A shockingly assured first collection from young poet Jesse Ball, its elegant lines and penetrating voice present a poetic symphony instead of a simple succession of individual, barely-linked poems. Craftsmanship defines this collection; it is full of perfect line-breaks, tenderly selected words, and inventive pairings. Just as impressive is the breadth and ingenuity of its recurring themes, which crescendo as Ball leads us through his fantastic world, quietly opening doors.In five separate sections we meet beekeepers and parsons, a young woman named Anna in a thin, linen dress and an old scribe transferring the eponymous March Book. We witness a Willy Loman-esque worker who "ran out in the noon street / shirt sleeves rolled, and hurried after / that which might have passed" only to be told that there's nothing between him and "the suddenness of age." While these images achingly inform us of our delicate place in the physical world, others remind us why we still yearn to awake in it every day and "make pillows with the down / of stolen geese," "build / rooms in terms of the hours of the day." Like a patient Virgil, insistent and confident, Ball escorts us through his mind, and we're lucky to follow.

    A beloved and gifted artist, Ashbery takes his place beside Whitman, Dickinson, Stevens, and Hart Crane in the canon of great American poets. With Quick Question, a new collection of poems published in time for his 85th birthday, John Ashbery proves that his creative power has only grown stronger with age.

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    It assures you that tomorrow will be a better day and encourages you to realise your potential and achieve your aspirations. Petit à Petit is centred on themes like self-love, self-confidence and taking life into your own hands.No matter how far-away and impossible your dreams seem, don't be afraid to reach for them.

    It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed he has died, and his wife Penelope and son Telemachus must deal with a group of unruly suitors who compete for Penelope's hand in marriage. In this Book you will also find 7 Bonus works for your enjoymentThe complete interactive table of content includes:THE ODYSSEYBonus book: THE ILIAD OF HOMERMore free Bonuses PARADISE LOST-by John MiltonTHE GOLDEN ASS-by Lucius Apuleius "Africanus"PLAYS OF SOPHOCLES•OEDIPUS THE KING • OEDIPUS AT COLONUS • ANTIGONETHE AENEID-by VirgilAll in one book elegantly formatted for ease of use and enjoyment on your Kindle device. Enjoy!

    Havok and Shannon met on a glimpse. Although the chemistry was deeper than tree roots, Shannon’s attraction is flipped into fear when she becomes an unintended target. When the smoke clears, can she put her trust in the man who gunned her down? These two lives are tainted from the beginning. In the long haul, it may not work out, but maybe the journey will result in the best love that can’t be replaced. Shannon Mitchell didn’t set out to be a single mother. Nevertheless, she has a backbone of steel and a heart of gold. Losing her job, which forced her to relocate back to her hometown of Saint Louis was never in her plans. Shannon made the choice any real mother would. Picking up the late night shift at a strip joint in East Saint Louis, she is quickly pulled in by the fast money. Staying on her grind leads her to many late nights and early mornings. The one morning she sets out to go home to her son, Teon, she ends up being rocked to the ground by a stray bullet. Profusely bleeding, she lays eyes on the shooter. The compromising situation leaves her to lean on Havok to get her medical attention before she bleeds out. When she thinks he is taking her to the hospital, she is sadly mistaken when her heavy eyes roam on a poverty-stricken Clinton Peabody project building. Shontez “Havok” O’Neal went from being broke as hell and sleeping on his Grandma Uma’s couch, to flipping bricks. With a fast come up, the hate is heavy on him. Watching his back and not giving anybody a chance to knock him, Havok is placed between a brick and a hard place when Shannon falls victim to his chaotic lifestyle. Nursing her back to health is the least he can do for this single mother. Even when she pushes him away, he goes the extra mile for this woman. Shannon becomes his weakness, and with time, Shannon’s weakness is him. What should have placed these two far apart, glued them together for a ride they didn’t see coming. The right thing to do becomes the last thing to do when your heart is on the line. Find out what happens when you cross lines with a thug named, Havok.

