- NY Post In the fall of 1966, Eduardo Tirella, close confidant of billionaire Doris Duke, informed the possessive and vindictive heiress that he was leaving her employ as chief designer and art curator to return to Hollywood where his career as a set designer was just catching fire.Minutes later, she crushed him to death under the wheels of a two-ton station wagon as they were leaving Rough Point, her Bellevue Avenue estate in Newport, RI, the storied resort.In a murderous quid-pro-quo, the local police quickly ruled the incident "an unfortunate accident" and Doris began giving a fortune to Newport, restoring 70 colonial-era homes that quickly turned it into a tourist Mecca. In 2018, Lance, who started his career as a cub reporter for The Newport Daily News eight months after Tirella's death, began a re-examination of the case and proved that the mercurial tobacco heiress got away with murder.In a riveting, doggedly researched book with 105 illustrations -- including never-before seen forensic files -- Lance, a five-time Emmy winner, rewrites history and finally restores the reputation of Eduardo Tirella, a gay Renaissance man and war hero whom Duke went to great lengths to erase from the history of her troubled life.Praise for HOMICIDE AT ROUGH POINT: "In his meticulous new tome, Lance tells the untold story of how Doris Duke, the richest woman in America got away with murdering a gay man, her designer and art curator Eduardo Tirella." - Diane Anderson-Minshall, CEO Pride Media in The Advocate."This book has rocked the world of publishing, it's rocked the world of journalism and true crime junkies are talking about it from Coast to Coast." - Frank Morano WABC RADIO"A page turning look into the world of elite influence, true crime and a systemic coverup that has rocked a New England summer resort city" - Bartholomewtown Podcast"Homicide at Rough Point is a page-turning epic for our time. Proof that when a narcissistic billionaire assumes, they can get away with murder, there's a reporter out there willing and able to expose them." - Nicholas Pileggi, author of Goodfellas and Casino"HOMICIDE is the best true crime book I've read in years; solving the horrific cold case murder of Eddie Tirella, a gifted Italian-American war hero who didn't deserve to die. Peter Lance is the most tenacious reporter I know. A must read!" - John A. "Junior" GottiPraise for Peter Lance's HarperCollins Mafia bio DEAL WITH THE DEVIL :"The perfect mix of thorough research and gripping storytelling." (NPR)"[A] thrilling account. . . This scrupulously investigated tale. . . will have true crime fans on the edge of their seats (Publishers Weekly, starred review)"A meticulously researched and frightening account of the long term relationship between the FBI and vicious Mafia thug Gregory Scarpa Sr. . . Stunning revelations." (Booklist)

    Minutes to Midnight is the ambitious photographic record of that adventure, in which Parke presents a proud but uneasy nation struggling to craft its identity from different cultures and traditions. Minutes to Midnight merges traditional documentary techniques and imagination to create a dark visual narrative portraying Australia with a mix of nostalgia, romanticism and brooding realism. This is not a record of the physical landscape but of an emotional one. It is a story of human anxiety and intensity which, although told from Australia, represents a universal human condition in the world today.

    As America's most infamous criminal, he has intrigued, attracted, and repulsed the general public with his legendary criminal deeds. This concise biography separates the myth from the man. Beginning with a historical look at corruption in American society--along with a clarification of the terms Black Hand, Mafia, and Organized Crime--Capone is presented in his own time and place. A timeline summarizes the events of his life and career. A thorough bibliography of print and electronic sources will assist students and general readers interested in further research, making it perfect for anyone interested in Capone's life, organized crime, the prohibition era, and the struggle of lower-class Americans to rise in society.The son of poor Italian immigrants struggling for a better life in early 20th-century New York, Capone chose a life of crime as a means of advancing his place in the world. His success brought him fabulous wealth and fame. His criminal deeds made him many enemies among law enforcement officers, politicians, and fellow criminals. Yet ultimately, Capone's downfall was his own misdeeds. Following a lengthy prison term, he died at age 48 from complications of syphilis. In his short life, Capone had become America's most feared criminal, and after his death, his legend cast an even greater shadow.

