It is also armed with nuclear weapons. Between 150,000 and 200,000 people are being held in its political prison camps, which have existed twice as long as Stalin's Soviet gulags and twelve times as long as the Nazi concentration camps. Very few born and raised in these camps have escaped. But Shin Donghyuk did.In Escape from Camp 14, acclaimed journalist Blaine Harden tells the story of Shin Dong-hyuk and through the lens of Shin's life unlocks the secrets of the world's most repressive totalitarian state. Shin knew nothing of civilized existence-he saw his mother as a competitor for food, guards raised him to be a snitch, and he witnessed the execution of his own family. Through Harden's harrowing narrative of Shin's life and remarkable escape, he offers an unequaled inside account of one of the world's darkest nations and a riveting tale of endurance, courage, and survival.

    Seoul, 1978. At South Korea's top university, the nation's best and brightest compete to join the professional elite of an authoritarian regime. Success could lead to a life of rarefied privilege and wealth; failure means being left irrevocably behind. For childhood friends Jisun and Namin, the stakes couldn't be more different. Jisun, the daughter of a powerful business mogul, grew up on a mountainside estate with lush gardens and a dedicated chauffeur. Namin's parents run a tented food cart from dawn to curfew. Her sister works in a shoe factory. Now Jisun wants as little to do with her father's world as possible, abandoning her schoolwork in favor of the underground activist movement, while Namin studies tirelessly in the service of one goal: to launch herself and her family out of poverty. But everything changes when Jisun and Namin meet an ambitious, charming student named Sunam, whose need to please his family has led him to a prestigious club: the Circle. Under the influence of his mentor, Juno, a manipulative social climber, Sunam becomes entangled with both women, as they all make choices that will change their lives forever.In this sweeping yet intimate debut, Yoojin Grace Wuertz details four intertwining lives that are rife with turmoil and desire, private anxieties and public betrayals, dashed hopes and broken dreams while a nation moves toward prosperity at any cost.

    Ripley meets The Bad Seed in this breathless, chilling psychological thriller by the bestselling novelist known as "Korea's Stephen King" Who can you trust if you can't trust yourself? Early one morning, twenty-six-year-old Yu-jin wakes up to a strange metallic smell, and a phone call from his brother asking if everything's all right at home - he missed a call from their mother in the middle of the night. Yu-jin soon discovers her murdered body, lying in a pool of blood at the bottom of the stairs of their stylish Seoul duplex. He can't remember much about the night before; having suffered from seizures for most of his life, Yu-jin often has trouble with his memory. All he has is a faint impression of his mother calling his name. But was she calling for help? Or begging for her life? Thus begins Yu-jin's frantic three-day search to uncover what happened that night, and to finally learn the truth about himself and his family. A shocking and addictive psychological thriller, The Good Son explores the mysteries of mind and memory, and the twisted relationship between a mother and son, with incredible urgency.

    In chapter one, the grandmother matriarch in the Soviet Union accidentally writes a bestselling autobiography. In chapter two, Tosca, her daughter (born in Canada, where her mother had emigrated) moves to the DDR and takes a job in the circus. Her son―the last of their line―is Knut, born in chapter three in a Leipzig zoo but raised by a human keeper in relatively happy circumstances in the Berlin zoo, until his keeper, Matthias, is taken away...Happy or sad, each bear writes a story, enjoying both celebrity and “the intimacy of being alone with my pen.”

    Now, with The Surrendered, Lee has created a book that amplifies everything we've seen in his previous works, and reads like nothing else. It is a brilliant, haunting, heartbreaking story about how love and war inalterably change the lives of those they touch. June Han was only a girl when the Korean War left her orphaned; Hector Brennan was a young GI who fled the petty tragedies of his small town to serve his country. When the war ended, their lives collided at a Korean orphanage where they vied for the attentions of Sylvie Tanner, the beautiful yet deeply damaged missionary wife whose elusive love seemed to transform everything. Thirty years later and on the other side of the world, June and Hector are reunited in a plot that will force them to come to terms with the mysterious secrets of their past, and the shocking acts of love and violence that bind them together. As Lee unfurls the stunning story of June, Hector, and Sylvie, he weaves a profound meditation on the nature of heroism and sacrifice, the power of love, and the possibilities for mercy, salvation, and surrendering oneself to another. Combining the complex themes of identity and belonging of Native Speaker and A Gesture Life with the broad range, energy, and pure storytelling gifts of Aloft, Chang-rae Lee has delivered his most ambitious, exciting, and unforgettable work yet. It is a mesmerizing novel, elegantly suspenseful and deeply affecting.

    Sad Toys is a collection of 194 Tanka, the traditional 31-syllable poems that evoke Japan's misty past.

