This official companion book reveals what it takes to translate George R. R. Martin's bestselling series into a wildly popular television series. With unprecedented scope and depth, it showcases hundreds of unpublished set photos, visual effects art, and production and costume designs, plus insights from key actors and crew members that capture the best scripted and unscripted moments from Seasons 3 and 4. Required reading for the die-hard fan, and the perfect way to catch up on the series before the much-anticipated Season 5 debuts, this special volume offers an exclusive window into cable's highest-rated show.©2014 Home Box Office, Inc. All rights reserved. Game of Thrones and related trademarks are the property of Home Box Office, Inc.

    Inside you'll find:An introduction by and interviews with Kurt Sutter, series creator on how the show came to beRevealing interviews with the cast, including Charlie Hunnam (Jax), Katey Sagal (Gemma), Maggie Siff (Tara), Ryan Hurst (Opie), Theo Rossi (Juice), Kurt Sutter (Otto), and more"Creating the Chaos:" an all-access tour of the sets, the bikes, the tattoos, and much moreThe actors' most memorable scenes and moments, in their own wordsAn oral history of the pivotal Season 6 finale "A Mother's Work"A look back at Season 7, the series' end and the Teller family legacyComplete with a deluxe package, and hundreds of striking full-color photographs throughout, Sons of Anarchy: The Official Collector's Edition is the must-have book for any "Sons of Anarchy" fan.

    More than forty years and $37 billion later, Star Wars-related products outnumber human beings, a stormtrooper army spans the globe, and "Jediism" has become a religion in its own right. Lucas's creation has grown into far more than a cinematic classic; it is, quite simply, one of the most lucrative, influential, and interactive franchises of all time. Yet until now, the complete history of Star Wars - its influences and impact, the controversies it has spawned, its financial growth and long-term prospects - has never been told.In How Star Wars Conquered the Universe, veteran journalist Chris Taylor traces the series from the difficult birth of the original film through its sequels, the franchise's death and rebirth, the prequels, and the preparations for a new trilogy. Taylor provides portraits of the friends, writers, artists, producers, and marketers who labored behind the scenes to turn Lucas's idea into a legend. He also jousts with modern-day Jedi, tinkers with droid builders, and gets inside Boba Fett's helmet, all to find out how Star Wars has attracted and inspired so many fans for so long.Since the first film's release in 1977, Taylor shows, Star Wars has conquered our culture with a sense of lightness and exuberance, while remaining serious enough to influence politics around the world and spread a spirituality that appeals to religious groups and atheists alike. Controversial digital upgrades and critically savaged prequels have actually made the franchise stronger than ever. Now, with a new set of savvy bosses holding the reins and Episode VII on the horizon, it looks like Star Wars is just getting started.An energetic, fast-moving account of this creative and commercial phenomenon, How Star Wars Conquered the Universe explains how a filmmaker's fragile dream beat out a surprising number of rivals and gained a diehard, multigenerational fan base - and why it will be galvanizing our imaginations and minting money for generations to come.

    and includes a foreword by Patton Oswalt! Ken Plume sits down with series creators Jackson Publick and Doc Hammer to have a conversation about the creation of every single episode through season six and much more. From the earliest sketches of Hank and Dean scribbled in a notebook, pitching the series to Cartoon Network's Adult Swim, learning the ins and outs of animation, character designs for each season, storyboards, painted backgrounds, behind-the-scenes recollections of how the show came together, it's all here.Features behind-the-scenes info and art covering every episode of all six seasons.Written by Venture Bros. creators Jackson Publik and Doc Hammer, with an introduction by Patton Oswalt.An all-encompassing look at the characters, art, history and influences of the beloved series.Never before seen Venture Bros. artwork!

    A generation of men has been tragically lost at the front; children are once again breathing new life into the great house; a chauffeur now sits at the Grantham dinner table; and skirt hems continue to rise.Still, in the midst of all this upheaval, many things at Downton remain largely unchanged. Nanny still holds sway in the nursery, and there are still summer fetes to be organized, menus to be planned, and farms to be run.This gorgeous book explores the seasonal events and celebrations of the great estate—including house parties, debutantes, the London Season, yearly trips to Scotland, the sporting season, and, of course, the cherished rituals of Christmas. Jessica Fellowes and the creative team behind Downton Abbey invite us to peer through the prism of the house as we learn more about the lives of our favorite characters, the actors who play them, and those who bring this exquisite world to real life.A Year in the Life of Downton Abbey is packed full of exclusive new photographs, with a delicious array of traditional British recipes adapted for modern kitchens: kedgeree, orange marmalade, asparagus tarts, cream of watercress soup, Irish stew, lemon barley water, meringues with red berries, parmesan straws, Christmas pudding with brandy butter and more. From the moment when the servants light the fires against the chill of January, through the last family game of charades and the servants' Christmas ball, this magnificent book invites us to take part in twelve months in the life of Downton Abbey.

    With a foreword by the RZA, compelling photographic essays are paired with in-depth interviews to illustrate what motivates record collectors to keep digging for more records.Readers get an up close and personal look at a variety of well-known vinyl champions as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. The book is divided into two main parts: the first features 250 full-page photos framed by captions and select quotes, while the second consists of 12 full-length interviews that delve deeper into collectors’ personal histories and vinyl troves.

    As the mystery of “Who Killed Laura Palmer?” played out on television sets across the world, another compelling drama was unfolding in the everyday lives of the show’s cast and crew. Twenty-five years later, Reflections goes behind the curtain of Twin Peaks and documents the series’ unlikely beginnings, widespread success, and peculiar collapse. Featuring first-hand accounts from series cocreator Mark Frost and cast members including Kyle MacLachlan, Joan Chen, Sherilyn Fenn, Piper Laurie, Michael Ontkean, Ray Wise, Billy Zane, and many more – Reflections explores the magic and mystique of a true television phenomenon, Twin Peaks.

    Americans embraced these visions and incorporated fantasy into reality: mid-century fashion, popular music, eating and drinking, and even architecture were influenced by the Tiki trend. With unfettered enthusiasm—ignoring scholarly authenticity and political correctness—American artisans molded the Tiki into their own image, creating a mid-century pop culture genre that was forgotten until the 2000s, when urban archeologist Sven Kirsten wrested the figure of the Tiki from obscurity with his pioneering TASCHEN books The Book of Tiki and Tiki Modern. This book traces the development of Tiki as romantic vision and kitschy cultural appropriation, from its earliest beginnings when James Cook “discovered” the Pacific Islands in the second half of the 18th century to Herman Melville’s South Sea adventure stories like Moby Dick and Gauguin’s exuberant, exotic paintings to the jungle fantasies of the Hollywood dream factory. Published in connection with an exhibition at the prestigious Musée du quai Branly in Paris, Tiki Pop the culmination of Sven Kirsten’s research efforts. With his widely lauded visual style, the author places venerable ancient godheads next to their Polynesian pop counterparts. With hundreds of previously unpublished images, the story of Tiki the 20th-century pop icon unfolds from its earliest beginnings to its spectacular downfall in the dawning awareness of the Western world’s colonial misdeeds.

    When child actor Ken Osmond stepped onto the set of Leave it to Beaver in 1957, he not only entered our living rooms, he homesteaded a permanent place in the American pop culture. The poster child for sneaky, rotten kids everywhere, he was the reference point for cautious mothers to warn their children about. And everyone in America knew an Eddie Haskell at some point in his or her lives. The amazing phenomenon of Ken Osmond’s character is still going strong, over half a century after the show’s cancellation. Even today, the name Eddie Haskell remains firmly entrenched in the American lexicon. Political foes from both sides of the ideological spectrum love to accuse their opponents of, “acting like Eddie Haskell,” and when Kobi Bryant argues a referee’s call, tweets go out labeling him as an “Eddie Haskell.” Psychology Today Magazine has published articles about recognizing and treating “Eddie Haskell Syndrome” and Matt Groening created Bart Simpson as his own version of “the son of Eddie Haskell.” Now it’s time to meet Ken Osmond, the man behind America’s preeminent bad boy. A man who, as co-star Jerry Mathers said, “Was the best actor on the program, because he was so diametrically opposed to the character he played.” A devoted husband, father and patriot, he’s a man who’s been forever shadowed by Eddie Haskell, but whose own life, was even more amazing than the character he portrayed.

    While a student at the School of Visual Arts, Chris Stein photographed the downtown New York scene of the early ’70s, where he met Deborah Harry and cofounded Blondie. Their blend of punk, dance, and hip-hop spawned a totally new sound, and Stein’s photographs helped establish Harry as an international fashion and music icon. In photos and stories direct from Stein, brilliant writer of hits like "Rapture" and "Heart of Glass," this book provides a fascinating snapshot of the period before and during Blondie’s huge rise, by someone who was part of and who helped to shape the early punk music scene—at CBGB, Andy Warhol’s Factory, and early Bowery. Stars such as David Bowie, the Ramones, Joan Jett, and Iggy Pop were part of Stein’s world, as were fascinating downtown characters like Jean-Michel Basquiat, Richard Hell, Stephen Sprouse, Anya Phillips, Divine, and many others. As captured by one of its greatest artists and instigators, and designed by Shepard Fairey, this book is a must-have celebration of the new-wave and punk scene, whose influence on music and fashion is just as relevant today as it was four decades ago.

    This vastly inhospitable location, called the playa, is the site of Burning Man, where, within a 9-mile fence, artists called Burners create a temporary city devoted to art and participation. Braving extreme elements, over two hundred wildly ambitious works of art are created and intended to delight, provoke, involve, or amaze. In 2013, over 68,000 people attended – the highest number ever allowed on the playa. As Burning Man has created new context, new categories of art have emerged since its inception, including Art to Ride, Collaborative Art, Art for Social Change, and of course, Art to Burn.The Art of Burning Man is an authorized collection of the best of Burning Man art from 1986 through today. Experience the amazing sculptures, art, stories, and interviews from the world’s greatest gathering of artists. Get lost in a rich gallery of images showcasing the best examples of playa art with over 200 photos. Interviews with the artists reveal not only their motivation to create art specifically for Burning Man, but they also illuminate the dramatic efforts it took to create their pieces. Featuring the incredible photography of long-time Burning Man photographers, Sidney Erthal and Scott London, an introduction from Burning Man founder Larry Harvey, and a preface from artist Leo Villareal, this stunning gift book allows Burners and enthusiasts alike to have a piece of Burning Man with them all year around.

    Jane Austen Cover to Cover compiles two centuries of design showcasing one of the world’s most beloved and celebrated novelists. With over 200 images, plus historical commentary, Austen trivia, and a little bit of wit, this fascinating and visually intriguing look back is a must for Janeites, design enthusiasts, and book lovers of every age.

