Unlike The Art Book, it organises the work in chronological order (rather than alphabetical), it covers all cultures (not only western) and, as the title suggests, it covers 30,000 years of art (rather than art since the Renaissance). The book contains over 1000 works of art from all periods and regions in the world and breaks through the usual geographical and cultural boundaries of art history to celebrate the vast range of human artistry across time and space. Each work is accompanied by key caption information (date, title, place of origin, style or culture, medium, dimensions etc.), and a text that provides more information on the work and its art historical context. The book presents art in a way very different from other art history compendia, revealing the huge diversity, or in many cases, similarity, of man's artistic achievements through time and around the globe. Ordered chronologically, the resulting timeline of works will lead to compelling browsing: surprising juxtapositions will offer intellectual pleasure and a sense of wonder and discovery.

    Over 100 additional new images are integrated into Volume I, and appear online as full size digital images with discussions written by the author. These bonus images are complemented by groundbreaking media support for students including video study tools and a robust eBook.

    When overnight success came to the Pointer Sisters in 1973, they all thought it was the answer to their long-held prayers. While it may have served as an introduction to the good life, it also was an introduction to the high life of limos, champagne, white glove treatment, and mountains of cocaine that were the norm in the high-flying '70s and '80s. Ruth Pointer’s devastating addictions took her to the brink of death in 1984. Ruth Pointer has bounced back to live a drug- and alcohol-free life for the past 30 years and she shares how in her first biography. Readers will learn about the Pointer Sisters’ humble beginnings, musical apprenticeship, stratospheric success, miraculous comeback, and the melodic sound that captured the hearts of millions of music fans. They will also come to understand the five most important elements in Ruth’s story: faith, family, fortitude, fame, and forgiveness.

    When his true love Tammy Winslow died saving his life, Jonathan Randall had only one reason left for existing: his baby daughter Sarah. But Sarah's great-grandfather, powerful millionaire Alan Spaulding, was obsessed with bringing her up himself. Faking his death, Jonathan fled Springfield, leaving only his mother Reva Shayne aware he and Sarah were still alive. After being on the run for months, Jonathan comes to the sleepy town of Tourmaline, California, with no intention of staying. But ten-month-old Sarah seems strangely happy here, and Jonathan himself feels an inexplicable pull toward the town. It's almost as if Tammy's ghost were whispering to him that he should stay for a while. But life is hard for a bad boy trying to turn good, until a local young woman comes into his life. Aubrey Cross isn't quite sure what attracts her to this stranger in Tourmaline. Perhaps it's his dark good looks; perhaps it's because she too has always felt as if she doesn't belong in Tourmaline, even though her father is the popular town sheriff. Aubrey alone knows that this pillar of the community is in reality a sadistic abuser. And, of course, with a past like Jonathan's, it's no surprise that life doesn't stay peaceful in Tourmaline for long. Sheriff Zeke Cross is sure there are some secrets buried, and he's not going to rest until he uncovers them. Can Reva protect Jonathan and Sarah before they're discovered by the dangerous Alan Spaulding? Featuring some of Guiding Light's favorite characters, Jonathan's Story is the passionate tale of how Jonathan may have finally found a second chance for true love...but who knows better than Jonathan how quickly everything you love can be ripped away from you?

    Gombrich, in an introductory essay, calls ‘certain invariant traits of the human psyche.’”—Denis Thomas, Journal of the Royal Society of Arts“This book gathers together various legends and attitudes about artists, ancient and modern, East and West, and gives fascinating insights into attitudes toward artistic creation.  It impinges on psychology, art history and history, aesthetics, biography, myth and magic, and will be of great interest to a wide audience in many fields…. A delightful and unrivalled study.”—Howard Hibbard“Thought provoking and valuable…. To all those interested in psychiatry and art from the perspectives of history, criticism, or therapy and to the wide audience concerned with the psychology of aesthetics and of artistic creation.”—Albert Rothenberg, American Journal of PsychiatryErnst Kris was a psychoanalyst who wrote on a wide variety of subjects, including art.  Otto Kurz was librarian of the Warburg Institute in London.

    Here the reform movement of the turn of the century is not only dealt with as an artistic event, but those economic and political interests which inspired, supported, and handicapped it are also taken into account. In the chapters "Movement," "Unrest", and "Equilibrium," the historical phenomenon as a whole is characterised and is also presented with its own distinct local features. The centres of Brussels, Nancy, Barcelona, Glasgow, Helsinki and Chicago are dealt with in subchapters as are Munich, Darmstadt and Weimar. Finally, Vienna, that city in which the synthesis achieved its culmination, is described separately. The outstanding artists are examined in detail in connection with the respective cities of their greatest activity. The result is a complex picture of the symbiosis of architecture, furniture design, and craftsmanship with their corresponding approaches to artistic revitalization.

    In this seminal work, Arnheim, author of The Dynamics of Architectural Form, Film as Art, Toward a Psychology of Art, and Art and Visual Perception, asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. An indispensable tool for students and for those interested in the arts.

