He explains why he openly considered the pros and cons of fighting a fan, opens up about tales of partying on road trips, and even how he became friends with former Vice President Dan Quayle. In one chapter, Roenick lends the pen to his wife, Tracy, to tell her side of the story. Nothing is held back as J. R. reveals his opinions about teammates, opponents, and the future of the game.

    This free Kindle book features interviews, essays, excerpts, and other fun extras about the year’s top 20 titles: Donna Tartt talks about her eating habits while writing The Goldfinch; Khaled Hosseini’s publicist discusses what it’s like to be on a national tour with him; David Finkel discusses the emotional impact following the 2-16 infantry battalion in Thank You for Your Service; and much more.

    Now she offers her most personal and most deeply felt memoir yet as she embarks on her greatest, most terrifying, most rewarding endeavor of all….A good mother, writes Jeanne Marie Laskas in her latest report from Sweetwater Farm, would have bought a house in the suburbs with a cul-de-sac for her kids to ride bikes around instead of a ramshackle house in the middle of nowhere with a rooster. With the wryly observed self-doubt all mothers and mothers-to-be will instantly recognize, Laskas offers a poignant and laugh-out-loud-funny meditation on that greatest–and most impossible–of all life’s journeys: motherhood.What is it, she muses, that’s so exhausting about being a mom? You’d think raising two little girls would be a breeze compared to dealing with the barely controlled anarchy of “attack” roosters, feuding neighbors, and a scheme to turn sheep into lawn mowers on the fifty-acre farm she runs with her bemused husband Alex. But, as any mother knows, you’d be wrong.From struggling with the issues of race and identity as she raises two children adopted from China to taking her daughters to the mall for their first manicures, Jeanne Marie captures those magic moments that make motherhood the most important and rewarding job in the world–even if it’s never been done right. For, as she concludes in one of her three a.m. worry sessions, feeling like a bad mother is the only way to know you’re doing your job.Whether confronting Sasha’s language delay, reflecting on Anna’s devotion to a creepy backwards-running chicken, feeling outclassed by the fabulous homeroom moms, or describing the rich, secret language each family shares, these candid observations from the front lines of parenthood are filled with love and laughter–and radiant with the tough, tender, and timeless wisdom only raising kids can teach us.

    In these nine pieces, she captures both the small, luminous moments of daily existence and those instants when life and death hang in the balance, ranging from the death of a beloved dog to a relentlessly readable account of a New York artist trapped inside a burning building, as well as two triumphant, celebrated pieces of short fiction. Here is an unforgettable collection destined to be embraced and debated by readers and writers, teachers and students. Anchored by the title piece––a searing journey through India that brings into focus questions of mortality and love—Festival Days presents Beard at the height of her powers, using her flawless prose to reveal all that is tender and timeless beneath the way we live now.

    The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she had lived in Paris for more than half a century.Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

    If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.

    Menacing and at times darkly humorous there are echoes of Roald Dahl and Daphne du Maurier in these stories, many of which have been specially commissioned for Radio 4.From the commuter who bitterly regrets falling asleep on a late-night train in Last Train to Helsingør, to the mushroom hunter prepared to kill to guard her secret in The Chanterelles of Østvig.Here, the land of ‘hygge’ becomes one of twilight and shadows, as canny antique dealers and property sharks get their comeuppance at the handsof old ladies in Conning Mrs Vinterberg, and ghosts go off-script in TheWailing Girl.Scandi noir at its finest.

    As is characteristic of all of Bank's works, these stories resonate with irony and compassion, honesty and insight, extending into the vast territory of the heart and the world, from working-class New England to Florida and the Caribbean and Africa. Broad in scope and rich in imagination, The Angel on the Roof affirms Russell Banks's place as one of the masters of American storytelling.

