Because there’s no single definition of crazy, there’s no single experience that embodies it, and the word itself means different things—wild? extreme? disturbed? passionate?—to different people. (Don’t) Call Me Crazy is a conversation starter and guide to better understanding how our mental health affects us every day. Thirty-three writers, athletes, and artists offer essays, lists, comics, and illustrations that explore their personal experiences with mental illness, how we do and do not talk about mental health, help for better understanding how every person’s brain is wired differently, and what, exactly, might make someone crazy. If you’ve ever struggled with your mental health, or know someone who has, come on in, turn the pages, and let’s get talking.

    Organized around the central themes of altruism, knowledge, skill, and duty, the book includes contributions from well-known authors, doctors, nurses, practitioners, and patients. Provocative and moving pieces address what it means to care for a life in a century of unprecedented scientific advances, examining issues of hope and healing from both ends of the stethoscope.

    But when I was seven, the odds felt insurmountable.As a young girl, Terri Cheney's life looked perfect. Her family lived in a lovely house in a tranquil Los Angeles suburb where the geraniums never once failed to bloom. She was pretty and smart, an academic superstar and popular cheerleader whose father doted on her. But starting with her first suicide attempt at age seven, it was clear that her inner world was anything but perfect. "There's something wrong with her," her mother would whisper, her voice quivering on the edge of despair. And indeed there was, although no one had a name for it yet. Hostage to her roller-coaster moods, Terri veered from easy A-pluses to total paralysis, from bouts of obsessive hypersexuality to episodes of alcoholic abandon that nearly cost her her life. Throughout Terri's chaotic early years, nothing was certain from day to day except this: whatever was so deeply wrong with her must be kept a secret. Thirty years later, Terri wrote Manic, a harrowing memoir that revealed her adult struggle with bipolar disorder. It became an instant "New York Times" bestseller and received passionate critical acclaim. But it didn't tell the whole story. The mystery of Terri's childhood remained untouched-- too troubling, too painful to fathom. The Dark Side of Innocence explores those tumultuous formative years, finally shattering Terri's well-guarded secret." With vivid intensity, it blends a pitch-perfect childlike voice with keen adult observation. The Dark Side of Innocence provides a heart-rending, groundbreaking insider's look into the fascinating and frightening world of childhood bipolar disorder, an illness that affects a staggering one million children. This poignant and compelling story of Terri's journey from disaster and despair to hope and survival will serve as an informative and eye-opening tale for those who would trust a flawless facade.

    Its greatest detriment to the world has been its unfettered desire to play with and alter them: science for science's sake, as if it offered the only path to knowledge.According to Lehrer, when it comes to the human brain, the world of art unraveled such mysteries long before the neuroscientists: "This book is about artists who anticipated the discoveries of science who discovered truths about the human mind that science is only now discovering." 'Proust Was a Neuroscientist' is a dazzling inquiry into the nature of the mind and of the truths harvested by its first explorers: artists like Walt Whitman, George Eliot, Auguste Escoffier, Marcel Proust, Paul Cozanne, Igor Stravinsky, Gertrude Stein, and Virginia Woolf. What they understood intuitively and expressed through their respective art forms -- the fallibility of memory, the malleability of the brain, the subtleties of vision, and the deep structure of language -- science has only now begun to measure and confirm. Blending biography, criticism, and science writing, Lehrer offers a lucid examination of eight artistic thinkers who lit the path toward a greater understanding of the human mind and a deeper appreciation of the ineffable mystery of life.