    Raised in his family’s brothels, he grew up an outsider to privilege. He took to the stage, originally, to escape the hard-bitten realities of his childhood, but later came to a reverberating discovery: that by plunging into the depths of his experience, he could make stand-up comedy as exhilarating and harrowing as the life he’d known. He brought that trembling vitality to Hollywood, where his movie career—Blazing Saddles, the buddy comedies with Gene Wilder, Blue Collar—flowed directly out of his spirit of creative improvisation. The major studios considered him dangerous. Audiences felt plugged directly into the socket of life.Becoming Richard Pryor brings the man and his comic genius into focus as never before. Drawing upon a mountain of original research—interviews with family and friends, court transcripts, unpublished journals, screenplay drafts—Scott Saul traces Pryor’s rough journey to the heights of fame: from his heartbreaking childhood, his trials in the Army, and his apprentice days in Greenwich Village to his soul-searching interlude in Berkeley and his ascent in the “New Hollywood” of the 1970s.Becoming Richard Pryor illuminates an entertainer who, by bringing together the spirits of the black freedom movement and the counterculture, forever altered the DNA of American comedy. It reveals that, while Pryor made himself a legend with his own account of his life onstage, the full truth of that life is more bracing still.

    I am the danger.”With those words, Breaking Bad’s Walter White solidified himself as TV’s greatest antihero and captured the attention of fans everywhere. Wanna Cook? takes an extensive look at the most critically lauded series on television with analyses of individual episodes as well as ongoing storylines. Exploring the entire series, from Walt's beginnings as a small-time meth peddler to the infamous Heisenberg, readers will get a sense of just how brilliant and calculated Breaking Bad actually is.Meticulously considering everything from details like stark settings, intricate camerawork, and jarring music to the larger themes, including the roles of violence, morality, and self-change, this companion offers indispensable insight into this complex show. Elucidating without spoiling or nitpicking, there's no need for any fan to tread lightly through this thought-provoking and must-have companion book.

    Featuring hundreds of photos of his impressive art and behind-the-scenes details about how these creations came to be, The Art of the Brick is an inside look at how Sawaya transformed a toy into an art form.Follow one man's unique obsession and see the amazing places it has taken him.

    As bands of misfits from across the region gravitated to the forgotten frontier of Manhattan's Lower East Side. With a a backdrop of despair, bands like Agnostic Front, Cro-Mags, Murphy's Law, and Youth of Today confronted their reality with relentlessly energetic gigs at CBGB, A7, and the numerous squats in the area.Tony Rettman's ambitious oral history captures ten years of struggling, including the scene's regional rivalries with D.C. and Boston, the birth of moshing, the clash and coming to terms of hardcore and heavy metal, the straightedge movement, and the unlikely influence of Krishna consciousness. With a foreword by Freddy Cricien of Madball, who made his stage debut with Agnostic Front at age seven, NYHC slams the sidewalk with savage tales of larger-than-life characters and unlikely feats of willpower. The gripping and sometimes hilarious narrative is woven together like the fabric of New York itself from over 100 original interviews with members of Absolution, Adrenalin O.D., Agnostic Front, Antidote, Bad Brains, Bloodclot, Bold, Born Against, Breakdown, Cause for Alarm, Citizen Arrest, Cro-Mags, Crumbsuckers, Death Before Dishonor, Even Worse, False Prophets, Don Fury, Gorilla Biscuits, H20, Heart Attack, Inhuman, Into Another, Irate, Judge, Kraut, Leeway, Life’s Blood, Major Conflict, Max’s Kansas City, Murphy’s Law, Nausea, Nihilistics, Nuclear Assault, Numskulls, Outburst, Pro-Pain, Quicksand, Rat Cage Records, Raw Deal, Reagan Youth, Rorschach, S.O.D., Sacrilege, Savage Circle, Sheer Terror, Shelter, Shok, Sick of it All, Side by Side, Skinhead Youth, Straight Ahead, the Abused, the Cryptcrashers, the Mad, the Misfits, the Misguided, the Mob, the Psychos, the Ritz, the Stimulators, the Undead, Token Entry, Underdog, Urban Waste, Virus, Warzone, Youth of Today, and many, many more.MOSH IT UP!

    And now, finally, the story is being brought to you by the people who lived it.During the ‘80s and into the mid-‘90s, City Gardens was a haven for the underground. Music, art, and a general sense of creative collectivism drove the imaginations of its patrons and performers alike, and the resulting memories have been captured and molded into a narrative that, while reminiscent of a larger history, is still uniquely Jersey.The doors of 1701 Calhoun St. closed some 20 years back, but in the minds of many, the “House That Randy Built” still casts its long shadow of influence. Whether you grew up there or you were just visiting, chances are City Gardens had some impact on you, and that impact probably informs and instructs the person you are today. Some of those stories are here; some of those stories still reek of pit-sweat and still glow with the exuberance of youth colored by nostalgia. In the pages of this book are war stories and friendship stories and the inspirational stories of lives realized and identities met. It is a story of life; the imperfect, often messy and sometimes brilliant moments of life. Its cast is as diverse as its moments, yet still uniform in one similar goal: the search for something different. Almost each and every person who participated in the world of City Gardens will echo, in some combination of description and passion, the desire to reject what was handed to them and, instead, find their own path. The universal sentiment is one of belonging; of a visceral impulse to connect to something larger and to find a safety in similarity. To find home.Know that when you read these stories that have been curated with great care; with almost a kind of religious reverence. They have been handled with loving, gloved hands; as one would handle a brittle old photo of a long-lost loved one. They have been chosen to represent the lives of so many people. Regardless of where you were from or how you came to City Gardens, your story is as valuable as any we’ve recorded. The sheer volume of lives intersecting with lives and history piled on top of history may have hindered the inclusion of all stories, but, hopefully, if you lived the life and you felt the joy and the strength of the music we all celebrate, you’ll recognize yourself in some of these words. You can order the book here:http://www.citygardensnj.com/?page_id=9

    Who! This Mad Libs is 48 pages with 21 original stories.

    Turn the pages to find facts and information about your favorite LEGO "Star Wars" minifigures and vehicles from the dark side in action-packed situations and discover everything there is to know about the legendary Darth Vader.With new and exciting photography and an evil exclusive minifigure, "LEGO Star Wars: The Dark Side" will have you questioning on which side your allegiances lie.

    The subjects include a mix of the avant-garde, the traditional, the must-haves, and the totally unexpected. Chapters on individual artists bring readers inside their studios, workshops, and homes, and include Selby’s signature photographs and watercolors of not only the artists and their environments, but also the things that inspire them, the materials they use, their creative process, the people who work alongside them, and the final pieces. From the showroom of one of the Antwerp Six to the studios of Central St. Martins in London to a punk knitter in Brooklyn, Selby captures some of fashion’s biggest names, rising stars, and best-kept secrets.

    In this high-energy memoir, Jeremy Spencer, the band’s cofounder and drummer, takes us onstage and behind the scenes, on tour and into the studio to tell the band’s story and his own. Death Punch’d is a detailed in-depth account of the group’s origins and influences, as well as the infighting and tensions that, when channeled properly, result in the music fans love. It is also the hard-charging, laugh-out-loud tale of how a mischievous boy rose from small-town Indiana to rock royalty—and how he nearly destroyed it all for a good time.Told in his unique, self-deprecating voice, filled with his twisted and humorous take on living the sex, drugs and rock ‘n’ roll dream turned nightmare, and including dozens of photos, Death Punch’d is a lively, no-holds-barred ride and an inspiring cautionary tale that offers lessons for us all.

    And then enthralled. He set about trying to catch their lightning in his Nikon F2AS.That quixotic impulse became a lifelong quest. A little history got made on the way.Collected here for the first time are the fruits of his labour. A Little History is an extraordinary document, tracking Nick Cave's creative career from the apoplectic extravagance of The Birthday Party to the calmer disquiet of 2013's Push The Sky Away via snapshots, spotlit visions and sumptuous, theatrical portraits. It mixes the candid and uncanny, the spontaneous and the patiently staged, and includes eyeball encounters with Cave's baddest lieutenants, men for the most part who long since burned their own bridges down. Butcher's Nikonic eye defines moment after arresting moment in Cave's glorious, sprawling story: it's a splendid testament to two brilliant careers.

    Each page of this fun and friendly guide features a different Muppet profile packed with tons of interesting facts about these beloved characters. With full bios of the characters from the new 2014 movie, The Muppets Character Encyclopedia is essential for any Muppet fan.

    He was a vagrant hippie who wandered to Toronto, where he ended up playing with Neil Young and Joni Mitchell, and he became a household name in the 1980s with his hit song “Super Freak.” Later in life, he was a bad boy who got caught up in drug smuggling and ended up in prison. But since his passing in August 2004, Rick James has remained a legendary icon whose name is nearly synonymous with funk music—and who popularized the genre, creating a lasting influence on pop artists from Prince to Jay-Z to Snoop Dogg, among countless others.In Glow, Rick James and acclaimed music biographer David Ritz collaborated to write a no-holds-barred memoir about the boy and the man who became a music superstar in America’s disco age. It tells of James’s upbringing and how his mother introduced him to musical geniuses of the time. And it reveals details on many universally revered artists, from Marvin Gaye and Prince to Nash, Teena Marie, and Berry Gordy. James himself said, “My journey has taken me through hell and back. It’s all in my music—the parties, the pain, the oversized ego, the insane obsessions.” But despite his bad boy behavior, James was a tremendous talent and a unique, unforgettable human being. His “glow” was an overriding quality that one of his mentors saw in him—and one that will stay with this legendary figure who left an indelible mark on American popular music.

    The pictures, most of which have never been published before, document her many phases, from her early days on Broadway, including Funny Girl, to her hugely popular TV specials, to her work as an actress in films such as Hello, Dolly!, The Way We Were, and A Star Is Born. Taken by some of the greatest names in photography—including Philippe Halsman, Francesco Scavullo, Douglas Kirkland, Bob Willoughby, and Cecil Beaton—the images also represent her fabled concerts, as well as personal moments away from the set and stage. Seven essays by Spada introduce the various periods of Streisand’s adult life, and, along with substantial anecdotal and quote-filled captions, they combine with the spectacular photos to tell the whole story of one of the world’s most popular and beloved stars. [Please note that the title design intentionally wraps around the spine to the back cover.]

    Published annually since 1868, this compendium of information is the authoritative source for all your entertainment, reference, and learning needs. The 2015 edition of The World Almanac reviews the events of 2014 and will be your go-to source for any questions on any topic in the upcoming year. Praised as a ''treasure trove of political, economic, scientific and educational statistics and information'' by The Wall Street Journal, The World Almanac® contains thousands of facts that are unavailable publicly elsewhere. The World Almanac® and Book of Facts will answer all of your trivia needs—from history and sports to geography, pop culture, and much more. Features include:• The Year in Review: The World Almanac® takes a look back at 2014 while providing all the information you'll need in 2015. • 2014—Top 10 News Topics: The editors of The World Almanac® list the top stories that held their attention in 2014. • 2014—Election Results: Complete state-by-state results from 2014 midterm elections. • 2014—Year in Sports: Hundreds of pages of trivia and statistics that are essential for any sports fan, featuring complete coverage of the Men's World Cup in Brazil, 2014 World Series, Winter Olympic Games in Sochi, and much more. • 2014—Year in Pictures: Striking full-color images from around the world in 2014, covering news, entertainment, science, and sports. • World Almanac Editors' Picks: Time Capsule: The World Almanac® lists the items that most came to symbolize the year 2014, from news and sports to pop culture. • Offbeat News Stories: The World Almanac® editors found some of the strangest news stories of the year. • The World at a Glance: This annual feature of The World Almanac® provides a quick look at the surprising stats and curious facts that define the changing world today. • American Veterans: A Statistical Feature: After a year in which the performance of the U.S. Department of Veterans Affairs came under scrutiny, this statistical feature reveals important information on the health, employment, education, and future prospects of American veterans. • Health Care Statistics: Details about U.S. health care policy, including ongoing implementation of health care reform and the first statistics on federal and state health insurance marketplace enrollment, consumer costs, and much more. • World Almanac® Editors' Picks: Most Controversial Sports Team Owners: From Walter O’Malley to George Steinbrenner to Donald Sterling, the owners of sports teams have the power to change the game. The editors of The World Almanac® choose the most controversial franchise owners of past and present pro sports. • and much more.

