In all his writing, Cioran cuts to the heart of the human experience.

    Christopher Hitchens continues to make the case for a splendidly godless universe in this first-ever gathering of the influential voices--past and present--that have shaped his side of the current (and raging) God/no-god debate. With Hitchens as your erudite and witty guide, you'll be led through a wealth of philosophy, literature, and scientific inquiry, including generous portions of the words of Lucretius, Benedict de Spinoza, Charles Darwin, Karl Marx, Mark Twain, George Eliot, Bertrand Russell, Emma Goldman, H. L. Mencken, Albert Einstein, Daniel Dennett, Sam Harris, Richard Dawkins, and many others well-known and lesser known. And they're all set in context and commented upon as only Christopher Hitchens political and literary journalist extraordinaire can.” (Los Angeles Times) Atheist? Believer? Uncertain? No matter: The Portable Atheist will speak to you and engage you every step of the way.

    We witness scenes of passionate, even violent intensity that give rise to meditations on eros and literature, the solitariness of travel, and the poetics of place.These individual pieces, most of which first appeared in The London Review of Books and won an international cult following, are by turns "poignant, surreal, down home and lyrical, a mixture of qualities that inheres in his language with uncommon delicacy and effect" (Leonard Michaels). Together they make up an intellectual and emotional autobiography on the run. The book's final section, about Kleinzahler's adored, doomed older brother, is unforgettable, and since its appearance last year in the LRB, has already entered the literature as one of the most moving contemporary memoirs.

    Who could have seen this coming? Many people, including myself, and that is why I wrote this story, to warn people of what could happen to this country if we stay on the present course. Taken from headlines from Hurricane Katrina and now Sandy, hospitals are particularly affected when the lights go out. Hard decisions have to be made and people die. People stand in the streets and shout at the cameras for the govenment to come to their rescue and take care of them instead of being prepared and helping themselves. This is a warning to readers, this book will be considered controversial and not politically correct by liberals and socialists. It is as much political treatise as a story of survival. If you do not believe in God, country and family, you might not like this book. It is about survival and includes guns, death, blood and guts. All the characters and events are just imaginary and fictional but the medical scenes depected here are exactly as they would be in real life and things I do and have done in my practice. I tried to tell a story as true to life as I could while making it as interesting as possible, so it is a fusion of politics and fiction. That being said, the story itself is about how the US economy collapses after America defaults on its loans to foreign countries. When the government is no longer able to send out checks widespread riots break out all across the country. Dr. Edwards is caught up in the riots in North Mississippi, just outside Memphis, Tn. He along with a few others are trapped inside while the violence rages on and destruction surrounds the hospital. As the riots rage on they struggle to save themselves and their patients. Dr. Edwards must also make sure his family is safe and try to rejoin them when and if he and some of his coworkers can escape the riots. Everyone surrounding the cities must cope with the effects of the mass exodus of people trying to escape the violence. Along with close friends and members of his own family, Dr. Edwards must come to grips with the aftermath of the riots and deal with the Takers and the refugees alike.

    So opens the singular testimony of the poet Thomas Lynch who like many poets is inspired by death, but unlike the others, he is also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director. In the conduct of these duties he has kept his eyes open, his ears tuned to the indispensable vernaculars of love and grief. Here is the voice of both witness and functionary. Lynch stands between the living and the living who have died with outrage and amazement, awe and calm, straining for the brief glimpse we all get of what mortality means to a vital species.

    Max Ritvo, a student in her playwriting class at Yale University, was an exuberant, opinionated, and highly gifted poet. He was also in remission from pediatric cancer.Over the next four years--in which Ritvo's illness returned and his health declined, even as his productivity bloomed--the two exchanged letters that spark with urgency, humor, and the desire for connection. Reincarnation, books, the afterlife as an Amtrak quiet car, good soup: in Ruhl and Ritvo's exchanges, all ideas are fair, nourishing game, shared and debated in a spirit of generosity and love. "We'll always know one another forever, however long ever is," Ritvo writes. "And that's all I want--is to know you forever."Studded with poems and songs, Letters from Max is a deeply moving portrait of a friendship, and a shimmering exploration of love, art, mortality, and the afterlife.

    Drawing on her personal journals from the aughts, Jessica Hopper chronicles her time as a DJ, living in decrepit punk houses, biking to bad loft parties with her friends, exploring Chicago deep into the night. And, along the way, she creates an homage to vibrant corners of the city that have been muted by sleek development. A book birthed in the amber glow of Chicago streetlamps, Night Moves is about a transformative moment of cultural history—and how a raw, rebellious writer found her voice.

    Is it hard? Yes. Is it worth it? Absolutely. After 15 years stuck behind a desk in the software industry, Bob Clagett walked away from a well paying, stable job to make the things he was interested in and show the world how to make them too. His company, I Like To Make Stuff, started as a hobby but quickly grew into a passion project. In "Making Time", Bob recounts his history and build up to becoming a full time content creator, and shares his process, experiences and mistakes from his first two years of self employment. The book covers topics from income streams to emotional exhaustion as well as Bob's thoughts on purpose and responsibility.