    Now, at the height of his powers, Zambra returns with a book that is the natural extension of these qualities: Multiple Choice.   Written in the form of a standardized test, Multiple Choice invites the reader to complete virtuoso language exercises and engage with short narrative passages via multiple-choice questions that are thought-provoking, usually unanswerable, and often absurd. It offers a new kind of reading experience, one where the reader participates directly in the creation of meaning. Full of humor, melancholy, and anger, Multiple Choice is about love and family; privacy and the limits of closeness; how a society is affected by the legacies of the past; and the conviction that, rather than learning to think, we are trained to obey and repeat. Serious in its literary ambition but playful in its execution, Multiple Choice confirms Alejandro Zambra as one of the most important writers working in any language.

    With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food.As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.

    Taking us into a landscape most of us have never before seen, award-winning journalist Barbara Demick brings to life what it means to be living under the most repressive totalitarian regime today—an Orwellian world that is by choice not connected to the Internet, in which radio and television dials are welded to the one government station, and where displays of affection are punished; a police state where informants are rewarded and where an offhand remark can send a person to the gulag for life. Demick takes us deep inside the country, beyond the reach of government censors. Through meticulous and sensitive reporting, we see her six subjects—average North Korean citizens—fall in love, raise families, nurture ambitions, and struggle for survival. One by one, we experience the moments when they realize that their government has betrayed them.  Nothing to Envy is a groundbreaking addition to the literature of totalitarianism and an eye-opening look at a closed world that is of increasing global importance.

    Petersburg Times) this is a radiant and engaging story about a young American woman’s discovery about the life of her Korean grandmother.Helie Lee’s grandmother, Hongyong Baek, came of age in a unified but socially repressive Korea, where she was taught the roles that had been prescribed for her: obedient daughter, demure wife, efficient household manager. Ripped from her home first during the Japanese occupation and again during the bloody civil war that divided her country, Hongyong fought to save her family by drawing from her own talents and values. Over the years she proved her spirit indomitable, providing for her husband children by running a successful restaurant, building a profitable opium business, and eventually becoming adept at the healing art of ch’iryo. When she was forced to leave her country, she moved her family to California, where she reestablished her ch’iryo practice. Writing in her grandmother’s voice, Helie Lee recreates an individual experience in a unique culture that is both seductively exotic and strangely familiar. With wit and verve, she claims her own Korean identity and illuminates the intricate experiences of Asian-American women in this century.

    The thirty-one poems in the first of his major writings are linked by a lyrical prose narrative celebrating and debating the subject of love. Composed upon Dante's meeting with Beatrice and the "Lord of Love," it is a love story set to the task of confirming the "new life" inspired by this meeting. With a critical introduction and explanatory notes, this is a new translation of a supreme work which has been read variously as biography, religious allegory, and a meditation on poetry itself.

    Except for a few journeys when she was young, Emily lived the life of a recluse in her father’s house, spending her days writing poems and letters.In 1862, she sent a few of her poems to a publisher. He replied that her work was too unusual, too different. This was her first and last attempt to reach the public ear. From then on, she bound her work in small hand-stitched collections that she kept in her bureau drawer. After Emily’s death in 1885, her sister discovered over a thousand poems hidden away in drawers and boxes.Although Emily’s experiences were limited, her poems are profound, often playful, contemplations of life, love, nature, time, and eternity. Each exhibits her extraordinary talent for combining startling imagery and unexpected rhymes. In addition to commentary and a selection of Dickinson’s letters, this audioproduction includes 75 of her most treasured poems.

    Tableaux Parisiens condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. Le Vin centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of Fleurs du Mal while rebellion is at the heart of Révolte.

    She is observed at all times by the undetected narrator, the Woman in the Yellow Cardigan. From a distance the Woman in the Purple Skirt looks like a schoolgirl, but there are age spots on her face, and her hair is dry and stiff. Like the Woman in the Yellow Cardigan, she is single, she lives in a small, run-down apartment, and she is short on money. The Woman in the Yellow Cardigan lures her to a job where she herself works, as a hotel housekeeper; soon the Woman in the Purple Skirt is having an affair with the boss. Unfortunately, no one knows or cares about the Woman in the Yellow Cardigan. That's the difference between her and the Woman in the Purple Skirt.Studiously deadpan, highly original, and unsettling, The Woman in the Purple Skirt explores the dynamics of envy, the mechanisms of power in the workplace, and the vulnerability of unmarried women in a taut, voyeuristic narrative about the sometimes desperate desire to be seen.

    Too impetuous to be satisfied as a subsidiary wife, this beautiful (and unnamed) noblewoman of the Heian dynasty protests the marriage system of her time in one of Japanese literature's earliest attempts to portray difficult elements of the predominant social hierarchy. A classic work of early Japanese prose, The Gossamer Years is an important example of the development of Heian literature, which, at its best, represents an extraordinary flowering of realistic expression, an attempt, unique for its age, to treat the human condition with frankness and honesty. A timeless and intimate glimpse into the culture of ancient Japan, this translation by Edward Seidensticker paints a revealing picture of married life in the Heian period.