They sailed far out to sea. The blue one returned to the harbor. The red one sailed home too. But the yellow boat sailed up to the sun." Benjamin always concluded his bedtime ritual by saying, "Mom, you can be the red boat or the blue boat, but I am the yellow boat." This remarkable voyage of Benjamin was extensively developed and widely produced in America for several years, always to ovations. Cast of 4 men and 3 women.THE YELLOW BOAT is based on the true story of David and Sonja Saar's son, Benjamin, who was born with congenital hemophilia, and died in 1987 at the age of 8 of AIDS related complications. A uniquely gifted visual artist, Benjamin's buoyant imagination transformed his physical and emotional pain into a blaze of colors and shapes in his fanciful drawings and paintings. The story of THE YELLOW BOAT Is a glorious affirmation of a child's life, and the strength and courage of all children. Recommended for children of age 8 and older, parents, families and adults.

    Ever since the accident that killed his twin sister, Grace, the only time he feels at peace is when he visits the bridge on which she died. Comfort is fleeting, but it’s almost within reach when he’s standing on the wrong side of the suicide bars. Almost.Grace’s best friend, Hanna, says she understands what he’s going through. But she doesn’t. She can’t. It’s not just the enormity of his loss. As her twin, Mark should have known Grace as well as he knows himself. Yet when he reads her journal, it’s as if he didn’t know her at all.As a way to remember Grace, Hanna convinces Mark to complete Grace’s bucket list from her journal. Mark’s sadness, anger, and his growing feelings for Hannah threaten to overwhelm him. But Mark can’t back out. He made a promise to honor Grace—and it’s his one chance to set things right.

    His life is structured and consistent until Shante Wilson steps into his classroom and turns his world upside down. Jeremiah couldn't ask for a more beautiful fated mate, but there's just one problem. He can't stand her. Shante is opinionated, self-sufficient, and on a mission. She steps into Professor Johnson's classroom, and sparks fly. She’s never had a teacher this sexy before, but he's arrogant and way too uptight. He has a problem with Shante's mouth and he's going to let her know who's in charge. Shante is not one to be tamed, but she's never met a man like Jeremiah. Once she realizes that Jeremiah is the man of her dreams, she's determined to have his heart. Jeremiah is determined to resist Shante's curves and her charm. He has a pack to look after, a class to teach, and a job to maintain, but Shante has a way of wearing down his defenses. Still, there are things that Shante doesn't know about Jeremiah, and if he has his way, she'll never know. Can the alpha resist his prey, or will Shante win this fight for love?You don't want to be late for Professor Johnson's class.

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    Musical. STINKFOOT is an absurdist musical written by former Bonzo Dog Band frontman Vivian Stanshall (1943-1995) and his wife Ki Longfellow-Stanshall for their Old Profanity Showboat in Bristol. The musical was performed in December 1985 but has not been published before. The Sea Urchin edition will contain the script of the musical, lyrics and artwork by Vivian Stanshall, photos of the Bristol performances and an introduction by Ki Longfellow-Stanshall.

    Humans with the ability to transform into wolves at the full moon and at times when they're stressed. This mysterious race has lived among us for centuries. Wolfbloods have superhuman powers in the form of strength, speed, agility and heightened senses, and retain these even when in human form. Fourteen-year-old Maddy lives with her mother and father high in the moors of the beautiful Northumbrian countryside. Her Wolfblood nature - and that of her parents - is her most closely guarded secret. She tries to live as normal a life as possible, but there is danger at every turn, with her best friend determined to track down the secret of the 'beasts of the moors'; and the pull of the full moon every month tempting the Wolfbloods. And on top of this, the trials and tribulations of ordinary teenage life . . . Then into her life steps a stranger, Rhydian, and one who she realises with shock is just like her . . . Maddy and Rhydian must hide their secret from even their closest friends, or the Wolfblood race could be in deadly danger.PULL OF THE MOON is the first in the series of four WOLFBLOOD books.

    He just has to stick to a lie he never meant to tell, that the notoriously troubled Connor Murphy was his secret best friend.Suddenly, Evan isn't invisible anymore--even to the girl of his dreams. And Connor Murphy's parents, with their beautiful home on the other side of town, have taken him in like he was their own, desperate to know more about their enigmatic son from his closest friend. As Evan gets pulled deeper into their swirl of anger, regret, and confusion, he knows that what he's doing can't be right, but if he's helping people, how wrong can it be?No longer tangled in his once-incapacitating anxiety, this new Evan has a purpose. And a website. He's confident. He's a viral phenomenon. Every day is amazing. Until everything is in danger of unraveling and he comes face to face with his greatest obstacle: himself.A simple lie leads to complicated truths in this big-hearted coming-of-age story of grief, authenticity and the struggle to belong in an age of instant connectivity and profound isolation.

    The Orphan Muses is a devilishly funny play about four wacky siblings. Abandoned by their mother, who ran off with a Spanish fisherman, the Tanguay children were left to raise themselves. Now, on the eve of her return, this bizarre quartet must reconcile with each other and figure out why their mother left them. A truly unique comedy that is guaranteed to show you how normal your family really is.

    Not all the stories these characters tell are true; some are lies, wild yams, clever deceits, baroque fabrications. But whether or not a homeless kid invents an incredible history for himself isn't the point, explains diarist-of-the-street Jim Grimsley. "All these stories and lies add up to something like the truth."Inspired in part by Ovid's Metamorphoses, Iizuka's Polaroid Stories takes place on an abandoned pier on the outermost edge of a city, a way stop for dreamers, dealers and desperadoes, a no-man's land where runaways seek camaraderie, refuge and escape. Serpentine routes from the street to the heart characterize the interactions in this spellbinding tale of young people pushed to society's fringe. Informed, as well, by interviews with young prostitutes and street kids, Polaroid Stories conveys a whirlwind of psychic disturbance, confusion and longing. Like their mythic counterparts, these modem-day mortals are engulfed by needs that burn and consume. Their language mixes poetry and profanity, imbuing the play with lyricism and great theatrical force.

    So they tapped into their main character's loneliness and allowed him to sing his way out of it. The result was "You Will Be Found," a song that sets in motion a moment that goes viral in the world of the show and in turn helps Evan find connection.And then something happened in the world outside the show: Fans loved the song. It connected. It went viral. People who had never even seen Dear Evan Hansen found the song, and found comfort in its message of hope.This beautifully illustrated edition of the "You Will Be Found" lyrics is for them, and for anyone on the edge of a new chapter in life. It serves as a reminder to anyone who feels lost or uncertain that, as the song says, you are not alone.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    It's about families, friendships, and carefully preserved secrets. But above everything else it's about love. Finding love - in any of its forms - and nurturing it.Miss Hayes has a new theory. She thinks my condition's caused by some traumatic incident from my past I keep deep-rooted in my mind. As soon as I come clean I'll flood out all these tears and it'll all be ok and I won't be scared of Them anymore. The truth is I can't think of any single traumatic childhood incident to tell her. I mean, there are plenty of bad memories - Herb's death, or the time I bit the hole in my tongue, or Finners Island, out on the boat with Sarah - but none of these are what caused the phobia. I've always had it. It's Them. I'm just scared of Them. It's that simple.

    But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. Then it's up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger

    The people, including five comic characters abandoned or greatly diminished in the later play, "Uncle Vanya," for which Chekhov borrowed his own characters and material, do not allow themselves to be daunted. This translation of The Wood Demon was produced by the Mark Taper Forum as a classics lab workshop production in 1992...