The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an affair with her younger sister, but Tommy, stretched out on his recliner (which, apart from a refrigerator full of beer, comprises the entire furnishings of his spartan apartment), is seemingly unmoved by her harangue. In the second scene Donna visits her father, a once successful artist who stopped painting at the death of his wife, whom he had bullied and betrayed despite his professed love for her. Combative and complex (but also very funny) the father sits and drinks and eventually gives in to his daughter's demand that he force Tommy to marry her or beat him up. Then, in the third and final scene, the father and Tommy confront each other, with results that are sometimes menacing, sometimes antic, with a lively discussion about art and women eventually leading to a sort of tenuous truce—and a grudging recognition of the responsibility that love, in its various guises, imposes.

    Broken, hurt, and homeless, her best friend, Kenji, comes to her rescue. Not willing to sit back and watch her friend hurt, Kenji offers to take her on a vacation to Cancun for Spring Break. A vacation could be just the thing she needs to get her head back in the game. Or, it could be the worst mistake she has ever made. Kenji is stuck between a rock and a hard place. She’s been talking to Silk for a year, and he is still not ready to commit. Over the excuses, Kenji is ready to soak up some sun in Cancun. Cancun proves to be more than she had planned, especially when she runs into the rapper Houston. Could Houston be the guy for Kenji, or will Silk finally step up to the plate? Silk loves Kenji more than she realizes, but his lifestyle prevents him from expressing it. Feeling the pull back from Kenji, he knows that he has to man up—and soon. The only problem with manning up is that he has to be completely honest with Kenji. But honesty comes with a secret that has been haunting him for years. Will Silk open his heart to get the woman he loves, or will he let his secret trump his happiness? Laxton is a chill type of guy, so when his rowdy ex comes back around trying to regain her position, he quickly takes Houston up on his offer to travel to Cancun. When Laxton lays eyes on Canary, it is love at first sight, and he wastes no time letting her know that. The problem is, his ex is desperately trying to insert herself back into his life. Will Laxton act on his feelings for Canary, or will he go back to what feels warm and familiar?

    Bridie O’Hara, a beautiful young girl, is torn away from her native Ireland by her father – a freedom fighter, turned traitor, when he has to flee the wrath of the Fenians. Violated by him she ends up in a correction convent. Her escape, and meeting up with Bruiser Armitage, a pimp, sets her fate. One man tries to save her, Will Hadler, a kind, hard-working miner, whose love for Bridie knows no bounds. His rescue of her brings her happiness, but the demons inside her never give her peace. When Andrew Harvey, master of Hensal Grange, takes a fancy to her it is the beginning of Bridie sinking back into degradation. Her daughter, Bridget pays the price. Unprotected by her drunken mother, Bridget suffers rape and the heartbreak of having to give up her child, Megan.Book Two: AN UNBREAKABLE BOND: It is 1913 and for Megan and her friend, Hattie, the time has come to take up their placements and make their way in the world. Megan’s path leads her to fall into a marriage with a man she does not love and at whose hands she suffers beatings and rape. With Hattie’s help she finally escapes, but her path crosses that of the beautiful, rich and powerful, Laura Harvey. It is Laura’s need to have her wish at any price that triggers an eruption of violence that brings Megan near to death and sends Jack, the man both Megan and Laura love to prison, for a murder he did not commit.Hattie’s path crosses that of paedophile, Lord Marley. She is raped by him and his companion. Her ten pound silence money buys her an abortion but her choices have gone and she is forced into a life of prostitution. It is when she stumbles across an evil, child sex ring and is determined to break it that she once more encounters Lord Marley and though she succeeds in her quest and gets her revenge, she pays a terrible price. Hers and Megan’s enduring friendship bring them through.Book Three: TOMORROW BRINGS SORROWSet in 1939 – 1959, As the world faces many changes brought on by war, Megan has found happiness with Jack, but the threat of Megan’s schizophrenic son Billy, still casts a shadow over them. His release is imminent and for Sarah, Jack’s daughter, this opens up a fate she cannot fight. With her love and respect for Billy eroded over the years as she came to realise he has an evil core, Sarah now lives in fear of him and what he will do if she refuses him. Forsaking her true love, she marries Billy in an attempt to protect those who are very dear to her, but love and hate will out and the consequences are devastatingThose consequences are compounded by the incestuous love between twins Theresa and Terrence Crompton and their taking of all they need from whatever source they please.

    

    At first, the new doctor cures anything

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    This play, translated from the original Marathi, is one of his most gripping, socially relevant ones.

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.

    Book annotation not available for this title.

    They sailed far out to sea. The blue one returned to the harbor. The red one sailed home too. But the yellow boat sailed up to the sun." Benjamin always concluded his bedtime ritual by saying, "Mom, you can be the red boat or the blue boat, but I am the yellow boat." This remarkable voyage of Benjamin was extensively developed and widely produced in America for several years, always to ovations. Cast of 4 men and 3 women.THE YELLOW BOAT is based on the true story of David and Sonja Saar's son, Benjamin, who was born with congenital hemophilia, and died in 1987 at the age of 8 of AIDS related complications. A uniquely gifted visual artist, Benjamin's buoyant imagination transformed his physical and emotional pain into a blaze of colors and shapes in his fanciful drawings and paintings. The story of THE YELLOW BOAT Is a glorious affirmation of a child's life, and the strength and courage of all children. Recommended for children of age 8 and older, parents, families and adults.