. . a contemporary genius with the language itself . . . There is simply no contemporary poet like him.” —David Baker, The Kenyon Review Albert Goldbarth has created an unmistakable signature style—learned, copious, hilarious, and heartbreaking—which has so far spanned an award-winning career of thirty-five years. The Kitchen Sink brings together forty new poems with a rich selection of earlier poetry, ranging from the brief, flickering lyric to the long, narrative sequence. In both forms, Goldbarth exerts a wild showmanship and an ever-widening scope to illustrate the complex character and interconnectedness of humanity, history, and art. The Kitchen Sink is the definitive book by one of America’s most original and entertaining poets.

      The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the family station wagon, and drinking borrowed liquor from old mayonnaise jars. But no matter how wild, they always managed to escape any real danger—until the adoring Berie sees that Sils really does need her help—and then everything changes.

    A gothic epic. Decadence and horror in late 19th Century urban life from the 'poet of doom'.

    If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.

    He wants you to feel something too."—The Huffington PostI walked up to the side of the mountain like I used to do when I was a little boy. I looked out over Rainelle and watched it shine. The coal trucks and the logging trucks were still gunning it through town. They were still clear cutting the mountains and cutting the coal from the ground. Then I heard my mother calling and it was like I was a child again.Beginning to read Hill William is like tuning into a blues station at 4:00 a.m. while driving down the highway. Scott McClanahan's work soars with a brisk and lively plainsong, offering a boisterous peek into a place often passed over in fiction: West Virginia, where coal and heartbreak reign supreme. Hill William testifies to the way place creates and sometimes stifles one's ability to hope. It reads like a Homeric hymn to adventure, to the human comedy's upsets and small downfalls, and revels in its whispers of victory. So grab coffee, beer—whatever gets you through the night—and join Scott around the hearth. Lend him your ear, but be warned: you might not want it back.Scott McClanahan's work has appeared in New York Tyrant, Bomb, Vice, and Harper Perennial's Fifty-Two Stories. His books include Stories II and Stories V! In 2013 Two Dollar Radio will release his book Crapalachia.

    His reader is gifted with visions of a darker world, an autumnal place of surreal beauty and a dying splendor. It is not a world friendly to people—it is full of death, desolation, and decay, strange creatures and arcane gods. But it is beautiful nonetheless. Hauntingly beautiful."—Chris Faatz, Powells.com"I do not understand them; but their tone pleases me. It is the tone of true genius."—Ludwig WittgensteinSong of the Departed brings back into print poems written at the height of Georg Trakl's career. Trakl boldly confronted the conflicts created by the pursuit of truth amidst the fallenness of the human condition, writing of the unspeakable that lies beyond language, creating poetry that is intensely personal and eerily beautiful. Included in this revised edition are several new translations and an introduction by the translator.All roads disgorge to black decay.Beneath the golden boughs of night and starsThe sister's shadow flutters through the silent groveTo greet the spirits of the heroes, bleeding heads.And softly in the reeds drone the dark flutes of autumn.O prouder grief! you brazen altars;Tonight a mighty anguish feeds the hot flame of spirit:Unborn grandchildren.Georg Trakl was born in Austria in 1887. He served as a medical officer during World War I. As a lyric poet, he set a dark, introspective tone that deeply influenced the course of German expressionism. He died in 1914 after an overdose of cocaine.

    In the wake of his father's premature death, Jose Cemi comes of age in a turn of the century Cuba described in the Washington Post as "an island paradise where magic and philosophy twist the lives of the old Cuban bourgeoisie into extravagant wonderful shapes."

    It parades statesmen, poets, philosopers and scientists, Raleigh and Bacon, Shakespeare and Milton, and Boyle and Halley. They, together with less well known figures, are brought to life in the recorded memories of a vast circle of Aubrey's acquaintance and from the personal knowledge of an author who revelled in the variety of human nature and in the intimate, specific and sometimes scandalous aspects of his subjects' lives.

    

    Its subject is the cultural poverty and frustration of a generation of young people on the dole and living on council estates. The play was first staged privately in November 1965 at the Royal Court Theatre, London, before members of the English Stage Society in a time when plays were still censored. With its scenes of violence, including the stoning of a baby, Saved became a notorious play and a cause celebre. In a letter to the Observer, Sir Laurence Olivier wrote: 'Saved is not a play for children but it is for grown-ups, and the grown-ups of this country should have the courage to look at it.' Saved has had a marked influence on a whole new generation writing in the 1990s.Edward Bond is "a great playwright - many, particularly in continental Europe, would say the greatest living English playwright" (Independent)

    Deeply moving and provacative, Fiskadoro brilliantly presents the sweeping and heartbreaking tale of the survivors of a devastating nuclear war and their attempts to salvage remnants of the old world and rebuild their culture.

    If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are "sex and the dead," Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its subject the urge to memorialize the scenes of fatal automobile accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title sequence but also many of the round songs that characterize Maggot, and has led Angela Leighton, writing in The Times Literary Supplement, to see these new poems as giving readers "a thrilling, wild, fairground ride, with few let-ups for the squeamish."

    These poems explore a more emotional side of Charles Bukowski.

    Prabhat Prakashan has a glorious history of fifty years of publishing quality books on almost all streams of literature, viz. children books, fiction, science, quiz, humanities, personality development, health, dictionaries, encyclopedias, etc. For the last fifteen years, Prabhat Prakashan has been continuously winning accolades for excellence in book publication.

    Based loosely on the author's own life, the book follows a young bohemian woman, Margaret Sargent, through her experiences and lost loves in a time of coming war.