Individually, Jake Adam York’s poems are elegies for individuals; collectively, they consider the violence of a racist culture and the determination to resist that racism. York follows Sun Ra, a Birmingham jazz musician whose response to racial violence was to secede from planet Earth, considers the testimony in the trial of J. W. Milam and Roy Bryant for the murder of Emmet Till in 1955, and recreates events of Selma, Alabama, in 1965. Throughout the collection, an invasion of starlings images the racial hatred and bloodshed. While the 1950s spawned violence, the movement in the early 1960s transformed the language of brutality and turned the violence against the violent, says York. So, the starlings, first produced by violence, become instruments of resistance.York’s collection responds to and participates in recent movements to find and punish the perpetrators of the crimes that defined the civil rights movement. A Murmuration of Starlings participates in the search for justice, satisfaction, and closure.

    In it, Roger Housden offers us poems on life and death, happiness, seeing ourselves in relation to the world, and, of course, the ineffable--the things that really matter when the chips are down. He describes these passionate poems as "bread for the soul and fire for the spirit."The poets Housden has chosen are Billy Collins, Hayden Carruth, Dorianne Laux, James Wright, Naomi Shihab Nye, and Mary Oliver from the United States, D. H. Lawrence and John Keats from England, Rainer Maria Rilke from Germany, Fleur Adcock from New Zealand, and Seng-Ts'an from sixth-century China. And yes, that adds up to eleven, not ten. Housden decided to include a bonus poem for his faithful readers in this, the final volume of the series. As before, Housden's luminous essays provide an elegant and easy passage into the sometimes daunting world of poetry, enabling readers to feel that in him they have found a trusted guide and mentor.

    In an essay on his career, Edward Hirsch describes They Feed They Lion as his "most eloquent book of industrial Detroit . . . The magisterial title poem--with its fierce diction and driving rhythms--is Levine's hymn to communal rage, to acting in unison." Of The Names of the Lost: "In these poems Levine explicitly links the people of his childhood whom 'no one remembers' with his doomed heroes from the Spanish Civil War."

    Her poems take us to the flip side of human consciousness, where anything can happen at any time. Tinged with surrealism, her work makes visionary leaps from the quotidian to sudden, surprising epiphanies.

    This distinct group, known as the Ñ Generation (as coined by Bill Teck), are the bilingual children of Cuban exiles nourished by two cultural currents—the fragmented traditions and transferred nostalgia of their parents' Caribbean homeland and the very real and present America where they grew up and live.

    He’s a lot more interesting than most of the men in Fay’s usual set.They would never normally have met. And they certainly should never have fallen in love.But as Neville Chamberlain announces that the country is at war with Germany, their differences turn out to be the least of their worries.Tom joins the RAF and Fay volunteers as a nurse.Theirs was love at first sight, but now it seems that fate might not be on their side.A COUPLE SEPARATED BY CLASS AND WARIn a stunning conclusion Tom must risk everything to rescue the woman he loves.A totally breathtaking wartime saga perfect for fans of Kate Eastham, Pam Howes, Dinah Jefferies, Tania Crosse and Josephine Cox.

    The pieces in this multi-textured and moving volume are set against a backdrop of economic recession and social division, where mass media, the mass market and globalisation have made alienation a commonplace experience and where the solitary imagination drifts and conjures.The Unaccompanied documents a world on the brink, a world of unreliable seasons and unstable coordinates, where Odysseus stalks the aisles of cut-price supermarkets in search of direction, where the star of Bethlehem rises over industrial Yorkshire, and where alarm bells for ailing communities go unheeded or unheard. Looking for certainty the mind gravitates to recollections of upbringing and family, only to encounter more unrecoverable worlds, shaped as ever through Armitage's gifts for clarity and detail as well as his characteristic dead-pan wit. Insightful, relevant and empathetic, these poems confirm The Unaccompanied as a bold new statement of intent by one of our most respected and recognised living poets.'A writer who has had a game-changing influence on his contemporaries.' Guardian'Armitage is that rare beast: a poet whose work is ambitious, accomplished and complex as well as popular.' Sunday Telegraph'The best poet of his generation.' Craig Raine, Observer

    However there comes a time in every writer’s life when the need to have one’s work appreciated by others overcomes the reticence of their nature. With this book, I have reached the point where I can let you, the reader, enter. See me. Maybe some of the poems here will resonate with you, and that understanding, that secret “yes, I know what she means”, from a stranger, is what I seek.

    K. Williams, was awarded the 1987 National Book Critics Circle Award for Poetry. Reviewing it in The New York Times Book Review, Edward Hirsch noted that the book's compression and exactitude gave it "the feeling of a contemporary sonnet sequence." Hirsch added: "Like Berryman's Dream Songs or Lowell's Notebooks, Mr. Williams's short poems are shapely yet open-minded and self-generative, loosely improvisational though with an underlying formal necesity."

    Speaking in the unique lyrical voice that he called his "Ohioan," Wright created poems of immense sympathy for sociey's alienated and outcast figures and also of ardent wonder at the restorative power of nature.Selected Poems fills a significant gap in Wright's bibliography: that of an accessible, carefully chosen collection to satisfy both longtime readers and those just discovering his work. Edited and with an introduction by Wright's widow, Anne, and his close friend the poet Robert Bly, who also wrote an introduction, Selected Poems is a personal, deeply considered collection of work with pieces chosen from all of Wright's books. It is an overdue--and timely--new view of a poet whose life and work encompassed the extremes of American life.

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    It’s a book with the flow of poetry but the ebb of short stories – rightfully called “Shoetry”. This creation takes you to the roots of humanity - stripping back the veneers of life, society and interaction to see people and their ways in an entirely new light.

    104 pages of gossiping, loving and pestering of the British upper class, accompanied by illustrations, will definitely not disappoint.

    Calvin Trillin employs everything from a Gilbert and Sullivan style, for describing George Bush’s rescue in the South Carolina primary by the Christian Right (“I am, when all is said and done, a Robertson Republican”), to a bilingual approach, when commenting on the President’s casual acknowledgment, after months of trying to persuade the nation otherwise, that there was never any evidence of Iraqi involvement in 9/11: “The Web may say, or maybe Lexis-Nexis / If chutzpa is a word they use in Texas.”Trillin deals not only with George W. Bush but with the people around him—Supreme Commander Karl Rove and Condoleezza (Mushroom Cloud) Rice and Nanny Dick Cheney (“One mystery I’ve tried to disentangle: / Why Cheney’s head is always at an angle . . .”) The armchair warriors Trillin refers to as the Sissy Hawk Brigade are celebrated in such poems as “Richard Perle: Whose Fault Is He?” and “A Sissy Hawk Cheer” (“All-out war is still our druthers— / Fiercely fought, and fought by others.”).Trillin may never be poet laureate—certainly not while George W. Bush is in office—but his wit and his political insight produce what has been called “doggerel for the ages.”

    With a heart black as night and an itching trigger finger she has vowed to make Ray's murderer's blood rain over the city of Detroit. However currently sitting as the new king of the city Khiron is backed by the Dominican Cartel and is proving to be untouchable. Sadie is a secretly relocated to Miami and takes Ray's place as the head of The Last Kings. Recruiting a few new members and making new money the cartel is revived and ready to go up against the worst to reclaim Detroit. In the midst of it all a war is budding between the Italians and Dominicans and Sadie has already chosen her allegiance. The Last Kings is back guns loaded and ready to make one last bloody movie in the streets.