Sir Nigel Anstruthers crosses the Atlantic to look for a rich wife and returns with the daughter of an American millionaire, Rosalie Vanderpoel. He turns out to be a bully, a miser and a philanderer and virtually imprisons his wife in the house. Only when Rosalie's sister Bettina is grown up does it occur to her and her father that some sort of rescue expedition should take place. And the beautiful, kind and dynamic Bettina leaves for Europe to try and find out why Rosalie has, inexplicably, chosen to lose touch with her family. In the process she engages in a psychological war with Sir Nigel; meets and falls in love with another Englishman; and starts to use the Vanderpoel money to modernize ‘Stornham Court’.The book’s title refers to ships shuttling back and forth over the Atlantic (Frances Hodgson Burnett herself traveled between the two countries thirty-three times, something very unusual then).

    The few people who saw it from charabancs on morning or evening or circular drives said: “Isn’t it peaceful?” or “Isn’t it quiet?”. And some said they thought it was a lovely place to be buried in, but while they were alive they preferred a place with more life, if you knew what they meant.The unlikely heroine of this delightful comedy of manners is Jocelyn Renshawe, young widow of the local squire, “a specimen of human cabbage” who “fitted into her surroundings so completely that she was hardly noticeable.” But she’s about to be noticed a bit more—by her jaded, much-widowed mother Ermyntrude, who breezes in on the look-out for her next conquest; by her aunt and mother-in-law, who have decided she should marry Colonel Tidmarsh, an elderly (and extremely dull) retired Army man; and by Gervase Blythe, a mysterious acquaintance of Colonel Tidmarsh’s, who arrives in town and rescues Jocelyn from a rainstorm before coming under suspicion as a jewel thief.One is safe in assuming that Jocelyn is about to leave her mouldering existence behind, but how she does so is the sparkling, cheerful plot of Much Dithering.

    Midge stayed on. While the war lasted Mrs. Custance had accepted her as part of the war-effort; it was only in the past year or two that Mrs. Midge had been transferred to the category which Mrs. Custance described as "people we could manage without."Elizabeth Fair’s rollicking second novel takes place in Little Mallin, where village life is largely dominated by preparations for the August Festival. Out of such ordinary material Fair weaves a tale of conflict, scheming, misunderstanding — and of course romance.Among the villagers are a vicar dreaming of ancient Greece; his wife, largely concerned with getting their daughter married off; the melancholic Colonel Ashford; the eccentric Eustace Templer and his nephew; not to mention Mrs. Midge and her delicate son. The author said the novel was meant for people who "prefer not to take life too seriously." Compton Mackenzie said it was "in the best tradition of English humour."Furrowed Middlebrow is delighted to make available, for the first time in over half a century, all six of Elizabeth Fair’s irresistible comedies of domestic life. These new editions all feature an introduction by Elizabeth Crawford.

    This charming, delightful and extremely funny book about daily life in a frugal English household was named by booksellers as the out-of-print novel most deserving of republication.This is a gently self-effacing, dry-witted tale of a long-suffering and disaster-prone Devon lady of the 1930s. A story of provincial social pretensions and the daily inanities of domestic life to rival George Grossmith's Diary of a Nobody.

    First, her secret gift for divining jewels has landed her in scandal, exiling her from London society. Second, a nobleman of dubious repute wants her to find a cache of smuggled jewels, hidden somewhere along the Devon coastline. Last – and worst – she is invited to cream tea at the local manor. And while the autocratic and magnificent Earl of Beresford might be there (and perhaps the jewels themselves too), Beresford is the last person Elinor wants to meet over cream tea.When a dead body is discovered along the cliffs, of course, such delicate considerations become secondary. Fortunately, Elinor now has a small vampiric chaperone – even if said spinster has a habit of appearing stark naked – and together they are ready to risk the hard questions.Where are the jewels hidden? Who killed the smuggler? And just when is the cream tea being served?

    But the craggy, homely old Dean, lived locked in by shyness... when an obscure watchmaker, the timid, fearful little Isaac Peabody, a genius of a clockmaker, strikes up an unlikely friendship with the Dean. It leads to an unusual spiritual awakening in both men, and this unexpected friendship of these two men; also leads the Dean's remarkable awakening to the healing force of unselfish love; and the miracles wrought as he reached out to other human hearts to console them. It eventually reaches out to the entire community. And in the background there are Polly and her beloved Job, Bella and old Mrs Montague.

    Daphne du Maurier has instinct, with the result that every woman instinctively wants to read her." -New York Times Book ReviewMaria, Niall and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' past affairs. Alternately comic and poignant, The Parasites is based on the artistic milieu its author knew best, and draws the reader effortlessly into that magical world.

