The incomparable Borges delivered these seven lectures in Buenos Aires in 1977; attendees were treated to Borges erudition on the following topics: Dante's The Divine Comedy, Nightmares, Thousand and One Dreams, Buddhism, Poetry, The Kabbalah, and Blindness.

    His selection of essays, each important in its own right, also serves as ‘the best... introduction so far to Barthes’ career as the slayer of contemporary myths’. (John Sturrock, New Statesman)

    He analyzes previous contributions to a Marxist theory of literature from Marx himself to Lukacs, Althusser, and Goldmann, and develops his own approach by outlining a theory of cultural materialism' which integrates Marxist theories of language with Marxist theories of literature. Williams moves from a review of the growth of the concepts of literature and idealogy to a redefinition of determinism' and hegemony'. His incisive discussion of the 'social material process' of cultural activity culminates in a re-examination of the problems of alignment and commitment and of the creative practice in individual authors and wider social groups.

    An indispensable work of science fiction criticism revised and expanded

    Profusely and superbly illustrated, Country stands as one of the most brilliant explorations of American musical culture ever written.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Its three volumes in English are: 1: The Founders, II: The Golden Age, and III: The Breakdown. It was first published in Polish in Paris in 1976, with the English translation appearing in 1978. In 2005, Main Currents of Marxism was republished in a one volume edition, with a new preface and epilogue by Kołakowski. The work was intended to be a "handbook" on Marxism by Kołakowski, who was once an orthodox Marxist but ultimately rejected Marxism. Despite his critical stand toward Marxism, Kołakowski endorsed the philosopher György Lukács's interpretation of Karl Marx.This is the second volume and includes a discussion of the Second International and figures such as Paul Lafargue, Eduard Bernstein, Karl Kautsky, Georgi Plekhanov, Jean Jaurès, Jan Wacław Machajski, Vladimir Lenin, Rosa Luxemburg, and Rudolf Hilferding; it reviews Hilferding's debate about the theory of value with the economist Eugen Böhm von Bawerk. It also discusses Austromarxism.

    Schapiro applies evidencefrom numerous sources, such as literature, folklore, and politicalhistory, to reconstruct and interpret this rich artistic period.

    It needs flannel in lengthy widths, and it's here that Harry and Alan come through like a whole warehouse full of pyjamas) to the 1976 Olympics ('Jenkins has a lot to do' was a new way of saying that our man, of whom we had such high hopes, was not going to pull out the big one). In between we have 'War and Peace' (Tolstoy makes television history), the Royal Wedding (Dimbling suavely, Tom Fleming introduced the scene), the Winter Olympics (unintelligibuhl), the Eurovision Song Contest (The Hook of their song lasted a long time in the mind, like a kick in the knee. You could practically hear the Koreans singing it. 'Waterloo . . .' ), and much more.

    Perloff traces the poet's development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new Introduction addressing O'Hara's homosexuality, his attitudes toward racism, and changes in poetic climate cover the past few decades. "A groundbreaking study. [This book] is a genuine work of criticism. . . . Through Marjorie Perloff's book we see an O'Hara perhaps only his closer associates saw before: a poet fully aware of the traditions and techniques of his craft who, in a life tragically foreshortened, produced an adventurous if somewhat erratic body of American verse."—David Lenson, Chronicle of Higher Education"Perloff is a reliable, well-informed, discreet, sensitive . . . guide. . . . She is impressive in the way she deals with O'Hara's relationship to painters and paintings, and she does give first-rate readings of four major poems."—Jonathan Cott, New York Times Book Review

    

    This collection of twenty-one carefully selected essays is remarkable both in the depth of its scholarship and the breadth of its subjects. Moving with ease across the centuries, Momigliano supplements powerful readings of writers in the Greek, Jewish, and Roman traditions, such as Tacitus and Polybius, with writings that focus on later historians, such as Vico and Croce. Charmingly written and concise, these pieces range from review essays reprinted from the New York Review of Books to treatises on the nature of historical scholarship. Essays in Ancient and Modern Historiography is a brilliant reminder of Momigliano’s profound knowledge of classical civilization and his gift for deftly handling prose.            With a new Foreword by Anthony Grafton, this volume is essential reading for any student of classics or historiography.

    

    Detailed analyses of the modern English writer's nine novels shed light on their themes, concerns, and stylistic techniques.

    "This volume contains spirited pieces that chronicle the evolution of Debussy's own ideas about music and colorfully re-creat scenes of life in the concert halls and cafes of Paris."

    As the reader cavorts through the 12-volume novel alongside the narrator Nicholas Jenkins, it soon becomes apparent that he inevitably confuses dates and events, but Hilary Spurling tidies up the most minute detail into its proper place.More than a simple glossary, Invitation to the Dance contains extensive Character, Book, Painting and Place indices, creating a magnificent database of Powell's imagination and England's cultural landscape. This is a masterpiece of 'extreme ingenuity' detailing over four hundred characters and one million words of Powell's lively fifty-year dance of fiction and fact.'Hilary Spurling's exhaustive analysis of the novel's characters supplies a master-key for the reader' -- Anthony Powell