    The Other Brain is the story of glia, which make up approximately 85 percent of the cells in the brain. Long neglected as little more than cerebral packing material ("glia" means glue), glia are sparking a revolution in brain science.Glia are completely different from neurons, the brain cells that we are familiar with. Scientists are discovering that glia have their own communication network, which operates in parallel to the more familiar communication among neurons. Glia provide the insulation for the neurons, and glia even regulate the flow of information between neurons.But it is the potential breakthroughs for medical science that are the most exciting frontier in glia research today. Diseases such as brain cancer and multiple sclerosis are caused by diseased glia. Glia are now believed to play an important role in such psychiatric illnesses as schizophrenia and depression, and in neurodegenerative diseases such as Parkinson's and Alzheimer's. They are linked to infectious diseases such as HIV and prion disease (mad cow disease, for example) and to chronic pain. Scientists have discovered that glia repair the brain and spinal cord after injury and stroke. The more we learn about these cells that make up the "other" brain, the more important they seem to be.Written by a neuroscientist who is a leader in the research to reveal the secrets of these brain cells, The Other Brain offers a firsthand account of science in action. It takes us into the laboratories where important discoveries are being made, and it explains how scientists are learning that glial cells come in different types, with different capabilities. It tells the story of glia research from its origins to the most recent discoveries and gives readers a much more complete understanding of how the brain works and where the next breakthroughs in brain science and medicine are likely to come.

    The second section contains the grand master's ruminations on the SF genre itself. And the final section is comprised of Asimov's thoughts on the craft and writing of science fiction.

    For each volume, the very best pieces are selected by a leading writer in the field, making the Best American series the most respected and most popular of its kind. "The Best American Nonrequired Reading 2011" includes Daniel Alarcon, Clare Beams, Sloane Crosley, Anthony Doerr, Neil Gaiman, Mohammed Hanif, Mac McClelland, Michael Paterniti, Olivier Schrauwen, Gary Shteyngart, and others"

    Despite her flapping arms and shaking legs, she continued to speak clearly and was able to finish her speech. It was as if she had suddenly become two people: a calm orator and a shuddering wreck. Then the seizures happened again and again. The Shaking Woman tracks Hustvedt’s search for a diagnosis, one that takes her inside the thought processes of several scientific disciplines, each one of which offers a distinct perspective on her paroxysms but no ready solution. In the process, she finds herself entangled in fundamental questions: What is the relationship between brain and mind? How do we remember? What is the self?During her investigations, Hustvedt joins a discussion group in which neurologists, psychiatrists, psychoanalysts, and brain scientists trade ideas to develop a new field: neuropsychoanalysis. She volunteers as a writing teacher for psychiatric in-patients at the Payne Whitney clinic in New York City and unearths precedents in medical history that illuminate the origins of and shifts in our theories about the mind-body problem. In The Shaking Woman, Hustvedt synthesizes her experience and research into a compelling mystery: Who is the shaking woman? In the end, the story she tells becomes, in the words of George Makari, author of Revolution in Mind, “a brilliant illumination for us all.”

