Gushee, the prolific Christian author and Director of the Center for Theology and Public Life at Mercer University. In describing this book, Gushee continues: “It is unlike other books that demand revision of traditional Christian sexual ethics but do so primarily by rejecting the authority of the Bible. That is not how evangelicals think, and it is not what Ken Wilson does here. Instead Wilson shows how God has led him on a journey toward a rethinking of what the fully authoritative and inspired Bible ought to be taken to mean in the life of the church today.” “This is a remarkable and timely book,” writes Tanya Luhrmann, an author about contemporary religious life and the Watkins University Professor in the Stanford Anthropology Department. “It is clear to an observer like me that evangelical Christianity is at a crossroad. ... That problem is the broad and widening gap between evangelical Christianity and its young. … The book you hold is a passionate and courageous argument. Many people will not like it. But they should read it and weigh whether it is true, because more hangs on the argument than the fate of gay marriage within evangelical Christianity. At its heart, this book asks Christians to rethink what God and scripture may be saying about what it means to be a good and decent person. The answer to that question will shape what the church becomes in twenty years.” Best-selling author and journalist Phyllis Tickle, an expert on religion widely quoted in news media, says of this book: “We Christians …rarely think of our clergy as men and women who routinely spend agonizing hours and days and weeks pouring studiously over sacred texts in relentless, on-going attempts to penetrate the mysteries contained there, to discover their wisdom, their instruction, their relevance, and to consider the means and repercussions of their implementation within our here and now. … This is midrash. … And in the pages that follow, we have before us one of the most exquisite, painful, candid, brilliant pieces of contemporary Christian midrash that I have ever seen.”

    Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

    Presented in a brilliantly engaging and witty style, this is a unique portrait of the universe of queer thinking.

    Married to a man for nearly a decade and mother to a toddler, Wizenberg tried to return to her life as she knew it, but something inside her had changed irredeemably. Instead, she would discover that the trajectory of our lives is rarely as smooth or as logical as we’d like to believe.   Like many of us, Wizenberg had long understood sexual orientation as a stable part of ourselves: we’re “born this way.” Suddenly she realized that her story was more complicated. Who was she, she wondered, if something at her very core could change so radically? The Fixed Stars is a taut, electrifying memoir exploring timely and timeless questions about desire, identity, and the limits and possibilities of family. In honest and searing prose, Wizenberg forges a new path: through the murk of separation and divorce, coming out to family and friends, learning to co-parent a young child, and realizing a new vision of love. The result is a frank and moving story about letting go of rigid definitions and ideals that no longer fit, and learning instead who we really are.

    Armed with only six passages in the Bible often known as the clobber passages the conservative Christian position has been one that stands against the full inclusion of our LGBT brothers and sisters. Unclobber reexamines each of those frequently quoted passages of Scripture, alternating with author Colby Martin's own story of being fired from an evangelical megachurch when they discovered his stance on sexuality.UnClobber reexamines what the Bible says (and does not say) about homosexuality in such a way that breathes fresh life into outdated and inaccurate assumptions and interpretations.

    Both disability studies and queer theory are centrally concerned with how bodies, pleasures, and identities are represented as "normal" or as abject, but Crip Theory is the first book to analyze thoroughly the ways in which these interdisciplinary fields inform each other.Drawing on feminist theory, African American and Latino/a cultural theories, composition studies, film and television studies, and theories of globalization and counter-globalization, Robert McRuer articulates the central concerns of crip theory and considers how such a critical perspective might impact cultural and historical inquiry in the humanities. Crip Theory puts forward readings of the Sharon Kowalski story, the performance art of Bob Flanagan, and the journals of Gary Fisher, as well as critiques of the domesticated queerness and disability marketed by the Millennium March, or Bravo TV's Queer Eye for the Straight Guy. McRuer examines how dominant and marginal bodily and sexual identities are composed, and considers the vibrant ways that disability and queerness unsettle and re-write those identities in order to insist that another world is possible.

    Probing questions, the same ones that students often bring to the course, frame readable chapters that are packed with the most up-to-date scholarship available—in language students will understand. The authors use memorable examples mined from pop culture, history, psychology, biology, and everyday life to truly engage students in the study of gender and spark interest in sociological perspectives.

    Christians, the church and the Bible seem to be out of step with modern attitudes towards homosexuality. And there is growing hostility towards those who hold a different view. So is God homophobic? And what do we say, and how do we relate to to both Christians and non Christians who experience same-sex attraction.In this short, simple book, Sam Allberry wants to help confused Christians understand what God has said about these questions in the scriptures, and offers a positive and liberating way forward through the debate.

