In "Soulmates," by Marian Keyes, one woman's relationship is so bleedin' perfect that it's driving her friends crazy. In Cathy Kelly's "Thelma, Louise and the Lurve Gods," two women on a madcap Stateside road trip encounter a pair of insanely good-looking men....These fabulous stories and a baker's dozen more prove that when it comes to spinning a good yarn, the Irish are the best in the business.

    Not only is there a large age difference between Thalia and the middle-aged pastor, but he also happens to be the father of Madison, her best friend since junior high school. Madison isn't trying to deal with her father dating anyone after her mother's death. Thalia asks Isaac to keep their relationship a secret, but he's been intrigued by her ever since she was a teenager, and now he wants the world to know. When tragedy strikes, their love is exposed to her family, his colleagues, his congregation, and her best friend. Now it seems like the whole town is in an uproar. The gossiping church mothers in Mount Pleasant aren't the only problem that Thalia and Isaac have, though. A former lover rears his ugly head and forces their relationship to change for the absolute worst. Can this May-December romance survive when it seems fate is just not on their side?

    Here are characters faced with dangerous decisions, children slick with oil from the river, a woman in love with another despite the penalties. Here is a world marked by electricity outages, lush landscapes, folktales, buses that break down and never start up again. Here is a portrait of Nigerians that is surprising, shocking, heartrending, loving, and across social strata, dealing in every kind of change. Here are stories filled with language to make your eyes pause and your throat catch. Happiness, Like Water introduces a true talent, a young writer with a beautiful heart and a capacious imagination.

    He challenges any single discourse on the erotic. The scope of his inquiry ranges from Emily Bronte to Sade, from St. Therese to Claude Levi-Strauss, and Dr. Kinsey; and the subjects he covers include prostitution, mythical ecstasy, cruelty, and organized war. Investigating desire prior to and extending beyond the realm of sexuality, he argues that eroticism is "a psychological quest not alien to death."

    . . well . . . "Donkey Cabbages"--to name a few. Jacob and Wilhelm Grimm were well-known nineteenth-century German storytellers, academics, linguists, and cultural researchers who did not hold back when telling terrifying tales, including parables and fables designed to teach and entertain readers of all ages.The Brothers Grimm Volume 2: 110 Grimmer Fairy Tales is perfect for the short story lover, and offers many entertaining tales to delight--and fright--literature lovers.About the Word Cloud Classics series:Classic works of literature with a clean, modern aesthetic! Perfect for both old and new literature fans, the Word Cloud Classics series from Canterbury Classics provides a chic and inexpensive introduction to timeless tales. With a higher production value, including heat burnished covers and foil stamping, these eye-catching, easy-to-hold editions are the perfect gift for students and fans of literature everywhere.

    Covering a span of four years, the comics collected here build a relationship that is deeper than their elegantly drawn surfaces.

    Featuring a rare story by Anne Rice, a classic chiller by Edith Wharton, and song lyrics by Sting, this eclectic and original collection of vampire stories covers the gamut of genres, from the dark pleasures of Shakespeare to the twilight terrors of Rod Serling.

    The well-loved verses that fill these pages cover such universal topics as Aging, Beauty, Bereavement, Brotherhood, Celebration, Courage, Greed, Faith, Farewells, Friendship, Fun, and of course, Love. Here are such favorites as Robert Frost’s “The Road Not Taken” and Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner.” T.S. Eliot’s “The Hollow Men,” with its haunting verbal images, captures the emptiness of disillusionment, while Alexander Pope’s “Epigram” (“You beat your pate, and fancy wit will come: / Knock as you please, there’s nobody at home”) offers pure, wry amusement. Everyone who appreciates the power of words to reaffirm the soul and express the deepest and most intimate of feelings will treasure these masterpieces.

    Creation myths tell us how the land, its animals, and its people all came into existence under a punishing sun or against the backdrop of a spectacularly beautiful mountain landscape. Whether warning children about the dangers of disobedience or demonstrating that the underdog can, and often does, win, these stories, through their depiction of wise animals as well as evil monsters, are universal in their portrayal of humanity, beasts, and the mystical. Translated from their original languages—Karanga, Nguni, Xhosa, and many others—these folktales are a testament to the craft of storytelling and the power of myth.

    Here is a literary love song that will entrance anyone who has lived in—or spent time—in the greatest of American cities. A masterful evocation of the city that never sleeps, The Colossus of New York captures the city’s inner and outer landscapes in a series of vignettes, meditations, and personal memories. Colson Whitehead conveys with almost uncanny immediacy the feelings and thoughts of longtime residents and of newcomers who dream of making it their home; of those who have conquered its challenges; and of those who struggle against its cruelties. Whitehead’s style is as multilayered and multifarious as New York itself: Switching from third person, to first person, to second person, he weaves individual voices into a jazzy musical composition that perfectly reflects the way we experience the city. There is a funny, knowing riff on what it feels like to arrive in New York for the first time; a lyrical meditation on how the city is transformed by an unexpected rain shower; and a wry look at the ferocious battle that is commuting. The plaintive notes of the lonely and dispossessed resound in one passage, while another captures those magical moments when the city seems to be talking directly to you, inviting you to become one with its rhythms. The Colossus of New York is a remarkable portrait of life in the big city. Ambitious in scope, gemlike in its details, it is at once an unparalleled tribute to New York and the ideal introduction to one of the most exciting writers working today.From the Hardcover edition.

    First published by Odyssey Press in 1957, this classic edition provides Milton's poetry and major prose works, richly annotated, in a sturdy and affordable clothbound volume.

    This pioneering novel found a way beyond the bondage of Blackness in American life to a new meaning in truth and beauty. Emma Lou Brown's dark complexion is a source of sorrow and humiliation -- not only to herself, but to her lighter-skinned family and friends and to the white community of Boise, Idaho, her home-town. As a young woman, Emma travels to New York's Harlem, hoping to find a safe haven in the Black Mecca of the 1920s. Wallace Thurman re-creates this legendary time and place in rich detail, describing Emma's visits to nightclubs and dance halls and house-rent parties, her sex life and her catastrophic love affairs, her dreams and her disillusions -- and the momentous decision she makes in order to survive. A lost classic of Black American literature, The Blacker the Berry...is a compelling portrait of the destructive depth of racial bias in this country. A new introduction by Shirlee Taylor Haizlip, author of The Sweeter the Juice, highlights the timelessness of the issues of race and skin color in America.

    From the Deep South to the simmering streets of Harlem, his characters embark on surreal and mythic quests armed only with wit, words, and wisdom. Championed by Toni Morrison, Walter Mosley, and Quincy Troupe, -Dumas’s books have long been out of print. All of his short fiction is collected here, for the first time, and includes several previously unpublished stories. Henry Dumas was born in Sweet Home, Arkansas, moved to Harlem, joined the Air Force, attended Rutgers, worked for IBM, and taught at Hiram College in Ohio and Southern Illinois University. In 1968, at the age of thirty-three, he was shot and killed by a New York Transit Authority -policeman.

    Part of a set containing the following volumes:[1] A treasury of the world's best loved poems.[2] The sonnets of William Shakespeare.[3] Rubáiyát of Omar Khayyám.[4] Sonnets from the Portuguese.

    If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.