    Covering one of the most unforgettable moments in modern history—and including striking images of twentieth-century icons such as Janis Joplin, Bob Dylan, Jimi Hendrix, Timothy Leary, Allen Ginsburg, Grace Slick, and more—The Haight is an indispensable gallery of legendary photographer Jim Marshall’s iconic Sixties-era San Francisco photography.

    Uncharted. The Last of Us. One studio has been responsible for the most iconic video game experiences of this generation. Now, Dark Horse Books invites you on a thirty-year retrospective tour, observing Naughty Dog's rise from an ambitious upstart to one of the most influential game studios in the world! This beautifully designed volume collects decades of production art, introspective essays from studio staff, art inspired by Naughty Dog's incredible array of titles, and much more. Don't miss out on an opportunity to own a piece of video game history with The Art of Naughty Dog!

    A faint, swirling effect intensifies with each bass kick and, by the eighth one, the ears have prepped themselves for the metal mayhem they are about to receive. When it all drops, and the joyous onslaught of a hundred guitars is finally realized, you'll have to forgive your ears for being duped into a false sense of security, because it's that second intensified drop a few seconds later — the one where yet more guitars manifest and Andrew W.K. slam-plants his vocal flag by screaming the song's titular line — that really floods the brain with endorphins, serotonin, dopamine, and whatever else formulates invincibility.Polished to a bright overdubbed-to-oblivion sheen, the party-preaching I Get Wet didn't capture the zeitgeist of rock at the turn of the century; it captured the timelessness of youth, as energized, awesome, and unapologetically stupid as ever. With insights from friends and unprecedented help from the mythological maniac himself — whose sermon and pop sensibilities continue to polarize — this book chronicles the sound's evolution, uncovers the relevance of Steev Mike, and examines how Andrew W.K.'s inviting, inclusive lyrics create the ultimate shared experience between artist and audience.

    Featuring a striking selection of forty removable posters, this collection contains full-color art of the characters, environments, and key scenes of the post-apocalyptic masterpiece. With incredible images of Joel and Ellie as they trek through eerie landscapes, fight off terrifying swarms of the Infected, and navigate a bleak wasteland, this poster book will take fans back to the immersive world of The Last of Us. Armed with a compelling narrative and gripping, intelligent game play, the best-selling and critically acclaimed The Last of Us has ensnared gamers all over the world with its grim tale of survival. Set in the aftermath of a global epidemic that brings civilization to its knees, this enthralling game follows an unlikely pair of survivors as they trek across the decimated country, fighting off ruthless bandits and ferocious swarms of the Infected.

    It's also the story of his times, and the ideas that shaped him. It's a story of why you know your birth sign, why you have friends called Willow, why sex and drugs and rock’n’roll once mattered more than money, why dance music stopped the New-Age Travellers from travelling, and why you need to think twice before taking the brown acid.It's the story of the hippies for those who weren't there – for Younger Readers who've never heard of the Aldermaston marches, Oz, the Angry Brigade, the Divine Light Mission, Sniffin' Glue, Operation Julie, John Seymour, John Michell, Greenham Common, the Battle of the Beanfield, but who want to understand their grandparents’ stories of turning on, tuning in and not quite dropping out before they are gone for ever. It's for Younger Readers who want to know how to build a bender, make poppy tea, and throw the I-Ching.And it's a story of friendship between two men, one who did things, and one who thought about things, between theory and practice, between a hippie and a punk, between two gentlemen, no longer in the first flush of youth, who still believe in love.

    2014 was a pivotal year for Minecraft, and this book captures all the latest and greatest things that have happened to one of the most brilliant and immersive games in video game history. From a brief overview of the game to advanced farming, mining, and building techniques, this guide touches on everything Minecraft enthusiasts could ever ask for. Featuring authoritative and engaging content from our internal experts, The Big Book of Minecraft also highlights some of the most influential builders in the Minecraft community today and examines their creations and techniques that catapulted them to fame. This book is not authorized, sponsored, endorsed or licensed by Mojang AB. The trademark Minecraft is owned by Mojang AB; and other company names and/or trademarks mentioned in this book are the property of their respective companies and are used for identification purposes only.

    Presented in an arresting blend of incisive text, infographic timelines, and stunning photographs, each chronologically arranged entry features an entertaining overview written by a science fiction expert, plus:The lifespan of sci-fi creations, for example, from book to movie to television series Other key media, such as comics, graphic novels, video games, manga, where appropriate Film and television stills, book and comic covers, and other archive material. Larger franchises -- such as Doctor Who and The War of the Worlds -- feature lavish spreads of photographs illustrating how they have evolved from black-and-white beginnings to big-budget blockbusters. Seminal sagas like Star Wars and Star Trek enjoy not only a "real world" timeline of films and TV broadcasts, but also a fascinating spread detailing their role in the series' fictional universe.The book is divided into five distinct sections:Early Science Fiction: The Birth of a Genre, 1818-1940 including Frankenstein, Journey to the Center of the Earth, A Connecticut Yankee, The Time Machine, The Lost World, TarzanThe Golden Age: 1920-1950 including Karel Capek, Metropolis, Buck Rogers, Olaf Stapledon, King Kong, Flash Gordon, Frederick Pohl, The Thing, Batman, Stan Lee, Arthur C. Clarke, George OrwellThe Era of the Atom: The Marvels and Perils of Science, 1950- 1970 including Dan Dare, Quatermass, The Fly, The Twilight Zone, Solaris, The Jetsons, Barbarella, Dune, Soylent Green, Logan's Run, Land of the Giants, The Iron Man, A Boy and His DogDark Futures: Apocalypse and the War in Space, 1970-1990 including The Stepford Wives, Moebius, Star Wars, Judge Dredd, Mork and Mindy, V, Neuromancer, Back to the Future, Red DwarfThe Adventure Continues: Modern Science Fiction, 1990-Present including Jurassic Park, Men in Black, Doom, Babylon 5, Stargate, The Matrix, Halo, Jericho, The Hunger Games, Fringe, Wall-E, Avatar. Sci-Fi Chronicles is a truly international guide, with entries focusing on everything from Hollywood blockbusters to Russian cult classics, and from European literature to Australian franchises. It is perfect for dipping into, while its memory-jogging mentions and illustrations make it impossible to put down. It will delight long-standing sci-fi aficionados, yet with a scope that extends from vintage volumes to amazing anime, Sci-Fi Chronicles will also entrance a younger generation.

    From anarchist radicals to “Rosie the Riveter” to Nancy Pelosi, Andrew Cuomo, and Bill de Blasio; from traditional artisans to rebel songsters like Frank Sinatra, Dion, Madonna, and Lady Gaga, this book is both exploration and celebration of the rich legacy of Italian-American life.Readers can discover the history chronologically, chapter by chapter, or serendipitously by exploring the trove of supplemental materials. These include interviews, newspaper clippings, period documents, and photographs that bring the history to life.

    Is there a bustle in your hedgerow?  Does it alarm you?  Are you aware that it is just a Spring clean from the May Queen?  Thankfully, for those whose hedgerows are alarmingly bustled, Led Zeppelin answered this existentially relevant question in the classic rock song Stairway to Heaven.  In Benjamin Darling's new book Everything I Need to Know I learned From Led Zeppelin Robert Plant, Jimmy Page, John Bonham and John Paul Jones, through their lyrics, and select quotes; with their magical, dreamy and overwhelmingly positive message  provide the reader newly minted aphorisms and freshly conceived maxims  on the timeless topics of life, love and happiness.  All this great advice is wittily presented and cleverly illustrated with children's primer/classic rock art mash-ups.  Reader's will find deep wisdom and profound poetry in the lyrics featured in Everything I Need to Know I learned From Led Zeppelin; part self-help, part anthology, and part philosophical treatise, the book is an exercise, through words and whimsical pictures in free thought, the type of thought many have experienced laying back on their bed staring at a record album  cover.

    Combining sketches, works in progress, revisions and final title card art, the book will take readers on a visual guide of the title card development, with quotes from each episode and commentary from the artists – Pendleton Ward, Pat McHale, Nick Jennings, Phil Rynda, and Paul Linsley.

    Look out for the likes of Madonna, John and Yoko – and, er, Vladimir Putin – as Warhol travels back through time and popular culture" Smallish"As well as spotting Warhol in the throng on each of the 12 double–page spreads, it's thought–provoking and unexpectedly educational to discover figures such as artist Rachel Whiteread, potter Josiah Wedgwood, novelist Gustave Flaubert and architect/designer Walter Gropius appearing alongside the likes of rappers The Beastie Boys, actor John Travolta and singer Madonna. Well known artworks are also dotted around (think Damien Hirst's petrified shark, Jean–Michel Basquiat's signature street graffiti and Warhol's eponymous soup tins). Catherine Ingram's concise text gives a succinct insight into each scenario which lends gravitas to Andrew Rae's humorous and entertaining illustrations. We can think of no better way to look and learn at the same time" Design BuzzWhere's Warhol? is an original take on a classic format, suitable for all ages with full color illustrations throughout. Search for Warhol's distinctive figure while also learning about different art historical periods and movements such as the Renaissance, the French Revolution, contemporary and street art and so much more!Andrew Rae's detailed illustrations provide a wealth of fun items and famous characters to spot, from Warhol's celebrity friends at Studio 54 to the masters of Modernism at the Bauhaus School and the street artists of today. This is the perfect gift for fans of Andy Warhol with a fun twist!

    In films such as The Deer Hunter (1978), Kramer vs. Kramer (1979), Mamma Mia (2008), and The Iron Lady (2010), Streep has astounded audiences with her ability to fully inhabit characters. She has received 17 Academy Award nominations and 27 Golden Globe nominations - more nominations than any other actor in the history of either award.Meryl Streep: Anatomy of an Actor is a new addition to Cahiers du cinema, a fascinating series from the world-renowned cinema magazine. The book focuses on ten key performances, exploring the unparalleled career of Meryl Streep through narrative and analytical text accompanied by 300 images, including film stills and set photographs, as well as film sequences, script notes, and more. This thoughtful and lively examination of Streep's craft will appeal to film professionals and casual movie fans alike.

    But that may be misleading; there’s more to it than that.

