Enter the mind of one of the seven dwarfs wrestling with his fevered sexual desire for Snow White. In another story, a cash-strapped elderly man in the future is quietly pressured to “retire” by having his brain put in a vat and live out the rest of his day in a virtual reality paradise. “Sex Fantasies at Work” follows an office drone who suspects he’s always at work and his entire home life is merely implanted memories. Read what Charles Yu calls “one of the funniest books I’ve read in years,” what Jack Pendarvis likened to Donald Barthelme by way of E.C. comics, and Joe Randazzo, the editor of The Onion, calls simply “f***ing awesome.”

    A deadly pandemic throttles the globe. Democracy has crumbled. Armed gangs of militant protestors stalk the streets. Amidst this waking nightmare, a new horror develops. The virus is mutating.Dan Lewis's wife is sick. When he receives a call from the hospital, he's prepared for the worst. Or so he thought. Because that call plunges Dan into an unending spiral of insanity and depravity. Now, he must fight his way through the battle-scarred streets of New York City to find his wife, unprepared for what awaits him out there...in the shadows.Grim and terrifying, but laced with gallows humor and surprising heart, THE BLOOD BEAST MUTATIONS is an all-too-relatable story of courage and gruesome horror.

     These stories, written from 1976 to 1981, and appearing in various men's magazines and other outlets, offer Ketchum readers a look into this author's formulative years. This is where Jack Ketchum honed his writing craft that has become so well known with his novels The Girl Next Door, The Crossing, Off Season and The Lost. Collected here is his character simply known as the "Stroup" stories written under the pseudonym Jerzy Livingston, which are rare and difficult to locate almost thirty years after the original publications gave them life. "I've called these the Jerzy Livingston years because over half of them were written under that name and the rest under my real one. Somehow Jerzy seems more appropriate for this collection. My adoption of that particular pseudonym was both a joke - a play on words -and a nod to a very good writer, which I hoped some day to be." - Jack Ketchum, from the author's introduction. Ketchum takes us from the hardcore times of the '70's and early 80's when free sex, free love, and everything related in between was a dream living on borrowed time. But after reading Ketchum's stories, what a dream it was. A total of eighteen stories appear here, some published for the first time or virtually impossible to find at all can now be found in Broken On The Wheel of Sex: The Jerzy Livingston Years in this newly revised edition. OVERLOOK CONNECTION PRESS FEATURES Introduction by Jack Ketchum: "The Goblin On The Dance Floor"Nineteen Stories collected herein this New Revised Edition, featuring previously unpublished fiction Original Cover and end-paper art by Cortney Skinner 1,000 copy Signed Limited Edition Hardcover

    Where I come from, the children sing a song:Oh, the motherfucking sharks; Oh, they're gonna come to town.Oh, they're gonna kill the babies; Oh, they're gonna make you drowned in your blood.Oh, the motherfucking sharks; Oh, they're gonna mince the flesh.They're gonna swim up and surround you; Don't you know you'll never pass the test, it's over.Oh, the motherfucking sharks; Oh, they don't care about the gods.And they don't care about the familiesAnd they don't care about the cries or tears they're killers.Motherfucking sharks.Motherfucking sharks.Motherfucking sharks.Motherfucking sharks.

    This is my legacy. This is my curse…”BLOOD ON THE PAGE is the first book in a series collecting all of Keene’s short fiction. Included in this volume are such critically-acclaimed and fan favorite stories as “Burying Betsy”, “Dust”, “The Resurrection and The Life”, “I Am An Exit”, “Fast Zombies Suck”, “Bunnies In August”, “I Sing A New Psalm”, and many more.These are stories of love and hate. Trust and betrayal. Happiness and heartbreak. Truth and lies. Innocence and paranoia. Flying and falling. Unhappy endings and conspiracies of one. These are stories about zombies, ghosts, serial killers, and the most horrific monsters of all—ourselves. BLOOD ON THE PAGE – the only thing we have to fear is… everything.

    Ed Means is a man who loves his country. He loves beer and Johnny Cash and his sparkling beloved Ford Trinidad SUV. He is a good American, a good consumer and a good husband in a troubled--and of course--childless marriage. A former boxing champion, known to most as simply Champ, he now works in a hospital, doing a job most people despise him for. He is, like many others of his ilk, employed by the United States government; fully licensed and registered and carrying the badge to prove it. He doesn't relish his job but knows that it needs to be done and knows that he is the best one to do it. He is a Mother Puncher. A fair, firm and uncompromising Mother Puncher. Breeders beware.

