You'll never see the city the same way again.At the core of A Burglar's Guide to the City is an unexpected and thrilling insight: how any building transforms when seen through the eyes of someone hoping to break into it. Studying architecture the way a burglar would, Geoff Manaugh takes readers through walls, down elevator shafts, into panic rooms, up to the buried vaults of banks, and out across the rooftops of an unsuspecting city.With the help of FBI Special Agents, reformed bank robbers, private security consultants, the L.A.P.D. Air Support Division, and architects past and present, the book dissects the built environment from both sides of the law. Whether picking padlocks or climbing the walls of high-rise apartments, finding gaps in a museum's surveillance routine or discussing home invasions in ancient Rome, A Burglar's Guide to the City has the tools, the tales, and the x-ray vision you need to see architecture as nothing more than an obstacle that can be outwitted and undercut.Full of real-life heists-both spectacular and absurd-A Burglar's Guide to the City ensures readers will never enter a bank again without imagining how to loot the vault or walk down the street without planning the perfect getaway.

    In her scalp-prickling Byliner Original “Devotion: A Rat Story,” she shows how easily an everyday reality—a young woman’s struggle for an independent life— can become a nightmare, toothy monsters included.It’s not easy being twenty-something in America, with the economy down and jobs scarce, especially if you’re also a single mother. An art school graduate with a four-year-old daughter, Eleanor is desperate to move out of her parents’ house at last. When a tiny yellow bungalow comes on the market, with a yard and a tree for climbing, it seems perfect for the two of them, and mysteriously affordable. Not until Eleanor enters the house to unpack does she realize she has made a terrible—and terrifying—mistake.Eleanor hadn’t met the next-door neighbors, and didn’t know what lived there with them—seething through the house, multiplying daily, fat and hungry and spreading out into the neighborhood. When Eleanor tries to confront the onslaught, she is told that these “pets” are not the ones intruding—she is. An engrossing, exquisitely unsettling tale from an American literary treasure, “Devotion: A Rat Story” will leave you suspicious of your neighbors and fearful of what’s lurking in your backyard, in your living room—or even in your own head.

    The book provides not only amusement, but a commentary on how America has changed, and a celebration of those places that have been forgotten by conventional history.

    That’s where William Faulkner was living when he wrote the screenplay for To Have and Have Not; that house was designed by Neutra; over there is a Schindler; that’s where Woody Guthrie lived, where Anais Nin died, and where Thelma Todd was murdered . . .Despite the fact that one of these staircases starred in an Oscar-winning short film—Laurel and Hardy’s The Music Box, from 1932—these civic treasures have been virtually unknown to most of the city’s residents and visitors. Now, Secret Stairs puts these hidden stairways back on the map, while introducing urban hikers to exciting new “trails” all around the city of Los Angeles.

    While it is often assumed that an interest in objects amounts to a form of materialism, Harman rejects this view and develops instead an "immaterialist" method. By examining the work of leading contemporary thinkers such as Bruno Latour and Levi Bryant, he develops a forceful critique of 'actor-network theory'. In an extended discussion of Leibniz's famous example of the Dutch East India Company, Harman argues that this company qualifies for objecthood neither through 'what it is' or 'what it does', but through its irreducibility to either of these forms. The phases of its life, argues Harman, are not demarcated primarily by dramatic incidents but by moments of symbiosis, a term he draws from the biologist Lynn Margulis.This book provides a key counterpoint to the now ubiquitous social theories of constant change, holistic networks, performative identities, and the construction of things by human practice. It will appeal to anyone interested in cutting-edge debates in philosophy and social and cultural theory.

    Arranged thematically from industrial to military sites, from ghosts towns to recreational sites, the book explains through extended captions the story of how each place came to be abandoned - natural or chemical disaster, war, economic collapse, changing attitudes and tastes. Often it's because the world has moved on and these places are no longer of use or interest in the march of progress. Throughout, though, emerges a picture not of what has been lost, but of what remains. Left to the elements but also ignored by humanity, the photographs of these ghost towns, crumbling structures and vessels illuminate worlds for us that we thought were lost. Through these, we gain a glimpse into the past. With more than 150 outstanding colour photographs exploring hauntingly beautiful places over one or two spreads, Abandoned Places is an excellent pictorial examination of worlds that we've left behind.

    It is also a very funny account of looking after an adored yet maddening parent and a piercing portrait of the grief that followed his death.Shelley Klein grew up in the Scottish Borders, in a house designed on a modernist open-plan grid; with colourful glass panels set against a forest of trees, it was like living in a work of art.Shelley’s father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and 70s style. As a child, Shelley and her siblings adored both the house and the fashion shows that took place there, but as she grew older Shelley also began to rebel against her father’s excessive design principles.Thirty years on, Shelley moves back home to care for her father, now in his eighties: the house has not changed and neither has his uncompromising vision. As Shelley installs her pots of herbs on the kitchen windowsill, he insists she take them into her bedroom to ensure they don’t ‘spoil the line of the house’.Threaded through Shelley’s book is her father’s own story: an Orthodox Jewish childhood in Yugoslavia; his rejection of rabbinical studies to pursue a life of art; his arrival in post-war Britain and his imagining of a house filled with light and colour as interpreted by the architect Peter Womersley.A book about the search for belonging and the pain of letting go, The See-Through House is a moving memoir of one man's distinctive way of looking at the world, told with tenderness and humour and a daughter’s love.