    She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash.As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, “The Opposite of Loneliness,” went viral, receiving more than 1.4 million hits. She had struck a chord.Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assem­blage of Marina’s essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    The Collected Works of Billy the Kid is a virtuoso synthesis of storytelling, history, and myth by a writer who brings us back to our familiar legends with a renewed sense of wonder.

    Tasked with finding the best, most revealing, honest, and astonishing writing of the last twelve months, they pored over hundreds of published poems, stories, comics, and essays. With the help of guest editor Edan Lepucki, they selected the contents of this anthology, a collection of work they feel looks a lot like 2019. The Best American Nonrequired Reading 2019 features comics about war and butts and stories about pizza-delivery women, family, dolls giving birth, anthropomorphic lakes, and more. It was a successful year. Read on to see for yourself.  The Best American Nonrequired Reading 2019 includes Viet Thanh Nguyen, Charles Johnson, Robin Coste Lewis, Garth Greenwell, Nathaniel Russell, Britteney Black Rose Kapri, Andrea Long Chu, Deborah Taffa, Renée Branum, and others.  Hill country / Patricia Sammon --Follow the drinking gourd / Charles Johnson --Curse for the American dream / Jane Wong--Barbarians at the gate / Matthew Hongoltz-Hetling--I worked with Avital Ronell. I believe her accuser/ Andrea Long Chu--Holton Arms class of 1984. to the United States Congress--Diagnosis in reverse / Kate Gaskin--On true war stories/ Viet Thanh Nguyen--The frog king / Garth Greenwell--Child A / Emily Rinkema--As the sparks fly upward / Renee Branum--Arabic lesson / Latifa Ayad --Barbara from Florida/ Maddy Raskulinecz--It's natural (selected comics)/ Nathaniel Russell --Our Belgian wife / Uche Okonkwo--Self-care / Robin Coste Lewis --The brothers Aguayo/ Devin Gordon --Naked and vulnerable, the rest is circumstance / Sylvia Chan --Spring / Mikko Harvey --The babyland diaries / Angela Garbes --Two poems / Britteney Black Rose Kapri--The Gettysburg Address (sound translations 1 and 2 / Keith Donnell Jr. --Almost Human / Deborah Taffa --Macho / Margaret Ross --The lake and the onion / David Drury

    In Rushdie's hybrid world, an Indian guru can be a redheaded Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. Rushdie allows himself, like his characters, to be pulled now in one direction, then in another. Yet he remains a writer who insists on our cultural complexity; who, rising beyond ideology, refuses to choose between East and West and embraces the world.

    An illicit visit to the Grand Canyon reveals a vastness even more profound. A couple weekending in Maine try to recapture the ardor that has disappeared from their life together. And on a spring evening, a young wife tells her husband of her affair with the host of the dinner party they’re about to join. The rigorous intensity Ford brings to these vivid, unforgettable dramas marks this as his most powerfully arresting book to date–confirming the judgment of the New York Times Book Review that “nobody now writing looks more like an American classic.”

    I was beginning to think it was me." -- Woody AllenHere, in his first collection since his three hilarious classics Getting Even, Without Feathers, and Side Effects, Woody Allen has managed to write a book that not only answers the most profound questions of human existence but is the perfect size to place under any short table leg to prevent wobbling."I awoke Friday, and because the universe is expanding it took me longer than usual to find my robe," he explains in a piece on physics called "Strung Out." In other flights of inspirational sanity we are introduced to a cast of characters only Allen could imagine: Jasper Nutmeat, Flanders Mealworm, and the independent film mogul E. Coli Biggs, just to name a few. Whether he is writing about art, sex, food, or crime ("Pugh has been a policeman as far back as he can remember. His father was a notorious bank robber, and the only way Pugh could get to spend time with him was to apprehend him") he is explosively funny.In "This Nib for Hire," a Hollywood bigwig comes across an author"s book in a little country store and describes it in a way that aptly captures this magnificent volume: "Actually," the producer says, "I'd never seen a book remaindered in the kindling section before."