But his fiancée is strangely altered and her family's fortunes have suffered a spectacular decline. The hotel's hundreds of rooms are disintegrating on a grand scale; its few remaining guests thrive on rumors and games of whist; herds of cats have taken over the Imperial Bar and the upper stories; bamboo shoots threaten the foundations; and piglets frolic in the squash court. Meanwhile, the Major is captivated by the beautiful and bitter Sarah Devlin. As housekeeping disasters force him from room to room, outside the order of the British Empire also totters: there is unrest in the East, and in Ireland itself the mounting violence of "the troubles." Troubles is a hilarious and heartbreaking work by a modern master of the historical novel.

    Eliot, published individually from 1936 to 1942, and in book form in 1943; it was considered by Eliot himself to be his finest work. Each of the quartets has five "movements" and each is titled by a place name -- BURNT NORTON (1936), EAST COKER (1940), THE DRY SALVAGES (1941), and LITTLE GIDDING (1942). Eliot's insights into the cyclical nature of life are revealed through themes and images woven throughout the four poems. Spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. The work addresses the connections of the personal and historical present and past, spiritual renewal, and the very nature of experience; it is considered the poet's clearest exposition of his Christian beliefs. (The Merriam-Webster Encyclopedia of Literature)

    Mor, hoping to enter politics, becomes aware of new desires and a different dream of life. A complex battle develops, involving love, guilt, magic, art and political ambition. Mor's teenage children and their mother fight discreetly and ruthlessly against the invader. The Head, himself enchanted, advises Mor to seize the girl and run. The final decision rests with Rain. Can a 'great love' be purchased at too high a price?

    George, the protagonist, is adjusting to life on his own after the sudden death of his partner, determined to persist in the routines of his daily life. An Englishman and a professor living in suburban Southern California, he is an outsider in every way, and his internal reflections and interactions with others reveal a man who loves being alive despite everyday injustices and loneliness. Wry, suddenly manic, constantly funny, surprisingly sad, this novel catches the true textures of life itself."--BOOK JACKET.

    way she writes about women ...their adventures to know who they are through sex, despair, wit and single-minded courage." In What Are You Like?, Maria Delahunty, raised by her grieving father after her mother died during childbirth, finds herself in her twenties awash in nameless longing and in love with the wrong man. Going through his things, she finds a photograph that will end up unraveling a secret more devastating than her father's long mourning, but more pregnant with possibility. Moving between Dublin, New York, and London, What Are You Like? is a breathtaking novel of twins and irretrievable losses, of a woman haunted by her missing self, and of our helplessness against our fierce connection to our origins. What Are You Like? has been selected as a finalist for the Whitbread Award. It is a novel, Newsday wrote, that "announces [Enright's] excellence as though it were stamped on the cover in boldface." "Richly descriptive ... Slightly surreal, revelatory images are hallmarks of Enright's writing, which beguiles throughout." -- Melanie Rehak, US Weekly "Cool, wicked, and quintessentially Irish ... Anne Enright tells a sharp, stylish tale in an accent all her own." -- Annabel Lyon, The National Post (Toronto)

    The size of the Deol family – it put any Sooraj Barjatya movie to shame.2. The fertility of the Deol family – they reproduced faster than any other species known to mankind.It’s been four years since their wedding, and Mona and Ramit have done the unthinkable – they’ve remained childless. Of course, that also means that they’ve battled that one question day in and day out: ‘Koi Good News?’It doesn’t matter that they have been happy to be child-free – they are married; they are expected to make babies. After all, there are grandparents, great-grandparents, uncles, aunts and even colony aunties in waiting.Now, the truth is, Ramit and Mona had been trying to conceive for the past one year. But having a baby isn’t as easy as it’s made out to be.Finally, aided by the wine at their highly glamorous neighbours’ party, Mona gets pregnant. And so begins a crazy journey – complete with interfering relatives, nosy neighbours, disapproving doctors, and absolutely no privacy!Honest, relevant and thoroughly irreverent, Koi Good News? is the funniest book you’ll read this year.

