She’s a prankster and a risk-taker, and she’s not afraid of anything—except losing. As part of the long-running feud between two local schools in Swanston, Grace accepts a challenge to walk the pipe. That night she experiences something she can’t explain. The funny girl isn’t laughing anymore. She’s haunted by voices and visions—but nobody believes a girl who cries wolf.As she’s drawn deeper into a twenty-year-old mystery surrounding missing girl Hannah Holt, the thin veil between this world and the next begins to slip. She can no longer tell what’s real or imagined—all she knows is the ghosts of Swanston, including that of her own mother, are restless. It seems one of them has granted her an extraordinary gift at a terrible price.Everything about her is changing—her body, her thoughts, even her actions seem to belong to a stranger. Grace is losing herself, and her friends don’t understand. Is she moving closer to the truth? Or is she heading for madness?

    With the help of David Tushingham, he has adapted Salman Rushdie's classic children's novel, Haroun and the Sea of Stories for the stage. Set in an exotic eastern landscape peopled by magicians and fantastic talking animals, Rushdie's novel inhabits the same imaginative space as Gulliver's Travels, Alice in Wonderland and The Wizard of Oz. Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way he encounters many foes, intent on draining the sea of all its storytelling powers.

    Her one glimmer of light in her gloomy existence is a wise beyond his years, fiver-year-old foster named Jackson, who also lives with them. Falon longs for the day her mom wakes from her coma, so she can leave, take Jackson with her and begin a new life. Whenever Ty, the smart and brave new foster shows up, Falon realizes that the three of them just might get their chance. Little do they know, a better life awaits them, just inside the hollow tree...

    This follow-up to Sher's 1985 classic Year of the King is a terrific read, rich in humor and excitement, that also stands as a celebration of the craft of character acting.

    When there were still people around to talk to, I would introduce myself as a drinker with a writing problem. It sounded witty at the time, and certainly got a smile once in a while from the ladies. None of that matters now. There are no people left to read my books, and nobody left to listen to my attempts at wit. Now it's just me, sitting in my house on the hill, watching the undead rampage through what we humans once called our world. I sometimes wonder why I still live when those much younger, stronger, smarter and fitter than me perished. Maybe it's just dumb luck. But maybe I am being left alive for a purpose. Nobody may have cared much for my novel, but maybe this is what I was meant to write. Maybe this is what I was meant to be. The chronicler of the undead. This is my story.

    Annabel is dead – but she hasn’t completely gone away. Annabel immediately understands why her first assignment as a ghostly helper is to her old classmate: Julia is fat. And being fat makes you unhappy. Simple, right?As Annabel shadows Julia’s life in the pressured final year of school, Julia gradually lets Annabel’s voice in, guiding her thoughts towards her body, food and control.But nothing is as simple as it first seems. Spending time in Julia’s head seems to be having its own effect on Annabel . . . And she knows that once the voices take hold, it’s hard to ignore them.

    Liaising with the police, looking after Julie’s beloved three-year-old son, Ann waited desperately for news. Three months later she found her child's decomposing body behind a bath panel.A violent local man, Billy Dunlop, was tried for her murder but a series of blunders allowed him to walk free. Knowing he could not be tried again under the law of Double Jeopardy, he callously bragged about his 'perfect crime'.But Dunlop had not reckoned on Ann Ming…This is the extraordinary story of a fight for justice which she never gave up. A moving account of courage and determination, showing how much a mother's love can achieve.

    Ed's family is very wealthy and very dysfunctional. Ed's father, a guilt-ridden judge, rarely emerges from his dusty study. Ed's morbidly obese, sexually perverse mother retired to her bed after a skiing incident ten years ago. They may live in the same luxurious apartment, but Ed and his parents barely interact. A bizarre yet touching friendship develops between Trevor and Ed both men are equally in need of someone who can show them umderstanding and compassion. As the boisterous narrative increasingly focuses its attention on Trevor's past and the mysterious stirrings of his psyche, Lorcan Roche's The Companion becomes a darkly humorous tale of obsession. An Irish take on One Flew Over the Cuckoo's Nest and A Confederacy of Dunces, The Companion's electrifying style, shocking finale, and its moving tale of friendship under duress all make for an immensely rewarding read."

    Sage Tanton is her BFF with a psychic sense for trouble.Protective of her family and friends, Rose is confident she can handle any situation without Sage's supernatural intervention. But then the unthinkable happens. Rose's action triggers one of Sage's visions about a child in danger. And once again, her life is turned upside down. Getting the police involved throws Rose an unexpected romantic curveball. So, she does what she does best - jumps in feet first and finds herself out of the proverbial herbal teapot and into the flames. Liar, liar, pants on fire, Detective Nathan Bryant knows that gorgeous woman he just met is not only deceitful but could be entirely insane. Now he can’t stop lusting after her. Can a determined police detective help Rose achieve her long sought-after redemption or will they both retreat behind their yellow tape and lose out on love? Trust is a gift either has yet to give.

    • Assess for yourself the stunning visual evidence presented in some 200 photographs. • Examine previously unpublished testimony from expert informants. • Discover new research undertaken by von Däniken after the opening up of previously inaccessible regions, such as the jungle city “Buritaca 200” in Colombia.

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    It is a Canadian summer in 1939 and Robert and Annie’s love has blossomed, even as the inevitability of the boys joining up means separation and the first of many losses. Fearing he might not return, Robert makes William promise to take care of Annie. Every arena of their lives is infiltrated by the war, from the home front to the underground of queer London to the bloody battlefields of Italy. Even in the aftermath, in the shadow of The Dreamland, these friends fight their own inner battles: to have faith in their right to love and be loved, to honour their promises and ultimately find their way “home.”

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    From high-class hookers to 7/7 survivors these monologues paint a revelatory picture of Britain as it is today. After rave reviews at the 2008 Edinburgh Festival and in New York, "Eight" opened in London's West End in July 2009.

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.