Twelve-year-old novice nun Elinor Dray has always idolized Robin Hood. She and her friends try to be like him by sneaking out to hunt on the lands belonging to the village Baron, stealing from him to feed their poor neighbors. They call themselves the League of Archers. While returning from a hunting trip late one night, Ellie meets a man in the forest—a hunter like herself. But suddenly the man is shot with a poisoned arrow. She manages to help him back to the abbey, but it’s too late and he dies. Only in his final moments, does Ellie realize that the hunter is Robin Hood, and that the abbess of the nunnery is Maid Marian. With her secret revealed, the Baron immediately arrests Marian. But he needs a scapegoat for the murder of Robin Hood, and who better than a young novice nun? Ellie is proclaimed a hero—the person who killed the famous outlaw Robin Hood—but the villagers don’t agree. A mob forms, vowing to hunt Ellie down and exact their own vengeance. Will Ellie and her League of Archers be able to find the real killer, free Maid Marian, and keep Robin Hood’s legacy alive?

    The more than 175 tales culled from a centuries-old Russian storytelling tradition by the outstanding Russian ethnographer Aleksandr Afanas’ev reveal a rich, robust world of the imagination that will fascinate readers both young and old.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    The Classic Fairy Tales focuses on six tale types: "Little Red Riding Hood," "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel," and presents multicultural variants and sophisticated literary rescriptings. Also reprinted are tales by Hans Christian Andersen and Oscar Wilde."Criticism" gathers twelve essays that interpret aspects of fairy tales, including their social origins, historical evolution, psychological drama, gender issues, and national identities.A Selected Bibliography is included.

    A whole family sat for hours around the fire in the middle of the room. That fire gave the only light. Shadows flitted in the dark corners. Smoke curled along the high beams of the ceiling. The children sat on the dirt floor close by the fire. The grown people were on a long narrow bench that they had pulled up to the light and warmth. Everybody's hands were busy with wool. As the family worked in the red fire-light, the father told of the kings of Norway, of long voyages to strange lands, of good fights. And in farmhouses all through Iceland these old tales were told over and over until everybody knew them and loved them. Men who could sing and play the harp were called "skalds," and they called their songs "sagas." Eventually these stories were written down on sheepskin or vellum so that we can enjoy them today. We follow the fortunes of Harald from the time he is acknowledged by his father as a baby and given his own thrall at the cutting of his first tooth, through his exploits as a viking adventurer, to his crowning as King of Norway. It is when Harald is King of Norway that population pressures at home and eagerness for adventure and booty from other lands combine to drive some of the bolder Vikings to set forth from their native land. Sailing ever westward across the Atlantic, they hop along the chain of islands that loosely connects Norway with America-Orkneys and Shetlands, Faeroes, Iceland, and Greenland. It is from link to link of this chain that the characters in our story sail in search of home and adventure. Discoveries are made by accident. Ships are driven by the wind into unknown ports, resulting in landings and settlements in Iceland, Greenland, and America. The crude courage of these men and strangeness of their adventures appeal strongly to children, while their love of truth, hardy endurance, and faithfulness to the promised word make them characters to emulate. Suitable for children ages 9 and up to read to themselves and for children as young as 6 as a read-aloud.

    Even their cats are too skinny for the mice to chase! When Tim goes out to find a job, he stumbles upon "the wee folk"--a band of leprechauns who give him gifts to make his fortune. That is, if Tim can keep clear of the evil McGoon family. . . ."The telling here has a well-honed, Irish lilt; the illustrations, by a Caldecott winner, are lively, expressive, and well sprinkled with sprightly men in green."--Kirkus Reviews"This book is a winner."--Booklist

    Or was it just the odd light of dusk or dawn playing tricks? As Lise Lunge-Larsen’s magical, timeless stories reveal and Beth Krommes’s enchanting scratchboard illustrations capture, the hidden folk are there, all right: you just have to know where—and how—to look.

