Today's transgenders and other sex/gender radicals are writing a drastically new world into being. In Gender Outlaws, Bornstein, together with writer, raconteur, and theater artist S. Bear Bergman, collects and contextualizes the work of this generation's trans and genderqueer forward thinkers — new voices from the stage, on the streets, in the workplace, in the bedroom, and on the pages and websites of the world's most respected mainstream news sources. Gender Outlaws includes essays, commentary, comic art, and conversations from a diverse group of trans-spectrum people who live and believe in barrier-breaking lives.

    Come visit Scotland, Zambia, Australia, Canada, and several American states, including Alaska, in these inspirational romance novellas. You'll love each refreshing contemporary romance as the characters enjoy the water on hot summer days, whether it be in a river, lake, ocean... or a swimming pool! His Perfect Catch by Narelle Atkins, author of the Snowgum Creek series A holiday romance isn’t part of the plan when Mia Radcliffe temporarily moves to Sapphire Bay and lives next door to Pete McCall, her secret crush from years ago. Pete prefers the simple life. Can Mia leave behind her big-city dreams and settle with Pete in the seaside town? Sweet Serenade by Valerie Comer, author of the Farm Fresh Romance series Carly and Reed thrive on the rush of running rapids in a canoe until they capsize in both river and romance. Will secrets from the past drown their future, or can this idyllic summer romance lead to a lifetime of sweet serenades? More than Friends by Autumn Macarthur, author of the Love in Store series When nurse Catriona asks for help with her Vacation Bible School for disabled children, she never imagines how much could go wrong on a simple seaside day out — or that the colleague she's secretly loved for years might come to see her as more than his best friend's little sister. Love Flies In by Heidi McCahan, author of the Emerald Cove series He’s a seaplane pilot determined to honor his convictions. She’s a kayak guide who mocked his faith for sport. One small lakeside cabin in Alaska can’t house them both.  Testing the Waters by Lesley Ann McDaniel, author of the Madison Falls series After breaking up with her ultra-critical boyfriend, Teresa decides to reinvent herself. She meets a nice guy named Curt on the beach in Crescent Cove, Oregon, and tells him she’s Terése from Paris. Pretending to be someone else is fun until the unthinkable happens — she starts to fall for him. The Lifeguards, the Swim Team, and Frozen Custard by Carol Moncado, author of the CANDID Romance series Lifeguard Alivia Collins looks forward to another summer on the guard stand at the Serenity Landing Aquatic Center. This year, she’s going to have to keep herself from falling for the cute, new guard - or realize it’s time to give love another chance. Time and Tide by Lynette Sowell, author of the Lone Star Hearts series When out-of-work fashion journalist Karyn Lewis uses the summer to regroup on the coast of Virginia, she plans to lie low at Pine Breezes campground. She doesn't plan for her heart to be on a collision course with old friend Brodie Reed. They must decide if the past that looms between them will be too much for them to have a future together.  Draw You Near by Jan Thompson, author of the Savannah Sweethearts series Savannah artist Abilene Dupree keeps her personal life out of her commercial paintings except one. That one painting has now brought Londoner Lars Cargill back to the coastal town and into her art world. Can she hold him at bay before he invades her personal space and her heart? Orphaned Hearts by Marion Ueckermann, author of the Heart of Africa series His faith buried with his wife,  Simon devotes himself to raising his daughter

    Editor Stephen Cope has made a judicious selection of Oppen's extant writings outside of poetry, including the essay "The Mind's Own Place" as well as "Twenty-Six Fragments," which were found on the wall of Oppen's study after his death. Most notable are Oppen's "Daybooks," composed in the decade following his return to poetry in 1958. iSelected Prose, Daybooks, and Papers is an inspiring portrait of this essential writer and a testament to the creative process itself.

    In this, his last book completed just before his death, Sigurd F. Olson guides readers through his wide-ranging memories of a lifetime dedicated to the preservation of the wilderness.

    It is an insightful, sensitive and poetic book of discovery.Drawing on cartography, travels, narratives of childhood in the Caribbean, journeys across the Canadian landscape, African ancestry, histories, politics, philosophies and literature, Dionne Brand sketches the shifting borders of home and nation, the connection to place in Canada and the world beyond.The title, A Map to the Door of No Return, refers to both a place in imagination and a point in history – the Middle Passage. The quest for identity and place has profound meaning and resonance in an age of heterogenous identities.In this exquisitely written and thought-provoking new work, Dionne Brand creates a map of her own art.

    At his death last spring, Roueche left behind seven new narratives that have never been published in book form. This book collects these works along with one earlier classic--all relating true tales of strange illnesses, rare diseases, and the brilliant minds who race to understand and conquer them.

    Combining the freshly edited texts of the Oxford Edition with lively introductions, this contemporary Shakespeare enables readers to see and read Shakespeare afresh.

    A salvage operation on a very public, very expensive train wreck, It Doesn’t Suck argues that Showgirls is much smarter and deeper than it is given credit for. In an accessible and entertaining voice, the book encourages a shift in critical perspective on Paul Verhoeven’s Showgirls, analyzing the film, its reception, and rehabilitation. This in-depth study of a much-reviled movie is a must read for lovers and haters of the 1995 Razzie winner for Worst Picture.