    Here we encounter a blind piano tuner whose wonderful memories of his first wife are cruelly distorted by his second; a woman in a difficult marriage who must choose between her indignant husband and her closest friend; two children, survivors of divorce, who mimic their parents' melodramas; and a heartbroken woman traveling alone in Italy who experiences an epiphany while studying a forgotten artist's Annunciation. Trevor is, in his own words, 'a storyteller. My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so.' Conscious or not, he touches us in ways that few writers even dare to try.

    Used most commonly as condemnation or censure, it aims to break the spirit of women yearning for personal power. The female protagonists in these eleven stories recklessly pursue their sensual paths through a complex social world that seeks to shut them out. With wily irreverence and a willful rawness, Kamani pulls back the veil of convention, inch by inch, and draws the reader into the disquieting truth of women's lives, charting territory both intimate and bizarre."In these 11 short stories, characters span the gamut of women, the irony being that in India's sexually repressive traditional society, this pejorative term [junglee girl] could be applied to any self-aware woman. But Kamani, a gifted, savvy writer, combines such precarious, complex elements as class, caste, gender and eroticism into readable, imaginative and often hilarious tales."—Publishers Weekly

    W. Dunne's and Albert Einstein's views on time and relativity, and the lives and works of Saint Augustine and James Joyce, both of whom have speaking parts in the novel. Bewildering? Yes, but as O'Brien insists, "a measure of bewilderment is part of the job of literature."

    Critiquing the sensibility which equates Indian tradition with Hinduism, and Hinduism with Brahmanism which considers the Vedas as the foundational texts of Indian culture and discovers within the Aryan heritage the essence of Indian civilisation it shows how even secular minds remain imprisoned within the Brahmanical vision. It looks at the alternative traditions nurtured within Dalit movements, which have questioned this way of looking at Indian society and history. Written in a lucid and readable style, the author elucidates how Dalit politics and the Dalit vision require going beyond even the term Dalit and how it has contributed to being symbolic of the most oppressed and exploited sections within the graded hierarchies of caste. Alongside the ascendance of Hinduism, the book traces the invasive trends of resistance and revolt in the tenets of Buddhism and radical bhakti, in the anti-patriarchal stands of early feminists, in the pervasive radicalism of the Dalit activists from Phule and Periyar, Ramabai and Tarabai, to Kabir, Tukaram and Ambedkar, even for that matter Buddha himself. This book brings to the reader the failures and triumphs of the many efforts that have aimed to dissolve the oppressive facets of Hinduism and its caste ideology, and continue to organise in newer ways for 'another' possible world where equality and human freedom reign supreme. It also makes visible the logic of Dalit politics and the rise of the Bahujan Samaj Party, as a major alternative to the rise of Hindutva. This important and essential reading will be an invaluable primer on the subject to students of Dalit and caste studies and politics.

    No doubt that it is about the sea, storm and adventurous men; but most of all it is the story that probe deep in to the human minds molded by Indian, British, Philippine and Indonesian cultures. It is the drama of these four cultures conflicting, clashing, but living together to fight their destiny, which makes ‘M. T. Aiwa Maru’ the only novel of its kind in the world literature. Many known directors from Indian film industry have an ambition to create a movie based on this novel.

    Jenny was the child of a secret marriage; father and daughter share a strong and abiding affection.When Jenny immigrates to America, she and her father suffer years of separation. The themes of this book are loyalty and courage.Like all of Seton's books, this one combines thoroughly documented history with superb storytelling.

    This witty and perceptive novel is about Prem, a young teacher in New Delhi who has just become a householder and is finding his responsibilities perplexing.

    The time is 1975. The place is an unnamed city by the sea. The government has just declared a State of Emergency, in whose upheavals four strangers--a spirited widow, a young student uprooted from his idyllic hill station, and two tailors who have fled the caste violence of their native village--will be thrust together, forced to share one cramped apartment and an uncertain future. As the characters move from distrust to friendship and from friendship to love, A Fine Balance creates an enduring panorama of the human spirit in an inhuman state.

    In UNCLE SILAS (1864) Le Fanu brought up to date Mrs Radcliffe's earlier tales of virtue imprisoned and menaced by unscrupulous schemers. The narrator, Maud Ruthyn, is a 17 year old orphan left in the care of her fearful uncle, Silas. Together with his boorish son and a sinister French governess, Silas plots to kill Maud and claim her fortune. The novel established Le Fanu as a master of horror fiction.