When a mysterious stranger offers to reward Midas for a kindness, the king does not hesitate: He wishes that all he touches would turn to gold. To his delight, his wish is granted and he soon sets about transforming his ordinary palace into a place of golden beauty. But to his dismay, when he accidentally turns his beloved daughter into a golden statue, Midas learns that what at first seems a blessing can also become a curse.

    George and the Dragon commemorates the 25th Anniversary of the Caldecott Award-winning picture book. Hodges retells an exciting segment from Spenser's The Faerie Queene, in which the Red Cross Knight slays a dreadful dragon that has been terrorizing the countryside for years, bringing peace and joy back to the land. Featuring a fresh new cover design - with artwork that highlights the dragon adventure within - and distinctive embossed gold Caldecott Award sticker, this is the perfect way to introduce the classic tale to a whole new generation of readers.

    Soon after being born from a fiery red flower, Thumbelina is kidnapped from home and pursued by many suitors, including a horrible toad, a bumbling beetle, and a grumpy mole--until the plucky heroine finds a true love who fits her just right. Sneed's rich, detailed watercolors are a true standout, illustrating the animals and natural world with remarkable realism and vibrancy. The story, lighthearted and lively, has a simple text that keeps the elegant flavor of the original tale, yet is perfect for a picture book audience. Brad Sneed's fresh look at a well-loved fairy tale is simply sumptuous!

    A revisionist storyteller provides his mad, hilarious versions of children's favorite tales in this collection that includes "Little Red Running Shorts", "The Princess and the Bowling Ball", "Cinderumpelstilskin", and others.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    Cinder Edna was forced to work for her wicked stepmother and stepsisters, just as her neighbor, Cinderella, was.Edna, on the other hand, had learned a thing or two from doing all that housework, such as how to make tuna casserole sixteen different ways and how to get spots off everything from rugs to ladybugs. And she was strong and spunky and knew some good jokes.Then one day the king announced that he would give a ball ...

    The beauty of the language is set off to perfection by Heller's arresting illustrations. A stunning combination of fluent prose and exquisitely wrought illustrations that makes] a winner for story hours, as well as a useful resource for the study of Cinderella through the ages." -- SLJ. Notable 1989 Children's Trade Books in Social Studies (NCSS/CBC)

    One night the stepmother sends Vasilisa to visit Baba Yaga, an errand from which the gentle girl has little chance of returning alive. "An engaging text and accomplished paintings set this version apart....A stylized and classy offering."--School Library Journal.

    In this rendition a tiger is proven to be a princess.

    So the question arises: Do we really need another edition of Puss? Presented with Fred Marcellino's magnificent interpretation of this nimble new translation of the authentic text, book lovers young and old are apt to decide that this Puss in Boots belongs on their shelf of special favorites.Long regarded as the preeminent designer of book jackets in America, Fred Marcellino provides an unstinting visual feast in his first full-color picture book. The eadventures of that rascal, Puss, and his master, the miller's sonare portrayed in a lavish series of illustrations that range from sumptuous grandeur to comedy both boisterous and sly.

    

    Sometimes, we need those two things the most" (Brightly.com, citing "Books That Teach Kids What It Means to Be a Kind Person").In this breathtaking jacketed picture book, Neil Gaiman's lyrical poem guides a novice traveler through the enchanted woods of a fairy tale—through lush gardens, a formidable castle, and over a perilous river—to find the way home again.Illustrated in full color by Charles Vess, Instructions features lush images of mythical creatures, magical landscapes, and canny princesses. Its message of the value of courage, wit, and wisdom makes it a perfect gift.

    Meet a hen that lays golden eggs and a harp that sings by itself. And don't forget the ogre...A classic fairy tale with rich and dynamic illustrations that will leave you chanting "Fee-fi-fo-fum!"

    But will the prince find Cinderella after her ball gown turns back into rags? This classic tale is retold by Ruth Sanderson with the very youngest of readers in mind.

    How could everyone in a castle - even the flies on the walls - sleep for a century and then wake up? This magical, beautifully illustrated tale begins when the king excludes the most difficult fairy of the kingdom from a feast celebrating the birth of his beautiful daughter Briar Rose. Furious, the fairy storms in and curses the baby, pronouncing that on her fifteenth birthday she will be pricked by a distaff (from a spinning wheel) and fall down dead. The youngest fairy softens the curse to a century-long sleep. Despite the fact that the king burns all the spinning wheels in the kingdom, 15-year-old Briar Rose finds herself in the tower where the evil fairy and her fate await her. The drama of the spell unfurls as she and the other inhabitants of the castle fall instantly asleep, from courtiers to kitchen maids. Thorny briars - moodily captured by Trina Schart Hyman's masterful paintbrush - grow up around the castle. Hyman depicts those who died attempting to break through the maze of thorns to reach the legendary sleeping beauty in a nightmarish illustration. But goodness and true love prevail when the perfect prince does finally find his way through the thick vines.Hyman won a Caldecott Medal for her work in Saint George and the Dragon by Margaret Hodges, and her version of The Sleeping Beauty makes us believe in the magic of the spell. The scenes inside the castle are alive with color and movement and rich with details that children will devour eagerly. Moods and expressions are rendered exquisitely, especially those of the wild, red-haired beauty Briar Rose. This wonderful read-aloud classic is one of Hyman's best.