    It is the genre that stands in opposition to literary modernism." So says David G. Hartwell in his introduction to The Science Fiction Century, an anthology spanning a hundred years of science fiction, from its birth in the 1890s to the future it predicted.David G. Hartwell is a World Fantasy Award-winning editor and anthologist who has twice before redefined a genre--first the horror field with The Dark Descent, then the subgenre of hard science fiction with The Ascent of Wonder, coedited with Kathryn Cramer. Now, Hartwell has compiled the mother of all definitive anthologies, guaranteed to change not only the way the science fiction field views itself but also the way the rest of literature views the field.Contents 17 • Introduction (The Science Fiction Century) • (1997) • essay by David G. Hartwell 21 • Beam Us Home • (1969) • shortstory by James Tiptree, Jr. 31 • Ministering Angels • (1955) • shortstory by C. S. Lewis 39 • The Music Master of Babylon • (1954) • novelette by Edgar Pangborn 57 • A Story of the Days to Come • (1899) • novella by H. G. Wells 112 • Hot Planet • (1963) • shortstory by Hal Clement 127 • A Work of Art • (1956) • novelette by James Blish 139 • The Machine Stops • (1909) • novelette by E. M. Forster 161 • Brightness Falls from the Air • (1951) • shortstory by Margaret St. Clair 166 • 2066: Election Day • (1956) • shortstory by Michael Shaara 177 • The Rose • (1953) • novella by Charles L. Harness [as by Charles Harness ] 232 • The Hounds of Tindalos • (1929) • shortstory by Frank Belknap Long 242 • The Angel of Violence • (1978) • shortstory by Adam Wisniewski-Snerg 252 • Nobody Bothers Gus • [Gus] • (1955) • shortstory by Algis Budrys 261 • The Time Machine • (1954) • shortstory by Dino Buzzati 265 • Mother • (1953) • novelette by Philip José Farmer 285 • As Easy as A.B.C. • (1912) • novelette by Rudyard Kipling 304 • Ginungagap • (1980) • novelette by Michael Swanwick 327 • Minister Without Portfolio • (1952) • shortstory by Mildred Clingerman 333 • Time in Advance • (1956) • novelette by William Tenn 352 • Good Night, Sophie • (1973) • novelette by Lino Aldani (aka Buonanotte Sofia 1963 ) 369 • Veritas • (1987) • novelette by James Morrow 382 • Enchanted Village • (1950) • shortstory by A. E. van Vogt 393 • The King and the Dollmaker • (1970) • novella by Wolfgang Jeschke (aka Der König und der Puppenmacher 1961 ) 435 • Fire Watch • [Time Travel] • (1982) • novelette by Connie Willis 462 • Goat Song • (1972) • novelette by Poul Anderson 486 • The Scarlet Plague • (1912) • novella by Jack London 518 • Drunkboat • [The Instrumentality of Mankind] • (1963) • novelette by Cordwainer Smith 539 • Another World • (1962) • novelette by J. H. Rosny aîné (aka Un Autre Monde 1895 ) 558 • If the Stars Are Gods • [Bradley Reynolds] • (1974) • novelette by Gordon Eklund and Gregory Benford 585 • I Still Call Australia Home • (1990) • shortstory by George Turner 598 • Liquid Sunshine • (1982) • novelette by Alexander Kuprin (aka Zhidkoe solntse 1913 ) 632 • Great Work of Time • (1989) • novella by John Crowley 683 • Sundance • (1969) • shortstory by Robert Silverberg 694 • Greenslaves • (1965) • novelette by Frank Herbert 716 • Rumfuddle • (1973) • novella by Jack Vance 754 • The Dimple in Draco • (1967) • shortstory by R. S. Richardson [as by Philip Latham ] 765 • Consider Her Ways • (1956) • novella by John Wyndham 805 • Something Ending • (1973) • shortstory by Eddy C. Bertin 812 • He Who Shapes • (1965) • novella by Roger Zelazny 869 • Swarm • [Shaper/Mechanist] • (1982) • novelette by Bruce Sterling 886 • Beggars in Spain • [Sleepless] • (1991) • novella by Nancy Kress 939 • Johnny Mnemonic • (1981) • shortstory by William Gibson 952 • "Repent, Harlequin!" Said the Ticktockman • (1965) • shortstory by Harlan Ellison 961 • Blood's a Rover • (1952) • novella by Chad Oliver 993 • Sail the Tide of Mourning • [Bentfin Boomers] • (1975) • shortstory by Richard A. LupoffThe story The Angel of Violence by Adam_Wiśniewski-Snerg was translated from Polish to English by Thomasz Mirkowicz for this anthology.The story Good Night, Sophie by Lino Aldani was translated from Italian to English by L. K. Conrad.The story Liquid Sunshine by Alexander Kuprin was translated from Russian to English by Leland Fetzer.

    It explores the use of art to survive abuse, incest, madness and depression, and the often deep-seated impulse toward self-destruction including cutting, eating disorders, and addiction. Here, some of our most compelling cartoonists, novelists, poets, dancers, playwrights, and burlesque performers traverse the pains and passions that can both motivate and destroy women artists, and mark a path for survival. Taken together, these artful reflections offer an honest and hopeful journey through a woman's silent rage, through the power inherent in struggles with destruction, and the ensuing possibilities of transforming that burning force into the external release of art. With contributions by Nan Goldin, bell hooks, Patricia Smith, Cristy C. Road, Carol Queen, Annie Sprinkle, Elizabeth Stephens, Carolyn Gage, Eileen Myles, Fly, Diane DiMassa, Bonfire Madigan Shive, Inga Muscio, Kate Bornstein, Toni Blackman, Nicole Blackman, Silas Howard, Daphne Gottleib, and Stephanie Howell.

