This new volume collects the author’s plays written in the past five years, including References to Salvador Dalí Make Me Hot ("effortlessly melds otherworldly fantasy with gritty realism to make sparks fly onstage."—The Journal News), Sueño (a reworking for Pedro Calderón’s Life is a Dream) and Sonnets for an Old Century, the author’s most recent work, which recently premiered in Los Angeles.Puerto Rican-born playwright José Rivera plays have been produced all over the world and his work has been translated into seven languages. His best known work includes Marisol and Each Day Dies with Sleep. "Rivera has a messianic mission to replace old and dying creeds with vibrant new visions."—Robert Brustein, New RepublicAlso available by José RiveraMarisol and Other Plays PB $15.95 1-55936-136-0 • USA

    

    As attraction turns to sex, and they inch closer to getting what they want, both must confront the dark side of ambition and the near impossibility of reinventing oneself when the past is only a click away. Sex with Strangers had its world premiere at Steppenwolf Theatre Company; it will have its New York premiere at Second Stage Theatre in June 2014, directed by David Schwimmer.

    This phenomenon in effect brought the terror, the panic, the horror and the sense of helplessness of the Great War home with the returning soldiers—more people died of this epidemic than had been killed in battle throughout the armed conflict.As fear of the dreaded flu begins to fill the town of Unity with paranoia, drastic measures are taken. The town is quarantined in an attempt to keep the illness out. Trains are forbidden to stop, no one can enter, and the borders are sealed. Mail from overseas, feared to be carrying the deadly virus, is gathered and then burned. But when the disease descends upon the town despite their precautions, the citizens begin to turn on each other as they attempt to find a scapegoat for the crisis.Very little has been written about this worldwide calamity which, more than the war itself, destroyed forever the genteel and naive presumptions of European colonial society at the beginning of the twentieth century. Kevin Kerr offers audiences not only an epic chronicle of this forgotten chapter of Canadian history, but a chilling preview of the beginnings of our own new century.The play is a gothic romance, filled with dark comedy and the desperate embrace of life at the edge of death.

    His setting is “the Institute,” whose mission is to combat the “irrational tendencies” in society through its scientific work. Personal and professional relationships at this “lighthouse of truthful knowledge” are a tissue of lies and sycophancy in which all concerned willingly collude.The only tempest in this teapot of careerism is Dr Foustka, who has lately been smitten by metaphysical doubt and is rumored to be dabbling in the black arts. His mentor, the unlikely Mephistopheles of the piece, is a dwarflike old man with smelly feet and a slippery logic that irresistibly appeals to Foustka’s intellectual hubris. With great wit and originality Havel follows the familiar outlines of the story to a unique conclusion at a “witches’ sabbath” garden party organized by the Institute’s crafty director in the spirit of “modern group-costume therapy.”For Havel, the “rational” carried to surreal lengths of irrationality is not a theatrical technique but a fact of life in Czechoslovakia since the Soviet invasion of 1968. Yet in universalizing his tale through the Faust legend, he forcefully reminds us that under conditions of modern bureaucracy neither East nor West holds a monopoly on the sale of souls.

    Use these fully illustrated classic and contemporary plays for reading practice or performance.Each script offers performance notes, character lists, exercises, and glossaries.

    

    Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.

    

     Danger is no stranger to the heartaches of the world. After losing her adoptive mother, she almost crumbles under a domino effect of misfortune. When she meets Sleep, she thinks she’s finally found a captain to save her, but when she learns his main goal is to pimp her out, Danger wastes no time getting from under his thumb. On the run to get as far away from Sleep as possible, she lands in Dallas, where she reunites with her bestie. Free is the true definition of dangerous curves. A BBW with enough personality to steal any show, she’s quick to flash a smile that hides her own set of demons. It’s hard to be comfortable in your skin, especially when family is the main one trying to tear you down, but Free is determined to stunt on everybody that has a problem with her weight— family included. Add the kind of street smarts that make a natural born hustler, and Free is every hitta’s dream come true. Whether they can handle her is the real question. Stranger is a self-made boss in his own right, a dude whose name rings bells in the streets and commands respect even while he’s locked up. Growing up with a schizophrenic for a mother made him unbreakable, but not above the law when he gets caught slipping. Done serving his time, he only has two things on his mind: hitting the streets and getting to the money by any means necessary. After stumbling across a connect and an offer he can’t refuse, Stranger agrees to collect a blood debt in exchange for the keys to the streets. Will his decision cost him more than he’s willing to give up? Where Stranger is a silent killer, Spazz, his younger brother, leaves a path of destruction with anything he touches. Wild, rude, and reckless, he’s ready to get it poppin’ if you even look at him wrong, and there’s only one thing that can tame his temper: his five-year-old daughter. With a mouth to feed and a street legacy to claim, he’s down with no hesitation when Stranger brings him into his plan to re-claim the streets. With his brother by his side, Spazz is ready to put his city on the map. Stranger never let his heart take his focus off the money, until he meets Danger. Mesmerized by her effortless beauty, he just has to have her, but there’s one problem: she’s on the arm of the same guy he’s planning to take down. Is he willing to kill for love? Spazz always gets what he wants, and he knows Free will be his from the minute he meets her. Never being attracted to BBWs in the past, he’s powerless against Free’s hypnotizing thickness, and her confidence and slick mouth are just the type of bonus that makes her worth the chase. Will he convince Free to take a chance on a real one? Ain’t nothin’ like lovin’ a savage, and once you get inside the head of one, your life will never be the same. Take a journey with Danger, Free, Stranger, and Spazz as they try to cheat the past for the future. Nothing goes as planned in love, especially once you’re Turned out by a Savage.

    The ghost of a young murdered girl flits through every scene linking the pain and anguish of all the characters struggling to cope with urban life.

    Book annotation not available for this title.

    The superstitious townspeople resent their happiness and their subsequent meddling ends in violence and tragedy. This play was proclaimed a Broadway hit.

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    Due to the scientific manipulation of the world’s crops, a destructive system for which Ben is partly responsible, there is very little nourishment left to be had, except for those most privileged and connected. Despite the dying off of most of the world, these characters manage to survive, at times tasting the good life, admiring the beauties of nature, feasting on animalistic sex, and finding love. The play raises issues of redemption, forgiveness, and responsibility as it recounts a somewhat passionate, erotic adventure story.Wallace Shawn is the author of Our Late Night (winner of the OBIE Award for Best Play), Marie and Bruce, Aunt Dan and Lemon, The Designated Mourner, The Fever, and the screenplay for My Dinner with Andre, in which he starred. Grasses of a Thousand Colors, Shawn’s first full-length play in ten years, will be produced in the United Kingdom and the United States in 2009. Shawn is a well-known film and television actor. He resides in New York City.