    To date, existing publications on Coupland’s artwork have been limited in scope and focused upon only a limited portion of his oeuvre. This publication will therefore be an extensive resource for years to come on Coupland’s artistic practice, published in collaboration with a major exhibition of his work to be held at the Vancouver Art Gallery, May 31, 2014 – September 1, 2014.Alongside his celebrated status as author of 13 bestselling novels, including his seminal debut Generation X: Tales for an Accelerated Culture, Coupland output has taken on the commitment of a true multidisciplinarian, graduating in 1985 from the Emily Carr Institute of Art and Design, Vancouver before furthering his aesthetic studies at the Hokkaido College of Art and Design in Japan as well as the Sapporo Instituto Europeo di Design, Milan. After concentrating on his literary works for the entire 1990s, Coupland returned to his dormant artistic practice at the turn of the century, exhibiting his work in many solo and collective exhibitions internationally. During the last decade and a half, he has also diversified further, emboldening his body of work within non-fiction, film and television, as well as foraying into fashion design.Leading from a multidisciplinary background, it would be expected that his work would follow the diverse and multi-media trajectory that it does, focusing on an equally broad spread of personal themes from a fascination with the corruptive desirability of popular culture to the intrigue of military imagery, resulting from Coupland’s childhood in such a family unit at the height of the Cold War. Intended as the definitive document of Coupland’s artistic career, the book will include reproductions of all the major series’ within his work alongside his most recent output and images of the installations within the exhibition at the Vancouver Art Gallery.

    Collecting and presenting the most important Garland interviews and encounters that took place between 1935 and 1969, this work opens with her first radio appearance under contract with Metro-Goldwyn-Mayer, and concludes with her last known interview, one taped for Radio Denmark just months before her death. What makes this collection unique is that it places Judy in the role of storyteller. She wrote a number of essays for various publications and sat for countless print, radio, and television interviews. These and other autobiographical efforts she made are proof that Judy Garland wanted her story told in her own words. Finally, 45 years after her death, here it is.

    For the first time, this licensed book brings together 20 projects to make at home, including Finn's iconic hat as well as jewelry, toys, home decor, costumes, and accessories. The projects are beginner-friendly, with a few challenges thrown in, and the book is chock-full of favorite characters and inside jokes from the show that fans will love. Algebraic!

    Twenge's revealing look at fertility myths and baby politics (The Atlantic); Janet Reitman's controversial study of the Boston Marathon bomber Dzhokhar Tsarnaev ( "Rolling Stone"); Luke Mogelson's harrowing experience accompanying asylum seekers on a potentially deadly sea voyage to Australia ( "New York Times Magazine"); Lisa Miller's poignant report from Newtown, Connecticut, as the town tries to cope with the aftermath of one of the nation's worst mass shootings ( "New York"); Emily Nussbaum's critiques of gender and politics on television ( "The New Yorker"); and Witold Rybczynski's poetic engagement with modern architecture ( "Architect"). The collection concludes with the award-winning poem "Elegies" by Kathleen Ossip ( "Poetry") and "The Embassy of Cambodia," a short story by Zadie Smith ( "The New Yorker").

    This book presents the Smallfilms archive - the puppets and cut-outs from these series, along with insights into how they were made. It's a book full of pipe cleaners, cotton wool, wire and ping-pong balls, and celebrates the imagination and ingenuity of two artists who shaped the childhoods of a generation. Introduction by Jonny Trunk, Foreword by Stewart Lee: 'Jonny Trunk has taken the astonishingly thorough archive of Smallfilms… and presented it as one would a collection of artefacts in an exhibition detailing some much-admired 20th century art movement, like Fluxus or Dada. The Smallfilms' partnership's sacred relics repay his trust, and our repeated viewings.' Stewart Lee

    From the staccato postpunk of Siouxsie and the Banshees and the dark rock of the Sisters of Mercy through to the industrial metal of Marilyn Manson and the funereal emotional pop of My Chemical Romance, gothic culture has strong roots in music and continues to adapt and survive. But gothic art is about more than just album covers and ephemera; it's about fashion, book jackets, cinematography, and fine art. Its influence frequently seeps into mainstream culture too. Nowadays, "goth" comes in many shapes, sizes, and even colors, as it encompasses a myriad of subgenres, including cyber, death rock, gothic metal, gothic Lolita, and emo goths. Although each is different, followers are identified by their striking, often theatrical look, music with a hint of melancholy, and the ability to find beauty in morbidity, sometimes even in the macabre. The Art of Gothic is the first heavily illustrated tome to explore the aesthetics of this fascinating style in great detail. Previous books on goth have given a bold overview of the music and culture associated with the genre, but this book goes deeper and hones in on the album art, intricate fashions, fantasy illustrations, and more.

    The book is going to search for the deeper roots of American cultural and musical evolution for the past 150 years by studying what the Western European culture learned from African American culture in a historical progression that reaches from the minstrel era to Bob Dylan. The book begins with America’s first great social critic, Henry David Thoreau, and his fundamental source of social philosophy:---his profound commitment to freedom, to abolitionism and to African-American culture. Continuing with Mark Twain, through whom we can observe the rise of minstrelsy, which he embraced, and his subversive satirical masterpiece Huckleberry Finn. While familiar, the book places them into a newly articulated historical reference that shines new light and reveals a progression that is much greater than the sum of its individual parts. As the first post-Civil War generation of black Americans came of age, they introduced into the national culture a trio of musical forms—ragtime, blues, and jazz— that would, with their derivations, dominate popular music to this day. Ragtime introduced syncopation and become the cutting edge of the modern 20th century with popular dances. The blues would combine with syncopation and improvisation and create jazz. Maturing at the hands of Louis Armstrong, it would soon attract a cluster of young white musicians who came to be known as the Austin High Gang, who fell in love with black music and were inspired to play it themselves. In the process, they developed a liberating respect for the diversity of their city and country, which they did not see as exotic, but rather as art. It was not long before these young white rebels were the masters of American pop music – big band Swing.As Bop succeeded Swing, and Rhythm and Blues followed, each had white followers like the Beat writers and the first young rock and rollers. Even popular white genres like the country music of Jimmy Rodgers and the Carter Family reflected significant black influence. In fact, the theoretical separation of American music by race is not accurate. This biracial fusion achieved an apotheosis in the early work of Bob Dylan, born and raised at the northern end of the same Mississippi River and Highway 61 that had been the birthplace of much of the black music he would study. As the book reveals, the connection that began with Thoreau and continued for over 100 years was a cultural evolution where, at first individuals, and then larger portions of society, absorbed the culture of those at the absolute bottom of the power structure, the slaves and their descendants, and realized that they themselves were not free.

    Now in a landmark two-volume collection, The Library of America presents sixteen enduring masterpieces charting the Broadway musical’s narrative tradition from the groundbreaking Show Boat (1927) through the genre’s Golden Age to its response to the turbulent 1960s with the Tony Award–winning shows Cabaret and 1776. Based on new research, this historic collection presents the complete libretto of each musical in its Broadway opening night version, making these beloved stories available as never before. Irving Berlin and Moss Hart’s As Thousands Cheer is published here for the first time. Show Boat and Pal Joey are presented in newly restored versions. Seven other shows, including South Pacific, Guys and Dolls, and My Fair Lady, return to print for the first time in decades.   Each of these classic musicals has evolved over time, receiving many important revivals and new productions.  This Library of America boxed set offers readers unprecedented insight into this living history with a selection of hard-to-find or previously unpublished supplementary items, including lyrics of songs dropped out-of-town or added in later revivals. Lavishly illustrated­­ with 64 pages of photographs and other images drawn from the original productions, the set also contains biographical sketches of the book writers and lyricists; cast lists and other information about the shows’ Broadway openings; and detailed accounts of the path each show took on the road to Broadway. As a special feature, the box includes 16 full-color postcards reproducing the original show posters.AMERICAN MUSICALS contains:   Show Boat Book and lyrics by Oscar Hammerstein II · Music by Jerome Kern  As Thousands Cheer Lyrics and music by Irving Berlin · Sketches by Moss Hart  Pal Joey Book by John O’Hara · Music by Richard Rodgers ·  Lyrics by Lorenz Hart  Oklahoma! Music by Richard Rodgers · Book and lyrics by Oscar Hammerstein II  On the Town Book and lyrics by Betty Comden and Adolph Green · Music by Leonard Bernstein  Finian’s Rainbow Music by Burton Lane  ·  Lyrics by E. Y. Harburg · Book by Fred Saidy and E. Y. Harburg  Kiss Me, Kate Music and lyrics by Cole Porter · Book by Sam[uel] and Bella Spewack  South Pacific Music by Richard Rodgers ·  Book and lyrics by Oscar Hammerstein II  Guys and Dolls Music and lyrics by Frank Loesser · Book by Jo Swerling and Abe Burrows  The Pajama Game Book by George Abbott and Richard Bissell · Music and lyrics by Richard Adler and Jerry Ross  My Fair Lady Adaptation and lyrics by Alan Jay Lerner · Music by Frederick Loewe  Gypsy Book by Arthur Laurents · Music by Jule Styne Lyrics by Stephen Sondheim    A Funny Thing Happened on the Way to the Forum Book by Larry Gelbart and Burt Shevelove · Lyrics and music by Stephen Sondheim  Fiddler on the Roof Book by Joseph Stein · Music by Jerry Bock · Lyrics by Sheldon Harnick  Cabaret Book by Joe Masteroff · Music by John Kander · Lyrics by Fred Ebb  1776 Music and lyrics by Sherman Edwards ·  Book by Peter Stone

    This book shows the interconnection of each advance to the next on the long journey to our modern-day technologies. Exploring the combination of genius, infighting, and luck that powered the creation of today's electronic age, Conquering the Electron debunks the hero worship so often plaguing the stories of great advances. Want to know how AT&T's Bell Labs developed semiconductor technology--and how its leading scientists almost came to blows in the process? Want to understand how radio and television work--and why RCA drove their inventors to financial ruin and early graves? Conquering the Electron offers these stories and more, presenting each revolutionary technological advance right alongside blow-by-blow personal battles that all too often took place.

    That place was America. One night, travelling where those who live within illusions should never go, he stared into the darkness and glimpsed a faded flag where shadows gathered, revealing another America. It was a broken place, bred from fear and distrust - a thousand shards of glass - filled with a people who long ago had given away all that was precious; a people who had been sold, for so long, a foreign betrayal that finally came from within, and for nothing more than a handful of silver. These essays, letters and journal entries were written as a farewell to the country Michael loves still, and to the wife he knew as his 'True North'. A powerful and personal polemic, A Thousand Shards of Glass is Michael's appeal to his fellow citizens to change their course; a cautionary tale to those around the world who idealise an America that never was; and, crucially, a glimpse beyond the myth, to a country whose best days could still lie ahead.

    With his scaly armor, razor claws and a face only a mother octopus could love, this Amazon denizen was perhaps the most fearsome beast in the history of Hollywood's Studio of Horrors. But he also possessed a sympathetic quality which elevated him fathoms above the many aquatic monsters who swam in his wake. Everything you ever wanted to know about the Gill Man and his mid-1950s film career (Creature from the Black Lagoon, Revenge of the Creature, The Creature Walks Among Us) is collected in this book, packed to the gills with hour-by-hour production histories, cast bios, analyses, explorations of the music, script-to-screen comparisons, in-depth interviews and an ocean of fin-tastic photos.

    Re-teaming with the writers of Ed Wood, Burton returns to the biopic genre by telling the story of Margaret and Walter Keane, and their beautiful and melancholy ‘big eyes’ paintings.This companion book features behind the scenes images detailing everything from costume design to cinematography, and original interviews explore the making of the movie all the way from script to final cut. Also featured is a gallery of Margaret Keane’s work.

