William Landay explodes onto the suspense scene with an electrifying novel about the true price of crime and the hidden corners of the criminal justice system. Only an insider could so vividly capture Boston’s gritty underworld of cops and criminals. And only a natural storyteller could weave this mesmerizing tale of murder and memory, a story about the hold of time past over time present–and the story of one unforgettable young policeman who ventures into the most dangerous place of all. By a gleaming lake in the forests of western Maine, outside a sleepy town called Versailles, the body of a man lies sprawled in a deserted cabin. The dead man was an elite D.A. from Boston, and his beat was that city’s toughest neighborhood: Mission Flats. Now, for small-town police chief Ben Truman, investigating the murder will mean leaving his quiet, haunted home and journeying to an alien world of hard streets and hard bargains, where the fierce struggle between police and criminals is fought for the ultimate stakes. Ben joins a manhunt through Mission Flats, where cops are scrambling to find their number-one suspect: Harold Braxton, a ruthless predator targeted for prosecution by the murdered D.A. To the Boston police, Braxton is a marked man. But as Ben watches the shadow dance of cops and suspects, he begins to voice doubts about Braxton’s guilt…especially when he uncovers a secret history of murder and retribution stretching back twenty years…back to a brutal killing now nearly forgotten. As past and present collide and a bloody mystery unfolds, only one thing remains certain: the most powerful revelations are yet to come.Mission Flats is at once a relentless page-turning mystery and a vivid portrait of a cop’ s life. Here are the street corners, courtrooms, and stationhouses; the deal makers, thugs, and quiet heroes. An unforgettable world–and the luminous, boundary-breaking debut of a new voice in suspense fiction–Mission Flats will haunt you long after the final pages.

    December 2014. A young event manager, an ex-cop's son, ismurdered. Inspector Ajai Singh vows justice. There is little to begin with, andfrustration mounts when the initial suspect – a reclusive woman with amysterious past – is found missing.Digging deeper, Singh uncovers a sordid tale of adultery, blackmail andrevenge, only to find himself staring at a conspiracy unlike any he has seen.There are deceits, little and big, to decode; the predator and victim areindistinguishable; his witnesses could be misleading; his closest ally may not bean ally at all.Will Singh succeed? Or has the sick, wily mind behind the crime always been afew steps ahead?Refreshingly told, with a cast of morally ambivalent characters and an accenton the minutiae of crime, A Murder in Gurgaon will keep you hooked till thevery end.

    Trouble is, Curran's getaway driver has spilled the beans to the mobster.

    Each story is different and each ends with a surprising twist.

    

    Ehrengraf, who takes criminal cases on a contingency basis, and never loses. A small-press limited edition, luxuriously produced, and long since sold out. Seven of the eight stories were originally published in EQMM annual, 1978- ; one story originally published in Mike Shayne mystery magazine.

    The eleven novels in The Library of America’s adventurous two-volume collection taps deep roots in the American literary imagination, exploring themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life.James M. Cain’s pioneering novel of murder and adultery along the California highway, The Postman Always Rings Twice (1934), shocked contemporaries with its laconic toughness and fierce sexuality.Horace McCoy’s They Shoot Horses, Don’t They? (1935) uses truncated rhythms and a unique narrative structure to turn its account of a Hollywood dance marathon into an unforgettable evocation of social chaos and personal desperation.In Thieves Like Us (1937), Edward Anderson vividly brings to life the dusty roads and back-country hideouts where a fugitive band of Oklahoma outlaws plays out its destiny.The Big Clock (1946), an ingenious novel of pursuit and evasion by the poet Kenneth Fearing, is set by contrast in the dense and neurotic inner world of a giant publishing corporation under the thumb of a warped and ultimately murderous chief executive.William Lindsay Gresham’s controversial Nightmare Alley (1946), a ferocious psychological portrait of a charismatic carnival hustler, creates an unforgettable atmosphere of duplicity, corruption, and self-destruction.I Married a Dead Man (1948), a tale of switched identity set in the anxious suburbs, is perhaps the most striking novel of Cornell Woolrich, who found in the techniques of the gothic thriller the means to express an overpowering sense of personal doom.Disturbing, poetic, anarchic, punctuated by terrifying bursts of rage and paranoia and powerfully evocative of the lost and desperate sidestreets of American life, these are underground classics now made widely and permanently available.

    Unfortunately, that's just half of our hero's problems. In Private L.A., by James Patterson and Mark Sullivan, maverick detective Jack is all work and no play, getting thrown into double duty as he tackles domestic terrorists as well as the disappearance of a celebrity "it" couple. This review of Private L.A. helps you get the most out of this thrill ride, which is a fast read designed for fiction fans that enjoy simple entertainment. The review highlights fun facts about James Patterson, who holds the Guinness World Record for the most #1 New York Times best sellers by any author. Enter the realm of Tinseltown's titillation, as panic rooms, hidden cameras, and a cache of sex toys expose the kinky secrets of the rich and famous. Get an insider's look into Private L.A.'s most memorable scene, an over-the-top drive-in massacre supersized with cinematic ingredients (gender-bending assassin on rollerskates, anyone?). This review of Private L.A. offers resources, critic and reader reactions, and links to keep the adventure going, long after the ocean waves have washed the blood away.

    Now she’s set her eyes on a backwater burg—where, while posing as an innocent (albeit drop-dead gorgeous) newcomer to town, she means to sniff out old grudges and engineer new opportunities, deftly playing different people and different interests against each other the better, as always, to make a killing. But then something snaps: the master manipulator falls prey to a pure and wayward passion.Aimée has become the avenging angel of her own nihilism, exacting the destruction of a whole society of destroyers. An unholy original, Jean-Patrick Manchette transformed the modern detective novel into a weapon of gleeful satire and anarchic fun. In Fatale he mixes equal measures of farce, mayhem, and madness to prepare a rare literary cocktail that packs a devastating punch.

    don't give away the beginning.How does it feel to be desired by every man and envied by every woman? Wonderful. This is the life Nora Sinclair has dreamed about, the life she's worked hard for, the life she will never give up. She doesn't just attract men, she enthralls them. So why is FBI agent John O'Hara interested in Nora Sinclair? Mysterious things happen to people around her, especially the men. And there is something dangerous about Nora, something that lures O'Hara at the same time that it fills him with fear.Is something dark hidden in the gaps of her past? As O'Hara spends more and more time getting to know her, is he pursuing justice? Or his own fatal obsession?

    In his tales of terror, ordinary people find themselves in the most extraordinary circumstances—and, as readers, we share their spine-tingling tension every step of the way. Here, collected for the first time, are four of his most nail-biting novellas.Eyes That Watch YouGreedy Vera Miller plots her husband’s murder right under the nose of her mute, paralyzed mother-in-law. After all, the old lady won’t be able to tell anyone about the crime. Or will she?The Night I DiedNice guy Ben Cook, goaded by his scheming common-law wife, fakes his own suicide and moves to another town—all to trick his life insurance company into making a large payout. No one en route or at the new address will recognize him, will they?You’ll Never See Me AgainEd Bliss’s new bride, miffed by her husband’s insults about her biscuits, promises that Ed will never have to see her again—and storms out! When she doesn’t return within a few days, Ed begins to suspect foul play—but when he reports the crime to the police, he’s the first one they suspect!Murder Always Gathers MomentumFor his wife’s sake, Dick Paine approaches a former employer for back wages he is owed—but things go terribly wrong and the old boss ends up dead. Now the guilt-ridden Paine, who’d never before committed a crime, is convinced that people will figure out what happened. As his paranoia gathers momentum, anyone he meets is at risk of becoming his next victim.