    Lavishly planned with a downtown center and newly minted antique homes, and front-loaded with an ultraprogressive school, hospital, and high-tech infrastructure, Celebration was to offer a fresh start in a world gone wrong. Yet behind the picket fences, gleaming facades, and "Kodak moment" streetscapes, Ross discovered a real place with real problems, and not a theme park village cooked up by the Imagineers. Compelling and wide-ranging in its analysis, The Celebration Chronicles provides a startlingly fresh perspective on the link between contemporary urban planning and corporate bottom lines.

    The story behind its construction is a largely untold and intriguing piece of American history, which acclaimed historian John Steele Gordon relates with verve, connecting it to the colorful saga of the ancient obelisks of Egypt.Nobody knows how many obelisks were crafted in ancient Egypt, or even exactly how they were created and erected since they are made out of hard granite and few known tools of the time were strong enough to work granite. Generally placed in pairs at the entrances to temples, they have in modern times been ingeniously transported around the world to Istanbul, Paris, London, New York, and many other locations. Their stories illuminate that of the Washington Monument, once again open to the public following earthquake damage, and offer a new appreciation for perhaps the most iconic memorial in the country.

    Her chilling new short story, An Arrangement of Light, is irrefutable evidence of Krauss’s gifts.Narrated by the personal secretary to a world-famous landscape architect, it’s a haunting tale about how survival of the fittest, whether for flora or fauna, beast or man, is often a guarantee of treachery, and how our loyalties can become as trapping as any prison.Set in an unnamed country as familiar as it is otherworldly, the story begins with a young horticulturist’s admiration for the work of a great man and his hope to help build a new public park in the capital. He ends up securing far more than that: a complicity with the park’s celebrated designer he could never have imagined or indeed wished for. And when a military coup ushers capricious generals into power and they arrive in their black sedans with dark plans for the new park, the personal secretary discovers that dreams risk running headlong into nightmares. Ultimately he must reckon with the fact that nature, for all its beauty, is cruel and conniving, and that a good gardener cannot tame it, only bend its neck.

    Now with additional walks and 16 pages of full-color photographs, Stairway Walks in San Francisco contains step-by-step route descriptions that include notes on historical background, architecture, and other points of interest. Accompanying each of the 27 walks is an easy-to-follow map with corresponding numbered walk directions and public transportation information. Locals and tourists alike have used the book for over 20 years to explore San Francisco's beautiful neighborhoods.

    This lively narrative of The City from its very beginnings all the way through the earthquake of 1989 tells where to find the historic buildings, sights, and artifacts that make that history come alive.

    His works—among them Taliesin North, Taliesin West, Fallingwater, the Johnson Wax buildings, the Guggenheim Museum—earned him a good measure of his fame, but his flamboyant personal life earned him the rest. Here Brendan Gill, a personal friend of Wright and his family, gives us not only the fullest, fairest, and most entertaining account of Wright to date, but also strips away the many masks the architect tirelessly constructed to fascinate his admirers and mislead his detractors. Enriched by hitherto unpublished letters and 300 photographs and drawings, this definitive biography makes Wright, in all his creativity, crankiness, and zest, fairly leap from its pages.

    But her homes are havens where peace can be found, away from watchful eyes; sanctuaries of private calm in a whirlwind life of public duty. In The Queen’s Houses, Alan Titchmarsh takes us on a tour of the royal residences, examining the personal family stories behind these magnificent buildings. Through personal reflections, interviews with royal staff and meticulous historical research, Alan looks beyond the formal grandeur of Buckingham Palace, the imposing structure of Windsor Castle and the private escape offered by Balmoral and others. Illustrated with intimate family photographs and evocative memorabilia, The Queen’s Houses offers a glimpse of life behind the state banquets and sovereign duties – a respectful study of the royal family at home.

    Maybe the two of you watched broadcasts from Yankee Stadium or Candlestick Park, or listened as Red Barber or Vin Scully called the plays on radio. Or maybe he coached your team or just played catch with you in the yard. Chances are good that if you're a baseball fan, your dad had something to do with it--and your thoughts of the sport evoke thoughts of him. If so, you will treasure The Final Season, a poignant true story about baseball and heroes, family and forgiveness, doubts and dreams, and a place that brings them all together.Growing up in the 60s and 70s, Tom Stanton lived for his Detroit Tigers. When Tiger Stadium began its 88th and final season, he vowed to attend all 81 home games in order to explore his attachment to the place where four generations of his family have shared baseball. Join him as he encounters idols, conjures decades past, and discovers the mysteries of a park where Cobb and Ruth played. Come along and sit beside Al Kaline on the dugout bench, eat popcorn with Elmore Leonard, hear Alice Cooper's confessions, soak up the warmth of Ernie Harwell, see McGwire and Ripken up close, and meet Chicken Legs Rau, Bleacher Pete, Al the Usher, and a parade of fans who are anything but ordinary. By the autumn of his odyssey, Stanton comes to realize that his anguish isn't just about the loss of a beloved ballpark but about his dad's mortality, for at the heart of this story is the love between fathers and sons--a theme that resonates with baseball fans of all ages.