Shattered perceptions and shards of narrative recount the events, from wreck through recovery and beyond. In lyric prose, the stories spiral back through generations to touch on questions of mortality and family, immigration and migration, legacies intended or inflicted. In the wake of her near-fatal cycling collision, Peggy Shumaker searches for meaning within extremity. Through a long convalescence, she reevaluates her family’s past, treating us to a meditation on the meaning of justice and the role of love in the grueling process of healing. Her book, a moving memoir of childhood and family, testifies to the power of collective empathy in the transformations that make and remake us throughout our lives. We all live with injury and loss. This book transforms injury, transforms loss. Shumaker crafts language unlike anyone else, language at once poetic and profound. Her memoir enacts our human desire to understand the fragmented self. We see in practice the power of words to restore what medical science cannot: the fragile human psyche and its immense capacity for forgiveness.

    A sympathetic werewolf, a vampire and an Egyptian princess brought to life when her tomb is opened make this a comedy that has everything."Far and away the funniest two hours on a New York stage....What more meaningful gift could Ludlam bequeath [audiences

    We meet three families, one Irish, one Italian and one black, confronting the legacy of the past in 1999 Cambridge, MA.Kalayla: a feisty bi-racial, 11 year old loner whose world implodes when she discovers her parents belong in the Guinness Book of World Records for being “The World’s Biggest Liars” about her mother’s family. Maureen: Kalayla’s mother cocoons herself in art projects, deflecting the pain of her parent’s rejection. Her husband’s sudden death catapults her into life as a single mother raising a rebellious, incomprehensible daughter. Lena: their landlady, financially successful, seventy-two years old, wears only black, and lives in a fourth-floor walk-up apartment. Lena is tormented by memories of the dead--her twin sons and husband, and the living--two sons from whom she is estranged. Anyone who has experienced the angularities, rigid pockets and soft spots of family life can take hope from reading Kalayla which shows that pathways for change do exist--and if we choose to, we can find them.

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    Amusing mystery story, its melodramatic plot unwinding against the charming background of a South Carolina townlet stirred to its depths by the passing of an historic mansion, through a spite will, to the possession of "a Yankee woman named Smith".

    

    Throughout, poetry is discovered to be among our most effective tools to examine the delirium of making contact."Hot":The sexiest thing a woman has ever doneto or with or for me—while wearing the loose breezeof a dress or standing inside its red zero on the floor—while bending over and pulling her shorts downon a racquetball court or to reach the watershutoff valve behind the fridge—as Satiewhispers against our thighs or hummingher brain's native tune as we touchthe smudged glass protecting extinct beetlesin a museum—with her lips swaddling my tongueor finger up my ass—is tell the truth—which makes my wife the hottest womanI've ever known—her mouth erotic every timeshe speaks—she is an animal when it comes to sexand love—comes to us—in that she doesn't primpin front of the mirror of what she thinks I wanther to say or be—the only real flesh—only nakedthat matters––how she looks at meBob Hicok's poems have appeared in the New Yorker, Poetry, and the American Poetry Review. His books have been awarded the Bobbitt Prize from the Library of Congress and named a "Notable Book of the Year" by Booklist. Hicok has worked as an automotive die designer and a computer system administrator. He is currently teaching at Purdue University.

    This new edition is written in a deliberate manner that has students following the program planning process in a logical manner. Students will learn to track one phase to the next, resulting in a solid understanding of the issues of internal consistency and planning integrity. The book′s format guides students from problem analysis through evaluation, enabling students to apply these concepts to their own program plans.

    In this brand new edition of the popular work, David Coghlan and Teresa Brannick provide an easy-to-follow, hands-on guide to every aspect of conducting an action research project in your own organization.Revised and updated, this Third Edition contains: An expanded discussion on politics and ethics of insider action researchAn expanded chapter on writing an action research dissertation and an action research report More case examples and reflective exercises taken from a wide variety of organizational settings

    Her book also offers guidance to parents who have children with FASD. By the time Bonnie's daughter Colette hit first grade, her parents were coping with her frequent stealing and lying, and the necessity of special education. At fourteen, she discovered drugs and sex; by eighteen, she was a crack addict living on the streets. After many frustrating years consulting numerous therapists, a TV news story gave Bonnie the answer she was looking for — and sent her on a quest for a diagnosis and help for Colette. Damaged Angels can aid and comfort all those affected by FASD — the most common cause of intellectual impairments in most industrialized nations — and reduce the number of babies born with this disorder in the future. The most important book on fetal alcohol disorder since Michael Dorris's The Broken Cord, Damaged Angels is a book for every parent, practitioner, and teacher working with a child with FASD.

    With their young daughters, the group met regularly to speak frankly about such issues as girls’ friendships (and aggression), puberty, the media’s influence on their self-image and esteem, drugs, and sexuality. As their daughters matured, the mothers marveled at the strength and confidence with which the girls thrived through adolescence. The Project had succeeded in creating a haven from the many perils of teen culture. Equally important, it helped the mothers navigate their own fears and concerns about adolescence with integrity and grace. At once simple and revolutionary, this book details the success of the Mother-Daughter Project’s groundbreaking model, providing the reader with a road map for strengthening her bond with her own daughter, and providing strategies for staying close through adolescence and beyond.

    Here are the early poems which first brought Denise Levertov's work to prominence -- from early uncollected poems, selections from The Double Image (London, 1946), and her three books Here and Now (1957), Overland to the Islands (1958) and With Eyes at the Back of Our Heads (1960), which established her as one of the more lyrical and most influential poets of the New American poetry.

    But one of the worst is when an innocent gets violated. Why does God allow such things to happen? What Joy Tan-Chi Mendoza went through when she was 15 has been a very public and strong statement of pain, healing, and grace. She has now put her story into a book that she hopes will show people that there is hope, healing, and wholeness for those who have experienced abuse and this kind of pain. What Satan meant for harm, God meant for good.

    In Elsie’s Business, Elsie’s search through her own memories ultimately intersects with the search of a stranger who is seeking Elsie’s story. A picture emerges of a poor child, half black and half Native, whose mother has barely eked out a living for the two of them by tanning deerskins and cleaning houses. Rebuilding her life in a different town as a housekeeper, tanner, and beader of moccasins and bags, much like her mother, the taciturn Elsie finds modest comfort and connections among the white people who employ and befriend her. But her peace is fleeting, for someone from her past, or possibly her present, would like to see her silenced completely. A mystery of mesmerizing suspense and sadness, Elsie’s Business weaves the story of a ravaged woman into the traditional tales of her people to create a vivid sense of communities bound by storytelling and understanding and sundered by ignorance and silence.