    Introducing students to a variety of established theories of art, he presents the traditional sets of criteria of Realism, Expressionism, and Formalism, which are in turn updated by recent sources of Poststructuralism. Barrett applies each of these theories to challenging works of contemporary art, pointing out the strengths and weaknesses of each mode of interpretation. He encourages students to consider many criteria when evaluating an artwork, to critically examine judgments made by others, and to make informed judgments of their own. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, Why Is That Art? is organized chronologically according to the history of aesthetics. It features sixty-seven illustrations (twenty-six in a full-color insert), discusses a wide range of American and European artists, and includes an exceptional overview of postmodern pluralism. This unique book will provide students with a newfound appreciation for contemporary art, scholarship, and reasoned argumentation, giving them the confidence to join the fascinating discourse on contemporary art.

    The text is lovingly handwritten, interspersed with bold graphics and illustrations. Includes never-before-published material. Add Toner is the follow-up to Despite Everything, the best-of collection from the first two decades of Cometbus, called "a classic in the subterranean world" by Time, and "the best loved zine ever" by the San Francisco Bay Guardian.

    Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 brilliant female artists in text that's smart, feisty, educational, and an enjoyable read. Replete with beautiful reproductions of the artists' works and contemporary portraits of each artist by renowned illustrator Lisa Congdon, this is art history from 1600 to the present day for the modern art lover, reader, and feminist.

    Drawing from street culture, high art, and traditional Japanese painting, Murakami takes the contemporary art trend of mixing high and low to an unprecedented level (critics call him the new Warhol), producing original paintings and sculptures as well as mass-produced consumer objects such as toys, books, and most famously, a line of handbags for Louis Vuitton. A committed supporter and spokesperson for Japanese artists and a powerful commentator on postwar culture and society, Murakami has organized influential exhibitions of Japanese art as well as a biannual art fair in Tokyo. Murakami has positioned himself as a new type of artist for the twenty-first century: a hybrid of creator, entrepreneur, and cultural ambassador.In conjunction with the first major retrospective of his work, Murakami traces Murakami’s global impact socially, culturally, and art historically. Essays focus on Murakami’s early works, which were based on a social critique of Japan’s rampant consumerism; the development of his characters; his work with anime, fantasy; otaku culture; and his engagement with global pop culture. Representing output from original works of art to mass-produced multiples, the catalogue also considers the implications of Murakami’s working methods within the tradition of the Western avant-garde.

    With intriguing prompts, readers will discover that the book can be: A secret message—tear out a page, write a note on it for a stranger, and leave it in a public place. A recording device—have everyone you contact today write their name in the book. An instrument—create as many sounds as you can using the book, like flipping the pages fast or slapping the cover.This Is Not a Book will engage readers by having them define everything a book can be by asking, “If it’s not a book, what is it then?”—with a kaleidoscope of possible answers.

    Gustav Klimt's art is thoroughly fin de siècle.It expresses the apocalyptic atmosphere of Vienna's upper-middle-class society — a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. The ecstatic joy which Klimt (1862-1918) and his contemporaries found — or hoped to find — in beauty was constantly overshadowed by death, and death therefore plays an important role in Klimt's art. Klimt's fame, however, rests on his reputation as one of the greatest erotic painters and graphic artists of his times. Particularly his drawings, which have been widely admired for their artistic excellence, are dominated by the erotic portrayal of women. Klimt saw the world "in female form." Author Gottfried Fliedlalso discusses the Secession movement and Klimt's role within this important group of artists.

    Using the seemingly commonplace materials that he collected in five-and-dime stores and other shops in New York City - cordial glasses, mirrors, marbles, and maps among them - along with clippings from books and magazines, childhood games, and Victorian illustrations, Cornell beckons us into a world at once distantly magical and tantalizingly, nostalgically "home."" Diane Waldman first met Cornell in 1963, when she was writing her master of fine arts' thesis on the subject of his art, and their friendship continued until his death. Over the years, Waldman has written often about Cornell, adding to the analysis of his art her own personal knowledge gained from interviews with the artist and his family as well as Cornell's letters and papers. In this volume she probes Cornell's elusive imagery in his earliest Surrealist-inspired collages of the 1930s, his masterful box constructions of the 1940s and 1950s, his experimental films, and his final collages in his last years.

    With a foreword by Steven Gerrard, this is the third edition in a bestselling series based on revealing interviews with former players, coaches and managers.For Liverpool FC, entry into the 21st century began with modernisation and trophies under manager Gérard Houllier and development was then underpinned by improbable Champions League glory under Rafael Benítez. Yet that is only half of the story. The decade ended with the club being on the verge of administration after the shambolic reign of American owners, Tom Hicks and George Gillett.In Ring of Fire, Hughes’ interviewees – including Jamie Carragher, Xabi Alonso and Michael Owen – take you through Melwood’s training ground gates and into the inner sanctum, the Liverpool dressing room. Each person delivers fascinating insights into the minds of the players, coaches and boardroom members as they talk frankly about exhilarating highs and excruciating lows, from winning cups in Cardiff and Istanbul to the political infighting that undermined a succession of managerial reigns.Ring of Fire tells the real stories: those never told before by the key players who lived through it all.