However, hundreds of critics are divided on how "feminist" the show really is. Certainly, the female characters, strong and weak, embody a spectrum of archetypes--widow queens, warrior women, damsels in distress, career women, priestesses, crones, mothers, and maidens. However, the problematic area is that most play a single role without nuance--even the "strong women" have little to do besides strut about as one-note characters. This book analyzes the women and their portrayals one by one, along with their historical inspirations. Accompanying issues in television studies also appear, from the male gaze to depiction of race. How these characters are treated in the series and how they treat themselves becomes central, as many strip for the pleasure of men or are sacrificed as pawns. Some nude scenes or moments of male violence are fetishized and filmed to tantalize, while others show the women's trauma and attempt to identify with the scene's female perspective. The key is whether the characters break out of their traditional roles and become multifaceted.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    As Farrow drew closer to the truth, shadowy operatives, from high-priced lawyers to elite war-hardened spies, mounted a secret campaign of intimidation, threatening his career, following his every move and weaponizing an account of abuse in his own family.All the while, Farrow and his producer faced a degree of resistance that could not be explained - until now. And a trail of clues revealed corruption and cover-ups from Hollywood, to Washington, and beyond.This is the untold story of the exotic tactics of surveillance and intimidation deployed by wealthy and connected men to threaten journalists, evade accountability and silence victims of abuse - and it's the story of the women who risked everything to expose the truth and spark a global movement.Both a spy thriller and a meticulous work of investigative journalism, Catch and Kill breaks devastating new stories about the rampant abuse of power - and sheds far-reaching light on investigations that shook the culture.In a dramatic account of violence and espionage, Pulitzer Prize-winning investigative reporter Ronan Farrow exposes serial abusers and a cabal of powerful interests hell-bent on covering up the truth, at any cost.

    Why are storytellers so often women, and how does that affect the status of fairy tales? Are they a source of wisdom or a misleading temptation to indulge in romancing?

    Zicree's account of the series from inception to cancellation, through syndications and sunbsequent offshoots and remakes, is fascinating reading for even the mosts casual fan. Coverage of each episode includes a plot synopsis, Rod Serling's narrations, critical commentary, behind-the-scenes stories and anecdotes from the original artist who created the series, a complete list of cast and credits, and over 200 production photographs.This second edition also has an addendum covering the Twilight Zone movie and the CBS program from the 1980s.

    From classic Hollywood masterpieces like M (1931) to the recent “torture porn” craze with flicks like the Saw franchise, this collection gives a master’s overview of the genre.

    He draws on a wide range of sources, including the films in which each star appeared, to illustrate how each star's persona was constructed, and goes on to examine each within the context of particular issues in fan culture and stardom. Students of film and cultural studies will find this an invaluable part of there course reading.

    For Deleuze, philosophy cannot be a reflection of something else; philosophical concepts are, rather, the images of thought, to be understood on their own terms. Here he puts this view of philosophy to work in understanding the concepts—or images—of film.Cinema, to Deleuze, is not a language that requires probing and interpretation, a search for hidden meanings; it can be understood directly, as a composition of images and signs, pre-verbal in nature. Thus he offers a powerful alternative to the psychoanalytic and semiological approaches that have dominated film studies.Drawing upon Henri Bergson’s thesis on perception and C. S. Peirce’s classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.

    Packed with exclusive behind-the-scenes photographs, this official illustrated guide tells the detailed story of the making of the second film in the award-winning Hobbit trilogy, directed by Peter Jackson.Journey deeper into the magical world of the hobbit, Bilbo Baggins, through exclusive interviews with director Peter Jackson, Martin Freeman, Orlando Bloom and principal filmmakers and new cast members, including Stephen Fry as the Master of Lake-town, Evangeline Lilly, who plays Tauriel the Elf, and Benedict Cumberbatch, who reveals film-making secrets about playing the dragon, Smaug.Richly illustrated with a treasure trove of behind-the-scenes photos of the actors, creatures and costumes, and numerous special effects scenes, this essential guide is an indispensable companion to the second film in the award-winning trilogy.