    Taking the self out feels like obeying a gag order - pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature." - from HeroinesOn the last day of December, 2009 Kate Zambreno began a blog called Frances Farmer Is My Sister, arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist "wives and mistresses." In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community where today's "toxic girls" could devise a new feminist discourse, writing in the margins and developing an alternative canon.In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it - from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional "girl-on-girl crime" of the Second Wave of feminism - she traces the genesis of a cultural template that consistently exiles female experience to the realm of the "minor" and diagnoses women for transgressing social bounds. "ANXIETY: When she experiences it, it's pathological," writes Zambreno. "When he does, it's existential." By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.

    Everything you need to hear, but already know.

    Maurice Manning extolls the virtues of nature and its many gifts, and finds deep gratitude for the mysterious hand that created it all. that bare branch that branch made black by the rain the silver raindrop hanging from the black branch Boss I like that black branch I like that shiny raindrop Boss tell me if I’m wrong but it makes me think you’re looking right at me now isn’t that a lark for me to think you look that way upside down like a tree frog Boss I’m not surprised at all I wouldn’t doubt it for a minute you’re always up to something I’ll say one thing you’re all right all right you are even when you’re hanging Boss

    This is a book about a piece of cloth, and how it is able to weave its way into the hearts of people, causing multiple and different chains of reactions.This book aims to shed light on the bigger picture, and the deeper meaning that comes with a person’s choice to either keep it or discard it, giving us a different perspective to consider our side before making assumptions and drawing conclusions.

    It comes from the Latin radix, radicis, meaning radish, a root vegetable.”—BK LorenWinner of the Colorado Book Award, these meditative essays range in subjects from a transcendental encounter with a pack of coyotes ironically juxtaposed with her neighbor’s claim that nature “has gone out of vogue,” to Loren’s mother’s slow yet all-encompassing deterioration from Parkinson’s, and the unexpected way the Loma Prieta earthquake eroded her depression by offering the author a sense of her small place in a wild and worthwhile world.Loren has an empathetic and gentle approach to the world. In detailing the intricacies of human relationships and consciousness—fear of death and time, cooperation born of clashing viewpoints, tradition’s beauty even when destructive, a love of language, a sense of loss amid the fast-paced materialistic world—she peels back the film of popular thinking in order to expose herself to the secrets so few of us ever see.

     (NOTE! THIS SERIES IS SWEET INSPIRATIONAL WITH A BIT HIGHER LEVEL OF ROMANTIC AND SPIRITUAL PASSION.) BOOK 1 — ISLE OF HOPE: UNFAILING LOVE (Award-winning novel named on Family Fiction magazine's list for "Top 15 Novels of 2015") She stole his heart. He stole her peace. Can hope steal their pain? At the age of eighteen, Lacey Carmichael was a wild girl bent on fun, promised to Jack O'Bryen, a straight-and-narrow pastor’s kid bent on the seminary. When her father kicks her out of the house, she runs away from Isle of Hope, turning her back on everything she loves. Now, eight years later, she’s back as a woman of faith, hoping to make amends to the father she defied, the boyfriend she deserted, and the best friend she denied. Only the bridges she’s burned are still smoldering, kindled by an adulterous affair by Jack’s pastor father that damaged his son’s faith. But can a turning of tables—and hearts—lead the way back to “hope” for them all? BOOK 2 — LOVE EVERLASTING He sets hearts on fire. She’s been burned by love. Can hope survive the flames of the past? School teacher by day, ghostwriter by night, sweet and shy Shannon O’Bryen doesn’t mind writing romance on the sly, but to live it? No, thank you, not since the man she loved turned out to be a player who broke both her heart and her spirit. Now focused more on her faith and her fiction, she vows the next time she falls in love, it will be safely—through the pages of a book. Dr. Sam Cunningham is a charismatic player who breaks hearts as regularly as he washes his pearl-white Corvette. Abandoned as a baby, Sam was an orphan shuffled through the foster-care system, bitterly driven to prove he is worthy of love—the kind that lasts forever. Once he learns Shannon is a romance writer, he enlists her help in winning back his ex-girlfriend. She teaches him about faith and the true definition of love, and he soon discovers he’s been seeking it in the wrong place all along—and with the wrong girl. But can he convince a woman who's been burned by love to open her eyes—and her heart—to a love everlasting? BOOK 3 — HIS STEADFAST LOVE She’s bent on fun. He’s bent on faith. Till true love bridges the gap. Cat O’Bryen is the prodigal daughter unhappy with God. First, the father with whom she reconciled dies of cancer and now her twin sister and best friend marries, leaving Cat at home with a newlywed mother, her new husband, and a little brother. But when Cat moves in with a roommate of questionable morals, her family is worried, certain she’s on a path that could damage her faith forever. Reluctant to get involved with a woman like the one who destroyed his life, ex-Navy SEAL Pastor Chase Griffin steers clear of the attraction he feels for Cat O’Bryen. Until her family begs him to take her under his wing, hoping he can draw her back into the fold. But when the draw she has on him proves too strong to resist, he must rely on the strength of God to offer a friendship as steady and strong as the God whose love is wooing her home.

    Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather. Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it.