Like her more famous novels, Alcott tells stories of young women interacting with people and events from the late 1800s. A great addition to the Alcott library of stories.

    The stories may appear in the form of letters of complaint; they may be extracted from Flaubert’s correspondence; or they may be inspired by the author’s own dreams, or the dreams of friends.What does not vary throughout Can’t and Won’t, Lydia Davis’s fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.

    M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    Add to it a close set of friends and love for arts and her life was complete. She was beautiful inside out, with her doe-like olive green eyes mature beyond their years. Her life was not perfect but she was not the one to complain for she lived it to the fullest. She made the best out of the situations and believed in moving on. Her smiles and chitter-chatter were the life of Raizada Mansion. Everyone loved her dearly.Everyone, but Avish Singh Raizada. He arrived in her world claiming his stake on two things that Khushi held very dear to her heart. Her home and her bade papa's love. Sharing was an alien concept to that cynical arrogant man, who was unhappy with pretty much everything around him. And unfortunately Khushi became one more reason of his displeasure. Forgetting her own sadness, she tried to be reasonable and friendly towards him but he refused to warm up to her. So like any other intelligent being she decided to pretend that he does not exist and went on with her life.It worked, but not for long. The people and the ties binding them were very important, very strong, whether they liked it or not. Their lives touched each other's on daily basis. So overtime, living under the same roof, sharing the same family forced them into an understanding, a friendship of the sorts.But like it happened with other people, Avish too found his life revolving around Khushi one fine day. She was not someone you can resent for long and he had understood that slowly. They way she saw his pain through the facade of anger broke his resolve to stay away from her. Her heart warming smiles that he had started discreetly capturing in his camera, thawed his frozen heart bit by bit. But his silent admiration and complex nature did not help the matter. To add to his woes, Khushi was obliviously happy in her own world, where Avish was her friend, just a friend. She sincerely believed in love, but for others not herself. He had always mocked the idea of love, but it was his only salvation now.Second chances are rare in life but he got one, and thus began his quest to bridge the distances between himself and her, distances created by the society, distances created by the age difference, but most importantly distances created by themselves. To make her his for eternity, only his.

    The book includes stories Yudasinte Suvishesham, Malakhayude Marukurukal, Karineela, Aa Maratheyum Marannu Njan and Meerasadhu.

    He is now one of the most celebrated science fiction writers in the field , having won the field's top award, the Hugo, for each of his last two novels.Now, for the first time, this illustrious author gathers all his short fiction into a single volume. This collection is truly the definitive Vinge, capturing his visionary ideas at their very best. It also contains a never-before-published novella, one that represents precisely what this collection encapsulates--bold, unique, challenging science fictional ideas brought to vivid life with compelling storytelling.Including such major pieces as "The Ungoverned" and "The Blabber," this sumptuous volume will satisfy any reader who loves the sense of wonder, and the excitement of great SF.The volume collects Vinge's short fiction through 2001 (except "True Names", including Vinge's comments from the earlier two volumes.)Contents:"Bookworm, Run!""The Accomplice""The Peddler's Apprentice" (with Joan D. Vinge)"The Ungoverned""Long Shot""Apartness""Conquest by Default""The Whirligig of Time""Bomb Scare""The Science Fair""Gemstone""Just Peace" (with William Rupp)"Original Sin""The Blabber""Win A Nobel Prize!" (originally published in Nature, Vol 407 No 6805 "Futures")"The Barbarian Princess" (this is also the first section of "Tatja Grimm's World")"Fast Times at Fairmont High" (occurs in the same milieu as Rainbows End) (winner 2002 Hugo Award for Best Novella)

    It's the promise of heaven on earth, but the hell that follows is a constant hunger, a cold emptiness. The craving to get high is an intense yearning not unlike that of any other blood-thirsty monster.The best way to tell the truths of addiction is through a story, and dark truths such as these need a piece of horror to do them justice.The stories inside feature the insidious nature of addiction told with compassion yet searing honesty. Drug overdoses are now the leading cause of accidental deaths, and some of the most incredible names in horror fiction have tackled this modern day epidemic. A WICKED THIRST, by Kealan Patrick BurkeTHE ONE IN THE MIDDLE, by Jessica McHughEVERYWHERE YOU'VE BLED AND EVERYWHERE YOU WILL, by Max Booth IIIFIRST, JUST BITE A FINGER, by Johann ThorssonLAST CALL, by John FD TaffTORMENT OF THE FALLEN, by Glen KrischGARDEN OF FIENDS, by Mark MatthewsRETURNS, by Jack Ketchum

    Disturbingly atmospheric, these stories are told with the force and simplicity of allegory. This special volume includes rare stories as well as some never-before-seen illustrations.

    Odd is a tale of how an ordinary man profited from an extraordinary time paradox when he stops to help a man seemingly lost and confused, and then learns the reasons why.Stitch in Time concerns an elderly lady reflecting on a lost love and, thanks to her sons' experiments with time, finally discovering the reason why her lover abandoned her so many years ago.Oh Where, Now, is Peggy MacRafferty? is a social satire on Hollywood glamour in which a bright, individual young Irish woman becomes part of the celebrity circuit, and loses all that makes her special in the process of becoming a star.Random Quest combines romance and parallel universes.A Long Spoon is the story of how a demon is summoned by mistake and the lengths the couple that invoked him have to go to get rid of him without losing their souls in the bargain.