    Examining the moral and social implications of Kanye West's art in the context of Western civilization's preconceived ideas, the contributors consider how West both challenges religious and moral norms and propagates them.

    Inspired by Olympia’s guide to independent music, OP Magazine, Pavitt launched a fanzine version of Subterranean Pop, focusing on music with a punk, new wave, and experimental bent. Calvin Johnson of K Records joined the fanzine’s staff in 1980, beginning with the second issue.Driven by the power of independent thinking, the Sub Pop zine’s particular field of interest was artists from the Midwest and Northwest. Punk and new wave fans in major cities were puzzled, surprised that there were enough bands in those regions to devote a column, let alone an entire fanzine. Even more puzzling was the exclusion of artists like the Clash, Gang of Four, Blondie, or PIL, solely because of their major label associations. Early issues featured impassioned rallying cries for local action that make more sense than ever today, alongside early published artwork by Linda Barry, Charles Burns, and Jad Fair.From Beat Happening and Pell Mell to early records by the Beastie Boys, Metallica, and Run DMC, Sub Pop was a 1980s independent music bible, written with a diverse appreciation for happening scenes across the USA. In 1986, Pavitt put his ideas into practice, launching Sub Pop Records with the historic Sub Pop 100 compilation and Soundgarden’s first release. While the Sub Pop Records legacy is today legendary, the groundwork and creative wellspring that put Seattle on the musical map is assembled here for the first time.

    Later ideas look at the origins of social networking and the latest developments on the Web, such as The Cloud and the Semantic Web.Following the design of the previous titles in the series, this book is in a new, smaller format. It provides an informed and fascinating illustrated history of our most used and fastest-developing technology.

    That’s easy to see when you begin at the beginning: Raised by his loving and fiercely resilient mother in the tenements of Manhattan and the South Bronx, and forever haunted by the death of his infant brother, Danny struggled early on to define who he was and who he could be. Shoeshine boy, numbers runner, and pool hustler were among the first identities he tried on. After getting into trouble on the streets, he enlisted in the army at seventeen, served in Germany, and was honorably discharged. Later, as an unemployed high school dropout raising a family of his own, Danny was burdened with serious depression by the time he landed a job as a bouncer at a Hell’s Kitchen comedy club. Taking to the stage in the wee hours to belt out standards, Danny Aiello found his voice and his purpose: He was born to act. Performing in converted churches and touring companies led to supporting roles in such films as The Godfather: Part II and Moonstruck, and an Oscar nomination for his role as the embattled Salvatore in Spike Lee’s Do the Right Thing. For a guy who had never set foot in an acting class, this was supreme validation for being an outsider who followed his heart.In a raw and real chronicle of his gritty urban past, Danny Aiello looks back with appreciation, amusement, and frank disbelief at his unconventional road to success. He offers candid observations on working with luminary directors Francis Ford Coppola, Woody Allen, and Robert Altman, among others, and a vast roster of actors, including Robert De Niro, Paul Newman, Madonna, Cher, and Lauren Bacall. He opens up about friends he loved, friends he lost, and the professional relationships that weren’t meant to be. Above all, Danny Aiello imparts a life lesson straight out of his own experience to anyone who’s ever felt like an outsider: It’s never too late to become who you want to be, to find happiness and fulfillment, and to embrace the winding road to get there.

    Shaped like Benson’s head, this novelty book will have you laughing your own head off for hours.

    Published to coincide with the fiftieth anniversary of the Beatles’ first visit to the United States, this rare and mostly unseen collection of photographs marks the beginning of the British Invasion. In February 1964, photographer Bill Eppridge was on assignment for Life magazine to cover the band’s arrival at JFK airport. He was then invited to continue shooting in their room at the Plaza Hotel and during the days that followed, notably at the Ed Sullivan Show rehearsal and historic performance; in Central Park; on a train ride to Washington, D.C., for the concert at the Washington Coliseum; at the British embassy; and at their renowned performance at Carnegie Hall. The book is an intimate fly-on-the-wall account of a visit that introduced the Beatles to America and changed the course of music, internationalizing the industry and opening the door for other artists to achieve global success.

    Published to coincide with the fiftieth anniversary of the release in 1964 of her groundbreaking debut single "As Tears Go By," this is the definitive book on Faithfull, one of the most beloved singers of the twentieth century. As a folk singer in London, Marianne Faithfull was discovered in a coffeehouse in 1964 by the manager of the Rolling Stones. Over the five decades since, her work as a musician, her performances as an actress on stage and screen, and her presence as an icon of style have made Faithfull an undisputed icon of pop culture. Edited by the artist herself, with accompanying handwritten captions, this book represents a personal collection of images that tell the stories of her life—from her explosive success in London in the 1960s and her infamous relationships with Mick Jagger and the Rolling Stones, to her rise as an actress and her collaborations with artists as diverse as David Bowie and Nick Cave. Including never-before-seen snapshots from Faithfull’s collection, specially commissioned photographs of her home in Paris, and iconic images by many of the world’s best-known photographers—Steven Meisel, David Bailey, and Anton Corbijn, among many others—this is a revealing celebration of an extraordinary life in popular culture.

    Valente (The Girl Who Circumnavigated Fairyland, The Girl Who Fell Beneath Fairyland) are brought together in print for the first time, sharing Cat's observations and insights about fairy tales and myths, pop culture, gender and race issues, an amateur's life on planet Earth and much more. Join Cat as she studies the fantasy genre's inner clockwork to better comprehend its infatuation with medievalism (AKA "dragon bad, sword pretty"), considers the undervalued importance of the laundry machine to women's rights in locales as wide-ranging as Japan and the steampunk genre, and comes to understand that so much of shaping fantasy works is about making puppets seem real and sympathetic (otherwise, you're just playing with dolls).Also featured: Cat takes a hard look at why she can't stop writing about Persephone, dwells upon the legacy of poets in Cleveland, and examines how stories teach us how to survive - if Gretel can kill the witch, Snow White can return from the dead, and Rapunzel can live in the desert, trust that you can too.

    From Buffy the Vampire Slayer to Much Ado About Nothing, from Dr. Horrible's Sing-Along Blog to The Avengers, the word of Whedon have been the focus of increasing academic attention. This collection represents new work by some of the best scholars covering a wide array of topics that clarify WHedon's importance, including considerations of narrative and visual techniques, myth construction, symbolism, gender, heroism, and the business side of television. The editors argue that Whedon's work is of both social and aesthetic significance; that he creates "canonical television." He is a master of his artistic medium and has managed this success on broadcast networks rather than on cable. From the focus on a single episode to the exploration of an entire season, from the discussion of a particular narrative technique to a recounting of the history of Whedon studies, this collection will both entertain and educate those exploring Whedon scholarship for the first time and those landing to teach a course on his works.

    S. Lewis said that Christianity works on us like every other myth, except it is a myth that really happened. Dwight Longenecker grabs this idea and runs with it, showing that the Christian story is the greatest story ever told because it gathers up what is true in all the fantasy stories of the world and makes them as solid, true, and real as a tribe of dusty nomads in the desert or the death of a carpenter-king.In The Romance of Religion Longenecker calls for the return of the romantic hero—the hero who knows his frailty and can fight the good fight with panache, humor, and courage. Conflict and romance are everywhere in the story of Christ, and our response is to dust off our armor, don our broad-brimmed hats, pick up our swords, and do battle for Christ with confidence, wonder, and joy.Is religion no more than a fairy tale? No, it is more than a fairy tale—much more: it is all the fairy tales and fantastic stories come true here and now.“This book is witty, whimsical, and deadly serious. With panache and aplomb, Dwight Longenecker sets out to prove that Christianity is, in every sense of the word, fabulous. And does he succeed in his quest? I encourage you to read it to find out.”—Michael Ward, senior research fellow, Blackfriars Hall, University of Oxford, and professor of apologetics, Houston Baptist University“If you've never thought about the Christian faith as romance and story, then this book will introduce you to a whole new way of thinking.”—Frank Viola, author of God's Favorite Place on Earth

    Find out about “The Left Boob of Largeness.” Learn “What do Martians Want.” Understand “Why not to Buy Martians Sundaes Topped with Cherries.” And ultimately enjoy these “Close Encounters of the Third Kind” in this bold new book of sci-fi poetry.“Warning: south of the train tracks, a Martian dream. Stranger still, habitable worlds abound. Wander through them, the lunar greenhouse full of NASA-planted lettuce, the fields of genetically modified soybeans, the tips to save your life. Like a Martian, ‘ooh and ahh at crescent moons, the meteor showers.’ Absorb this motion, before it vanishes. What’s staged and what’s real? What mechanism clears away panic and fear from a landscape, until it awaits pilgrims? The answers, or not-answers, are within the galaxies of AMERICAN GALACTIC.– Monica Wendel, author of CALL IT A WINDOW and NO APOCALYPSE“Look out, the Martians have landed! And they’re having a poetic romp with Laura Madeline Wiseman. Her narrator opens the door ‘with a bowl of chocolate, suckers and quarters,’ and the little green creatures move right into her house, her garden, her outings, her community… even her mind. By the end of this quirky, imaginative, and well-researched collection, you’ll wonder whether we all indeed carry around our own Martians.”– Ellaraine Lockie, author of STROKING DAVID’S LEG and COFFEE HOUSE CONFESSIONS“AMERICAN GALACTIC is a reminder that good astronomers and great poets are driven by imagination. These interplanetary poems are rich with it, taking the reader on a trip to new, unexplored landscapes with heart and humor. Playfulness, curiosity and surprise infuse the poems, in which Laura Madeline Wiseman puts the reader right up front in the face of ‘the other,’ to confront a stranger, strangely familiar.”– Sarah J. Sloat, author of HOME BODIES and INKSUITE“The Martians have landed in AMERICAN GALACTIC, and the more Wiseman reveals about those little green aliens and their odd habits, the more we learn about our own human nature. This collection is more fun than a Cold War sci-fi flick plus a bag of buttered popcorn.”– Julie Kane, author of RHYTHM AND BOOZE and PAPER BULLETS

    United, the three half brothers discover they share a desire to be warriors. They plan a heist to prove they are worthy of enlisting with a paramilitary leader who has taken both a name and a mad inspiration from Kubrick’s dark satire Dr. Strangelove. General Ripper’s forces begin by robbing pharmaceutical warehouses and then mailing the stolen prescription drugs to America’s veterans. They escalate to kidnapping video game designers and broadcasting their deaths. The ensuing chaos builds toward a culminating drone attack that will forever prove Ripper's warning that graphics have made warriors terrorists.

    are video game veterans and more than just reminiscences of an untroubled childhood. Challenging stories and characters, visual quality, and aesthetic experience make them successful examples of popular interaction design. They have become more than a mere video game and can be regarded as a multimedia art form. Push Start outlines the graphical evolution from its beginnings, through the golden age of arcade video games, to the latest generation of game consoles. Fascinating artwork and screenshot prints of the most famous video games and the corresponding cult sounds on a ten-inch vinyl create an expanding universe of game culture in which the worlds of emotion, reality, and art collide.