    All contributors have been recent faculty members of the prestigious Warren Wilson Low Residency Program, including such literary favorites as Margot Livesey, Charles Baxter, Robert Boswell, Jim Shepard, Antonya Nelson, David Shields, and the editors themselves.Each writer was asked to submit an original story, accompanied by an essay describing the challenges of the story and how they were met. Since writers resist herding, the editors were happily surprised by the wide range of essays—"fiction writers, when given the space, think about their work very differently." We learn about the genesis of a story, how story evolves, what was eventually relinquished and why, and how a story—surprisingly—might "insist" on changing.Arranged alphabetically by author, and beginning with Richard Russo's cogent introduction, this volume is a treasure throughout.

     Heather Sellers is face-blind-that is, she has prosopagnosia, a rare neurological condition that prevents her from reliably recognizing people's faces. Growing up, unaware of the reason for her perpetual confusion and anxiety, she took what cues she could from speech, hairstyle, and gait. But she sometimes kissed a stranger, thinking he was her boyfriend, or failed to recognize even her own father and mother. She feared she must be crazy. Yet it was her mother who nailed windows shut and covered them with blankets, made her daughter walk on her knees to spare the carpeting, had her practice secret words to use in the likely event of abduction. Her father went on weeklong "fishing trips" (aka benders), took in drifters, wore panty hose and bras under his regular clothes. Heather clung to a barely coherent story of a "normal" childhood in order to survive the one she had. That fairy tale unraveled two decades later when Heather took the man she would marry home to meet her parents and began to discover the truth about her family and about herself. As she came at last to trust her own perceptions, she learned the gift of perspective: that embracing the past as it is allows us to let it go. And she illuminated a deeper truth-that even in the most flawed circumstances, love may be seen and felt. Watch a Video

    This rich treasury includes Tolkien's most beloved short fiction plus his essay on fantasy. Publisher's Note Tolkien's Magic Ring, by Peter S. Beagle The Homecoming of Beorhtnoth Beorhthelm's Son Tree and Leaf On Fairy-Stories Leaf by Niggle Farmer Giles of Ham The Adventures of Tom Bombadil The Adventures of Tom Bombadil Bombadil Goes Boating Errantry Princess Mee The Man in the Moon Stayed Up Too Late The Man in the Moon Came Down Too Soon The Stone Troll Perry-the-Winkle The Mewlips Oliphaunt Fastitocalon Cat Shadow-bride The Hoard The Sea-Bell The Last Ship

    Tammet's ability to think abstractly, deviate from routine, and empathize, interact and communicate with others is impaired, yet he's capable of incredible feats of memorization and mental calculation. Besides being able to effortlessly multiply and divide huge sums in his head with the speed and accuracy of a computer, Tammet, the subject of the 2005 documentary Brainman, learned Icelandic in a single week and recited the number pi up to the 22,514th digit, breaking the European record. He also experiences synesthesia, an unusual neurological syndrome that enables him to experience numbers and words as "shapes, colors, textures and motions." Tammet traces his life from a frustrating, withdrawn childhood and adolescence to his adult achievements, which include teaching in Lithuania, achieving financial independence with an educational Web site and sustaining a long-term romantic relationship. As one of only about 50 people living today with synesthesia and autism, Tammet's condition is intriguing to researchers; his ability to express himself clearly and with a surprisingly engaging tone (given his symptoms) makes for an account that will intrigue others as well.

    This brief edition of the most widely adopted book of its kind offers all of the editorial features of the longer book with about half the stories and writer commentaries in a shorter, less expensive format.