    The Girl on the Fridge contains the best of Keret's first collections, the ones that made him a household name in Israel and the major discovery of this last decade.

    Original tales by such science fiction luminaries as Orson Scott Card, Harry Turtledove, and Connie Willis, written in honor of Isaac Asimov's fiftieth anniversary in the genre, are set in one of his fictional universes.

    Catherynne M. Valente, the New York Times bestselling author of The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making and other acclaimed novels, now brings readers a treasure trove of stories and poems in The Bread We Eat in Dreams.In the Locus Award-winning novelette “White Lines on a Green Field,” an old story plays out against a high school backdrop as Coyote is quarterback and king for a season. A girl named Mallow embarks on an adventure of memorable and magical politicks in “The Girl Who Ruled Fairyland—For a Little While.” The award-winning, tour de force novella “Silently and Very Fast” is an ancient epic set in a far-flung future, the intimate autobiography of an evolving A.I. And in the title story, the history of a New England town and that of an outcast demon are irrevocably linked.The thirty-five pieces collected here explore an extraordinary breadth of styles and genres, as Valente presents readers with something fresh and evocative on every page. From noir to Native American myth, from folklore to the final frontier, each tale showcases Valente’s eloquence and originality.Table of Contents:The ConsultantWhite Lines on a Green FieldThe Bread We Eat in DreamsThe Melancholy of MechagirlA Voice Like a HoleThe Girl Who Ruled Fairyland—For a Little WhileHow to Raise a MinotaurThe Shoot-out at Burnt Corn Ranch Over the Bride of the WorldMouse KoanThe Blueberry Queen of Wiscasset In the Future When All’s WellFade to WhiteAeromausRed EnginesThe Wolves of BrooklynOne Breath, One StrokeKallistiThe WeddingThe Secret of Being a CowboyTwenty-Five Facts About Santa ClausWe Without Us Were ShadowsThe Red GirlAquaman and the Duality of Self/Other, America, 1985The RoomSilently and Very FastWhat the Dragon Said: A Love Story

    He's confronted the HOA. He's even taken on Santa himself. He doesn't usually win. These are the tales of the Dumb White Husband and they are all available here in this collected edition.This handsome volume includes:Dumb White Husband vs. the Grocery Store - John would rather sit and watch the game, but his wife needs some things at the store. Can he complete the list and get back in time to see the end of the game?Dumb White Husband vs. Halloween - Every Halloween, Chris has the scariest house on the block and gives out the best candy. But, this year, someone is showing him up and he'll stop at nothing to find out who.Dumb White Husband vs. Santa - Erik has planned the perfect Christmas for his family. The plan is foolproof, bulletproof and flame retardant. Nothing can undo the hours of planning and preparation. Nothing except maybe odd-shaped packages, ill-timed fruitcakes or an errant neighborhood Santa Claus.Dumb White Husband vs. the Tooth Fairy - Erik always has a plan and he's sure he would have figured out the whole Tooth Fairy thing eventually. But, when his three-year-old son takes a frisbee to the mouth, he's forced to speed things up. Between neighborhood kids with big mouths and unhelpful dentists he's going to need to improvise. Will he bend to the pressure of inflation? Will he get caught in the act? And, what do you do with those teeth anyway?Dumb White Husband for President (A novella) - There comes a time in every man's life when he must stand for the things he believes in. John doesn't believe in bagging his grass. So, when a new allergy-prone neighbor gets the HOA to require it, there's only one thing he can do - run for President of The Creeks of Sage Valley Phase II.John, Chris and Erik put aside most of their differences to run a campaign that they hope will see John elected as President and end the meddling of the rule-loving new kid on the block. Will they succeed? It's doubtful.

    

    Replete with the brutality, primordial waste, and savage blankness familiar to readers of his earlier works, Evenson's Kafkaesque allegories entice the mind while stubbornly disordering it. In the title story an obsessive consciousness folds back on itself, creating a vertiginous mélange of Poe and Borges, both horrific and metaphysical. Here, as in "Moran's Mexico," and "Greenhouse," the solitary nature of reading and writing leads characters beyond human limits, making the act of putting words to paper a monstrous violation opening onto madness. In "White Square" the representation of humans by dimly colored shapes confirms our feeling that something lies behind these words, while seeming to mock us with the futility of seeking it. Evenson's enigmatic names-Thurm, Bein, Hatcher, Burlun-placeable landscapes, and barren rooms all combine to create a semblance of conceptual abstraction, as though the material universe had come to exist inside someone's head.Small wonder that Evenson's work has attracted so much attention among philosophers, literary critics, and other speculative intelligences, for it continuously projects a tantalizing absence, as though there were some key or code that, if only we knew it, would illuminate everything. However, the blade of discernment wavers, and we are left to our own groping interpretations.