That was my mammy's name, anyway. Jenny. You be Jenny from now on..." Cornelius Carson's mother cautioned him never to own slaves, but in 1830s Louisiana, land and slaves are proof of a man's worth. At 23 Cornelius is ambitious, and in love. He owns one elderly slave, Malachi, and a small cotton farm along Bayou Cocodrie. And he plans to marry Stephanie Coqterre, daughter of a wealthy Natchez planter. He needs another field-hand, but prices are high. So when a trader brings a coffle of smuggled slaves to Natchez, Cornelius buys a 10-year-old girl. She is mute and nameless, but she's all he can afford. He names her Jenny. It quickly becomes apparent that Jenny will change life on the Cocodrie as much as it changes her. The winds of ambition are blowing everywhere, both among the whites, who strive for wealth and status, and among the slaves, who yearn for freedom. But dangers are everywhere, too. As madness and treachery reach from Natchez to the Cocodrie to blast all their dreams, Cornelius struggles to find a way to salvage his life and the lives of Jenny and Malachi as well.

    Glatthorn offers examples of how principals can incorporate curriculum leadership into their organizational behavior and re-examines the key issues that continue to influence principals in the real world.

    Like Hepworth Dixon herself, the novel's heroine Mary Erle is a woman writer struggling to make her living as a journalist in the 1880s. Forced by her father's sudden death to support herself, Mary Erle turns to writing three-penny-a-line fiction, works that (as her editor insists) must have a ball in the first volume, a picnic and a parting in the second, and an opportune death in the third.This Broadview edition's rich selection of historical documents helps to contextualize The Story of a Modern Woman in relation to contemporary debates about the "New Woman."

    The first of the great South African novels chronicles the adventures of three childhood friends who defy societal repression. The novel's unorthodox views on religion and marriage aroused widespread controversy upon its 1883 publication, and the work retains in power more than a century later. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    

    Did principles of religious freedom and local self-government protect Mormons' claim to a distinct, religiously based legal order? Or was polygamy, as its opponents claimed, a new form of slavery--this time for white women in Utah? And did constitutional principles dictate that democracy and true liberty were founded on separation of church and state? As Sarah Barringer Gordon shows, the answers to these questions finally yielded an apparent victory for antipolygamists in the late nineteenth century, but only after decades of argument, litigation, and open conflict. Victory came at a price; as attention and national resources poured into Utah in the late 1870s and 1880s, antipolygamists turned more and more to coercion and punishment in the name of freedom. They also left a legacy in constitutional law and political theory that still governs our treatment of religious life: Americans are free to believe, but they may well not be free to act on their beliefs.

    Though perhaps best known for her popular children’s books, she also wrote adult novels. Swiftly-plotted and cleanly-wrought, Yonge’s work has again gained critical attention, in part because she writes about the predicament of nineteenth-century women.The Clever Woman of the Family is a new woman novel that focuses on a group of women in a small seaside community. It is the early 1860s and British women outnumber men to such an extent that not all women can expect to marry. Rachel Curtis, the clever woman of the title, is an opinionated young woman whose yearning for a “mission” in life leads to tragicomic results. The Broadview edition contextualizes the novel’s ambivalent feminism and pro-empire sentiments with materials on some of the most pertinent debates of the time.

    Revolutionary Backlash argues otherwise. According to Rosemarie Zagarri, the debate over women's rights began not in the decades prior to 1848 but during the American Revolution itself. Integrating the approaches of women's historians and political historians, this book explores changes in women's status that occurred from the time of the American Revolution until the election of Andrew Jackson.Although the period after the Revolution produced no collective movement for women's rights, women built on precedents established during the Revolution and gained an informal foothold in party politics and male electoral activities. Federalists and Jeffersonians vied for women's allegiance and sought their support in times of national crisis. Women, in turn, attended rallies, organized political activities, and voiced their opinions on the issues of the day. After the publication of Mary Wollstonecraft's A Vindication of the Rights of Woman, a widespread debate about the nature of women's rights ensued. The state of New Jersey attempted a bold experiment: for a brief time, women there voted on the same terms as men.Yet as Rosemarie Zagarri argues in Revolutionary Backlash, this opening for women soon closed. By 1828, women's politicization was seen more as a liability than as a strength, contributing to a divisive political climate that repeatedly brought the country to the brink of civil war. The increasing sophistication of party organizations and triumph of universal suffrage for white males marginalized those who could not vote, especially women. Yet all was not lost. Women had already begun to participate in charitable movements, benevolent societies, and social reform organizations. Through these organizations, women found another way to practice politics.

    Mary ran away to Lake Geneva with the poet Percy Bysshe Shelley when she was just sixteen. It was there, during a cold and wet summer, that she first imagined her story about a mad scientist who brought a corpse back to life. Success soon followed for Mary, but also great tragedy and misfortune.      Catherine Reef brings this passionate woman, brilliant writer, and forgotten feminist into crisp focus, detailing a life that was remarkable both before and after the publication of her iconic masterpiece. Includes index.

    It is narrated from the perspectives of multiple characters, a technique used to create suspense in many of the "sensation novels" pioneered by Wilkie Collins and others in the 1860s, as well as in many late nineteenth-century novels such as Dracula.Richard Marsh was the pseudonym of the British author, Richard Bernard Heldmann.

    Attempting to gain access to the papers, the property of Aspern's former mistress, he rents a room in a decaying Venetian villa where the woman lives with her aging niece. Led by his zeal into increasingly unscrupulous behavior, the narrator is faced in the end with relinquishing his heart's desire or attaining it an an overwhelming price.Inspired by an actual incident involving Claire Clairmont, once the mistress of Lord Byron, this masterfully written tale incorporates all those elements expected from James: psychological subtlety, deft plotting, the clash of cultures, and profoundly nuanced representation of scene, mood, and character. This volume also contains James's celebrated Preface from the New York edition of his collected works.

    Who was the person behind Emma, Pride and Prejudice, Persuasion, and the other unforgettable novels whose characters faced the challenges in the world of country gentry in Regency England? Austen comes alive in this perceptive biography portraying the writer to be a human being with her own interests, hopes and foibles.

    Set in a small seaport town (1862), The Morgesons is the dramatic story of Cassandra Morgeson's fight against social and religious norms in a quest for sexual, spiritual, and economic autonomy. An indomitable heroine, Cassandra not only achieves an equal and complete love with her husband and ownership of her family's property, but also masters the skills and accomplishments expected of women.Counterpointed with the stultified lives of her aunt, mother, and sister, Cassandra's success is a striking and radical affirmation of women's power to shape their own destinies. Embodying the convergence of the melodrama and sexual undercurrents of gothic romance and Victorian social realism, The Morgesons marks an important transition in the development of the novel and evoked comparisons during Stoddard's lifetime with such masters as Balzac, Tolstoy, Eliot, the Brontes, and Hawthorne.

    He provides a rare glimpse of the personal battle that raged within soldiers then and now.

    When Lord Richard Craven, heir to a dukedom, singles her out, she is flattered by the attention but harbours no false illusions about the outcome. Her neighbour, the formidable rakehell Harry Benson-Smythe, is not only suspicious of her high-born admirer but inexplicably jealous too. As Eloise and Harry work together to solve the mysterious abductions of local girls, the dark side of Richard’s character emerges and his true purpose becomes apparent. So too do Harry’s feelings for Eloise, which transcend the mere neighbourly. But Harry is engaged to another lady and, even if he were not, his father would never sanction a union with Eloise…