    Her intelligence, ambition and appetite for confrontation have made her a target in a music industry still dominated by men. As Kurt Cobain's wife she was derided as an opportunistic groupie; as his widow she is pitied, and scorned, as the madwoman in rock's attic. Yet Hole's second album, Live Through This, awoke a feminist consciousness in a generation of young listeners.Live Through This arrived in 1994, at a tumultuous point in the history of American music. Three years earlier Nirvana's Nevermind had broken open the punk underground, and the first issue of a zine called Riot Grrrl had been published. Hole were of this context and yet outside of it: too famous for the strict punk ethics of riotgrrrl, too explicitly feminist to be the world's biggest rock band.Live Through This is an album about girlhood and motherhood; desire and disgust; self-destruction and survival. There have been few rock albums before or since so intimately concerned with female experience. It is an album that changed lives – so why is Courtney Love's achievement as a songwriter and musician still not taken seriously, two decades on?

     Ten memorable scenes—in clear and colorful Scanimations, with smooth-flowing, detailed images—are brought to life in the book, each accompanied by the inspiring words of wisdom from Charles M. Schulz that make PEANUTS so special. Charlie Brown runs to launch his kite, with the caption “Sometimes there are things you just can’t resist doing.” Snoopy does his happy dance: “To dance is to live.” Lucy skips rope: “Life is more than just lying around.” Plus Schroeder plays the piano, Snoopy battles the Red Baron, Sally dances with Linus, and Charlie Brown tries to kick—and of course, as he will for all eternity, misses—the football. PEANUTS is one of the most beloved and best-known brands of all time. Every day over 45 million people read the strip; its animated specials have aired on television for the past fifty years (growing in popularity—A Charlie Brown Christmas was the highest-rated prime time special in 2012); it has millions of Facebook fans; and in 2015, to celebrate the 65th anniversary of PEANUTS, 20th Century Fox will release a 3D animated movie. And now, Scanimation. It’s PEANUTS—funny and wise and beloved, forever a part of our lives—like you’ve never seen before.

    Heavy Metal Movies rounds up, reviews, and canonizes all known incidents of the heavy metal in motion pictures, from performance films, feature documentaries, occult rock 'n' roll horror, and headbanger characters to soundtrack standouts, namesake inspirations, lyrical references, aesthetic archetypes, and more.As brash, irreverent, and visceral as both the music and the movies themselves, Heavy Metal Movies is the ultimate guidebook to the complete molten musical cinema experience.Exploding with over 666 (almost two times over) of the most intense movies of all-time, featuring:Headbanger classics: This Is Spinal Tap, Heavy Metal Parking Lot, Trick or Treat, Black Roses, Black Sabbath, The Decline and Fall of Western Civilization 2: The Metal Years, Rock 'N Roll Nightmare, The Dungeonmaster, River's Edge, Gummo, Lord of the Rings, Over the Edge, RoboCop, Saw, Savage Streets, The Toxic Avenger, Hard Rock Zombies, The Phantom of Paradise, Airheads, Evilspeak, Evil Dead, The Devil’s Rejects, Monster Dog, The Wicker Man...Disturbing documentaries: Metal: A Headbanger's Journey, Some Kind of Monster, Paradise Lost, Faces of Death…Bulging barbarians: Conan the Destroyer, Clash of the Titans, The Sword and The Sorcerer…Satanic shockers: The Exorcist, Rosemary’s Baby, The Devils, House of 1000 Corpses…Splattery slashers: Maniac, Halloween, My Bloody Valentine, Sleepaway Camp…Post-nuke dystopias: Mad Max, Blade Runner, The Road Warrior, Megaforce, Zardoz, Land of Doom, Death Race 2000, Planet of the Apes…Carnivorous chunk-blowers: Cannibal Holocaust, Cannibal Ferox, Bloodsucking Freaks...Undead gut-munchers: Zombie, Dawn of the Dead, Burial Ground, Dead/Alive…Midnight mind-benders: Eraserhead, The Holy Mountain, Caligula, The Warriors, Repo: The Genetic Opera…Concert films and killer cameos by Ozzy Osbourne, Black Sabbath, Judas Priest, Iron Maiden, Napalm Death, Godflesh, White Zombie, Alice Cooper, Helmet, Cannibal Corpse, Kiss, Powermad, and countless fake hair metal bands who end up getting killed onscreen…Plus witches, werewolves, bikers, aliens, lesbian vampires, and vengeful vikings galore, over 1300 sin-ematic sensations in all.

    

    Join author Helen Hiebert as she guides you through materials, tools and pop-up basics including parallel folds, angle folds, combinations and variations, and layered pop-ups. Enjoy creating 20 projects to play with ranging from cards and books to buildings, graphic design pieces, and more, plus access to downloadable templates. Featuring a high-end gallery of artists, whose beautiful work will inspire you to make your own amazing paper art, Playing with Pop-Ups will teach you to create interactive pieces that everyone will enjoy.

    Each chapter begins with a discussion of their most popular song but leads to stories of their history and place in the scene, ultimately painting a vivid picture of this colorful, idiosyncratic time. Mixtape suggestions, fashion sidebars, and quotes from famous contemporary admirers help fill out the fun. Participants include members of Duran Duran, New Order, The Smiths, Tears for Fears, Adam Ant, Echo and the Bunnymen, Devo, ABC, Spandau Ballet, A Flock of Seagulls, Thompson Twins, and INXS.

    From scowling teenager to father of two, this biting, funny collection of personal stories, peppered with moments of surprising poignancy, proves that although this infamous Kid may be all grown up, his singular brand of humor and signature wit remain firmly intact.

    In the course of 25 essays, some of which appear for the first time in this volume, Strauss discusses the work of artists who provoke us with revealing, clear-eyed investigations of the ostensibly patent world in front of us, and others who transport us to new realms, poetic and unreal--creative minds ranging from Frederick Sommer, Helen Levitt, Daido Moriyama and Joseph Beuys to contemporary photographers Sally Mann, James Nachtwey, Susan Meiselas, Tim Davis and many others. Also considered are the groundbreaking theoretical writings of Susan Sontag and Jean-Luc Nancy, the films of Chris Marker and Stan Brakhage, and issues and events that have irrevocably altered the way we consider the medium of photography and how it communicates: 9/11, Abu Ghraib, the death of Osama bin Laden, the Arab Spring and Occupy Wall Street. Published in the Aperture Ideas series, Words Not Spent Today is an incisive exploration of photography's changing role as a tool of evidence and conscience as we move forward into--can we say it?--a post-photographic era.David Levi Strauss is the author of From Head to Hand: Art and the Manual (2010); Between the Eyes: Essays on Photography and Politics, with an introduction by John Berger (2003); and Between Dog and Wolf: Essays on Art and Politics (1999, updated in 2010 with a prolegomenon by Hakim Bey). Strauss was a Guggenheim fellow in 2003 and received the Infinity Award for Writing from the International Center of Photography in 2007. He is chair of the graduate program in art criticism and writing at the School of Visual Arts in New York.

    An immediate success, the first installment had a first printing of 50,000 hardcover copies, which quickly ballooned to 200,000. Spending one hundred consecutive weeks on the New York Times bestseller list, the book was put into development for release on the big screen. The first two films, starring Academy Award-winning actress Jennifer Lawrence, broke box office records, and the final installment is expected to follow suit.Fan Phenomena: The Hunger Games charts the series’s success through the increasingly vocal online communities that drive the young adult book market. Essays here consider the fashion that the series has created and how the costumes, memorabilia, merchandising, and branding have become an ever bigger part of the fandom experience. Issues explored include debates over the movie stars’ race and size, which tap into greater issues within the fan community and popular culture in general and the current argument that has divided fans and critics: whether or not the third book, Mockingjay, should be split into two films. With this scholarly compendium, navigating the postapocalyptic landscape of Panem will be as effortless as Katniss Everdeen’s archery and ensure that the odds will be forever in your favor.

    By the end of his second year on the silver screen, Chaplin's fame had spread worldwide. He was the first international film star and rapidly one of the richest men in the world, with a million dollar contract, his own studio and his stock company of close collaborators. From Alaska to Zimbabwe, the bowler hat, cane, baggy trousers and outsized shoes of the Tramp became, and remains, an instantly recognizable silhouette.With unrestricted access to the Chaplin archives, TASCHEN presents the ultimate book on the making of every one of his films. With 900 images, including stills, memos, storyboards and on-set photos, as well as interviews with Chaplin and his closest collaborators, it reveals the process behind the Chaplin genius, from the impromptu invention of early shots to the meticulous retakes and reworking of scenes and gags in his classic movies: The Kid (1921), The Gold Rush (1925), The Circus (1928), City Lights (1931), Modern Times (1936), and the provocative Hitler parody The Great Dictator (1940).The book includes:The Chaplin life history in words and pictures900 images including many previously unseen stills, on-set photos, memos, documents, storyboards, posters, and designs, plus scripts and images for unmade filmsAn oral history, told from the point of view of Chaplin himself, drawing upon his extensive writings, many of which have never been reprinted before.Supplementary interviews with some of his closest collaborators.Material from over 150 books of press clippings in Chaplin's archives, which range from his early days in music halls to his deathChaplin's short films, from Making a Living (1914) to The Pilgrim (1923), as well as all of his feature-length movies, from The Kid (1921) to A Countess from Hong Kong (1967)The first print run of 10,000 copies includes a precious 12 frame strip from City Lights (1931), cut from a 35 mm print in Chaplin's archives.Documents from the Chaplin Archives Property and Copyright of Roy Export Company Establishment, scanned by Cineteca di Bologna

    It will help readers with everything from finding a perfect superhero name to avoiding costume wedgies. Apprentice superheroes can also learn how to...—Defend themselves from preschooler super-villains —Craft a rousing battle cry —Customize their Secret Lairs —Engage in hand-to-hand (and foot-to-butt) combatSo if you're wondering if you have what it takes to be a superhero—of course you do. Just open this book!As a child, author Bart King discovered he could punch people into outer space. Sadly, he lost a lot of friends that way. Today, Bart is one of the world's most in-demand superhero experts. He's also the author of bestsellers like "The Big Book of Boy Stuff" and "The Pocket Guide to Mischief."

    Based on new research, the complete libretto of each musical is presented in its Broadway opening night version, making these beloved cultural treasures available as never before. The texts are supplemented with additional song lyrics, biographical sketches of the musicals’ creators, original cast lists, detailed accounts of each show’s sources and production history, textual and explanatory notes, and full-color portfolios of illustrations featuring posters and photographs from each musical’s original Broadway run.This volume fathers eight enduring works from the genre’s Golden Age: Guys and Dolls (1950) by Frank Loesser, Jo Swerling, and Abe Burrows brings Damon Runyon’s gamblers and chorus girls to vivid life; The Pajama Game (1954) by George Abbott, Richard Bissell, Richard Adler, and Jerry Ross offers a lighthearted take on the relations between capital and labor; My Fair Lady (1956), Alan Jay Lerner and Frederick Loewe’s glittering adaptation of George Bernard Shaw’s Pygmalion, a box-office sensation that elevated the tone of the American musical; Gypsy (1959) by Arthur Laurents, Jule Styne, and Stephen Sondheim embraces the relentless ambitions of the ultimate stage mother to frame a poignant look at the vanishing traditions of vaudeville; A Funny Thing Happened on the Way to the Forum (1962) by Burt Shevelove, Larry Gelbart, and Stephen Sondheim, a joyously farcical romp set in ancient Rome; the heartbreaking Fiddler on the Roof (1964) by Joseph Stein, Jerry Bock, and Sheldon Harnick, based on Sholem Aleichem’s haunting tales of life and changing times in a Russian shtetl; Cabaret (1966) by Joe Masteroff, John Kander, and Fred Ebb, which views a political crisis through the prism of a Weimar nightclub; and the playfully irreverent 1776 (1969) by Peter Stone and Sherman Edwards, a brilliantly drawn character study of the Founding Fathers on the eve of Independence.