    But for every female executive racking up frequent flier miles there are multitudes of women whose journeys go unnoticed. Each year, millions leave Mexico, Sri Lanka, the Philippines, and other third world countries to work in the homes, nurseries, and brothels of the first world. This broad-scale transfer of labor associated with women's traditional roles results in an odd displacement. In the new global calculus, the female energy that flows to wealthy countries is subtracted from poor ones, often to the detriment of the families left behind. The migrant nanny — or cleaning woman, nursing-care attendant, maid — eases a "care deficit" in rich countries, while her absence creates one back home. Confronting a range of topics, from the fate of Vietnamese mail-order brides to the importation of Mexican nannies in Los Angeles and the selling of Thai girls to Japanese brothels, a diverse and distinguised group of writers offer an unprecedented look at a world shaped by mass migration and economic exchange. Collected and introduced by bestselling authors Barbara Ehrenreich and Arlie Russell Hochschild, these fifteen essays — of which only four have been previously published — reveal a new era in which the main resource extracted from the third world is no longer gold or silver, but love. Barbara Ehrenreich is the author of New York Times bestsellers Nickel and Dimed and The Worst Years of Our Lives, as well as Blood Rites. She lives near Key West, Florida. Arlie Russell Hochschild is the author of national bestsellers The Time Bind and The Second Shift. She live in San Francisco, California.

    Many writers of all backgrounds see the imagination as ahistorical, as a generative place where race doesn't and shouldn't enter, a place of bodies that transcend the legislative, the economic—in other words, transcend the stuff that doesn't lend itself much poetry. In this view the imagination is postracial, a posthistorical and postpolitical utopia. . . . To bring up race for these writers is to inch close to the anxious space of affirmative action, the scarring qualifieds."So everyone is here."—Claudia Rankine and Beth Loffreda, from the introductionIn 2011, a poem published in a national magazine by a popular white male poet made use of a black female body. A conversation ensued, and ended. Claudia Rankine subsequently created Open Letter, a web forum for writers to relate the effects and affects of racial difference and to explore art's failure, thus far, to adequately imagine.Born in Kingston, Jamaica, Claudia Rankine is author and editor of more than six collections of poetry and poetics. She is a chancellor of the Academy of American Poets and a professor of English at Pomona College.Beth Loffreda is author of Losing Matt Shepard: Life and Politics in the Aftermath of Anti-gay Murder. She directs the MFA program in creative writing at the University of Wyoming.

    In Trans Liberation, Feinberg has gathered a collection of hir speeches on trans liberation and its essential connection to the liberation of all people. This wonderfully immediate, impassioned, and stirring book is for anyone who cares about civil rights and creating a just and equitable society.

    Said's essays and articles on music. Addressing the work of a variety of composers, musicians, and performers, Said carefully draws out music's social, political, and cultural contexts and, as a classically trained pianist, provides rich and often surprising assessments of classical music and opera."Music at the Limits" offers both a fresh perspective on canonical pieces and a celebration of neglected works by contemporary composers. Said faults the Metropolitan Opera in New York for being too conservative and laments the way in which opera superstars like Pavarotti have "reduced opera performance to a minimum of intelligence and a maximum of overproduced noise." He also reflects on the censorship of Wagner in Israel; the worrisome trend of proliferating music festivals; an opera based on the life of Malcolm X; the relationship between music and feminism; the pianist Glenn Gould; and the works of Mozart, Bach, Richard Strauss, and others.Said wrote his incisive critiques as both an insider and an authority. He saw music as a reflection of his ideas on literature and history and paid close attention to its composition and creative possibilities. Eloquent and surprising, "Music at the Limits" preserves an important dimension of Said's brilliant intellectual work and cements his reputation as one of the most influential and groundbreaking scholars of the twentieth century.

    It needs flannel in lengthy widths, and it's here that Harry and Alan come through like a whole warehouse full of pyjamas) to the 1976 Olympics ('Jenkins has a lot to do' was a new way of saying that our man, of whom we had such high hopes, was not going to pull out the big one). In between we have 'War and Peace' (Tolstoy makes television history), the Royal Wedding (Dimbling suavely, Tom Fleming introduced the scene), the Winter Olympics (unintelligibuhl), the Eurovision Song Contest (The Hook of their song lasted a long time in the mind, like a kick in the knee. You could practically hear the Koreans singing it. 'Waterloo . . .' ), and much more.

    From art museums and university hospitals to think tanks and church charities, over 1.5 million organizations of staggering diversity share the tax-exempt 501(c)(3) designation, if little else. Many social justice organizations have joined this world, often blunting political goals to satisfy government and foundation mandates. But even as funding shrinks and government surveillance rises, many activists often find it difficult to imagine movement-building outside the nonprofit model. The Revolution Will Not Be Funded gathers original essays by radical activists from around the globe who are critically rethinking the long-term consequences of this investment. Together with educators and nonprofit staff they finally name the “nonprofit industrial complex” and ask hard questions: How did politics shape the birth of the nonprofit model? How does 501(c)(3) status allow the state to co-opt political movements? Activists--or careerists? How do we fund the movement outside this complex? Urgent and visionary, The Revolution Will Not Be Funded is an unbeholden exposé of the “nonprofit industrial complex” and its quietly devastating role in managing dissent.

    Essays from a tiny diner in the middle of the country.These are stories of love and adaptation at the broad intersection of commerce and community, and of how a pandemic changed everything and nothing about us.