Visiting European royalty as well as American women returning from the International Exhibition in Paris in 1867 stimulated fashion awareness — and it was in this climate that the magazine Harper's Bazar flowered. Dedicated to being "A repository of Fashion, Pleasure, and Instruction," it brought to American women inside glimpses of the very latest European and American fashions, all in carefully detailed engravings. It was much the finest source for high fashion for this period.This book consists of the finest illustrations from Harper's Bazar between the years 1867 and 1898, the period of its peak importance. These illustrations not only show you what apparel appealed to our Victorian ancestors, but give you an idea of the evolutionary nature of fashion as well. You will see bustles come and go, natural forms become the vogue only to be superseded by the constricting hourglass figure. Each look is illustrated with a number of different garments. There are gowns for the morning hours, dinner dresses, sporting costumes, traveling clothes and apparel for special occasions: weddings, communions, funerals, etc. Since no costume was complete without accessories, a full line of hats, fans, parasols, muffs, gloves, handkerchiefs, jewelry, shoes and hair styles is shown as well. A selection of children's attire is also included. An introduction by Stella Blum covers the history of Harper's Bazar and examines the various phases fashion went through between 1867 and 1898.

    The lively text by fashion specialist Jonathan Walford details how fashion was considered not a frivolity but an aesthetic expression of circumstances in the 1940s. While Fascist states tried to create “national” styles before the war began, by 1940 the pursuit of beauty was promoted on both sides of the conflict as a patriotic duty. From prewar to postwar, we see attitudes emerge from period advertisements, images of real clothes, and firsthand accounts in contemporary publications. The result is a celebration of everything from practical and smart-looking attire for air raids (hooded capes with large pockets and siren suits) to street fashion and the creation of Christian Dior’s “New Look” collection in 1947.

    The patterns for selected garments have been updated for the modern silhouette.

    This title features the patterns, techniques and history of over 20 historically correct corsets, ranging from the 1750s to 1950, from boned corsets, ribbon corsets and basques to the more recent 1949 satin corsets.

    Their works are presented first by chronology and then by subject, so that illustrators, historians, and students alike can choose to follow the path of fashion through the centuries, or study in detail the contrasting styles of individual clothing and accessories. Silhouettes reveal the shape of style through the ages, detailed cross-references draw attention to recurring motifs, and navigation bars help the researcher to travel the complex chronology of costume.With authoritative narrative from leading experts in the history of costume, extraordinary contemporary quotes that reveal the impact of style in its day, detailed annotation, and an extensive glossary, the book provides a magnificent study of the rich vocabulary of style through the ages.

    Every crease, stitch, and stain in a piece of clothing supplies information about its wearer and its era. This stunning book features 18th- and early-19th-century garments from the premier collection of the Colonial Williamsburg Foundation. Illustrated with more than 300 color photographs, including many details and back views, the book treats not only elegant, high-style clothing in colonial America but also garments for everyday and work, the clothing of slaves, and maternity and nursing apparel.Drawing on contemporary written descriptions and on actual costumes of the period, the book analyzes what Americans in the 18th century considered fashionable and attractive and how they used clothing to assert status or to identify occupations. The book also examines the myths and meanings of clothing in British and American society, clothing for the entire lifecycle, and a history of clothing alteration. Informative sidebars on a variety of fascinating topics complete the volume.

    Fashions in the Era of Jane Austen is a pictorial of images collected from Ackermann's Repository of the Arts. Find splendid illustrations of morning, evening, riding, and walking dresses with the accompanying accessories: hats, shoes, scarves, jewelry, parasols and more. Over two hundred and seventy-five exquisite illustrations with the original accompanying descriptions as they were published over two hundred years ago. Discover the voice of the past through the written language of each narrative. Fashions in the Era of Jane Austen covers twelve years of fashion, the last two years of the Georgian period (1809-1810) and the entire ten years of the Regency period (1811-1820). The pictures alone make this a great book, even if one doesn't read a word of the fashion descriptions.

    In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women.Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture.Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion.

    It was the most naked period since Ancient Greece and before the 1960s, and for the first time England became a fashion influence, especially for menswear, and became the toast of Paris. With the ancient regime deposed, court dress became secondary and the season by season flux of fashion as we know it came into being, aided and abetted by the proliferation of new ladies' magazines. Such an age of revolution and innovation inspired a flood of fashions taking influence from everything including the newly discovered treasures of the ancient world, to radical new ideas like democracy. It was an era of contradiction immortalized by Jane Austen, who adeptly used the newfound diversity of fashion to enliven her characters, Wickham's military splendor, Mr. Darcy's understated elegance, and Miss Tilney's romantic fixation with white muslin.

    From short tunics worn by Saxon men in the fifth century to a lady's bustle dress of the late 1800s, this profusely illustrated text contains a wealth of authentic patterns. Information on pattern sizes, materials required, and methods of sewing accompany simply drawn diagrams for Elizabethan doublets, capes, and trunks; a man's coat and vest from the Restoration period; a lady's bell-shaped gown of the eighteenth century; an early-nineteenth-century empire gown; a crinoline; and other wardrobe items.Diagrams have been carefully and accurately drawn to scale from working patterns, and detailed notes for making costumes include suggestions for the most suitable colors and textures to be used for costumes of particular historical periods. A final section includes diagrams and information for creating period headdresses, caps, and hoods. Students of costume design, home tailors, and community drama groups will welcome this carefully researched guide to fifteen centuries of English fashions.

    More than a thousand illustrations, based on surviving garments and contemporary paintings and photographs, demonstrate the astonishing changes in men’s and women’s clothing over the centuries—from the simple tunics and gowns of the eleventh century to the petticoat breeches and ostrich-plumed hats of Charles II’s reign to the T-shirts and shorts of today.Clear and detailed drawings, plus notes that pinpoint specific features such as fabric, decoration, accessories and cut, make each costume immediately comprehensible.Completely up to date, and with a new chart showing the main changes in fashion through the centuries, this is an essential reference for students of theatrical design and fashion, drama groups and anyone interested in the history of costume.

    Showing that the silhouette of women's dress has been in a state of continuous change, allied to economic and architectural evolution as well as changing ideas of sexual attractiveness, she itemizes three cycles in the last 400 years in which women's silhouette was blown up to the utmost limit, by artificial means, and then collapsed again to a long straight line. At these points and extremes were invariably considered absurdities and the corsets and hoops were discarded by their users, so that in actuality very few specimens from the earlier periods at least have come down to us.

    Includes many clear, measured patterns for reproducing historic costumes. Full text. 595 illustrations. "Landmark in the field of Western European costume . . . exceptional value for its price." — American Artist.

    There is also general advice on choosing materials, construction methods, and an insight into the Tudor tailor's sewing kit.

    The photographs are richly supplemented by detailed commentary and illustrations.