    Each project will include simple, step-by-step instructions for creating designs and/or applying decals and will be accompanied by four-color photographs illustrating the process as well as finished shots. Includes more than 50 design decals. A must-have for any Hello Kitty fan!

    This book tells the remarkable true story behind the creative and independent-spirit that shaped a legacy, from its cinematic inception and evolution to its ultimate rise to pop culture prominence, covering the most popular, most influential, most overlooked—and of course, the most gory and terrifying—films featuring zombies. Author Ozzy Inguanzo’s insightful, witty, and informative text is complemented by more than 300 photographs, movie posters, and behind-the-scenes images spanning nine decades of classic films including Bela Lugosi’s White Zombie (1932), George Romero’s landmark Night of the Living Dead (1968), and Lucio Fulci’s cult classic Zombie (1979), as well as offerings from blockbuster directors such as Peter Jackson’s Dead Alive (1990), Zack Snyder’s Dawn of the Dead (2004), and more recent entries like the breakthrough series The Walking Dead (2010) and the international sensation World War Z (2013). Expertly curated and filled with images spanning the breadth of cinematic history, ZOMBIES ON FILM is ideal for film fans, students, and pop culture junkies.

    

    Refusing to answer questions about his prior involvement with the Communist Party, Trumbo sacrificed a successful career in Hollywood to stand up for his rights and defend political freedom.In "Dalton Trumbo," authors Larry Ceplair and Christopher Trumbo present thier extensive research on the famed writer, detailing his work, his membership in the Communist Party, his long campaign against censorship during the domestic cold war, his ten-month prison sentence for contempt of Congress, and his thirteen-year struggle to break the blacklist.The blacklist ended for Trumbo in 1960, when he received screen credits for "Exodus" and "Spartacus." Just before his death, he received a long-delayed Academy Award for "The Brave One," and in 1993, he was posthumously given an Academy Award for "Roman Holiday" (1953). This comprehensive biography provides insights into the many notable people with whom Trumbo worked, including Stanley Kubrick, Otto Preminger, and Kirk Douglas, and offers a fascinating look at the life of one of Hollywood's most prominent screenwriters and his battle against persecution.

    Product, you’ll meet the newest, hippest and , grooviest characters of the 1960s, ‘70s, and beyond. This vibrant, colorful tribute to pop culture introduces the readerus to icons such as Cap’n Crunch, Goofy Grape, Chokey the Smog Dog, and hundreds more.Citing more than twenty-five significant historical events and their influence on design, this clever compendium of commercial art profiles the origination of the characters in popular culture, and offers fascinating insights on the evolution of commercial design. Far- out faces and a host of expertly curated characters fill More Mr. Product’s pages, making this the ultimate trove for designers, illustrators, and pop culture fanatics alike.

    The homes of key tastemakers are featured including Le Corbusier, Giò Ponti, Terence Conran and Hans and Florence Knoll. The first title in the new Decades of Design series, House & Garden Fifties House is required reading for mid-century modern enthusiasts, collectors and decorators in search of inspiration from the most influential homes of the past.

    Too well-executed to be the work of an idiot-savant type, but it's also so relentlessly sleazy and stupid ..." Tim Hodler, Comics Comics ..". Marra is trying to single-handedly restore some 'order' to comics." Frank Santoro, Comics Comics "All the guy characters look like action figures you would have killed to have owned when you were little, and all the girl characters/strippers look like drawings of sexy ladies you would have made to impress your friends and convince your enemies that you're not gay." Nick Gazin, Vice "One of the best comic series around-strippers, vice cops, serial killers, guidos, all mix it up in the pre-giuliani era New York. Like Douglas Sirk directing an Abel Ferrara script ..." Sammy Harkham, Kramers Ergot and Crickets ..". some hair-metal or porno fantasy world where men are either leather and denim street toughs ... and ... women routinely walk around in lingerie and heels." Sean T. Collins, Attentiondeficitdisorderly Too Flat ..". Marra's comics are the kind of things Mark Millar aspires to be." Timothy Callahan, Comic Book Resources ..". New Wave Hookers meets Death Wish III as seen through the eyes of a 14 year-old, heavy metal kid." Dean Rispler, Drug Front Records ..". This is how all contemporary fiction should read." Tucker Stone, The Factual Opinion 1983 ... The City ... At Night ... Come and witness a tale of urban intrigue, savage murder and street justice from the beginning. A knife-wielding killer on the loose, committing extreme acts of violence on sexy, exotic dancers. Only one man has a will powerful enough to stop this psychopath: Johnny Timothy. But can Johnny mete out his vengeance before the villain kills again? Pick up NIGHT BUSINESS, ISSUE 1, today and find out!

    In 3000 BC, Otzi (whose mummy was famously discovered in the 1990s) covered his body in 57 tattoos. In the West, meanwhile, tattoos have long been signifiers of infamy and criminality, before becoming a badge of identity for various urban tribes. Tattoo examines the artistic nature of the practice and celebrates its many cultural expressions from ancient times to the present. Among the topics explored are Native North American tattoos; American tattooing from the Revolution through the 1980s; Russian criminal tattooing; European sideshow culture; Japan's tattoo boom during the Edo period; tattooing in the Marquesas Islands, Indonesia, the Philippines and Thailand; and newly emerging Latino, Chicano and Chinese tattoo cultures. Alongside accounts of older tattoo practices (presented through rare artifacts, paintings and archival photographs) and contemporary cultural trends in tattooing, the book pays tribute to the pioneers of the modern era, those responsible for its transformation into the mainstream. In addition, it includes two -workshop- sections in which contemporary tattoo artists demonstrate their craft. The artists featured are internationally renowned, and many have created a style that has evolved into its own school. The book closes with a series of photos assessing the most recent currents in modern tattooing.

    And yet his work remains largely ignored by the film community. If only to help develop my own understanding of this complicated filmmaker, I took it upon myself to explore Tyler Perry's body of film work thus far. What I found blew me away in more ways than I can count."

    But thecity had a wild, raw energy that made it the crucible for the birth of rap culture and graffiti. Graffiti writers worked in extremely tough conditions: uncollected garbage, darkness, cramped spaces, and the constant threat of police raids, assault by security staff and attacks by rival crews. It was not unlike practicing performance art in a war zone. Yet during the fertile years of the late 1970s and 1980s they evolved their art from stylized signatures to full-blown Technicolor dreamscapes. Henry Chalfant created panoramic images of painted trains by photographing overlapping shots along the train’s length. It took time to earn the writers’ trust andrespect, but Chalfant became their revered confidant and with Tony Silver went on to produce the classic documentary film Style Wars (1983). Through a series of interviews conducted by Sacha Jenkins, we hear the voices of these characters of old New York. Quite a few of the original writers are no longer with us, but those who have survived have continued to push the envelope as artists and individuals in a new millennium.The stories they tell, included here alongside iconic, raw photographs of their work, will enthrall graffiti fans everywhere.

    She had a legendary villa in Versailles, where in the late 1930s she held two fabulous parties—her Circus Balls—that marked the end of the social scene that her friend Cole Porter perfectly captured in his songs, as the clouds of war swept through Europe. Charlie Scheips tells the story of these glamorous parties using a wealth of previously unpublished photographs and introducing a large cast of aristocrats, beauties, politicians, fashion designers, movie stars, moguls, artists, caterers, florists, party planners, and decorators. A landmark work of social history and a poignant vision of a vanished world, Scheips’s book belongs on the shelf with Abrams’ classics such as Slim Aarons: Once Upon A Time and Tony Duquette.

    For Alaire Larkin, staying positive has never been a problem. Born into a prominent family, Alaire is a star student and a member of her school’s Joyful Court. Her future promises only happiness and a lifetime of service to the State, until the day she uncovers a secret world of emotions she never knew existed. Alaire knows she must forget what she has learned or run the risk of internal exile. It should be easy. All she has to do is smile.

    Markopoulos contains some ninety out-of-print or previously unavailable articles by the Greek-American filmmaker who, as a contemporary of Kenneth Anger, Stan Brakhage and Andy Warhol, was at the forefront of a movement that established a truly independent form of cinema. Beginning with his early writings on the American avant-garde and auteurs such as Dreyer, Bresson and Mizoguchi, it also features numerous essays on Markopoulos' own practice, and on films by Robert Beavers, that were circulated only in journals, self-published editions or programme notes. The texts become increasingly metaphysical and poetic as the filmmaker pursued his ideal of Temenos, an archive and screening space to be located at a remote site in the Peloponnese where his epic final work could be viewed in harmony with the Greek landscape. Gregory J. Markopoulos (1928-1992) is a unique figure in film history, whose life's work stands in testament to his strength of vision and commitment to the medium."This collection of writings by a key figure of the New American Cinema complements, illuminates and extends an incomparable body of work. Equal parts theory, criticism and mythical prose, the texts reflect the charisma and originality of its author - and his enduring romanticism. Brandished by the same absolutes and passion that fuel his films, Film as Film is a seminal addition to film scholarship and film history." (Andréa Picard, Toronto International Film Festival)Film as Film: The Collected Writings of Gregory J. Markopoulos is edited by Mark Webber and has a foreword by P. Adams Sitney.Table of Contents:IntroductionFilm as Film: An Introduction, Mark WebberForewordMarkopoulos Writings, P. Adams SitneyI: Cinema, The Ideal (An Exposition)The Responsibility of the Cinema in Our Age, c.1955 Cinema The Ideal, 1960 Sto Palikari, 1968 Towards a Constructive Complex in Projection, 1968A Supreme Art in a Dark Age, 1971 Dante Present, 1971 Inherent Limitations, 1966 The Pyramid of Sight, 1986 The Intuition Space, 1973II: Avant-Garde Chronicle (On Films & Filmmakers)A Part of the Alphabet, 1961 Overtime, 1961 Avant-Garde Chronicle, 1963 Projection of Thoughts, 1964 Judgement Through Bad Conscience, 1965 What Are You Ready For?, 1965 Institutions Customs Landscapes, 1966 The Golden Poet, 1962 Scorpio Rising, 1963 Innocent Revels, 1964 Three Filmmakers, 1964 Stille Nacht, 1961 Jean Genet’s Only Film: Un chant d’amour, 1961 Film of the Absurd, 1962 Negatives, 1968 Robert Bresson: A Brief Survey, 1962 The Marvels and Lamentations of Mizoguchi, 1968III: Disclosed Knowledge (On Markopoulos)L’Arbre aux champignons, 1950 Psyche’s Search for the Herb of Invulnerability, 1955 A Note for Hans Van Manen, 1971 Bruised by the Critics, 1966 Whither Motion Pictures, 1985 From Fanshawe to Swain, 1966 Statement Concerning Cinema, 1963 Towards a New Narrative Film Form, 1963Twice a Man Statement, 1965 The Driving Rhythm, 1966 Twice a Man, Three Time Prize Winner, 1966 Galaxie, 1966 The Filmmaker as Physician of the Future. 1967 A Note (for Jean-Paul Vroom), 1971 The Divine Attributes, 1970 Correspondences of Smell and Visuals, 1967 Towards a New Sound Complement for Motion Pictures, 1967 Adventures with Bliss in Roma, 1967 The Adamantine Bridge, 1968 Disclosed Knowledge, 1970 Rebus, 1970 The Redeeming of the Contrary, 1971 The Celestial Inheritance, 1971IV: The Threshold of the Frame (On Robert Beavers)10th of July, 1967 The Siege of Bruxelles, 1968 Circumbendibus Notes, 1968 “And I Shall Pull Things From the Stars”, 1972 From First Creative Steps Forward, 1971 The Language of Diamonds, 1970 Love’s Task, 1971 In Other Words It Is His Tongue, 1971 Art Is Not Knowledge, 1973 The Threshold of the Frame, 1974 Clarity Upon Clarity Through Reflection, 1974 The Gathering of Perception and Judgement, 1974 Erb and Tree, 1975 Πνοιη (Pnoee), 1976V: Towards a Temenos (On Temenos)Formal Account, 1970 Towards a Temenos, 1970 A Solemn Pause, 1971 The Filmmaker’s Perception in Contemplation, 1972 The Complex Illusion, 1972 Element of the Void, 1972 Towards a Complete Order, 1974 The Usury of the Creative Soul, 1976 Ηρακλής (Heracles), 1978 Εικόνες Αυτών (Ikones Auton), 1979 Προνώπιον (Pronopion), 1980 Ένθεος (Entheos), 1980 Aei!, 1981 Mosholibano, 1981 The Silk Road, 1982 The Ancient Future, 1983 Proposal to the Architect of the Temenos, 1984 The High Tableland, 1984 Ανάλαμψις (Analampsis), 1985 Message for D. W. Griffith, 1985 Hues Point, 1985 Αεί Καλόν (Aei Kalon A), 1985 Αεί Καλόν (Aei Kalon B), 1985 The Amygdaline Grove, 1986 The Bread of Angels, 1987 Unification of the Frame, 1990 The Future of the Temenos and its Boundaries, 1992 Ακρόπολης γης (Acropolis Gis), 1992Images 16 pages of colour and black & white imagesincluding film stills, production photos and archive materialsEndnotesAppendix I: Filmography of Gregory J. MarkopoulosAppendix II: Publications supervised by Gregory J. MarkopoulosAlphabetical Index of Titles

