Now middle-aged women, they were teenagers when Dean filmed Giant two decades ago in nearby Marfa. One of them, an extra in the film, has a child whom she says was conceived with Dean during the shoot. The ladies' congenial reminiscences mingle with flash backs to their youth; then the arrival of a stunning but familiar stranger se

    He has also written fim scripts and for television.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    I am on the run from my husband's divorce lawyer, my mojo is still missing in action and my demon ex-lover is lurking . . . But, all things considered, my pilgrimage is going well . . .'Arkie used to be a trendspotter, running a successful business advising companies on ‘the next big thing'. Until she lost her marriage and her mojo along with it.Her eccentric new friend Haruko suggests a pilgrimage in Japan. But funds are tight, so instead Arkie's going on a very Australian trip, to all the ‘Big Things'.With Haruko as her guide, magic is everywhere. A Buddha appears next to the Big Redback, the Big Macadamia rises from the jungle like a lost temple and inside the Big Shell she can hear a tinkling voice, reminding her of the child she never had.As her improbable adventure unfolds, realisation dawns: could it be that, despite her celebrated foresight, Arkie's been missing what was right before her eyes?

    He's a movie star's son, and hey, he's gorgeous to boot. Jordan has always wanted to get out from the shadow cast by his superstar father, but now that he and his mother have moved so far away from LA, how can he get his divorced parents back together? Jessica convinces Jordan the way to get his father to come for a long visit is to be a part of the school play. And if she's "discovered" in the process, all the better. Things go wrong when she lets Jordan's secret identity slip, and grow even more disastrous when the principal tries to change West Side Story into a gangfree, violence-free, politically correct production.In the same romantic and sharply witty spirit of Life, Love, and the Pursuit of Free Throws, Janette Rallison delivers another comic gem that teen readers are sure to love.

    He visits an old flame, buys a gun and goes on a blistering road trip through the new home front.'I don't blame the war. The war was alright. I miss it. It's just you come back to this.'Written during the London bombings of 2005, Motortown is a fierce, violent and controversial response to the anti-war movement - and to the war itself. Chaotic and complex, powerful and provocative, Simon Stephen's new play portrays a volatile and morally insecure world.Motortown premieres at the Royal Court Theatre on 21 April 2006. It follows the critically acclaimed On the Shore of the Wide World (Manchester Royal Exchange/National Theatre), winner of the Olivier Award for Best New Play (2005).

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    When a true descendent steps foot in Oracle Bay, their divine powers awaken, they receive a visit from the Psychic Union, and shenanigans ensue.Sandy Franklin is on the run from her old life and her almost-ex-husband. The promise of cheap rent and a ready-made business, combined with the tarot cards she’d never managed to discard, make settling down to try her hand at divination sound like a reasonable solution.When Vincent, the man who owns most of the town, shows up to announce he’s selling to stave off his own personal problems, the only thing left for Sandy and the other resident psychics to do is devise a plan to save the town using a combination of their divination skills and a little old-fashioned sleuthing. The one thing Sandy couldn’t predict was how personal her interest in saving Vincent would get.

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    . . Now you are wild - what am I? Eden McKinley knows she can’t count on much in this world, but she can depend on Bonnie, her solid, steady, straight-A best friend. So it’s a complete shock when, five days before the start of their GCSEs, Bonnie runs away with a guy Eden knows nothing about. And it's the last person she would ever have expected.As the days pass, and her world begins to unravel, Eden is forced to question everything she thought she knew about her best friend and herself.

    Ayckbourn's series of plays for 4-5 actors typify his black comedies of human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the problem of loneliness. The Mother Figure shows a mother unable to escape from baby talk; in The Drinking Companion, an absentee husband attempts seduction without success; in Between Mouthfuls, a waiter oversees a fraught dinner encounter. A garden party gets out of hand in Gosforth's Fete, whilst A Talk in the Park is a revue style curtain call piece for the five actors. Whether the comedies concern marital conflict, infidelity or motherhood and take place on a park bench or at a village fete, the characters are familiar and their cries for help instantly recognisable. Principally he is respected as a radical re-inventor of form - Dominic Dromgoole.

    Follow the journey of Yashasvi and millions of other people who are tormented by their own minds. This is not a self-help book. Mental health is no longer just about helping yourself. It is a movement against an invisible crisis that breeds inside our minds. A crisis that makes you question the voice in your head. Yes, the same voice that is reading this out to you.True stories, research, statistics, and facts. This book will convince you why mental health cannot be just about self-help anymore, and why people like Yashasvi need our help.

    From families wishing to contact departed loved ones to police forces trying to solve murder cases, the uncanny accuracy of her psychic powers were universally acclaimed, while her readings and performances in Australia, America, and at home in Britain were received with adulation. This unique collection includes the two best–selling books in which Doris Stokes shared her remarkable experiences with readers throughout the world. In Voices in My Ear, she reflects on discovering her extraordinary gift. Officially informed that her husband had been killed during the Second World War, she was visited at the height of her grief by her long–dead father. He told Doris that her husband was, in fact, alive and would return, but joy turned to grief when her father re–appeared to warn of the impending death of her baby son. Both predictions came true.

    By Patricia Gray. Based on the classic by J.R.R. Tolkien.Cast: approximately 26. Variable number of hobbits and other inhabitants of Middle Earth. It's unusual for a modern work to become a classic so quickly, but Tolkien's "ring" stories, which began with The Hobbit, clearly are in this very special category. They stir the imagination and intellect of everyone they touch. Bilbo, one of the most conservative of all Hobbits, is asked to leave his large, roomy and very dry home in the ground in order to set off as chief robber in an attempt to recover an important treasure. It's the last thing that any sensitive Hobbit would want to do, but great benefit eventually results—not only for Bilbo but for all of the Hobbits who inhabit Middle Earth—and the hearts of those children and adults who continue to enjoy this kind of magic. Multiple simple sets. Approximate running time: 120 minutes.