    You’ve heard about St. George, but how about the Green Man, who was believed to rule over the natural world? Or Black Shuck, the giant ghostly dog who was reputed to roam East Anglia? As well as looking at the history of this subject, this book has a directory of places you can go to see folklore alive and well today. The Whittlesea Straw Bear Festival, for example, or wassailing cider orchards in Somerset.

    It’s safe and cozy underground, and best of all--it’s home. So when Fox says Mole has to move her home to make room for a new path, she must do some quick thinking--and digging--to save it. “Ehlert’s collages, inspired by the Woodland Indians’ traditional arts of ribbon appliqué and beadwork, are bold; graphically striking; and rich in form, shape, and color. Perfect for young children, this is an admirable marriage of text and art.”--School Library Journal

    There are tales of monks and saints, fairies and witches, kings, nobles, and ordinary people doing extraordinary things. Some stories were never written down, shared instead through retellings that turned storytelling into an art form.In "Thistle and Thyme," Sorche Nic Leodhas brings together ten folktales that were passed down through the generations as part of Scotland's vibrant oral tradition. In this volume, stories about the changeling and the stolen child, the bride who was cursed to silence by a water kelpie, and the beekeeper who found a rabbit under a spell are just a handful of the thousands of local myths that make up Scotland's colorful history.

    The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

    The volume includes over forty of the Grimms' most beloved stories, including:Rapunzel * Hansel and Gretel * The Brave Little Tailor * Cinderella * Little Red Riding Hood * The Robber Bridegroom * Briar Rose * Snow White * Rumplestilskin * The Golden Goose * The Singing, Soaring Lark * The Frog King * The Juniper Tree * and Mother HolleWith over 150 paintings and drawings from the most celebrated fairy tale illustrators, including George Cruikshank, Paul Hey, Walter Crane, Warwick Goble, Kay Nielsen, and Arthur Rackham.

    See in here? Nothing! Zippo! Nada! Mac explains. That's why they're so easy to fool--and their clever friend Meatball isn't afraid to take advantage of that fact.Illustrated by Tedd Arnold, whose Fly Guy series is a kid favorite, this graphic novel is perfect for comic fans and reluctant readers, with short, funny chapters following Mac and Mac through ridiculous adventures. Full of wordplay, jokes, and slapstick humor, the Noodlehead series is sure to delight.Based on traditional world folktales and stories of fools, the Noodleheads also encourage critical thinking, inviting kids to use their noodles--spotting the holes in the brothers' grand plans, and anticipating how things will go awry.Source notes from professional storytellers Martha Hamilton and Mitch Weiss provide more information about the traditional stories that inspired Mac and Mac's mishaps, showing how these comic motifs feature in folklore and legends all around the world and offering opportunities for further reading.This easy-to-read series, including the Geisel Honor book Noodleheads See the Future, is an accessible introduction to stories of fools, and a great next read for fans of the Fly Guy books.

    The Norwegian folktales, said Jacob Grimm, "surpass nearly all others."Within these captivating tales we meet witches, trolls, and ogres; sly foxes and great, mysterious bears; beautiful princesses and country-lads-turned-heroes. Collected here in a sparkling contemporary translation by Pat Shaw Iversen and Carl Norman, these tales brim with the matchless vitality and power of their original telling. Included also are the wonderfully evocative original illustrations of Erik Werenskiold and Theodor Kittelsen.

    His reveries lead him to tell two other tales--one of a doomed lighthouse keeper on a Swedish island and the other of a rivalry among Renaissance artists--and finally he tells a startling tale from his own youth. For readers of Michael Ondaatje and Isak Dinesen, Erik Fosnes Hansen's imaginative narration brings an original and searching inquiry into why things happen the way they do and suggests a theory of "seriality"--a half-science about the power of human connections.

    This is a collection of Scottish fairy tales, folk tales and legends, which have been passed on from generation to generation, and have been brought together in this one volume.