Now shimmering illustrations, as bejeweled and golden as the Prince himself, give glowing life to the many dimensions of his tale. His story of friendship, love, and a willingness to part with one's own riches may be more important today than ever before. Full color.

    Its youthful faults were exposed by him in the brilliant 'Attempt at a Self-Criticism' which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down thru the Victorian era. It sounded themes developed in the 20th century by classicists, existentialists, psychoanalysts & others. The Case of Wagner (1888) was one his last books & his wittiest. In attitude & style it's diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects & deal with art & culture, as well as the problems of the modern age generally. Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche's thought. The distinguished new translations by Walter Kaufmann superbly reflect in English Nietzsche's idiom & the vitality of his style. Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche's correspondence, a bibliography, &, for the 1st time in any edition, an extensive index to each book.

    He was telling them more than stories about princes, giants, nightingales, and roses, he was teaching them about life and the way to live it. You will find in them so much sweetness and tenderness you will never forget them.They can be read aloud to children of six, and everybody will want a copy for their own private delight when they are older. There is no age for this book - it is a brilliant and haunting treasure house for everybody.The drawings by the famous Danish artist, Lars Bo, have been specially made for this Puffin edition.

    But there are obstacles galore in the paths of the lovers. There are evil ministers with sinister magicians at their beck and call, enemy kings only too happy to go into battle, masters of disguise who can fool the cleverest of spies, and magic all around. Then Chandrakanta gets trapped in a fantastic maze, from which only Virendra can rescue her. But will he be able to decipher the clues, follow the trail correctly and get to her before it is too late? And will their friends, Tej Singh, Chapla and the others, help them adequately with their deep knowledge of the art of divination and disguise?" Chandrakanta is a popular Hindi novel by Devaki Nandan Khatri. It is considered to be the first work of prose in the modern Hindi language, and may have significantly contributed to the language's popularity.

    A group of boys find themselves adrift at sea, and after a terrible storm they are cast upon a deserted island, where they must learn to get along together to survive.

    

    From 1884 to 1886 he built up his ranch on the Little Missouri in Dakota Territory, accepting the inevitable toil and hardships. He met the unique characters of the Bad Lands—mountain men, degenerate buffalo hunters, Indians, and cowboys—and observed their changes as the West became more populated. Ranch Life and the Hunting Trail describes Roosevelt's routine labor and extraordinary adventures, including a stint as a deputy sheriff pursuing three horse thieves through the cold of winter. Whether recounting stories of cowboy fights or describing his hunting of elk, antelope, and bear, the book expresses his lifelong delight in physical hardihood and tests of nerve.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Lyon Subjects: Painting Aesthetics Notes: This is an OCR reprint. There may be numerous typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.

    According to Wikipedia: "Ivan Sergeyevich Turgenev 1818 â€" 1883) was a Russian novelist and playwright. His novel Fathers and Sons is regarded as one of the major works of 19th-century fiction."

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Makes interesting reading for nurses and those interested in medical history...as well as poetry lovers of course Excerpt from 'The Staff Nurse': 'Much is she worth, and even more is made of her. Patients and students hold her very dear. The doctors love her, tease her, use her skill. They say 'The Chief' himself is half-afraid of her.'

    But this great novelist began and ended his writing career as a poet. In-between, he wrote a number of books that many readers find emotionally-wrenching, but which are considered among the classics of 19th Century British literature, including Far from the Madding Crowd, and Tess of the D'Urbervilles. Readers will experience Hardy's uncompromising, unsentimental realism in Wessex Tales, and for those seeking a taste of the Dorset poet and novelist, they represent an ideal start.

    

    Yeats.