    A man discovers he has testicular cancer on the day that a Godzilla-like monster attacks the city he lives in; a kitchen-hand is put under terrible peer pressure in a restaurant for zombies; a husband and wife discover they are pregnant with 37 babies; and a man travels into the engine room of his own body to discover Busta Rhymes at the controls. The 14 stories are grotesque, hilarious, unnerving, and moving. No matter how outrageous the subject matter of the stories, they have at their heart genuine human experiences that are common to us all. Bonus BackLit materials will include two new stories and an interview with the author.

    The whole time I was reading it I was PISSED that I hadn't thought of it."--EDWARD LEE, author of HAUNTER OF THE THRESHOLD and HEADERBigfoot is real and he's addicted to meth!It should have been so easy. Get in, kill everyone, and take all the money and drugs. That was Russell and Mickey's plan. But the drug den they were raiding in the middle of the woods holds a dark secret chained up in the basement. A beast filled with rage and methamphetamine and tonight it will break loose.Nothing can stop a sasquatch on a drug-fueled rampage. And before the sun rises, there is going to be a lot of dead cops and junkies.

    Contains "The Jackthief," "The Screaming Orchard," "Glowers Point," "Cruel Women with Whiplike Smiles," "The Smoke of Samuel," "Sad Clown, Kentucky," and "Sunruined."

    Some of the stories share settings and characters with Slaughtermatic. All the stories are bursts of ferocious energy, fast and furious as punk-rock songs and about as subtle. The plotting is not complex (sometimes it's little more than the setup for an O. Henry twist), but the ideas are clever, the anger is justified, the prose is imaginative, and the dialogue is sharp (though the hard-boiled metaphors are occasionally overcooked to incomprehensibility). Toxicology is a potent, poisonous, post-cyberpunk cocktail of ultraviolence and outrage with a splash of Burroughs, a dash of Ballard, and a twist of Dick. Three quick tastes: In "Gigantic," the media turns an astrophysicist forewarned of alien invasion into just another crackpot tabloid-TV guest. In "Tail," a hyper-Chandlerian PI follows a suspicious fiancé through a surreal cityscape. And in "The Passenger," a musician attempts to make his unknown band famous via a performance-art plane crash. --Cynthia Ward

    Fiction by Hugo and Nebula award winners and nominees as well as talented newcomers. Stories were selected by the Unidentified Funny Objects series curator Alex Shvartsman.

     So begins this epic cautionary tale of ambition and hubris. A bizarre mix of Lovecraft and hip-hop history, Kanye West—Reanimator reimagines the classic story "Herbert West—Reanimator" with everyone's favorite petulant genius cast in the titular role. In it, Kanye West attempts to reanimate a moribund hip-hop scene, only to come to the conclusion that his music is so powerful, it should be used to reanimate the dead. And who better to reanimate than those two legendary titans gone before their time—Biggie and Tupac? Hilarity and carnage ensue.

    Half of the stories portray the strengths--for good and evil--of unicorns and half show the good (and really, really bad-ass) side of zombies. Contributors include many bestselling teen authors, including Cassandra Clare, Libba Bray, Maureen Johnson, Meg Cabot, Scott Westerfeld, and Margo Lanagan. This anthology will have everyone asking: Team Zombie or Team Unicorn?

    A war breaks out over greeting cards. A suicidal amputee tries to kill himself. William S. Burroughs becomes an amateur archaeologist and Tao Lin drinks an ape-flavored smoothie.Between a breakfast of clocks, a lunch date with Adolf Hitler, and breakdancing in outer space, anything is possible in the work of Bradley Sands. Just never wear a bear costume to an orgy.Praise for Sorry I Ruined Your Orgy:"Nothing I could dream up compares to the strangeness and wildness of Sorry I Ruined Your Orgy. You should read this book." - SHANE JONES, author of Light Boxes"Words cannot express what Bradley Sands can do with words. Every page in this book is shocking, hilarious, sad and surprising. Reading it is like crowd-surfing a bookstore full of basketball players on MDMA." - MYKLE HANSEN, author of HELP! A Bear is Eating Me!"Sorry I Ruined Your Orgy is like an Adult Swim show written by Russell Edson." - CARLTON MELLICK III, author of The Faggiest Vampire"A new strange amusement." - DENVER EXAMINER

    We attach no manacles to the word truth to bind it to our visions. Instead we free it to find its own way through the minds of the two dozen writers who have shared their vision of the future in either sensitively written allegorical tales such as Relics by Louise Marley, a woman who grew up bucking hay in Montana and moved on to a talented musical performer and successful novelist; or the raw humor of Adam Troy-Castro in his Q & A, which takes on the verbal veracity of Donald J. Trump. Jim Wright (of Stonekettle Station) imagines Trump giving the Gettysburg Address. Blaze Ward, Daniel Kimmel, Janka Hobbs and I explore dystopias. Marleen Barr and Adam Troy-Castro envision humorous, kinky, and scatological endings. What can I say? It rocks.