It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    Paperback book

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    Wealthy, overbearing Madame Rosepettle with her stuttering, awkward son Jonathan at her heels, arrives at a posh hotel with a man-eating tropical plant, pirahna fish and coffin in tow. Rosalie, a voluptuous babysitter from the couple next door "who never come home" attempts to seduce Jonathan and proves a formidable opponent to Madame herself.

    This Broadway hit starred Katharine Hepburn as Tracy Lord of the Philadelphia Lords, an inhibited and spoiled daughter of the privileged. Divorced from C.J. Dexter Haven, she is engaged to a successful young snob. A gossip weekly sends a reporter and a camera woman to report the wedding arrangements and they are injected into the house by Tracy's brother who hopes to divert their attention from father's romance with a Broadway dancer. Tracy finds herself growing int

    For each, the chaos of what has come before brings with it a painful legacy.“I have Stayed. I have Stayed – I have Stayed for as long as I possibly can.”

    This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    1965.  War's found himself deep in the glamorous yet lethal world of international espionage. Unhappy with both the treachery and restrictive dress-code, when a name from the past reappears in his life War realises he must risk everything to keep the world safe once again. This short story follows on from the How To Be Dead series and continues the tale of everybody's favourite grumpy Horseman of the Apocalypse...  What Amazon readers are saying about the How To Be Dead Comedy Fantasy Series: ★★★★★ “Dave Turner is a funny man and ‘How To Be Dead’ is a brilliant read.”★★★★★ “If Neil Gaiman and Simon Pegg sat down to write a story together they might come up with something like this.”★★★★★ “Hilarious and unexpectedly moving.”★★★★★ "Laughs and excitement combined!"★★★★★ “Laugh out loud funny… It’s been a while since an author has made me laugh more than Pratchett does.”★★★★★ "If you like Tom Holt, Douglas Adams or Terry Pratchett, Dave Turner's books will fit perfectly into your collection."

    He is also an accomplished screenwriter who has in the past few years turned his hand to writing plays. The results, collected here, hilariously explore serious questions of love, happiness and the meaning of life; they are rich with equal parts of pain and slapstick humour, torment and wit.

    I'm Inspector Carter. Take my case. This must be Charles Haversham! I'm sorry, this must've given you all a damn shock.After benefitting from a large and sudden inheritance, the inept and accident-prone Cornley Polytechnic Drama Society embark on producing an ambitious 1920s murder mystery. They are delighted that neither casting issues nor technical hitches currently stand in their way. However, hilarious disaster ensues and the cast start to crack under the pressure, but can they get the production back on track before the final curtain falls?The Play That Goes Wrong is a farcical murder mystery, a play within a play, conceived and performed by award-winning company Theatre Mischief. It was first published as a one-act play and is published in this new edition as a two-act play.

    Vocal selections from the uproarious Broadway production that won the Tony Award for Best Musical in 2005. Songs include: All for One * Always Look on the Bright Side of Life * Brave Sir Robin * Come with Me * Find Your Grail * Fisch Schlapping Dance * He Is Not Dead Yet * His Name Is Lancelot * I'm All Alone * King Arthur's Song * Knights of the Round Table * Laker Girls Cheer * Monks Chant * Run Away! * The Song That Goes Like This * Whatever Happened to My Part? * Where Are You? * You Won't Succeed on Broadway. Includes five pages of color photos.

    How can this wildly diverse quartet—separated by cultural chasms and vastly different perspectives on history—navigate a complicated, hilarious thicket of privilege, representation, and of course school district regulations? The schools are waiting, and the pageant must go on!

    After abandoning his new home as a lost cause, he's caught up in the poker craze and moves to Atlantic City with a new dream of "playing poker for a living", but soon finds himself stuck in a dizzying spell of bad luck at the card tables. Or maybe he just sucks at poker, like everybody else. His money all gone, and finding that it's actually difficult to drink oneself to death at 1am, he's suddenly offered a chance to make his money back, and then some, by running an underground poker game in New York City. Once in New York, Tim finds himself on the road to recovery and making real money for the first time—but at what cost? We Run Bad offers an authentic and darkly comic look at underground poker culture, while serving up an indictment of post-recession America. Here, every game is rigged, and the only way to come out ahead is to be the one doing the rigging.

    Set in gossipy late 18th-century England, with a fresh female voice, the play is full of humor, emotional depth, and bold theatricality. SENSE AND SENSIBILITY examines our reactions, both reasonable and ridiculous, to societal pressures. When reputation is everything, how do you follow your heart?

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”