    He was a kid, eighteen years old. Married, broke, flunking out of college-and about to become a father. The Marines seemed like a good way out. He figured the Nam couldn't be any worse than home. He was wrong.Publishers Weekly says "Chilling...It tells how a youngster from Portland, Oregon matured in the crucible of combat...The reader is given a sense of what it's like to fight an unseen enemy who might appear anytime, anywhere and start shooting from ambush." Karl Marlantes, New York Times best selling author of "Matterhorn" calls "A Field of Innocence", "Powerful ...and riveting."Tim O'Brien, New York Times best selling author of "The Things They Carried" says, "With its raw realism and heartbreaking honesty...one of the finest Vietnam memoirs."Kirkus Review says A Field of Innocence is "Exciting and Impressive."

    Evans documented the look and feel of much of his native country in a notably distinct way throughout the majority of the twentieth century. This definitive retrospective of Evans's career, which received France's Prix de Nadar and England's Krasna-Kraus Award when first published in hardcover, is now available for the first time as a reduced-format paperback." "Prepared by John T. Hill in cooperation with Gilles Mora, Walker Evans: The Hungry Eye begins with the artist's early abstractions and his project on the Brooklyn Bridge done in collaboration with American poet Hart Crane, and continues through Evans's photographic studies of New England and New York Victorian buildings; his travels to Tahiti and Cuba; his work in Florida and New Orleans; and his three-year involvement with the Farm Security Administration. A highlight of this volume is the material from Evans's highly influential show American Photographs at The Museum of Modern Art in New York, re-created in exactly the sequence that Evans established for the original exhibition." No broader or more comprehensive view of this important, innovative, and distinguished photographer exists to date. With all of the images superbly reproduced from negatives prepared by Thomas Palmer, this volume will long stand as a tribute to an American original.

    But behind this archetypal small-town landscape lies a complicated past.Starting with the town's founding as a religious promised land, music journalist and poet Daniel Wolff plots a course through 130 years of entwined social and musical history, touching on John Philip Sousa, Count Basie, Frank Sinatra, and Frankie Lymon on the way to the town Bruce was born to run from. Out of the details of local history-the boardwalk in the Gilded Age; the celebrities who passed through, from Stephen Crane to Martin Luther King; sensational murder trials; the birth of Mob control; and a devastating mid-century "race riot"-emerges a universal story of one small town's fortunes. Told with grace and full of fascinating detail, Daniel Wolff's tour across thirteen decades of the Fourth of July in Asbury Park captures all the allure and heartbreak of the American dream reduced to blight and decay, with gentrification as the one hope for a return to its glory days.

    This is the story of two brothers clinging together for survival after their family perished in the wrath of the Third Reich. Younger brother Sam clings to Jacob and voluntarily boards the Nazi death train with his brother when they came for Jacob. They struggled horrifically, and when the dust cleared at war's end, only one of them survived. Dr. Eisenbach is a 92-year old dentist practicing in Southern California. His fascinating and terrifying story is a page-turner. He has shared his longevity secrets and his sunny philosophy, as well as his forgiveness of his Nazi tormentors.

    But, as a woman of true faith, she decides to move west and accept a position as a school teacher. When she arrives in Brown Ridge, a small town filled with faith and anger, Greta is soon cast into the middle of a family battle involving a bitter cowboy, a preacher, and an innocent newborn baby. It isn't long before Greta falls in love with the newborn baby as she slowly begins to understand that in order to save a lost soul, she must place her heart on the line. Depending on God, Greta decides to care for the bitter cowboy in order to lead his heart away from the anger eating him alive. But caring for an angry man with the hopes of changing him into a healed man isn't as easy as Greta hopes. Facing off against anger and pain, she steps into a battle that must be won for the sake of a newborn baby, a desperate preacher, and a bitter cowboy that is being destroyed by his own anger. Will Greta's faith overcome the dark clouds facing her? Or will the storm she is thrust into destroy all of her hope?

