلى مخالفة قانونها الأول ومغادرة يقطينيا ليجد الإجابات عن حقيقة حكام البلاد.

    Thomas' acclaimed translations of Akhmatova's poems. This volume includes "Requiem", her poem of the Stalinist Terror and "Poem Without a Hero".

    In both it is ultimately the women who suffer, whether, paradoxically, from a surfeit of feasting and family life in India, or from self-denial and starvation in the US. or both. Uma, the plain, older daughter still lives at home, frustrated in her attempts to escape and make a life for herself. Her Indian family is difficult , demanding but mostly, good hearted. Despite her disappointments, Uma comes through as the survivor, avoiding an unfulfilling marriage, liek her sister's or a suicidal one, like that arranged for her pretty cousin. And in America, where young Arun goes as a student, men in the suburbs char hunks of bleeding meat while the women don't appear to cook or eat at all - seems bewildering and terriying to the young Indian adolescent far from home.

    A poignant story of a resourceful Nigerian woman who overcomes strict tribal domination of women and countless setbacks to achieve an independent life for herself and her children.

    Review of Books.First published in 1942 at the height of her popularity, Dust Tracks on a Road is Zora Neale Hurston's candid, funny, bold and poignant autobiography, an imaginative and exuberant account of her rise from childhood poverty in the rural South to a prominent place among the leading artists and intellectuals of the Harlem Renaissance. As compelling as her acclaimed fiction, Hurston's very personal literary self-portrait offers a revealing, often audacious glimpse into the life–public and private–of an extraordinary artist, anthropologist, chronicler, and champion of the black experience in America. Full of the wit and wisdom of a proud, spirited woman who started off low and climbed hight, Dust Tracks on a Road is a rare treasure from one of literature's most cherished voices.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    These are stories of what the world looks like from a child's pure but sometimes vengeful or muddled perspective. These are stories of life in a war zone, life peppered by surreal mistakes, tragic accidents and painful encounters. These are stories of fantasist matadors, lost limbs and voyeuristic dwarfs. This is a collection about sex, death and the all-important skill of making life into a joke. These are unexpected stories by a very fresh voice. These stories are unforgettable.

    Rashid - a young, clever Palestinian - has been smoking grass on the roof watching it happen when he gets the e-mail he has been desperate for: he's won a scholarship to London. Rashid's sister, Iman, frustrated by the atrocities and inaction around her, is beginning to take an interest in an Islamic resistance group. Sabri, their intellectual older brother, is working on a history of Palestine from his wheelchair while their mother pickles vegetables and feuds with the neighbours.Out of It follows the lives of Rashid and Iman as they try to forge places for themselves in the midst of occupation, the growing divide between Palestinian factions, and the rise of fundamentalism. Written with extraordinary humanity and humour, and moving between Gaza, London and the Gulf, this book helps to re-define Palestine and its people.

    Mandeville claims to have served in the Great Khan's army, and to have travelled in 'the lands beyond' - countries populated by dog-headed men, cannibals, Amazons and Pygmies. Although Marco Polo's slightly earlier narrative ultimately proved more factually accurate, Mandeville's was widely known, used by Columbus, Leonardo da Vinci and Martin Frobisher, and inspiring writers as diverse as Swift, Defoe and Coleridge. This intriguing blend of fact, exaggeration and absurdity offers both fascinating insight into and subtle criticism of fourteenth-century conceptions of the world.