Characters observe their fellow citizens from afar, hesitant to stray from their daily routines to engage with them. But Tokyo being the city it is, random encounters inevitably take place – a naïve book collector, mistaken for a French speaker, is drawn into a world he never knew existed; a woman seeking psychiatric help finds herself in a taxi with an older man wanting to share his own peculiar revelations; a depressed divorcee accepts an unexpected lunch invitation to try Thai food for the very first time… The result in each story is a small but crucial change in perspective, a sampling of the unexpected yet simple pleasure of other people’s company. As one character puts it, ‘The world is full of delicious things, you know.’

    Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive "feminine" passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.In this witty and exuberant collection of linked stories, Aoko Matsuda takes the rich, millennia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.

    After two centuries of isolation, Japan has been forced to open its doors to the West, igniting a clash of cultures and generations. And as foreign ships threaten to rain destruction on the Shogun’s castle in Edo, a small group of American missionaries has chosen this time to spread the word of their God. Among them, Emily Gibson, a woman seeking redemption from a tormented past, and Matthew Stark, a cold-eyed killer with one more death on his mind. Neither realizes that their future in Japan has already been foreseen. For a young nobleman, Lord Genji, has dreamt that his life will be saved by an outsider in the New Year. Widely reviled as a dilettante, Lord Genji has one weapon with which to inspire awe. In his family, one in every generation is said to have the gift of prophecy. And what Lord Genji sees has struck fear in many around him. As the Shogun’s secret police chief plots Genji’s death--and the utter destruction of his entire clan--the young and untried lord must prove that he is more than the handsome womanizer of legend, famed lover of Edo’s most celebrated geisha, Lady Heiko, and that his prophetic powers are no mere fairy tale. Forced to escape from Edo and flee to his ancestral stronghold, the spectacular Cloud of Sparrows Castle, Genji joins his fate with Emily and Stark, unaware of the dark forces that drive them. Together with Genji’s uncle, Lord Shigeru, a legendary swordsman knee-deep in the blood of his own kin, and the enigmatic Lady Heiko, the unlikely band embarks on a harrowing journey through a landscape bristling with danger--to prepare for a final battle.Here, on a snowscape stained with blood, horror will mix with wonder, secrets will unravel, and love will duel with vengeance--as East and West, flesh and spirit, past and future, collide in ways no one--least of all Genji--could have imagined.

    The novel follows Bolívar as he takes his final journey in 1830 down the Magdalena River toward the sea, revisiting the scenes of his former glory and lamenting his lost dream of an alliance of American nations. Forced from power, dogged by assassins, and prematurely aged and wasted by a fatal illness, the General is still a remarkably vital and mercurial man. He seems to remain alive by the sheer force of will that led him to so many victories in the battlefields and love affairs of his past. As he wanders in the labyrinth of his failing powers-and still-powerful memories-he defies his impending death until the last.The General in His Labyrinth is an unforgettable portrait of a visionary from one of the greatest writers of our time.

    (from Wikipedia)

    There has been much international excitement too-to date, rights have been sold in thirteen countries. Wolf Totem is set in 1960s China-the time of the Great Leap Forward, on the eve of the Cultural Revolution. Searching for spirituality, Beijing intellectual Chen Zhen travels to the pristine grasslands of Inner Mongolia to live among the nomadic Mongols-a proud, brave, and ancient race of people who coexist in perfect harmony with their unspeakably beautiful but cruel natural surroundings. Their philosophy of maintaining a balance with nature is the ground stone of their religion, a kind of cult of the wolf. The fierce wolves that haunt the steppes of the unforgiving grassland searching for food are locked with the nomads in a profoundly spiritual battle for survival-a life-and-death dance that has gone on between them for thousands of years. The Mongols believe that the wolf is a great and worthy foe that they are divinely instructed to contend with, but also to worship and to learn from. Chen's own encounters with the otherworldly wolves awake a latent primitive instinct in him, and his fascination with them blossoms into obsession, then reverence. After many years, the peace is shattered with the arrival of Chen's kinfolk, Han Chinese, sent from the cities to bring modernity to the grasslands. They immediately launch a campaign to exterminate the wolves, sending the balance that has been maintained with religious dedication for thousands of years into a spiral leading to extinction-first the wolves, then the Mongol culture, finally the land. As a result of the eradication of the wolves, rats become a plague and wild sheep graze until the meadows turn to dust. Mongolian dust storms glide over Beijing, sometimes blocking out the moon. Part period epic, part fable for modern days, Wolf Totem is a stinging social commentary on the dangers of China's overaccelerated economic growth as well as a fascinating immersion into the heart of Chinese culture.

    All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement and is soon caught up in a comic adventure that becomes wilder and more manic by the minute. In 1960 Queneau's cult classic was made into a hugely successful film by Louis Malle. Packed full of word play and phonetic games, 'Zazie in the Metro' remains as stylish and witty today as it did back then.

    James, Robert Barnard and other literate writers in the genre will welcome US publication of this prize-winning author's first work. In postwar Tokyo, the K Apartment House for ladies is about to be moved intact in a highly publicized engineering feat. Then, flashback seven years to one of its occupants and her confederate--a man dressed in woman's clothes--as they bury a child's body in an unused communal bath beneath the building. A second flashback tells of the kidnapping of four-year-old George Kraft, son of an American army officer and his Japanese wife. The stage is set. The actors are a few of the present-day occupants of the K apartments--single, lovely, obsessed, neurotic--each life a novel in itself, told in a spare, unembellished style that never lapses into the sentimental. Manipulated by hidden strings, their actions and reactions lead to suicide, murder, and some final surprising revelations. This is a fresh, original novel, superbly crafted and riveting from start to finish.

    No longer content to lay eggs on command, only to have them carted off to the market, she glimpses her future every morning through the barn doors, where the other animals roam free, and comes up with a plan to escape into the wild—and to hatch an egg of her own. An anthem for freedom, individuality and motherhood featuring a plucky, spirited heroine who rebels against the tradition-bound world of the barnyard, The Hen Who Dreamed She Could Fly is a novel of universal resonance that also opens a window on Korea, where it has captivated millions of readers. And with its array of animal characters—the hen, the duck, the rooster, the dog, the weasel—it calls to mind such classics in English as Animal Farm and Charlotte’s Web. Featuring specially-commissioned illustrations, this first English-language edition of Sun-mi Hwang’s fable for our times beautifully captures the journey of an unforgettable character in world literature.

    The story recounts the love between his new sister-in-law Jamilia and a local crippled young man, Daniyar, while Jamilia's husband, Sadyk, is away at the front during World War II.Based on clues in the story, it takes place in northwestern Kyrgyzstan, presumably Talas Province. The story is backdropped against the collective farming culture which was early in its peak in that period.Chingiz Aïtmatov was born in Kyrgyzstan in 1928. His work appeared in over one hundred languages, and received numerous awards, including the Lenin Prize. He was the Kyrgyz ambassador to the European Union, NATO, UNESCO and the Benelux countries.Translated by James Riordan.

    Chi-chen Wang's translation is skillful and accurate.

    In the 17th century, a young Italian scholar sailing from Venice to Naples is taken prisoner and delivered to Constantinople. There he falls into the custody of a scholar known as Hoja--"master"--a man who is his exact double. In the years that follow, the slave instructs his master in Western science and technology, from medicine to pyrotechnics. But Hoja wants to know more: why he and his captive are the persons they are and whether, given knowledge of each other's most intimate secrets, they could actually exchange identities. Set in a world of magnificent scholarship and terrifying savagery, The White Castle is a colorful and intricately patterned triumph of the imagination.