    At the heart of Anita Brookner's new novel lies a double mystery: What has happened to Anna Durrant, a solitary woman of a certain age who has disappeared from her London flat? And why has it taken four months for anyone to notice?As Brookner reconstructs Anna's life and character through the eyes of her acquaintances, she gives us a witty yet ultimately devastating study of self-annihilating virtue while exposing the social, fiscal, and moral frauds that are the underpinnings of terrifying rectitude.

    Set in Shropshire in the 1800s, it is alive with the many moods of Nature, benevolent and violent and the many moods -- equally benevolent and violent -- of the people making lives there. Prue Sarn is an unlikely heroine, born with a facial disfiguration which the Fates have dictated will deny her love. But Prue has strength far beyond her handicap, and this woman, suspected of witchcraft by her fellow townspeople, rises above them all through an all-encompassing sweetness of spirit. Precious Bane is also the story of Gideon, Prue's doomed brother, equally strong-willed, but with other motives. Determined to defeat the poverty of their farm, he devotes all his energies to making money. His only diversion from this ambition, he abandons her for the stronger drive of his money lust. And finally, it is the story of Kester Woodseaves, whose steady love for all created things leads him to resist people's cruelty toward nature and each other, and whose love for Prue Sarn enables him to discern her natural loveliness beneath her blighted appearance. Rebecca West, a contemporary of Mary Webb, called her, simply, "a genius," and G. K. Chesterton, another contemporary, asserted: "the light in the stories . . . is a light not shining on the things but through them." Critic Hilda Addison summed up Precious Bane: "The book opens with one of those simple sentences which haunt the mind until the curiosity has been satisfied . . . It strikes a note which never fails throughout; it opens with a beauty which is justified to the last sentence." When the book was first published in 1926 in America, the New York Times Book Review predicted: " on some bookshelves, we feel sure, Precious Bane will find almost a hallowed place."

    The thorough introduction discusses the tragicomedy as a genre, the writers thought to have collaborated on this play and the question of its authorship, and the significance of collaboration and censorship in the era when the play was written, as well as other notes on historical context. The editor goes on to address the public, literary, and theatrical contexts within and surrounding the play; the play's afterlife in theatrical adaptation and academia; and technical notes on editing the drama. Six appendices follow the text of The Two Noble Kinsmen. They are: "John Fletcher, 'Upon An Honest Man's Fortune'"; "The Portrait--Frontispiece of John Fletcher, 1647"; "Francis Beaumont, The Masque of the Inner Temple and Gray's Inn"; "Beaumont's 1613 Masque and The Two Noble Kinsmen"; "The Morris"; and "The Music." Finally, a reference section provides a list of abbreviations and references, a catalog of Shakespeare's works and works partly by Shakespeare, and citations for the modern productions mentioned in the text, other collated editions of The Two Noble Kinsmen, and other related reading.The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the play's foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader.

    The opening novel in Anthony Powell's brilliant twelve-novel sequence, A Dance to the Music of Time.Discover the extraordinary life of Anthony Powell – captured by acclaimed biographer Hilary Spurling in Anthony Powell: Dancing to the Music of Time

    When lovely Linda Martin first arrives at Château Valmy as an English governess to the nine-year-old Count Philippe de Valmy, the opulence and history surrounding her seems like a wondrous, ecstatic dream. But a palpable terror is crouching in the shadows. Philippe's uncle, Léon de Valmy, is the epitome of charm, yet dynamic and arrogant, his paralysis little hindrance as he moves noiselessly in his wheelchair from room to room. Only his son Raoul, a handsome, sardonic man who drives himself and his car with equally reckless abandon, seems able to stand up to him. To Linda, Raoul is an enigma, though irresistibly attracted to him, she senses some dark twist in his nature. When an accident deep in the woods nearly kills Linda's innocent charge, she begins to wonder if someone has deadly plans for the young count.

    But when his former sweetheart, Ethel Henderson, re-enters his life his strictly regimented existence is thrown into chaos by the resurgence of old passion. Driven by overwhelming desire, he pursues Ethel passionately, only to find that while she returns his love she also hides a dark secret. For she is involved in a plot of trickery that goes against his firmest beliefs, working as an assistant to her stepfather - a cynical charlatan 'mystic' who earns his living by deluding the weak-willed with sly trickery.

    No set of novels so richly recreates the last days of India under British rule--"two nations locked in an imperial embrace"--as Paul Scott's historical tour de force, " The Raj Quartet." "The Jewel in the Crown" opens in 1942 as the British fear both Japanese invasion and Indian demands for independence.

    This is the story of a trip backward in time in which a nostalgia for the quaint turns into a hideous nightmare.