    From the Bishop of the Diocese of New Hampshire in the Episcopal Church, the first openly gay person elected (in 2003) to the historic episcopate and the world's leading religious spokesperson for gay rights and gay marriage—a groundbreaking book that lovingly and persuasively makes the case for same-sex marriage using a commonsense, reasoned, religious argument, made by someone who holds the religious text of the Bible to be holy and sacred and the ensuing two millennia of church history to be relevant to the discussion, equally familiar with the secular and political debate going on in America today, and for whom same-sex marriage is a personal issue; Robinson was married to a woman for two decades and is a father of two children and has been married to a man for the last four years of a twenty-three-year relationship.

    Among those included are the woman who had blood tests done because she was convinced that "not wanting sex" was a sign of serious illness, and the man who grew up in an evangelical household and did everything "right," only to realize after marriage that his experience of sexuality had never been the same as that of others. Also represented are disabled aces, aces of color, non-gender-conforming aces questioning whether their asexuality is a reaction against stereotypes, and aces who don't want romantic relationships asking how our society can make room for them.

    Set in the 1880s at the dawn of the age of electricity and based on the bizarre historical fact that doctors used vibrators to treat 'hysterical' women (and some men), the play centers on a doctor and his wife and how his new therapy affects their entire household. In a seemingly perfect, well-to-do Victorian home, proper gentleman and scientist Dr. Givings has innocently invented an extraordinary new device for treating "hysteria" in women (and occasionally men): the vibrator. Adjacent to the doctor's laboratory, his young and energetic wife tries to tend to their newborn daughter-and wonders exactly what is going on in the next room. When a new "hysterical" patient and her husband bring a wet nurse and their own complicated relationship into the doctor's home, Dr. and Mrs. Givings must examine the nature of their own marriage, and what it truly means to love someone.This laugh out loud, provocative and touching play premiered at Berkely Rep and subsequently marked Sarah Ruhl's Broadway debut opening at the Lyceum Theatre on November 19th, 2009.

    She argues for the importance of recognizing---and archiving---accounts of trauma that belong as much to the ordinary and everyday as to the domain of catastrophe. Cvetkovich contends that the field of trauma studies, limited by too strict a division between the public and the private, has overlooked the experiences of women and queers. Rejecting the pathologizing understandings of trauma that permeate medical and clinical discourses on the subject, she develops instead a sex-positive approach missing even from most feminist work on trauma. An Archive of Feelings challenges the field to engage more fully with sexual trauma and the wide range of feelings in its vicinity, including those associated with butch-femme sex and AIDS activism and caretaking.An Archive of Feelings brings together oral histories from lesbian activists involved in act/up New York; readings of literature by Dorothy Allison, Leslie Feinberg, Cherrie Moraga, and Shani Mootoo; videos by Jean Carlomusto and Pratibha Parmar; and performances by Lisa Kron, Carmelita Tropicana, and the bands Le Tigre and Tribe 8. Cvetkovich reveals how these cultural formations---activism, performance, and literature---give rise to public cultures that both work through trauma and transform the conditions producing it. By looking closely at connections between sexuality, trauma, and the creation of lesbian public cultures, Cvetkovich makes those experiences that have been pushed to the peripheries of trauma culture the defining principles of a new construction of sexual trauma-one in which trauma catalyzes the creation of cultural archives and political communities.About the Author: Ann Cvetkovich is Associate Professor of English at the University of Texas at Austin. She is the author of Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism.

    This international bestseller--condemned by New York's Cardinal O'Connor who, without reading it, likened it to "scrawling dirty words about the church on bathroom walls"--is a definitive, richly documented report on the oppression of women and sexuality in the Catholic Church.

    The turbulent political weather of the twenty-first century generates anxiety and makes it difficult to know how to react. Olivia Laing makes a brilliant, inspiring case for why art matters more than ever, as a force of both resistance and repair. Art, she argues, changes how we see the world. It gives us X-ray vision. It reveals inequalities and offers fertile new ways of living.Funny Weather brings together a career’s worth of Laing’s writing about art and culture, and their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keeffe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Wolfgang Tillmans, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, Funny Weather celebrates art as an antidote to a terrifying political moment.

    The false dichotomies that Lorde debunks persist in our cultural imagination: the separation of the erotuc from the spiritual and political. Now, Kore Press brings this essay into stand-alone focus, reprinting it in a fine, handbound pamphlet illustrated with photographs by Tucson photographer Camille Bonzani. Designed by book artist Nancy Solomon, the essay is offset and letterpress printed in an edition of 1000.