    The Colonel was wondering what it was best to do, for he could not mistake the meaning of the oversight, when the Squire, who was sometimes very quick to notice things, spoke in a loud and decided tone. "Mr. Cossey," he said, "Colonel Quaritch is offering you his hand." "I observe that he is," he answered, setting his handsome face, "but I do not wish to take Colonel Quaritch's hand." Then came a moment's silence, which the Squire again broke. "When a gentleman in my house refuses to take the hand of another gentleman," he said very quietly, "I think that I have a right to ask the reason for his conduct, which, unless that reason is a very sufficient one, is almost as much a slight upon me as upon him." "I think that Colonel Quaritch must know the reason, and will not press me to explain," said Edward Cossey. "I know of no reason," replied the Colonel sternly, "unless indeed it is that I have been so unfortunate as to get the best of Mr. Cossey in a friendly shooting match." "Colonel Quaritch must know well that this is not the reason to which I allude," said Edward. "If he consults his conscience he will probably discover a better one." Ida and her father looked at each other in surprise, while the Colonel by a half involuntary movement stepped between his accuser and the door; and Ida noticed that his face was white with anger. "You have made a very serious implication against me, Mr. Cossey," he said in a cold clear voice. "Before you leave this room you will be so good as to explain it in the presence of those before whom it has been made." "Certainly, if you wish it," he answered, with something like a sneer. "The reason why I refused to take your hand, Colonel Quaritch, is that you have been guilty of conduct which proves to me that you are not a gentleman, and, ...

    This marvellous collection will appeal to fans and collectors of Whitman's seminal work, and would make for a worthy addition to any bookshelf. The contents of this volume include: "Manhatta", "From Montauk Point", "To Those Who've Fail'd", "A Carol Closing Sixty-Nine", "The Bravest Soldiers", "A Font of type", "As I Sit Writing Here", "My Canary Bird", "Queries to My Seventieth Year", "The Wallabout Martyrs", The First Dandelion", "A Word About Tennyson", etcetera. Walter Walt Whitman (1819 - 1892) was a celebrated American poet, essayist and journalist. He is one of the most influential poets in American literature, and is often referred to as the father of free verse. His writings were extremely controversial in his time, a statement that is especially true for his poetry collection Leaves of Grass; considered to be obscenely sexual when first published. Many texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition. It comes complete with a specially commissioned new biography of the author.

    It is made the more interesting because it concerns the actions of one of those odd types of unit that special and peculiar conditions occasionally create in armed forces-in this case the Guard's Camel Regiment. The author guides the reader through the fascinating and unique business of combining Guardsmen and camels before they together embark on the ill-fated campaign to rescue the beleaguered Gordon in Khartoum. This is a unique book which describes the desert march in vivid detail. What makes it essential is the description of the battle of Abu Klea from the perspective of one who fought within the famous 'broken square.' This, together with riveting battle action at Abu Kru and other engagements makes for a classic account of the 'gentlemen in khaki' at war in the name of the Queen Empress. The text is liberally illustrated by the author. Available in soft cover and hard cover with dust jacket.

    This brings us to a second question: Why The Antichrist and Ecce Homo? Two of this great German's most germane offerings, they were among his last writings. Although he completed them both by the end of 1888, they were considered to be so inflammatory that they were published only years later, in 1895 and 1908, respectively. Both are products of Nietzsche's last creative year. Yet Ecce Homo is relatively calm and tranquil, while The Antichrist is a jeremiad full of venom and vitriol. The latter is in fact one of the most devastating condemnations of Christianity ever; Nietzsche calls it "the one immortal blemish on mankind," the greatest sin possible against reality, against the spirit of the earth. He goes on to say that "the first and last Christian died on the Cross." His analysis of Jesus and Paul as superlative Jewish types and his portrait of Pontius Pilate as a superior Roman type are thought-provoking, to say the least. This leads us to a third question: Why this translation? This version is more faithful than any other, thus, I think, better than any other. Every sentence has been weighed and sifted, sifted and weighed to reproduce Nietzsche's hybrid, high-bred style - that style which encompasses the shrill, strident, sarcastic and bombastic as well as the eloquent, impassioned, refined and resplendent. Nietzsche without tears, then, without scholarly excuses or pretentious "improvements"; Nietzsche without shortcuts; better yet, Nietzschestraight.