. . 'The year is AD 255 - the Roman Imperium is stretched to breaking point, its authority and might challenged along every border. The greatest threat lies in Persia to the east, where the massing forces of the Sassanid Empire loom with fiery menace. There the isolated Roman citadel of Arete awaits inevitable invasion.One man is sent to marshal the defences and shore up crumbling walls. A man whose name itself means war: a man called Ballista. Alone, Ballista is called to muster the forces, and the courage to stand first and to stand hard, against the greatest enemy ever to confront the Imperium.This is part one of WARRIOR OF ROME: an epic of empire, of heroes, of treachery, of courage, and most of all, a story of brutal, bloody warfare.

    The plan is to take a new name, serve in an obscure regiment on Hadrian's Wall and lie low until he can hope for justice. Then a rebel army sweeps down from the wastes north of the Wall, and Marcus has to prove he's hard enough to lead a century in the front line of a brutal, violent war.

    

    A place that can hypnotize even the most grounded philosophy major and deliver a fantastical rhyme to his reason. A place where a best buddy resembles a shaggy carpet, and adventures surpass a boy's dreams? welcome to Castle Perilous.

    Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Hailed as “a Tolstoy with jokes” by one critic, George Bernard Shaw was the most significant British playwright since the seventeenth century. Pygmalion persists as his best-loved play, one made into both a classic film—which won Shaw an Academy Award for best screenplay—and the perennially popular musical My Fair Lady.Pygmalion follows the adventures of phonetics professor Henry Higgins as he attempts to transform cockney flower girl Eliza Doolittle into a refined lady. The scene in which Eliza appears in high society with the correct accent but no notion of polite conversation is considered one of the funniest in English drama. Like most of Shaw’s work, Pygmalion wins over audiences with wit, a taut morality, and an innate understanding of human relationships.This volume also includes Major Barbara, which attacks both capitalism and charitable organizations, The Doctor’s Dilemma, a keen-eyed examination of medical morals and malpractice, and Heartbreak House, which exposes the spiritual bankruptcy of the generation responsible for the bloodshed of World War I.John A. Bertolini is Ellis Professor of the Liberal Arts at Middlebury College, where he teaches dramatic literature, Shakespeare, and film. He has written The Playwrighting Self of Bernard Shaw and articles on Hitchcock, and British and American dramatists. Bertolini also wrote the introduction and notes to the Barnes & Noble Classics edition of Shaw’s Man and Superman and Three Other Plays.

    Even the aid of the wizard Mercury Boltblaster is not enough to combat the Demon Lords and the Dark Magic Society. And to make matters even more dangerous, the Gods decide that Jason must become the Mighty Champion in deed as well as name. He must Overcome All Odds to wrest the magic Superwand from Deadly Enemies. For no one else would be foolish enough to stand against the magical forces to restore the dread power of the long-vanquished Evil Empire!

    It’s even harder for a robot named Mack Megaton, a hulking machine designed to bring mankind to its knees. But Mack’s not interested in world domination. He’s just a bot trying to get by, trying to demonstrate that he isn’t just an automated smashing machine, and to earn his citizenship in the process. It should be as easy as crushing a tank for Mack, but some bots just can’t catch a break.When Mack’s neighbors are kidnapped, Mack sets off on a journey through the dark alleys and gleaming skyscrapers of Empire City. Along the way, he runs afoul of a talking gorilla, a brainy dame, a mutant lowlife, a little green mob boss, and the secret conspiracy at the heart of Empire’s founders---not to mention more trouble than he bargained for. What started out as one missing family becomes a battle for the future of Empire and every citizen that calls her home.

    When Greyboar, a professional strangler, discovers the Supreme Philosophy of Life, he becomes a new man--but how can a villain in good standing pay the bills with his philosophical exploration getting in the way? Then Greyboar's long-lost sister asks him to help persecuted dwarves escape their human oppressors.

    Victor Pelevin has established a reputation as one of the most brilliant writers at work today; his comic inventiveness has won him comparisons to Kafka, Calvino, and Gogol, and Time has described him as a apsychedelic Nabokov for the cyberage.a Pelevinas new novel, his first in six years, is both a supernatural love story and a satirical portrait of modern Russia. It concerns the adventures of a hardworking fifteen-year-old Moscow prostitute named A. Huli, who in reality is a two thousand-year-old were-fox who seduces men in order to absorb their life force; she does this by means of her tail, a hypnotic organ that puts men into a trance in which they dream they are having sex with her. A. Huli eventually comes to the attention of and falls in love with a high-ranking Russian intelligence officer named Alexander, who is also a werewolf (unbeknownst to our heroine). And that is only the beginning of the fun. A huge success in Russia, this is a stunning and ingenious work of the imagination, arguably Pelevinas sharpest and most engrossing novel to date.

    The only one not worried about this mess is Carter's cat, which acts like she's in charge of the planet.

    But now he needs help from the Doctor, Romana and K-9. When he left Gallifrey he took with him a few little souvenirs—most of them are harmless. But one of them is extremely dangerous.The Worshipful and Ancient Law of Gallifrey isn’t a book for Time Tots. It is one of the Artifacts, dating from the dark days of Rassilon. It must not be allowed to fall into the wrong hands. The sinister Skagra most definitely has the wrong hands. He wants the book. He wants to discover the truth behind Shada. And he wants the Doctor’s mind...Based on the scripts for the original television series by the legendary Douglas Adams, Shada retells an adventure that never made it to the screen.

    He sits imprisoned with his apprentice, Peeker, for his presumed involvement in a rebellion against the Spartan tyrant Lykourgos. Confined to a cell, the men produce extraordinary writings that illustrate the stories of their lives and give witness to Agathon's deterioration and the growth of Peeker from a bashful young apprentice to a self-assured and passionate seer. Captivating and imaginative, The Wreckage of Agathon is a tribute to author John Gardner's passion for ancient storytelling and those universal themes that span the course of all human civilization.

    They must truly accept the tragic past or risk losing the peace of the future together. First U.S. publication. Simultaneous with a hardcover library edition.

    Combining the skills of a poet and scholar, Robert Fagles brings the energy of contemporary language to this enduring heroic epic. If 'The Iliad' is the world's greatest war story, then 'The Odyssey' is literature's greatest evocation of every man's journey through life. Here again, Fagles has performed the translator's task magnificently, giving us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. Each volume contains a superb introduction with textual and critical commentary by renowned classicist Bernard Knox.

    Like the radio series, but with added jokes, extra bits of story, additional dimensions to characters and masses more paper. Unless you're reading it as an e-book in which case... masses more digital information bits.Bleak Expectations recounts the remarkable adventures of young Pip Bin as he tries to repair his destroyed family and distinctly damaged life, aided by his best friend Harry Biscuit and definitely not aided by his cruel and ironically named guardian Mr Gently Benevolent and his accomplices, the fearsome Hardthrasher siblings.Weep! As Pip is sent to Britain's nastiest boarding school, St Bastard's.Gasp! As the true extent of his despicable guardian's plan becomes clear.Worry! As our hero is committed to the Workhouse, where he meets the hideous poverty-punishments of the treadmill, the grindstone and the painwheel.Sigh! As Pip finds love with London's most eligible frail beauty, Miss Flora Dies-Early.Find a tenterhook and sit on it!Grim circumstances, mistaken identities, unlikely inheritances, nightmarish court cases, ridiculous names, convenient coincidences to resolve plot problems, over-sentimental death scenes and lots and lots of adjectives: Bleak Expectations is the novel Charles Dickens might have written after drinking far too much gin.