    It entered the broader popular consciousness in May 2014, when two twelve year old girls led a third girl into a wooded area and stabbed her numerous times. The Slender Man takes on important cultural meanings in the age of the Internet - meanings often neglected when the crime version of the story went reported in the media. The revisions that they made to it helps to suggest an iterative folk telling tradition. Because the Slender Man storytelling process has become both crowd sourced and participatory - taking place at what we identify as a "digital campfire" - the interpretations and analyses are not meant to be static, but to provide an explanation of how Internet mythologies develop and prosper. This book introduces unique attributes of digital culture and establishes a needed framework for studies of other Internet memes and mythologies.

    Together, they were the first American graphic designers to work in multiple mediums and scales with equal skill and vision, and their work remains brilliant; yet their names are little known today.Dorothy and Otis chronicles their story in detail for the first time. It explores the Shepards’ penchant for abstraction and modernism, and shows how the advent of billboard advertising inspired their creativity—large campaigns that matched the grandeur of their lifestyle. Throughout, it demonstrates how their influence touched all aspects of consumer culture—from collaborating on the packaging for Wrigley’s Gum and designing uniforms and logos for the Chicago Cubs to planning and promoting the resort island Catalina, where Stan Laurel, Oliver Hardy, Clark Gable, and other celebrities frequented. Dorothy and Otis illuminates their personal lives as well, from their origins and early years to the eventual dissolution of their marriage. As it brings to life these pioneering artists and their momentous partnership, it elevates them to their rightful place in popular culture and makes clear how their legendary work reflected and exemplified the American Dream.

    It shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the treatment of training in and exposure to art as a pathway to social inclusion, the use of culture and cultural institutions to increase property values, and support for cultural diversity as a means of growing cultural markets.Contemporary writers have tended to explore how their own critical capacities have become compatible with or even essential to a neoliberal economy that has embraced art's autonomous gestures as proof that authentic self-articulation and social engagement can and should occur within capitalism. Taking a sociological approach to literary criticism, Sarah Brouillette interprets major works of contemporary fiction by Monica Ali, Aravind Adiga, Daljit Nagra, and Ian McEwan alongside government policy, social science, and theoretical explorations of creative work and immaterial labor.

    Drawing inspiration from sources as varied as Lewis Carroll, Salvador Dali, Washington Irving, and Dr. Seuss, Burton's creations frequently elicit both alarm and wonder. Whether crafting an offbeat animated feature, a box-office hit, a collection of short fiction, or an art exhibition, Burton pushes the envelope, and he has emerged as a powerful force in contemporary popular culture.In The Philosophy of Tim Burton, a distinguished group of scholars examines the philosophical underpinnings and significance of the director's oeuvre, investigating films such as Batman (1989), Edward Scissorhands (1990), The Nightmare before Christmas (1993), Sleepy Hollow (1999), Big Fish (2003), Sweeney Todd (2007), Alice in Wonderland (2010), and Dark Shadows (2012). The essays in this volume explore Burton's distinctive style, often disturbing content, and popular appeal through three thematic lenses: identity, views on authority, and aesthetic vision.Covering topics ranging from Burton's fascination with Victorian ideals, to his celebration of childhood, to his personal expression of the fantastic, the contributors highlight the filmmaker's peculiar narrative style and his use of unreal settings to prompt heightened awareness of the world we inhabit. The Philosophy of Tim Burton offers a penetrating and provocative look at one of Hollywood's most influential auteurs.

    The only thing in the fifth grader's life that's truly annoying--well, besides having to wear braces on his feet every day--is the family's wily Siamese cat, Percy. Ben has always suspected something was off about Percy, who has never shown him or his beloved dog, Captain Sparkles, much affection. But now he's sure something is off--Percy has raised an army of squirrel zombies in the backyard and they're ready to take on the dog. It'll be up to Ben to figure out how to stop the dastardly cat before the dog falls prey to the feline's nefarious plans, especially since Percy and his newly reanimated squirrel friends are gunning for nothing less than a full-scale Animal Zombie Apocalypse--when all the dogs start to behave like cats. If only Ben could enlist his mom's help in the undead animal war. But his mom is petrified of things that go bump in the night, so Ben's only hope is to team up with his little sister. The battle won't be easy though, because squirrel zombies are the most dangerous of all...

    No job is too big, too far, or too outlandish as they and their team at Acrylic Tank Manufacturing (ATM) in Las Vegas make the dreams of fellow fish enthusiasts a reality. They’ve created tanks, from 50 gallons to 50,000, to look like cars, kegs, phone booths, pyramids, treasure chests, and more for unusual and unique locations, including casinos, churches, hospitals, mansions, museums, and restaurants.            They built a mega tank for a Dallas megachurch, a storybook ship for the bedroom of a little boy recovering from heart surgery, and a treasure chest for a children’s hospital. The Las Vegas Monte Carlo commissioned a jellyfish tank for its subzero cocktail lounge. Everyone rocked out when legendary rock band KISS came by to celebrate the unveiling of the over-the-top tank at their mini golf course. Neil Patrick Harris taught the guys a thing or two about Houdini while Wayde and Brett taught him a thing or two about the magic of aquariums. Tracy Morgan went crazy for his Jaws-themed basement tank, and hijinks ensued when a Jackass producer wanted a two-ton saltwater tank for his man cave. (Wayde and Bret didn’t pull any punches—well, almost.)            Tanked: The Official Companion features the inside story of how they climbed to the top of the shark-infested world of custom aquariums as well as fascinating profiles of the cast, detailed overviews of ATM’s top builds, never-before-told stories from behind the scenes, celebrity testimonials, the Official ATM “Get Started” Aquarium Guide, and fun sidebars like “Fish Facts” and “Ten Great Beginner Fish” so now you can get Tanked at home, too.

    Author John Glatt tells the story of the Fillmores through the lives of Bill Graham, Janis Joplin, Grace Slick, Carlos Santana, and an all-star supporting cast. Joplin opened the Fillmore East and delivered some of her greatest performances there and at its San Francisco twin. Carlos Santana grew up as a performer at the Fillmore West after being discovered by Graham on audition night. Always unpredicatable, Grace Slick’s electrifying Jefferson Airplane was the de facto resident band at both Fillmores. Chronicling the East and West Coast cultures of the late ’60s and early '70s—New York City with its speed, heroin, and the Velvet Underground versus San Francisco with the LSD-drenched Summer of Love—Glatt reveals how Graham the made it all possible . . . that is, until August 1969 when Woodstock changed everything and musicians suddenly realized their power.     But why did Bill Graham shutter both Fillmores within weeks of each other in 1971, during the height of their popularity? Live at the Fillmore East and West reveals how Graham’s claim that “The flowers wilted and the scene changed,” was not quite the whole story.

    His tweets are re-tweeted a hundred times and thousands follow his blog.Then there’s Paul, who stumbles on an old crush while Facebooking. Through research of her online habits, he arranges a “chance” meeting so they can fall in Like with each other.Martin is a cancer survivor with renewed purpose in life thanks to a supportive social media family.It’s a tapestry of people and events woven together with this era’s most abundant thread: social media.“With one Like I can say hi to a friend, support them during a crisis, share in a joke, make someone happy, or reinforce a person’s self esteem. I make myself part of their world. It’s like I stopped by for coffee. But, by Liking, I can also avoid talking to all the people I don’t want to waste time on. Or I can check to see what my ex girlfriend is doing seven or eight times an hour. It’s a double-edged mouse click.”- Anonymous

    Holm and Matthew Holm, creators of Babymouse

    Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the economic dimensions of one of the world's most enduring audiovisual forms. Given horror cuts across budgetary categories, industry sectors, national film cultures, and media, Merchants of Menace also promises to expand understandings of the economics of cinema generally. Covering 1930-present, this groundbreaking collection boasts fourteen original chapters from world-leading experts taking as their focus such diverse topics as early zombie pictures, post-WWII chillers, Civil Rights-Era marketing, Hollywood literary adaptations, Australian exploitation, "torture-porn" Auteurs, and twenty-first-century remakes.

    From the promise of artificial intelligence making the world a better place to the threat of an android apocalypse, we never get tired of reading about robots. They perform surgery, traverse the surface of Mars, and even cook a perfect steak . . . until they malfunction and chase after their human creators. Uncle John’s Robotica Bathroom Reader stimulates humor sensors with hundreds of incredible stories about robots from the past, the present, and the future. Readers should prepare to be assimilated as they learn about robotic suits controlled by monkeys, the robot that can rebuild itself, the world’s first robot, pop-culture robots (such as the mecha-Michael Jackson with laser-shooting eyes), robotic roaches that herd real cockroaches, microscopic nanobots that heal you before you know you’re sick, garbage-eating robots, and the actual chances of a Terminator-style robot war.