    Enticed by promises of work with good pay, people flock to textile mills in the South. Many leave their beloved mountains for what they hope is a step up from their grinding poverty. It’s guaranteed pay and housing. Being the sighted sister of the Hooper/Watson family, Lottie is grieved by a dream that sorrow will come to her home. Yet, she leaves Cocke County, Tennessee, with Beck Radford, her new husband, and her four children from a previous, abusive marriage, and goes to Clifton, South Carolina. Lottie is a stranger to village life and close neighbors. Life is harder than any of them imagined. In spite of hard work, widespread poverty remains a fact of life for everyone in the mill town. Lottie’s “gift” of second sight into the future is not an ability she would’ve chosen. One event she didn't see coming, yet someone else did, rips apart their life, as well as everyone’s around them.

    She was a young slave girl. He was an African warrior purchased at a slave auction with the intent he would father a new breed of stronger slave. Despite all odds, a language barrier and the disapproval of her family and friends, the two fight for a life together.

    Here the trials and triumphs of the early Muslims as individuals are well-portrayed. Their various paths to Islam - sometimes direct, sometimes long and tortuous, their devotion to the noble Prophet, their endeavours in peace time and their exploits in war - all serve to cast them in a heroic mould. This is the first of two (formerly published as a series of three) books based on original Arabic sources and written in a style that is lively and often gripping. The lives of the Sahabah or Companions of the Prophet, may God bless him and grant him peace, is a rich storehouse of knowledge, guidance and inspiration. The men and women whose stories are told here helped to lay the foundations of a new world order, and it is only fitting that they should be more widely known.

    Her father was a chimneysweep and she loved him. He was all she had after her mother took off with a man Maggie stumbled upon when she was sent home from school because she came without a lunch…again. From five years old, her life centered on herself and her father. His many years working in soot filled chimneys took a toll on his health until Maggie was fifteen. Their hope of one day buying a little cottage in the country where they would enjoy the fresh clean air and home grown food was close to becoming a reality when his body could not recover from the years of abuse, leaving Maggie on her own. Traveling west with nothing but their few household possessions, ‘Old Mule’, and a wagon, Maggie began her new life alone but determined to find a place that the money they saved over the years would buy. Occasionally, she would supplement her supplies by cleaning a chimney, picking up information along the way.

    Meanwhile, her older sister Peggy works as an apprentice at the Girls' School, hoping for a more prosperous future as a schoolteacher.Jennet and Titus Eastwood have always made decisions for their daughters' futures. But as the sisters near adulthood they are determined to make their own choices. And with temptation in the way, will the girls find love - or infatuation - leads them astray?Then an unexpected but familiar face arrives in town, and the family's future is threatened. For Bessie and Jennet, a difficult choice must be made - love or family . . .

    The photobooth was born. Within 20 years there were more than 30,000 in the United States alone, an explosive growth due largely to World War II, as soldiers and loved ones exchanged photos, hoping to cling to memories or moments in a world turned upside down. But by the 1960s the advent of Polaroid photography spelled the doom of the "four strip" that had become a fixture at arcades and drugstores everywhere. The recent resurgence of photo sticker machines has recaptured the fun and intimacy of the photobooth. With no photographer to please, people are at liberty to be whoever they like: brave or sexy, cocksure or wise, without fear of censure or ridicule. Free in the certainty of their solitude, families, couples young and old, best friends, and individual after individual have presented to the camera both real and imagined selves for three-quarters of a century.Photobooth presents over 700 such photographs from the last 75 years, images at turns spontaneous and uninhibited, often goofy, and occasionally touching. It is a fascinating portrait of everyday people and a testament to the ongoing fascination with both the process and the result.

    Spanning a period of forty years, David Lynch's widely respected films and television series include "Eraserhead, The Elephant Man, Blue Velvet, Twin Peaks, Lost Highway," and "Mulholland Drive," However, his prolific visual art production, which began even before his films, has rarely been seen. This catalogue of his artistic output, published on the occasion of a large-scale exhibition at the Fondation Cartier in Paris, covers a wide variety of disciplines: painting, photography, drawings, sculpture, furniture, music, and "moving pictures." His art echoes his films in theme and aesthetic, yet offers viewers a fresh and more intimate glimpse into his singular universe. The book also contains several essays that analyze his artworks, as well as a conversation with Lynch, interviewed within the context of the show. 469 illustrations in color.