    The perfect life, the dream career, great friends and family who love her dearly, the sexy husband, and her beautiful baby girl Jaxon. But things are far from what they seem. Life for the successful, beautiful British is the furthest thing from what it seems. Although she’s married, her husband, Derrick seems to have a hard time remembering that he is. Heartbroken, alone and unhappy, British feels like she is on an emotional rollercoaster and cannot get off. That is until her best friends Kori and Ashley take her on a vacation to Jamaica, where she meets the intriguing Terrence King. Terrance has the streets of Atlanta on lock. Him, his brother Ty and their friends Ronny and Sleez make money as easy as it is to breathe. Unfortunately, jealousy, and larceny rears its ugly head, causing tension within the crew. Terrance’s nickname, Terror, precedes him well, when his gangsta is tested in more ways than one. Neither of the two are in search of each other, but when a simple trip to Jamaica brings British and Terrance together, sparks fly. Thing is, British is still married and Terrance is fresh out of a three year relationship. Will British finally walk away from the disaster she calls a marriage? Or will Derrick convince her to stay? Falling in love is the last thing on Terrance’s agenda. In spite of it all, will British’s mesmerizing ways pull emotions he buried long ago, out of him? Or will he devote one hundred percent of his time on the hustle and the drama rapidly unfolding within his squad, unfazed by British and her sultry ways? Find out how it all unfolds between the drama filled pages of Giving my Heart to An Atlanta Street King.

    However, a one night chance encounter with two men gives them a taste of what they’ve been missing... a little fun and adventure. Kolyon and Dortch are partners in crime with a one track mind—flood the streets of Jersey with the best work until they’re making millions. Not the type to let anything or anyone deter them, they’re thrown for a loop when two women pop up out of thin air and leave them with a night to remember. Unfortunately, that one night causes a butterfly effect in their lives that none of them could predict. Will things work out in their favor or cause havoc for them all?

    Political and iconoclastic, Anne Boyer’s poems dally in pastoral camp and a dizzying, delightful array of sights and sounds born from the dust of the Kansas plains where dinner for two is cooked in Fire King and served on depression ware, and where bawdy instructions for a modern “Home on the Range” read:Mix a drink of stock lot:vermouth and the water table.And the bar will smell of IBP.And you will lick my Laura Ingalls.In Boyer’s heartland, “Surfaces should be worn. Lamps should smolder. / Dahlias do bloom like tumors. The birds do rise like bombs.” And the once bright and now crumbling populism of Marxists, poets, and folksingers springs vividly back to life as realism, idealism, and nostalgia do battle amongst the silos and ditchweed.Nothing, too, is a subject:dusk regulating the blankery.Fill in the nightish sky with ardent,fill in the metaphorical smell.A poet and visual artist, Anne Boyer lives in Kansas, where she co-edits the poetry journal Abraham Lincoln and teaches at Kansas City Art Institute.

    There are conquerors, slaves, and rebels from Caribbean history; the "Mayan astronomer" calmly smoking a cigarette in the middle of a New York tenement fire; a nun staging a White House vigil to protest her torture; a man on death row mourning the loss of his books; and even Carmen Miranda.

    Whoever can harness the power of the prophecy will rule the land for generations. But no one knows where the power lies or who will reach it first.Amidst the waves of change, Wes just wants to pass his village’s trial and ascend to adulthood. He isn’t special, and he certainly has no magical abilities—or so he thought. What should have been a straightforward climb to the top of a mountain turns out to be something altogether different when Wes reaches the top.With life and death hanging in the balance, Wes isn't sure who he can trust.And nothing is ever as black and white as it seems.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    It was a sample (and not even the correct file - it was an old rough draft that was saved under a new title), and Goodreads will not take it down. The Amazon link directs to the correct, and full, edition. "She is lost, but the world is too. It is a perfect circle.For life is, but a dream /// is not."- "Seeing Ghosts/A Perfect Circle" excerptA. H. SewellCopyright 2015

    Both honors made specific notes of his experimental style, his long influence, and his ongoing importance. Creeley's 1998 collection, Life Death, now available as a New Direction paperback, is the capstone of a career that has poignantly combined "linguistic abstraction with specificity of time and place." (R.D. Pohl, Buffalo News)

    Along the way Young riffs on Basquiat's paintings and sayings, on the music he loved, on the artists he ran with (Andy Warhol and Keith Haring, among them), and on the black heroes (Charlie Parker, Muhammad Ali, Billie Holiday) who inspired him.Young's poetic channeling of Basquiat--a jostling, poignant brand of downtownspeak--makes for an urban epic in the tradition of Langston Hughes's "A Dream Deferred." To Repel Ghosts, along with Young's Jelly Roll: A Blues and Black Maria, his recent book of film noir verse, forms an American trilogy--Devil's Music--that explores other art forms through poetry. In its creation, Yound has become a poet whose work speaks both for and beyond his genre, with a music all its own.